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"Il y aura aussi 3 poèmes que j'ai écrits à la mémoire de Renée Vivien."
Signed autograph letter to a friend
Paris samedi 29 novembre 1952|13.50 x 20.80 cm|une page sur un feuillet
€1,800
⬨ 78894
Handwritten signed letter addressed to a friend: “There will also be three poems that I wrote in memory of Renée Vivien”
Interesting letter mentioning a future reading of Natalie Clifford Barney:
”A literary hour must be devoted to me this Wednesday at 5pm 41 rue des Petits champs. This session of my poems and thoughts will be accompanied by 4 melodies by Florent Schmidt.” The so-called “literary hour” will also be a tribute to one of Natalie's greatest loves who died several decades earlier: “There will also be 3 poems that I wrote in memory of Renée Vivien.”
The two women experienced an intense and tumultuous relationship in their youth. After the tragic and early death of her lover, Natalie Clifford Barney continued to honor her memory, notably by becoming a patron of the Prix Renée-Vivien, created by the baroness Hélène de Zuylen, another of Renée's lovers.
It is at the end of 1899 and through Violette Shillito that Renée Vivien – then Pauline Tarn – met Natalie Clifford Barney "this American woman softer than a scarf, whose sparkling face shines with golden hair, sea blue eyes, never-ending teeth" (Colette, Claudine à Paris). Natalie, who had just experienced a summer romance with the scandalous Liane de Pougy who introduced her to sapphism, paid little attention to this new acquaintance. Renée, on the other hand, was totally captivated by the young American woman and describes this love at first sight in her autobiographical novel, Une femme m'apparut: "I lived again the hour, already well past, when I saw her for the first time, felt the shiver that ran through me when my eyes met the mortal steel of her look, those eyes blue and piercing as a blade. I had a dim premonition that this woman would determine the pattern of my fate, and that her face was the predestined face of my Future. Near her I felt the luminous dizziness which comes at the edge of an abyss, or the attraction of a very deep water. She radiated the charm of danger, which drew me to her inexorably." "Winter 1899-1900. Beginnings of the idyll. One evening, Vivien is invited by her new friend to Mme Barney's studio [Natalie's mother], 153 avenue Victor-Hugo, on the corner of the rue de Longchamp. Natalie finds the courage to read the verses of her composition. As Vivien tells her to love these verses, she tells her that it is better to love the poet. A response worthy of the Amazon." (J.-P. Goujon, Tes blessures sont plus douces que leurs caresses) Two years of unequal happiness will follow, punctuated by Natalie's recurring infidelities and Renée's sickly jealousy, the letters of which oscillate between inflamed declarations and painful admissions of guilt. "Renée Vivien is the daughter of Sappho and Baudelaire, she is the 1900 flower of evil with fevers, broken-up fights, sad delights." (Jean Chalon, Portrait d'une séductrice)
In 1901, a major break-up occurred which lasted almost two years; Renée, despite requests from Natalie and the others she sent to win her back, resisted. "The two friends saw each other again, and in August 1905, went on a pilgrimage to Lesbos, which was a disappointment for Natalie Barney and was short-lived. [...] The spring was broken once and for all. The two former friends stopped seeing each other in 1907, and Vivien died without them seeing each other again." (J.-P. Goujon, ibid.)
Paris Saturday 29 November 1952 | 13,5 x 20,8 cm | one page on a leaf
Handwritten letter signed by Natalie Clifford Barney addressed to a friend and written in black ink on a stationery from 20 rue Jacob (Paris VIe). Central fold from having been sent.Interesting letter mentioning a future reading of Natalie Clifford Barney:
”A literary hour must be devoted to me this Wednesday at 5pm 41 rue des Petits champs. This session of my poems and thoughts will be accompanied by 4 melodies by Florent Schmidt.” The so-called “literary hour” will also be a tribute to one of Natalie's greatest loves who died several decades earlier: “There will also be 3 poems that I wrote in memory of Renée Vivien.”
The two women experienced an intense and tumultuous relationship in their youth. After the tragic and early death of her lover, Natalie Clifford Barney continued to honor her memory, notably by becoming a patron of the Prix Renée-Vivien, created by the baroness Hélène de Zuylen, another of Renée's lovers.
It is at the end of 1899 and through Violette Shillito that Renée Vivien – then Pauline Tarn – met Natalie Clifford Barney "this American woman softer than a scarf, whose sparkling face shines with golden hair, sea blue eyes, never-ending teeth" (Colette, Claudine à Paris). Natalie, who had just experienced a summer romance with the scandalous Liane de Pougy who introduced her to sapphism, paid little attention to this new acquaintance. Renée, on the other hand, was totally captivated by the young American woman and describes this love at first sight in her autobiographical novel, Une femme m'apparut: "I lived again the hour, already well past, when I saw her for the first time, felt the shiver that ran through me when my eyes met the mortal steel of her look, those eyes blue and piercing as a blade. I had a dim premonition that this woman would determine the pattern of my fate, and that her face was the predestined face of my Future. Near her I felt the luminous dizziness which comes at the edge of an abyss, or the attraction of a very deep water. She radiated the charm of danger, which drew me to her inexorably." "Winter 1899-1900. Beginnings of the idyll. One evening, Vivien is invited by her new friend to Mme Barney's studio [Natalie's mother], 153 avenue Victor-Hugo, on the corner of the rue de Longchamp. Natalie finds the courage to read the verses of her composition. As Vivien tells her to love these verses, she tells her that it is better to love the poet. A response worthy of the Amazon." (J.-P. Goujon, Tes blessures sont plus douces que leurs caresses) Two years of unequal happiness will follow, punctuated by Natalie's recurring infidelities and Renée's sickly jealousy, the letters of which oscillate between inflamed declarations and painful admissions of guilt. "Renée Vivien is the daughter of Sappho and Baudelaire, she is the 1900 flower of evil with fevers, broken-up fights, sad delights." (Jean Chalon, Portrait d'une séductrice)
In 1901, a major break-up occurred which lasted almost two years; Renée, despite requests from Natalie and the others she sent to win her back, resisted. "The two friends saw each other again, and in August 1905, went on a pilgrimage to Lesbos, which was a disappointment for Natalie Barney and was short-lived. [...] The spring was broken once and for all. The two former friends stopped seeing each other in 1907, and Vivien died without them seeing each other again." (J.-P. Goujon, ibid.)
Bibliographical description of this copy
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- Year:samedi 29 novembre 1952
- Dimensions:13.50 x 20.80 cm
Réf : 78894|€1,800
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