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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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<p>From fairy tales to the battle of the sexes, Edition-Originale explores the other 364 days of womanhood and the strategies employed by female authors to envision a world different from that of the medieval poet Christine de Pizan, who wrote: "The existence of most women is harsher than that of slaves among the Saracens."</p>
  1. Selections

Women by every genre—and every gender

From fairy tales to the battle of the sexes, Edition-Originale explores the other 364 days of womanhood and the strategies employed by female authors to envision a world different from that of the medieval poet Christine de Pizan, who wrote: "The existence of most women is harsher than that of slaves among the Saracens."

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Women by every genre—and every gender
  1. Les jolies chosesLes jolies choses
    Virginie DESPENTES

    Les jolies choses[Pretty Things]

    Grasset|Paris 1996|12.7 x 19.5 cm|Broché

    First edition, with no deluxe copies issued.

    A fine copy, complete with the publisher's promotional wraparound band.

    Signed presentation inscription by Virginie Despentes on the title page.

    €200
  2. Types japonaisTypes japonais
    Yuko WATANABE

    Types japonais[Japanese Types]

    Sans nom d'éditeur|Tokyo 1886|29.5 x 21.5 cm|Relié

    Rare first edition comprising a fine series of 40 two-tone lithographs by Yuko Watanabe depicting Japanese types, scenes of traditional life, costumes, and more: Ronin, hara-kiri, samurai, the attack on Shogun Nobunaga, a geisha’s visit, young women paying a call, a game of go...

    Not in Colas, nor Hiler & Hiler; lacking from the Bn; not in Nipponalia or Cordier. Wenckstern, I, p. 228 (gives the Yokohama address, undated, and mentions two volumes, the second—of which no trace could be found—containing 25 plates).

    Bound in full beige cloth, smooth spine without lettering, lithograph mounted on the upper cover; twentieth-century binding.

    Minor tears affecting three...

    €3,000
  3. Bonjour SaganBonjour Sagan
    Bertrand POIROT-DELPECH (Françoise SAGAN)

    Bonjour Sagan[Hello Sagan]

    Herscher|Paris 1985|24 x 29.50 cm|reliure de l'éditeur
    First edition.
    Publisher's binding in full black cloth, smooth spine, a complete copy with its illustrated dust jacket.
    Illustrated with numerous photographs.
    A handsome copy.
    Precious signed presentation inscription from Bertrand Poirot-Delpech: "Pour Gisèle Halimi en gratitude pour une soirée capitale (p.65) et bien fidèlement".
    Laid in is a press article from Paris-Match dated 22 November 1985 concerning the publication of this work, at the head of which Gisèle Halimi affixed a post-it bearing this peremptory handwritten remark in pencil: Tout est faux !
    Provenance: from the library of Gisèle Halimi.
    €230
  4. SoldeSolde
    Bernard FRANK (inscribed to Gisèle HALIMI)

    Solde

    Flammarion|Paris 1980|15 x 21 cm|broché
    First edition on ordinary paper.
    Three small spots on the lower cover.
    Inscribed by Bernard Frank to Gisèle Halimi: "A Gisèle affectueusement Bernard."
    Provenance: from the library of Gisèle Halimi.
    €150
  5. Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."
    George SAND

    Lettre autographe signée adressée à Stéphanie Geoffroy-Saint-Hilaire : de l'émancipation féminine par l'éducation : "Ç'a été pour moi une éducation à part que celle de cet enfant de 18 ans qui n'en avait que 2, il y a six mois, et qui a maintenant son âge, avec toute la candeur de l'enfance conservée."[Autograph letter signed addressed to Stéphanie Geoffroy-Saint-Hilaire: on women’s emancipation through education: “It has been for me a separate kind of education, that of this child of 18 who was only 2 six months ago, and who now has her age, with all the candour of childhood preserved]

    Nohant [Nohant-Vic] 3 juin 1858|13.40 x 20.90 cm|4 pages sur un feuillet remplié

    Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
     
    This letter was partially published in Correspondance, vol. XIV, no. 7846.
    A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of...

    €3,500
  6. Rare presentation inscription to "a lady who was to Byron what Beatrix was to Dante and Vittoria Colonna to Michelangelo"
    Rare presentation inscription to "a lady who was to Byron what Beatrix was to Dante and Vittoria Colonna to Michelangelo"
    LuiLui
    Louise COLET (inscribed to Teresa GUICCIOLI)

    Lui

    Librairie Nouvelle A. Bourdilliat & Cie|Paris 1860|12 x 18.50 cm|relié

    First edition, with an autograph letter signed by Louise Colet bound in, 3 pages on a bifolium mounted on a stub at the head of the volume. A few small foxing spots, a very pale marginal dampstain affecting the last leaves.
    Half black morocco binding with corners, spine with five raised bands framed by blind double fillets, date at the foot, marbled paper sides, vat-made paper endpapers and pastedowns, original wrappers preserved and mounted on a stub (small corner losses restored), elegant binding signed Patrice Goy.
    Rare presentation copy to the marquise de Boissy, Teresa Guiccioli who was the mistress of Louise Colet's husband (!) and...

    €2,000
  7. Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"
    Renée VIVIEN (to Natalie Clifford BARNEY)

    Lettre d'amour autographe signée adressée à Natalie Clifford Barney : "J'ai laissé mon cœur sur tes lèvres, il y frémira quand tu me diras : Je t'aime !"[Autograph love letter signed and addressed to Natalie Clifford Barney: "I left my heart upon your lips, it will tremble there when you say to me: I love you!"]

    s. l. • [Londres] [London] Le 18 mars [1900]|9.90 x 15.20 cm|14 pages sur 3 doubles feuillets et 1 feuillet simple
    Very long autograph letter handwritten by Renée Vivien, signed “Pauline,” written in black ink on three bifolia with letterhead from 24 Hyde Park Street and one single leaf. Horizontal folds inherent to mailing.
    A beautiful love letter sent from London while Renée was staying with her family: « Quand je pense qu'un télégramme va banalement et brutalement t'apprendre que je reste encore une semaine à Londres, j'ai envie de pleurer. Et pourtant, il ne faut pas que je pleure, cela m'affaiblirait trop, et j'ai besoin de toutes mes forces et de mon courage. » This painful separation is, in the young woman’s eyes, a necessary evil, the promise of a radiant...
    €3,500
  8. On est toujours trop bon avec les femmesOn est toujours trop bon avec les femmes
    [Raymond QUENEAU as] Sally MARA

    On est toujours trop bon avec les femmes

    Les Editions du Scorpion|Paris 1947|12 x 18.50 cm|broché
    First edition, one of 120 numbered copies on alfa paper, the only grand papier (deluxe) copies.
    A nice copy despite slight lacks and angular tears.
    €800
  9. Colette, the "nude dancer" in her stage costume
    Colette, the "nude dancer" in her stage costume
    Portrait photographique de Colette à la peau de lionPortrait photographique de Colette à la peau de lion
    (COLETTE) Léopold-Émile REUTLINGER

    Portrait photographique de Colette à la peau de lionPhotographic portrait of Colette stretched out on a lion's skin

    s. l. • (Paris) s. d. [1907]|28.70 x 20.40 cm|une photographie contrecollée sur carton
    Rare and superb original contemporary mounted albumen print showing Colette languidly stretched out on a lion skin and covered with a leopard skin. Photographer's penciled number and studio stamp on the back of the mount.
     

    A substantially cropped print bearing the same penciled number on the back of our photograph (11214), is in the Reutlinger archives at the Bibliothèque nationale de France (Album Reutlinger de portraits divers vol. 53, p.3). We have been unable to find any other examples of this photograph in other public collections. A similar photograph belatedly dedicated to Maurice Chevalier went on sale in 2008.


    A beautiful, sultry shot of...

    €6,800
  10. Et je la voudrais nue... - Exemplaire de Dominique AuryEt je la voudrais nue... - Exemplaire de Dominique Aury
    Sonia RYKIEL (inscribed to Dominique AURY)

    Et je la voudrais nue... - Exemplaire de Dominique Aury[And I Would Like Her Naked...]

    Grasset|Paris 1979|13 x 20.50 cm|broché
    First edition on ordinary paper.
    Spine slightly sunned, minor foxing and staining to the boards.
    Precious signed autograph inscription from Sonia Rykiel to Dominique Aury, alias Pauline Réage, who is not mentioned by name: "Merci d'avoir écrit ce que vous avez écrit. Sonia Rykiel."
    Provenance: from the library of Dominique Aury.
    €150
  11. KenzoKenzo
    Ginette SAINDERICHIN

    Kenzo

    Du May|Paris 1989|24.50 x 27.50 cm|reliure de l'éditeur

    Edition of wich no leading copies exists.
    Binding of the editor in full black fabric.
    Iconography.
    Slips slightly warped in margins, the book that had stayed in a damp place previously, otherwise nice copy.

    Rare autograph signed Kenzo Takada Gilles Brochard.

    €450
  12. [SCUM Manifesto] S.C.U.M. : Society for Cutting Up Men. Manifesto by Valerie Solanas with a commentary by Paul Krassner[SCUM Manifesto] S.C.U.M. : Society for Cutting Up Men. Manifesto by Valerie Solanas with a commentary by Paul Krassner
    Valerie SOLANAS

    [SCUM Manifesto] S.C.U.M. : Society for Cutting Up Men. Manifesto by Valerie Solanas with a commentary by Paul Krassner

    The Olympia Press|New York 1968|10.50 x 18 cm|broché

    First edition following the unobtainable mimeographed version produced by the author.
    Inevitable minor wear along the edges of the covers and spine, restoration to the upper left corner of the front cover, newspaper clipping laid in. Barnes & Noble price sticker affixed to the front cover.
    Commentary by Paul Krassner.
     
    This incendiary pamphlet, issued by the marginal and modest Olympia Press, newly re-established in New York, was printed in only a small number of copies.
    Gender discrimination, hate speech and incitement to genocide, a violent and unrepentant attempted murder of one of the most celebrated artists of the twentieth century, the advocacy of...

    €1,500
  13. La Mare au DiableLa Mare au Diable
    George SAND

    La Mare au DiableThe Devil's Pool

    Michel Lévy frères|Paris 1867|11.50 x 18.50 cm|relié

    New edition.
    Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
    Some leaves shorter in the bottom margin.

    Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

    Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
    chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after...

    €6,000
  14. ClioClio
    Alfons MUCHA, Anatole FRANCE

    Clio

    Calmann Lévy|Paris 1900|14.50 x 21 cm|relié
    Calmann Lévy | Paris 1900 | 14,5 x 21 cm | half morocco
    First edition with 13 original illustrations by Alfons Mucha (the cover, 7 hors-text and 5 banners), one of 50 numbered copies on China paper, the tirage de tête (deluxe copies).

    Binding in half orange morocco, gilt date at the foot of the spine, frame of black fillets on the marbled paper boards, endpapers in the same marbled paper, illustrated covers and spine preserved, contemporary binding signed Champs-Stroobants.

    Pleasant, attractively set copy including, as stipulated in the print justification, its double series of engravings: in colour and line drawings.
    €4,000
  15. Callas la divinaCallas la divina
    Maria CALLAS, Stelios GALATOPOULOS

    Callas la divina

    London house • Maxwell|Elmsford [New York] • & New York 1954|14.50 x 22 cm|reliure de l'éditeur

    First edition with 25 full-page photographs.
    Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
    Rare autograph signature of Maria Callas on the title page.

    €1,500
  16. La tour enrichie de deux lettres manuscrites : "ma situation financière chez Gallimard est très mauvaise..."La tour enrichie de deux lettres manuscrites : "ma situation financière chez Gallimard est très mauvaise..."
    Hélène BESSETTE

    La tour enrichie de deux lettres manuscrites : "ma situation financière chez Gallimard est très mauvaise..."The Tower, with two autograph letters: “My financial situation at Gallimard is very bad...”

    Gallimard|Paris 1959|12 x 19 cm|broché

    First edition, one of the review copies.

    Dampstaining and a restoration to the spine, scuffing to the upper edge of the front wrapper, paper browned.

    Our copy is enriched with two autograph letters signed by Hélène Bessette to a literary critic at Le Figaro, probably Claude Mauriac, concerning her recently published novel "La tour".

    In the first letter, dated 30 April 1959, Hélène Bessette asks her correspondent to write a review of La Tour.

    In the second, dated 13 May, the author expresses her pleasant surprise at having read in Le Figaro that her novel had attracted her correspondent's attention, while taking issue...

    €800
  17. Le prince noirLe prince noir
    Iris MURDOCH

    Le prince noir[The black prince]

    Gallimard|Paris 1976|14.8 x 21.7 cm|Broché

    First edition of the French translation, one of the review copies.

    Complete with its illustrated dust jacket, which has a few small marginal tears and is partially faded on the rear panel.

    Rare dated and signed presentation inscription, in French, from Iris Murdoch to the writer, publisher and literary critic Christian Giudicelli.

    €580
  18. Famous denunciation of "the wretched legal condition of French women"
    Famous denunciation of "the wretched legal condition of French women"
    Plaidoyer pour la femme françaisePlaidoyer pour la femme française
    Yvonne NETTER

    Plaidoyer pour la femme française[A Plea for French Women]

    Gallimard|Paris s. d. (1936)|14.2 x 20.7 cm|Broché

    First edition, false statement of ninth edition, no deluxe issue printed.

    Small marginal tears without significance to the soiled boards.

    Presentation copy signed by feminist activist Yvonne Netter of her important essay on the emancipation of women and their right to vote.

    €800
  19. Renée VivienRenée Vivien
    (Renée VIVIEN) Jean CHARLES-BRUN

    Renée Vivien

    E. Sansot & Cie|Paris 1911|12.5 x 18.7 cm|Broché

    First edition, one of the few copies printed on Japan paper.

    A fine copy.

    €250
  20. La vieille fille et le mortLa vieille fille et le mort
    Violette LEDUC

    La vieille fille et le mort[The Old Maid and the Dead Man]

    Gallimard|Paris 1958|12 x 19 cm|Broché

    First edition, one of the review copies.

    Signed presentation inscription from Violette Leduc to Claude Couffon, a specialist in and translator of the leading Spanish-language writers of the second half of the twentieth century: "... après un chaleureux entretien et mon souvenir intact de son article pour ce livre..."

    €150
  21. Bristol autographe daté et signé adressé à Jane BathoriBristol autographe daté et signé adressé à Jane Bathori
    Marguerite YOURCENAR

    Bristol autographe daté et signé adressé à Jane Bathori

    s. n.|Paris 1954|8.6 x 6.1 cm|Une feuille sous enveloppe

    Autograph card signed and dated by Marguerite Yourcenar, 12 lines in black ink written on both sides, addressed to Jane Bathori.

    The ink has slightly faded.

    With the original manuscript envelope addressed to Jane Bathori.

    "6-III-54,

    Dear Madam, I thought of you this morning as I was passing through your neighbourhood, and was reminded of the charming welcome you gave me last month. I did not have the time to try to call on you, but these flowers will at least convey my warm remembrance and friendly regards. Marguerite Yourcenar."

     

    Jane Bathori was a French mezzo-soprano, choir director, teacher, theatre...

    €500
  22. The provincial novel that inspired Charlotte Brontë, from the library of a contemporary woman reader
    The provincial novel that inspired Charlotte Brontë, from the library of a contemporary woman reader
    DeerbrookDeerbrook
    Harriet MARTINEAU

    DeerbrookA Novel

    Edward Moxon|London 1839|12.1 x 19.3 cm|Relié

    First edition.

    Beige half half contemporary bindings, flat spines, elaborate gilt tooling beneath the black calf title labels, volume numbering stamped at foot, upper joint worn on vol. I, rubbing to edges, corners and boards, headband loose on vol. I, combed paper pastedowns with small loss to lower board of vol. I, marbled endpapers and pastedowns, all edges marbled.

     

    First edition of the debut novel by English feminist and abolitionist Harriet Martineau, a pioneering work in raising public awareness of gender equality and public health.

    This handsomely bound copy once formed part of the library of her contemporary Lady Tyrconnel at...

    €3,500
  23. Far from the Eyes, Yet Ever in the Heart...
    Far from the Eyes, Yet Ever in the Heart...
    Le violonLe violon
    Louise de VILMORIN

    Le violon

    Gallimard|Paris 1960|12 x 19 cm|Broché

    First edition, one of the press service copies.

    Spine sunned and lightly soiled.

    Exceptional and highly desirable signed autograph presentation inscription from Louis de Vilmorin to her lover, the French sport shooter, businessman and politician Jean de Beaumont: "A Jean de Beaumont T(endrement) F(idèlement) T(on) A(imée), (the calligraphic capital letters enclosing the remainder of each word) Louise". 20 June 1960. I am leaving for Switzerland today. I shall be staying in Geneva with Sacha de Manziarly. If by any chance you should happen to pass through... Afterwards you will find me with the André family from 23 July until 10 August...

    €750
  24. Happy Lovers, Happy Lovers...
    Happy Lovers, Happy Lovers...
    Madame deMadame de
    Louise de VILMORIN

    Madame de

    Grasset|Paris 1951|12 x 18.8 cm|Broché

    First edition, one of 350 numbered copies on alfa paper reserved for the press.

    Spine slightly cocked.

    A touching and highly desirable signed autograph inscription from Louise de Vilmorin to her lover, the French sports shooter, businessman and politician Jean de Beaumont: "à mon Jean chéri que j'aime toujours davantage sa mendiante de baisers. Louise", enhanced with a drawing of a four-leaf clover enclosing the name Louise.

    €750
  25. Docteur Ventouse bobologueDocteur Ventouse bobologue
    Claire BRETÉCHER

    Docteur Ventouse bobologue

    Chez l'Auteur|Paris 1985|22 x 30.3 cm|Reliure de l'éditeur

    First edition, illustrated with drawings by the author.

    Publisher’s binding in full white boards, smooth spine, illustrated front cover, copy complete with its original insertion slip.

    Amusing autograph inscription signed by Claire Brétécher to a friend named Richard: "A Richard baisers maniaco-dépressifs. Claire."

    €170
  26. "to wicked friends whom one loves nonetheless and always"
    "to wicked friends whom one loves nonetheless and always"
    Les microbes humainsLes microbes humains
    Louise MICHEL

    Les microbes humains[Human Microbes] personal copy of Michel's friend Odysse Barot

    E. Dentu|Paris 1886|12 x 19 cm|Relié

    Very rare first edition, with second edition statement on title page.

    Bradel binding in half blue-grey percaline, smooth spine decorated with a central gilt fleuron, double gilt fillet at tail, title label lacking, cat's-eye paper boards, original wrappers preserved with angular losses and discolouration, corners slightly rubbed, period binding.

    Foxing, front wrapper and first free endpaper clumsily restored, small tears repaired on the first three leaves.

    Rare presentation copy inscribed by Louise Michel: "... à de méchants amis que l'on aime quand même et toujours. LMichel." [to...

    €3,000
  27. Carte postale manuscrite adressée à son amie Frédéric FrescoCarte postale manuscrite adressée à son amie Frédéric Fresco
    Louise de VILMORIN

    Carte postale manuscrite adressée à son amie Frédéric Fresco[Autograph postcard addressed to his friend Frédéric Fresco]

    s. n.|Verrières-le-Buisson 1965|15.5 x 9.8 cm|Une carte postale

    Autograph postcard, dated and signed by Louise de Vilmorin, addressed to her friend Frédéric Fresco with wishes for the festive season.

    The recto of the card depicts Louise de Vilmorin's house in Verrières.

    The postcard is embellished with a large hand-drawn four-leaf clover framing her message, from which her signature emerges.

    €250
  28. Bristol autographe signé et adressé à son amie Christiane Baroche pour son aimable critique de ses oeuvres "car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien..."Bristol autographe signé et adressé à son amie Christiane Baroche pour son aimable critique de ses oeuvres "car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien..."
    Annie ERNAUX (to Christiane BAROCHE)

    Bristol autographe signé et adressé à son amie Christiane Baroche pour son aimable critique de ses oeuvres "car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien..."Autograph signed compliment slip addressed to his friend Christiane Baroche in thanks for her kind review of his works, “for moments of ‘glory’ are also those one wishes to pass through with those one is fond of…"

    s. n.|n. l. 18 novembre 1984|12.8 x 8.2 cm|Une feuille + une enveloppe

    Autograph card signed, dated 18 November 1984, 12 lines in blue ballpoint pen, addressed to her friend the woman of letters Christiane Baroche, in which she discusses her latest work "Plaisirs amers" and the friendship binding the two women writers.

    Autograph envelope addressed to Christiane Baroche enclosed.

    A fine and affectionate letter of thanks, written six days after the announcement of the Prix Renaudot awarded to Ernaux for La Place:

    « Merci Christiane de ta lettre qui m'a fait très chaud au coeur, car les moments de "gloire" sont aussi ceux qu'on a envie de traverser avec les gens qu'on aime bien. Je t'embrasse. Annie. »

    ...
    €450
  29. Une femme émancipée. Etude sociale d'après nature à propos de l'éamncipation des femmes et de la législation des faillitesUne femme émancipée. Etude sociale d'après nature à propos de l'éamncipation des femmes et de la législation des faillites
    Arsène THÉVENOT

    Une femme émancipée. Etude sociale d'après nature à propos de l'éamncipation des femmes et de la législation des faillites[An Emancipated Woman. A Social Study from Life on the Emancipation of Women and Bankruptcy Legislation]

    Impimerie Léon Frémont|Arcis-sur-Aube 1886|16.5 x 25.3 cm|Broché

    Rare first edition.

    Small tears at the head and foot of the spine, a few angular losses to the partially soiled covers, foxing.

     

    €300
  30. Crossing the WaterCrossing the Water
    Sylvia PLATH

    Crossing the Water

    Faber & Faber|London [Londres] 1971|13.8 x 22.2 cm|Broché

    First edition of this poetry collection, prepared posthumously by the author's former husband, Ted Hughes. Our copy is complete with its unclipped dust jacket.

    Publisher's blue percaline in Bradel binding, smooth spine lettered in silver, with the title, author's name and publisher's imprint.

    Lower headcap very slightly bumped, minimal wear to corners. To the dust jacket, upper headcap with a very slight split, and a faint...

    €150
  31. [BIBLIOTHÈQUE BLEUE] Contes des Fées, contenant : Cendrillon ; Riquet à la houpe ; La Barbe bleue ; Le Chat botté ; Le Petit Poucet ; La Belle au Bois dormant ; Le petit Chaperon rouge ; Le Prince Charmant ; Les Revenants ; L'Ile de la Félicité ; Les trois Souhaits ; Les Fées ; Le Somnambule[BIBLIOTHÈQUE BLEUE] Contes des Fées, contenant : Cendrillon ; Riquet à la houpe ; La Barbe bleue ; Le Chat botté ; Le Petit Poucet ; La Belle au Bois dormant ; Le petit Chaperon rouge ; Le Prince Charmant ; Les Revenants ; L'Ile de la Félicité ; Les trois Souhaits ; Les Fées ; Le Somnambule
    Charles PERRAULT, [Jeanne-Marie LEPRINCE DE BEAUMONT]

    [BIBLIOTHÈQUE BLEUE] Contes des Fées, contenant : Cendrillon ; Riquet à la houpe ; La Barbe bleue ; Le Chat botté ; Le Petit Poucet ; La Belle au Bois dormant ; Le petit Chaperon rouge ; Le Prince Charmant ; Les Revenants ; L'Ile de la Félicité ; Les trois Souhaits ; Les Fées ; Le Somnambule[[BIBLIOTHÈQUE BLEUE] Fairy Tales, containing: Cinderella; Ricky with the Tuft; Bluebeard; Puss in Boots; Hop o' My Thumb; Sleeping Beauty; Little Red Riding Hood; The Prince Charming; The Ghosts; The Isle of Felicity; The Three Wishes; The Fairies; The Sleepwalker]

    Chez Tiger|Paris [1802]|8.7 x 14.4 cm|Woodcut|Broché

    A Bibliothèque bleue edition offering a selection of tales by three major storytellers of the seventeenth and eighteenth centuries: Charles Perrault, Marie-Catherine Le Jumel de Barneville, Baronne d'Aulnoy, and Jeanne-Marie Leprince de Beaumont. Several of these tales have been rewritten and abridged, almost certainly to suit the tastes of the chapbook-reading public.

    €300
  32. Bristol autographe signé et adressé à son amie Christiane Baroche à propos de son livre "L'Hiver de Beauté récemment paru : "Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse..."Bristol autographe signé et adressé à son amie Christiane Baroche à propos de son livre "L'Hiver de Beauté récemment paru : "Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse..."
    Annie ERNAUX (to Christiane BAROCHE)

    Bristol autographe signé et adressé à son amie Christiane Baroche à propos de son livre "L'Hiver de Beauté récemment paru : "Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse..."Autograph signed bristol card addressed to her friend Christiane Baroche concerning her recently published book "L'Hiver de Beauté": "Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse..."

    s. n.|n. l. 25 avril 1987|15.5 x 11 cm|Une feuille + une enveloppe

    Autograph card signed, dated 25 April 1987, 17 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she lavishes praise on her latest work entitled "L'hiver de beauté".

    With the original envelope.

    "Ma chère Christiane,

    après tout, je me console : celui qui a fauché "L'Hiver de Beauté" a eu du nez, il a passé de bons moments, avec ta superbe Isabelle, ta non moins acide et volontaire Queria. Tu as réussi un très beau livre dans une langue que je trouve de plus en plus rigoureuse, la construction est remarquable et "fluent" comme on dit en anglais, c'est très naturellement qu'on passe de l'une...

    €700
  33. Carte postale autographe adressée à son amie Christiane Baroche : "J'aime ce que tu aimes, je m'interroge sur les mêmes choses que toi, la folie, la création, dans tous les sens..."Carte postale autographe adressée à son amie Christiane Baroche : "J'aime ce que tu aimes, je m'interroge sur les mêmes choses que toi, la folie, la création, dans tous les sens..."
    Annie ERNAUX

    Carte postale autographe adressée à son amie Christiane Baroche : "J'aime ce que tu aimes, je m'interroge sur les mêmes choses que toi, la folie, la création, dans tous les sens..."Autograph postcard addressed to her friend Christiane Baroche: "J'aime ce que tu aimes, je m'interroge sur les mêmes choses que toi, la folie, la création, dans tous les sens..."

    s. n.|1984|15 x 10.6 cm|Une carte postale

    Autograph signed postcard, 12 lines in black ballpoint pen, addressed to her friend, the woman of letters Christiane Baroche, in which she expresses her complete intellectual affinity with her.

    The recto of the postcard features a reproduction of the painting "Trompe l'oeil" by Cornelis Gysbrechts.

    "Ma chère Christiane,

    merci ! Ce petit prix a surtout le mérite de grossir ma cagnotte pour la maison de mes rêves, enfin, un peu : 5000 F. Mais je suis très contente. Je voulais te dire depuis les vacances de Pâques combien j'avais eu le plaisir à écouter ta voix fraternelle dans ton recueil de "Rimes intérieures". J'aime ce que tu aimes, je...

    €600
  34. Les prisons russesLes prisons russes
    Vera Nikolajevna FIGNER

    Les prisons russes[Russian Prisons]

    s. n.|Grenoble 1913|11.3 x 17.6 cm|Agrafé

    New edition, partly original as revised and expanded.

    Vertical creasing to the upper cover, a pleasant copy.

    Illustrated with a photographic portrait of the author as frontispiece, together with three further plates.

    Scarce pamphlet issued by the relief committee for political prisoners of the Russian penal camps in Grenoble.

    €200
  35. Socialisme chinois. Le philosophe Meh-Ti et l'idée de solidaritéSocialisme chinois. Le philosophe Meh-Ti et l'idée de solidarité
    Alexandra DAVID [married name of Alexandra DAVID-NÉEL]

    Socialisme chinois. Le philosophe Meh-Ti et l'idée de solidarité[Chinese Socialism. The Philosopher Meh-Ti and the Idea of Solidarity]

    Luzac et Co|London 1907|15.7 x 21.2 cm|Broché

    First edition for which no deluxe paper copies were issued.

    Spine slightly sunned with small losses at head and foot, a slight marginal loss and a transverse crease to the lower cover.

    A rare copy of Alexandra David-Néel's second work.

    €680
  36. Album SandAlbum Sand
    (George SAND) Georges LUBIN

    Album Sand[Album Sand]

    Gallimard • , Bibliothèque de La Pléiade|Paris 1973|10.50 x 17.50 cm|reliure de l'éditeur sous étui souple

    First edition.
    Publisher’s full brown grained sheepskin binding, orange top edge, smooth spine ruled in gilt.
    Richly illustrated.
    Copy complete with its dust jacket, acetate wrapper and soft slipcase.
    Acetate wrapper slightly yellowed.

    €120
  37. La fin de ChériLa fin de Chéri
    COLETTE

    La fin de Chéri[The Last of Chéri]

    Grasset|Paris 1928|14.7 x 21 cm|Broché

    New edition, one of 26 numbered copies on Montval paper, the head of the edition.

    A pleasing copy.

    Fine autograph inscription signed by Colette to Mr P.A. Crozier: "... en souvenir de maint envoi de beaux fruits ; n'est-ce pas dire que je gagne à l'échange ? Les fruits de mon jardin sont de sec papier... Colette."

    €400
  38. L'amant du volcanL'amant du volcan
    Susan SONTAG

    L'amant du volcan[The Volcano Lover]

    Christian Bourgois|Paris 1995|15.2 x 24 cm|Broché

    First edition, for which no deluxe paper copies were issued.

    A pleasant copy.

    Valuable signed autograph inscription from Susan Sontag to her friend Sonia Rykiel: "pour Sonia avec mes amitiés Susan Sontag 26 septembre 1995 Paris."

    €800
  39. Unpublished prison letter by a woman of the Revolution
    Unpublished prison letter by a woman of the Revolution
    "voilà quarante-trois jours que je suis ici sans être interrogée""voilà quarante-trois jours que je suis ici sans être interrogée"
    Marie Anne BABEUF [Marie-Anne-Victoire LANGLET]

    Autograph letter signed

    Paris 23 pluviôse an IX [12 février 1801]|11 x 16.5 cm|Une feuille

    Autograph letter signed “ta merre famme Babeuf” by Marie-Anne Babeuf, addressed to her son Émile. 3 pages on a bifolium.

     

    An exceedingly rare and unpublished letter written from prison by Marie-Anne Victoire Babeuf (née Langlet), a revolutionary and wife of the celebrated leader of the Conspiracy of Equals, Gracchus Babeuf.

     

    This appeal from a modest chambermaid turned political activist dates precisely from a period of her life about which almost nothing is...

    €2,300
  40. LimbeLimbe
    André MASSON, Édith BOISSONNAS

    Limbe[Limbo]

    P.A.B.|Alès 1959|13.50 x 13.50 cm|en feuilles

    First edition, limited to 59 numbered copies on Arches vellum, signed in pink pencil by André Masson beneath the limitation statement.
    Rare and fine copy.
    Illustrated with two original etchings by André Masson, printed full-bleed and issued hors texte.

    €2,000
  41. Les françaises à Ravensbrück - Par l'amicale de Ravensbrück et l'Association des déportées et internées de la Résistance Les françaises à Ravensbrück - Par l'amicale de Ravensbrück et l'Association des déportées et internées de la Résistance
    Geneviève DE GAULLE ANTHONIOZ, COLLECTIF

    Les françaises à Ravensbrück - Par l'amicale de Ravensbrück et l'Association des déportées et internées de la Résistance [French Women at Ravensbrück — By the Amicale de Ravensbrück and the Association des déportées et internées de la Résistance]

    Editions de la Baconnière|Neuchâtel 1946|14 x 20.50 cm|broché

    First edition.
    Some foxing to spine and boards.


    Precious dated and signed autograph inscription from Irène Delmas, president of the National Association of Former Female Deportees and Prisoners of the Resistance (ADIR): "A monsieur Massin avec l'amitié et la reconnaissance des Anciennes Déportées de la Résistance. IRDelmas Présidente de l'ADIR. Paris 13 Novembre 1957." (To Mr. Massin with the friendship and gratitude of the Former Female Deportees of the Resistance. IRDelmas President of ADIR. Paris 13 November 1957.)


    Our copy is exceptionally enhanced with the signatures of several members of the editorial committee of the Association of...

    €1,500
  42. La traversée de la nuitLa traversée de la nuit
    Geneviève DE GAULLE ANTHONIOZ

    La traversée de la nuit[Crossing the Night]

    Seuil|Paris 1998|11 x 19 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy, .
    Rare signed autograph inscription by Geneviève De Gaulle-Anthonioz: "A toi nous n'oublierons jamais."
    €350
  43. Mémoires d'une jeune fille rangée - La force de l'âge - La force des choses - Tout compte fait Mémoires d'une jeune fille rangée - La force de l'âge - La force des choses - Tout compte fait
    Simone de BEAUVOIR

    Mémoires d'une jeune fille rangée - La force de l'âge - La force des choses - Tout compte fait Memoirs of a Dutiful Daughter

    Gallimard|Paris 1958-1972|14.50 x 21.50 cm|4 volumes brochés sous coffrets
    Mémoires d'une jeune fille rangée [Memoirs of a Dutiful Daughter] - La force de l'âge [The Prime of Life] - La force des choses [Force of Circumstance] - Tout compte fait [All Said and Done]
    Gallimard | Paris 1958-1972 | 14,5x21,5cm | 4 bound volumes.

    First edition, one of 25, 30, 35 and 40 numbered copies on vergé de hollande, most limited deluxe issue for each of the 4 volumes.
    A very rare and handsome set of this autobiographical and feminist tetralogy.

    Each volume is presented in a custom box signed by Julie Nadot reproducing the cover plates and the spine of the work.
    €18,000
  44. Les MandarinsLes Mandarins
    Simone de BEAUVOIR

    Les Mandarins[The Mandarins]

    Gallimard|Paris 1954|14 x 21 cm|broché
    First edition, one of 25 numbered copies on Holland paper, ours one of 5 hors commerce copies, deluxe issue.
    Fine copy.
    €4,500
  45. Dessin original au crayon de papier rehaussé aux feutres noir, rouge et jaune représentant Mistinguett; l'esquisse d'un portrait d'Antonin Artaud figurant au dosDessin original au crayon de papier rehaussé aux feutres noir, rouge et jaune représentant Mistinguett; l'esquisse d'un portrait d'Antonin Artaud figurant au dos
    Carlo RIM

    Dessin original au crayon de papier rehaussé aux feutres noir, rouge et jaune représentant Mistinguett; l'esquisse d'un portrait d'Antonin Artaud figurant au dos

    Paris s. d. [circa 1950]|15 x 20.50 cm|une feuille
    Original drawing in pencil heightened with black, yellow and orange red felt-tip pens by Carlo Rim depicting Mistinguett in profile, hands crossed over her belly.
    On the verso, a sketch of a portrait of Carlo Rim's close friend Antonin Artaud has been executed with blue ink stains; above, the names of the following celebrities have been inscribed in pencil: "Simenon - Jeanson - Pagnol - Achard - Anouilh - Jos. Baker.", all framed by blue pen scribbles.

    Carlo Rim was a Provençal writer, author notably of "Ma belle Marseille", a caricaturist, a filmmaker and was notably the friend of Fernandel, Raimu and Marcel Pagnol but also of Max Jacob and André Salmon...
    €100
  46. AutobiographieAutobiographie
    Angela DAVIS

    Autobiographie

    Albin Michel|Paris 1975|15 x 20 cm|broché
    First edition in French for which no deluxe copies were printed.
    Foxing to edges, gift inscription from a previous owner in upper right corner of an endpaper.
    €50
  47. Les bagages de sableLes bagages de sable
    Anna LANGFUS

    Les bagages de sable

    Gallimard|Paris 1962|14 x 20.50 cm|broché
    First edition printed on ordinary paper.
    Handsome copy despite two small tears at head of spine.
    Signed autograph inscription from Anna Langfus to Ninette Schapira.
    €120
  48. Les fruits d'orLes fruits d'or
    Nathalie SARRAUTE

    Les fruits d'or

    Gallimard|Paris 1963|12 x 19 cm|broché
    First edition, one of 47 numbered copies on Lafuma-Navarre laid paper, the only deluxe copies.
    Rare and handsome copy.
    €1,500
  49. L'entraveL'entrave
    COLETTE

    L'entrave

    Lib. des lettres|Paris 1913|16.50 x 25.50 cm|relié
    First edition, one of 20 numbered copies on Arches paper reserved for the society of bibliophiles of "XX", deluxe copies with 10 copies on Van Gelder reimposed.
    Full red morocco binding, spine with five raised bands with a minor insignificant nick in the middle, date at tail, gilt roulettes on headcaps, double gilt fillets on edges, frame of gilt fillet on khaki morocco endpapers, red silk doublure, original covers and spine preserved, top edge gilt, slipcase bordered with red morocco with beige felt interior, very elegant binding signed by Canape.
    Autograph signature of the author on the justification page.
    Bookplate pasted on verso of first silk endpaper.
    €3,000
  50. Les violons parfoisLes violons parfois
    Françoise SAGAN

    Les violons parfois

    Julliard|Paris 1962|12.50 x 20 cm|broché
    First edition, one of 50 numbered copies on Arches laid paper, deluxe copy.
    Fine copy.
    €480
  51. Pêle-mêle II - Chroniques de l'HumanitéPêle-mêle II - Chroniques de l'Humanité
    Régine DEFORGES

    Pêle-mêle II - Chroniques de l'Humanité

    Fayard|Paris 1999|11.50 x 18.50 cm|broché
    First edition on ordinary paper.
    Handsome copy.
    Autograph inscription dated and signed by Régine Deforges to Fabrice Bové: "... ces chroniques du temps qui passe..." ["... these chronicles of passing time..."]

    €60
  52. Le grand viagerLe grand viager
    (to COLETTE) Luc BÉRIMONT

    Le grand viager

    Debresse|Paris 1954|14 x 19 cm|broché
    First edition printed on ordinary paper.
    Work illustrated with an out-of-text drawing by Fernand Léger.
    Precious autograph inscription signed by Luc Bérimont: "Pour Colette de Jouvenel, avec l'affectueuse pensée du grand viager 1958." ["For Colette de Jouvenel, with the affectionate thoughts of the grand viager 1958."]
    €120
  53. Dors ma jolieDors ma jolie
    Mary Theresa Eleanor Higgins, alias HIGGINS CLARK

    Dors ma jolie

    Albin Michel|Paris 1989|14 x 22.50 cm|broché
    First edition of the French translation, of which there were no deluxe copies.
    Handsome copy, with press clipping laid in.
    Rare dated and signed autograph inscription by Mary Higgins Clark, partially in French, to Christine Constant.
    €450
  54. La MalibranLa Malibran
    Albert FLAMENT

    La Malibran

    Flammarion|Paris 1937|18 x 20 cm|broché
    First edition, one of 20 numbered copies on Holland paper, the only deluxe copies along with 20 on pur fil.
    Light foxing to some deckled edges, otherwise a handsome full-margined copy.
    €80
  55. AdélaïdeAdélaïde
    Tomi UNGERER

    Adélaïde

    L'école des loisirs|Paris 1978|15 x 19 cm|broché
    First edition in French.
    A light circular stain to lower left corner of front cover.
    Work illustrated with drawings by Tomi Ungerer.
    Autograph inscription signed by Tomi Ungerer to a young lady named Adélaïde.
    €350
  56. Une fille à marierUne fille à marier
    Janine AEPLY

    Une fille à marier

    Mercure de France|Paris 1969|11.50 x 21.50 cm|broché
    First edition, one of 45 numbered copies on pur fil paper, the only deluxe copies.
    Rare and handsome copy of this erotic novel written by Jean Fautrier's wife.
    €350
  57. GénéalogiesGénéalogies
    Élisabeth ROUDINESCO

    Généalogies

    Fayard|Paris 1994|15.50 x 23.50 cm|2 volumes brochés
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Autograph inscription signed by Elisabeth Roudinesco to her friend, the philosopher Dominique Lecourt: "Pour Dominique, cette soutenance. Amicalement Elisabeth." ["For Dominique, this defense. With friendship Elisabeth."]
    €80
  58. Des maladies de la grossesseDes maladies de la grossesse
    Nicolas CHAMBON DE MONTAUX

    Des maladies de la grossesse

    S. n.|Paris 1785|10 x 17 cm|relié
    First edition.
    Very slightly later binding in half camel sheep, smooth spine decorated with red paper title and volume labels, gilt roulettes and fleurons, boards of paper in matching color. Head of spine rubbed with some losses, spine sunned and rubbed. Interior fresh. A second copy of page 131 of the second volume has been erroneously bound at the beginning of this same part.
    Chambon de Montaux was appointed physician to the Salpêtrière hospital in Paris in 1786. He remained there only a few years before becoming mayor of Paris during the Revolution, succeeding Jérôme Pétion de Villeneuve.
    €150
  59. Ariane ou l'oubliAriane ou l'oubli
    Michel DÉON

    Ariane ou l'oubli

    Gallimard|Paris 1992|12.50 x 19 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Dated autograph inscription signed by Michel Déon to a couple of friends named Pierre and Madeleine: "... cette incursion dans le domaine de la mythologie grecque. En affectueux hommage." ["... this incursion into the realm of Greek mythology. In affectionate tribute."]
    €120
  60. MéméMémé
    Philippe TORRETON

    Mémé

    L'iconoclaste|Paris 2013|13.50 x 18.50 cm|broché
    First edition.
    Covers slightly and marginally sunned, otherwise handsome copy complete with its wraparound band and publisher's slip.
    Autograph inscription dated by Philippe Torreton.
    €50
  61. Le troisième oeil - La vie de Nicéphore NiepceLe troisième oeil - La vie de Nicéphore Niepce
    Odette JOYEUX

    Le troisième oeil - La vie de Nicéphore Niepce

    Editions Ramsay|Paris 1990|15 x 24 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy, iconography.
    Fine full-page autograph inscription, dated and signed, from Odette Joyeux to Jean-Paul Gibiat.


    €70
  62. La Muse aux violettesLa Muse aux violettes
    Renée VIVIEN, Camille LEMERCIER D'ERM

    La Muse aux violettes

    Sansot|Paris 1910|13 x 19 cm|broché
    First edition, one of 10 numbered copies on Japan paper, deluxe copy.
    A poem by Renée Vivien at the beginning of the work.
    Fine and very rare copy.
    In memoriam...
    €1,200
  63. Confessions d'une catho branchéeConfessions d'une catho branchée
    Frigide BARJOT

    Confessions d'une catho branchée

    Plon|Paris 2011|14 x 22.50 cm|broché
    First edition.
    Handsome copy.
    Dated and signed autograph inscription by Frigide Barjot to a friend named Pierre: "... toi qui a vécu les affres de la sortie, depuis Palamos. Et voici le bébé de ce printemps pas comme les autres. Je t'embrasse. Ta Frigide." ["... you who lived through the agonies of the release, since Palamos. And here is the baby of this spring unlike any other. I embrace you. Your Frigide."]
    €50
  64. Un matin j'étais féministeUn matin j'étais féministe
    Sophie BRAMLY

    Un matin j'étais féministe

    Kero|Paris 2019|13 x 20 cm|broché
    The first edition, of which there were no deluxe copies
    Handsome copy.
    Fine autograph inscription signed by Sophie Bramly to a woman named Micaela: "Par ce qu'il est temps de tout saisir des subtilités qui nous écartent de notre chemin !" ["Because it is time to grasp all the subtleties that lead us away from our path!"].
    €80
  65. Le plus beau jour de la vieLe plus beau jour de la vie
    Henri MICMACHER

    Le plus beau jour de la vie

    Presses de la Cité • Solar|Paris 1978|13.50 x 20.50 cm|reliure de l'éditeur
    First edition, one of 200 numbered copies, the only deluxe copies.
    Publisher's full blue skyvertex Bradel binding, smooth spine very lightly discolored decorated with blind fillets.
    Iconography.
    Handsome copy despite three small scratches to upper right corner of second board.
    Grateful autograph inscription signed by Henri Micmacher, creator with his wife of the Pronuptia establishments, to one of his close collaborators nicknamed Poupette: "A Poupette, ce modeste témoignage. A Poupette qui depuis 14 ans est avec nous plus Pronuptia que la plupart et que malheureusement je ne vois pas assez. A celle qui a aidé avec tant d'enthousiasme à monter la grande aventure...
    €150
  66. Lettres à Hélène PicardLettres à Hélène Picard
    COLETTE

    Lettres à Hélène Picard

    Flammarion|Paris 1958|15 x 21 cm|broché
    First edition, one of 275 numbered copies on alfa paper, the only deluxe copies after 30 copies on arches paper and 110 on Lana wove paper.
    Illustrated.
    Two very slight sunned patches at the head and foot of the spine, otherwise a pleasant copy.
    €100
  67. Sophie's Choice Sophie's Choice
    William STYRON

    Sophie's Choice

    Jonathan Cape|London 1979|16 x 24 cm|cartonnage de l'éditeur
    Sophie's Choice
    Jonathan Cape | London 1979 | 16 x 24 cm | publisher's binding
    First English edition.
    Publisher's binding in full black cloth. Complete of its printed jacket illustrated with the photographic portrait of the author, with two small missing pieces at the top of the spine.

    Surprising autograph inscription signed and dated by Meryl Streep, a year before she played the title role in the movie adaptation by Alan J. Pakula, for which she won the Oscar for Best Actress in 1983: "For Keith, thanks for an interesting afternoon, 16/10/1981, London"
    This "Keith" could very well be Keith Barish, producer of the Pakula...
    €1,500
  68. Les françaises : de la Gauloise à la piluleLes françaises : de la Gauloise à la pilule
    Françoise GIROUD

    Les françaises : de la Gauloise à la pilule

    Fayard|Paris 1999|15.50 x 23.50 cm|broché
    First edition.
    Handsome copy.
    Autograph inscription dated and signed by Françoise Giroud to Claude Merikelon.
    €50
  69. David GolderDavid Golder
    Irène NÉMIROVSKY

    David Golder

    Grasset|Paris 1929|17.50 x 22.50 cm|broché sous chemise et étui
    First edition, one of 31 numbered copies on Arches vellum and reimposed in Tellière quarto format, deluxe issue with 6 Japan and 15 Montval copies.
    Slipcase with light corner rubbing, slight foxing to edges, bookplate pasted to chemise pastedown.
    Fine copy with double wrappers presented in chemise and slipcase.
    €580
  70. S.C.U.M. Le premier manifeste de la libération des femmesS.C.U.M. Le premier manifeste de la libération des femmes
    Valerie SOLANAS

    S.C.U.M. Le premier manifeste de la libération des femmes[SCUM Manifesto]

    Olympia|Paris 1971|11 x 18 cm|broché

    First edition of the French translation established by Emmanuelle de Lesseps.
    Handsome and very rare copy.
    With a presentation by Christiane Rochefort.

    Gender discrimination, hate speech and calls for genocide, violent action with a furious, premeditated and unrepentant murder attempt on one of the most famous artists of the 20th century, promotion of violent anarchy with great scatological laughter, programmed elimination or humiliation of half the human race...
     
    In her misandrist pamphlet, Scum manifesto ("Society for Cutting Up Men"), Valerie Solanas shows no empathy, leaves no room for moderation or reconciliation, and grants no exception to her project of...

    €1,500
  71. Marceline Desbordes-ValmoreMarceline Desbordes-Valmore
    Stefan ZWEIG

    Marceline Desbordes-Valmore

    Nouvelle revue critique|Paris 1945|12 x 18.50 cm|broché
    First edition, one of 64 numbered copies on alfa mousse paper, the only deluxe copies.
    Rare and handsome copy.

    €2,300
  72. La guerrièreLa guerrière
    Nicole CALFAN

    La guerrière

    Edition N°1|Paris 1986|12.50 x 20.50 cm|broché
    First edition.
    One crease to upper left corner of second cover.
    Photographic section at end of volume.
    Signed and inscribed copy from Nicole Calfan to Jean-Pierre Richard.





    €50
  73. "Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée""Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée"
    Judith GAUTIER

    "Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée"Signed autograph letter addressed to Francis Chrétien

    Alger [Algiers] s. d. [ca 1910]|16.30 x 20.90 cm|3 pages sur un double feuillet
    Autograph letter signed by Judith Gautier addressed to Francis Chrétien, the husband of her maid Céleste. Three pages written in violet ink on a double sheet with letterhead from 30 rue Washington. Transverse folds inherent to mailing.
    Judith Gautier sends Francis some instructions regarding the renovation of her house in Dinard, le Pré aux oiseaux: "Je pensais à la cuisine qui va être très noire et à la fenêtre bouchée, qui est du côté du jardin sous la fenêtre de la salle à manger. Il me semble qu'elle rendrait du jour et même du soleil si elle était débouchée et bien disposée." ["I was thinking about the kitchen which will be very dark and the blocked window...
    €200
  74. Pequena antologiaPequena antologia
    Silvina OCAMPO

    Pequena antologia

    Ene editorial|Buenos Aires 1962|12.50 x 20.50 cm|broché
    First collected edition.
    Light tears to spine, very lightly sunned without any gravity, endpapers partially shadowed due to the presence of press clippings.
    Autograph inscription signed by Silvina Ocampo to her friend Ema Risso Platero: "Ah, Emita, te extraño ya. Silvina" ["Ah, Emita, I miss you already. Silvina"].
    Ema Risso Platero, Uruguayan diplomat, was a painter, poet, writer (she notably published Arquitecturas del insomnio with a prologue by Borges) and was a friend of Michel Foucault and Jorge Luis Borges.




    €300
  75. Lo amargo por dulce Lo amargo por dulce
    Silvina OCAMPO

    Lo amargo por dulce

    Emece editores|Buenos Aires 1962|12.50 x 20.50 cm|broché
    First edition.
    Spine very lightly sunned without any gravity, final endpaper partially shadowed due to the presence of a press cutting.
    Handsome autograph inscription signed by Silvina Ocampo to her friend Ema Risso Platero: "A Emita, para que no me olvide en los jardines del mundo en donde hay verdes... que nos dan y temura. Silvina 1963." ["To Emita, so that she doesn't forget me in the gardens of the world where there are greens... that give us tenderness. Silvina 1963."]
    Ema Risso Platero, Uruguayan diplomat, was a painter, poet, writer (she notably published Arquitecturas del insomnio with a prologue by Borges) and was a friend of Michel Foucault and...
    €500
  76. Blues et gospelsBlues et gospels
    Marguerite YOURCENAR

    Blues et gospels

    Gallimard|Paris 1984|21.50 x 27.50 cm|reliure de l'éditeur
    First edition of the French translation and presentation established by Marguerite Yourcenar.
    Fine copy.
    Publisher's binding in full boards.
    Rich iconography.
    €50
  77. L'amant de la Chine du NordL'amant de la Chine du Nord
    Marguerite DURAS

    L'amant de la Chine du NordThe North China Lover

    Gallimard|Paris 1991|15 x 21.50 cm|broché
    L'amant de la Chine du nord [The North China Lover], Gallimard, Paris 1991, 15x21,5cm, original wrappers.
    First edition, one of 70 numbered copies on vélin pur chiffon de Rives, the only deluxe issue (grands papiers).
    A copy in perfectly mint condition of this novel hailed by the French critics as a return to “the Duras of the great books and the great days,” giving a mature and complex outlook on the dramatic experiences of Duras's adolescence.
    €1,800
  78. Mélie - Histoire d'une Cocotte de 1900Mélie - Histoire d'une Cocotte de 1900
    Marthe de KERRIEU, Francis POULENC

    Mélie - Histoire d'une Cocotte de 1900

    Arrault & Cie|Tours 1936|12 x 19 cm|broché
    First edition, one of 50 numbered copies on vellum, the only deluxe copies.
    Some foxing affecting mainly the endpapers.
    Preface by Francis Poulenc, iconography.
    Autograph inscription dated December 1936 and signed by Marthe de Kerrieu to a couple of friends presenting her wishes and wishing them happy holidays for the end of year, enhanced with the signature of Francis Poulenc.
    €400
  79. Christine de Suède, la Reine chaste et folleChristine de Suède, la Reine chaste et folle
    Jehanne D'ORLIAC

    Christine de Suède, la Reine chaste et folle

    Editions des portiques|Paris 1934|12 x 19 cm|broché
    First edition, one of 36 numbered copies on pure Lafuma laid paper, the only deluxe copies.
    Handsome copy despite the title page slightly shadowed due to the frontispiece portrait on the facing page.
    Signed autograph inscription from Jehanne d'Orliac to Louis Brun.
    €120
  80. Le Féminin plurielLe Féminin pluriel
    Benoîte GROULT, Flora GROULT

    Le Féminin pluriel

    Denoël|Paris 1965|14.50 x 21 cm|broché
    First edition, one of 35 numbered copies on pur fil paper, the only deluxe copies.
    Handsome copy despite slight tears without loss to the center of the front cover
    €300
  81. "je n'ai pas beaucoup d'amis et me soucie peu de distribuer des volumes au hasard""je n'ai pas beaucoup d'amis et me soucie peu de distribuer des volumes au hasard"
    Renée VIVIEN

    "je n'ai pas beaucoup d'amis et me soucie peu de distribuer des volumes au hasard"Signed autograph letter addressed to his publisher Edward Sansot

    s. l. • [Paris] 1908|13 x 15 cm|3 pages 1/2 sur un double feuillet
    Autograph letter signed by Renée Vivien addressed to her publisher Edward Sansot, written in black ink on a double sheet of headed paper bearing the poet's monogram and her address at 23 avenue du Bois de Boulogne. Transverse folds inherent to mailing, two tiny marginal tears without loss at the fold.
    Fascinating letter written by the Muse of the violets in the last months of her life: "J'ai reçu avec une très grande joie les volumes des Flambeaux éteints. Remerciez bien de ma part votre soeur d'avoir fait les corrections, et, je vous en prie, amenez-la moi lorsque vous reviendrez Avenue du Bois. Pour les six exemplaires de Sillages décollés...
    €900
  82. Trois ViesTrois Vies
    Gertrude STEIN

    Trois Vies

    Gallimard|Paris 1954|12 x 19 cm|broché
    First edition in French, one of 67 numbered copies on pure laid paper, the only deluxe copies.
    Two small traces of sunning at head and foot of spine as usual.
    €300
  83. Moderato CantabileModerato Cantabile
    Marguerite DURAS

    Moderato Cantabile[Moderato Cantabile]

    Les Editions de Minuit|Paris 1958|14 x 19.50 cm|broché sous chemise et étui
    First edition, one of 37 numbered copies on pur fil, the only deluxe copies.
    Our copy is presented in a slipcase and chemise in full paper in the colors of Editions de Minuit.
    Handsome copy of this work adapted for cinema in 1960 by Peter Brook with Jeanne Moreau and Jean-Paul Belmondo in the leading roles.
    €4,500
  84. Parce qu'elle était Noire... Une Réserve en AustralieParce qu'elle était Noire... Une Réserve en Australie
    Dymphna CUSACK

    Parce qu'elle était Noire... Une Réserve en Australie

    Les Editeurs Français Réunis|Paris 1966|11.50 x 18.50 cm|broché
    First edition in French, of which there were no deluxe copies.
    A tear with loss at the head of one joint, a small blue ballpoint pen inscription in the upper left corner of the title vignette on the front cover.
    Rare dated manuscript signature by Dymphna Cusack on this work denouncing the ostracism and racism suffered by Aborigines in their native land of Australia.




    €300
  85. Lettre autographe signée adressée à Adriana SalemLettre autographe signée adressée à Adriana Salem
    Violette LEDUC

    Lettre autographe signée adressée à Adriana Salem

    Saint-Cirq-Lapopie 1956|13 x 21 cm|une page sur un feuillet - enveloppe jointe
    Autograph letter signed by Violette Leduc addressed to Adriana Salem. One page written in blue ink on a school notebook sheet.
    Transverse folds inherent to mailing and small marginal losses due to removal of the sheet from the notebook.
    Charming letter sent from Saint-Cirq-Lapopie: "Me voici à Saint Cirq La Popie (sic) depuis vendredi dernier et m'y voici seule. [...] L'été est revenu, et il s'est installé depuis mon départ. C'est un site extraordinaire, connaissez-vous ?" ["Here I am at Saint Cirq La Popie (sic) since last Friday and here I am alone. [...] Summer has returned, and it has settled in since my departure. It's an extraordinary site...
    €500
  86. L'Idée fixe ou : deux Hommes à la MerL'Idée fixe ou : deux Hommes à la Mer
    Paul VALÉRY

    L'Idée fixe ou : deux Hommes à la Mer[The Fixed Idea; or, Two Men at Sea]

    Nrf|Paris 1933|23 x 25.50 cm|relié
    First edition, one of 300 numbered copies on Hollande paper, this one printed especially for the sculptress Renée Vautier, the only deluxe copies.
    Bradel binding in full paper, smooth spine, covers with discreet restorations preserved, wide margins retained, binding signed by Thomas Boichot.
    Precious autograph inscription signed by Paul Valéry, beneath the colophon, to his muse the sculptress Renée Vautier, who notably created a celebrated bust of the poet in 1935.
    €1,200
  87. PhotographienPhotographien
    Gisèle FREUND

    Photographien[Photographs]

    Schirmer - Mosel|München [Munich] • & Paris • & London 1993|23 x 29 cm|broché
    First edition.
    Spine and boards slightly and marginally sunned, handsome copy.
    Foreword by Christian Caujolle.
    Work illustrated with photographs by Gisèle Freund.
    Fine autograph inscription dated and signed by Gisèle Freund: "Für Enrike [sic], mit einem grossen Dank für ihre Hilfe bei des Überarbeitung (Übersetzung meiner "Erinnerungen") und ihre neue Übersetzung, die nun lesereich geworben ist. In Freundschaft, Gisèle F..." ["For Enrike [sic], with great thanks for her help with the revision (translation of my "Memories") and her new translation, which has now become widely read. In friendship, Gisèle F..."] adorned with three stylized seagulls.
    €350
  88. "Tu veux entrer dans mon cœur ? — Mon cœur n'est qu'un miroir où tu te mires...""Tu veux entrer dans mon cœur ? — Mon cœur n'est qu'un miroir où tu te mires..."
    Renée VIVIEN

    "Tu veux entrer dans mon cœur ? — Mon cœur n'est qu'un miroir où tu te mires..."Signed Autograph Love Letter to Natalie Clifford Barney

    s. l. • [Londres] [London] Le 20 mars [1900]|9.90 x 15.20 cm|4 pages sur un double feuillet
    Very long autograph manuscript letter from Renée Vivien signed "Pauline" written in black ink on a double sheet of headed paper from 24 Hyde Park Street. Transverse folds inherent to posting.
    Fine love letter sent from London while Renée was with her family: "Quelle lente et lourde journée, mon tout petit ! — j'en ai tout le poids sur le cœur — Dieu, que j'ai mal, que je m'ennuie ! — Ce matin, j'avais un faible rayon d'espoir, je croyais peut-être te rejoindre bientôt, ou même tout de suite, hélas ! hélas ! hélas ! — Il est arrivé ce que je craignais, — j'ai dû rester — On se serait étonné, on aurait trouvé ça louche, si j'étais partie tout de même."...
    €3,000
  89. "Il y aura aussi 3 poèmes que j'ai écrits à la mémoire de Renée Vivien."
    Natalie Clifford BARNEY

    "Il y aura aussi 3 poèmes que j'ai écrits à la mémoire de Renée Vivien."Signed autograph letter to a friend

    Paris samedi 29 novembre 1952|13.50 x 20.80 cm|une page sur un feuillet
    Handwritten signed letter addressed to a friend: “There will also be three poems that I wrote in memory of Renée Vivien”
    Paris Saturday 29 November 1952 | 13,5 x 20,8 cm | one page on a leaf
    Handwritten letter signed by Natalie Clifford Barney addressed to a friend and written in black ink on a stationery from 20 rue Jacob (Paris VIe). Central fold from having been sent.

    Interesting letter mentioning a future reading of Natalie Clifford Barney:
    ”A literary hour must be devoted to me this Wednesday at 5pm 41 rue des Petits champs. This session of my poems and thoughts will be accompanied by 4 melodies by...
    €1,800
  90. Bonheur impair et passeBonheur impair et passe
    Françoise SAGAN

    Bonheur impair et passe

    Julliard|Paris 1964|12.50 x 19.50 cm|broché
    First edition, one of 50 numbered copies on Arches vellum, deluxe copy.
    Handsome copy.
    €600
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