Women by every genre—and every gender

Rare first edition.

Small tears at the head and foot of the spine, a few angular losses to the partially soiled covers, foxing.

Autograph letter signed “ta merre famme Babeuf” by Marie-Anne Babeuf, addressed to her son Émile. 3 pages on a bifolium.

An exceedingly rare and unpublished letter written from prison by Marie-Anne Victoire Babeuf (née Langlet), a revolutionary and wife of the celebrated leader of the Conspiracy of Equals, Gracchus Babeuf.

This appeal from a modest chambermaid turned political activist dates precisely from a period of her life about which almost nothing is know

Signed autograph card, dated 18 November 1984, 12 lines in blue ballpoint, addressed to her friend, the woman of letters Christiane Baroche, in which she refers to her latest work  "Plaisirs amers" and to the friendship binding the two women writers.

Accompanied by the manuscript envelope addressed to Christiane Baroche.

"Merci Christiane de ta lettre qui m'a fait très chaud au coeur, car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien. Je t'embrasse. Annie.

PS. Jacques Duchateau a formidablement bien parlé de 'Plaisirs amers" à Droit de réponse, j'étais ravie."

Autograph signed postcard, dated 8 February 1984, 8 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, warmly thanking her for her friendship and for her laudatory reviews of her books.

Manuscript envelope addressed to Christiane Baroche included.

The postcard depicts a view of the leisure park at Cergy, in the Ile-de-France region.

"Christiane

tout ce que tu m'écris me fait très chaud au coeur. Je ne sais ce qui me touche le plus, ce que tu penses de moi comme auteur (écrivain c'est trop lourd ! ) ou ton amitié. Je t'embrasse. Annie."

First edition.
Some foxing to spine and boards.

Precious dated and signed autograph inscription from Irène Delmas, president of the National Association of Former Female Deportees and Prisoners of the Resistance (ADIR): "A monsieur Massin avec l'amitié et la reconnaissance des Anciennes Déportées de la Résistance. IRDelmas Présidente de l'ADIR. Paris 13 Novembre 1957." (To Mr. Massin with the friendship and gratitude of the Former Female Deportees of the Resistance. IRDelmas President of ADIR. Paris 13 November 1957.)

Our copy is exceptionally enhanced with the signatures of several members of the editorial committee of the Association of

First edition for which was no grand papier (deluxe) copy.
Pleasant copy of this work which received the Prix Fémina in 1984.
Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)

Provenance: from the library of Régine Defor

Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

Minor tears affecting three remar

Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
 
This letter was partially published in Correspondance, vol. XIV, no. 7846.
A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of sou

A substantially cropped print bearing the same penciled number on the back of our photograph (11214), is in the Reutlinger archives at the Bibliothèque nationale de France (Album Reutlinger de portraits divers vol. 53, p.3). We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008.

A beautiful, sultry shot of

Edition of wich no leading copies exists.
Binding of the editor in full black fabric.
Iconography.
Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.

Rare autograph signed Kenzo Takada Gilles Brochard.

First edition following the unobtainable mimeographed version produced by the author.
Inevitable minor wear along the edges of the covers and spine, restoration to the upper left corner of the front cover, newspaper clipping laid in. Barnes & Noble price sticker affixed to the front cover.
Commentary by Paul Krassner.
 
This incendiary pamphlet, issued by the marginal and modest Olympia Press, newly re-established in New York, was printed in only a small number of copies.
Gender discrimination, hate speech and incitement to genocide, a violent and unrepentant attempted murder of one of the most celebrated artists of the twentieth century, the advocacy of an

New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.

Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after th

First edition with 25 full-page photographs.
Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
Rare autograph signature of Maria Callas on the title page.

First edition of this poetry collection, prepared posthumously by the author's former husband, Ted Hughes. Our copy is complete with its unclipped dust jacket.

Publisher's blue percaline in Bradel binding, smooth spine lettered in silver, with the title, author's name and publisher's imprint.

Lower headcap very slightly bumped, minimal wear to corners. To the dust jacket, upper headcap with a very slight split, and a faint offse

First French edition, the exceedingly rare first edition having been printed in Belgium five years earlier.

Contemporary half black shagreen binding, spine with five raised bands highlighted with gilt dotted rules and decorated with blind fillets, a slightly split joint at the head, a few scuffs to the spine, marbled paper boards, marbled endpapers, speckled edges.

A small dampstain to the lower right corner of the title page.

Preface by Maurice Barrès.

Autograph card signed, dated 7 September 1984, 20 lines in blue ballpoint pen, addressed to her friend, the writer Christiane Baroche, in which she congratulates her on her latest work "Plaisirs amers" which she "devoured" and enjoyed. Annie Ernaux humorously refers to her property plans linked to the sale of her book "La Place".

"Ma chère Christiane,

j'ai reçu "Plaisirs amers" le 6, l'ai lu le soir d'une traite (comme tu sais bien parler de l'amour, c'est merveilleux ! Et de la vieillesse... Un  seul regret : que ces deux-là n'aient pas fait l'amour ensemble, enfin, tu ne dis rien ! ). Le 7, jai voulu t'appeler, la belle avait quitté le nid, je supp

Autograph card signed, dated 25 April 1987, 17 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she lavishes praise on her latest work entitled "L'hiver de beauté".

With the original envelope.

"Ma chère Christiane,

après tout, je me console : celui qui a fauché "L'Hiver de Beauté" a eu du nez, il a passé de bons moments, avec ta superbe Isabelle, ta non moins acide et volontaire Queria. Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse, la construction est remarquable et "fluent" comme on dit en anglais, c'est très naturellement qu'on passe de l'une

Autograph signed postcard, 12 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she expresses her complete intellectual affinity with her.

The recto of the postcard features a reproduction of the painting "Trompe l'oeil" by Cornelis Gysbrechts.

"Ma chère Christiane,

merci ! Ce petit prix a surtout le mérite de grossir ma cagnotte pour la maison de mes rêves, enfin, un peu : 5000 F. Mais je suis très contente. Je voulais te dire depuis les vacances de Pâques combien j'avais eu le plaisir à écouter ta voix fraternelle dans ton recueil de "Rimes intérieures". J'aime ce que tu aimes, je m'interro

New edition, partly original as revised and expanded.

Vertical creasing to the upper cover, a pleasant copy.

Illustrated with a photographic portrait of the author as frontispiece, together with three further plates.

Scarce pamphlet issued by the relief committee for political prisoners of the Russian penal camps in Grenoble.

First edition for which no deluxe paper copies were issued.

Spine slightly sunned with small losses at head and foot, a slight marginal loss and a transverse crease to the lower cover.

A rare copy of Alexandra David-Néel's second work.

First edition.
Publisher’s full brown grained sheepskin binding, orange top edge, smooth spine ruled in gilt.
Richly illustrated.
Copy complete with its dust jacket, acetate wrapper and soft slipcase.
Acetate wrapper slightly yellowed.

New edition, one of 26 numbered copies on Montval paper, the head of the edition.

A pleasing copy.

Fine autograph inscription signed by Colette to Mr P.A. Crozier: "... en souvenir de maint envoi de beaux fruits ; n'est-ce pas dire que je gagne à l'échange ? Les fruits de mon jardin sont de sec papier... Colette."

First edition, for which no deluxe paper copies were issued.

A pleasant copy.

Valuable signed autograph inscription from Susan Sontag to her friend Sonia Rykiel: "pour Sonia avec mes amitiés Susan Sontag 26 septembre 1995 Paris."

First edition, limited to 59 numbered copies on Arches vellum, signed in pink pencil by André Masson beneath the limitation statement.
Rare and fine copy.
Illustrated with two original etchings by André Masson, printed full-bleed and issued hors texte.

First edition of the French translation established by Emmanuelle de Lesseps.
Handsome and very rare copy.
With a presentation by Christiane Rochefort.

Gender discrimination, hate speech and calls for genocide, violent action with a furious, premeditated and unrepentant murder attempt on one of the most famous artists of the 20th century, promotion of violent anarchy with great scatological laughter, programmed elimination or humiliation of half the human race...
 
In her misandrist pamphlet, Scum manifesto ("Society for Cutting Up Men"), Valerie Solanas shows no empathy, leaves no room for moderation or reconciliation, and grants no exception to her project of