From fairy tales to the battle of the sexes, Edition-Originale explores the other 364 days of womanhood and the strategies employed by female authors to envision a world different from that of the medieval poet Christine de Pizan, who wrote: "The existence of most women is harsher than that of slaves among the Saracens."
Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,
First edition for which was no grand papier (deluxe) copy.
Pleasant copy of this work which received the Prix Fémina in 1984.
Rare and precious handwritten inscripttion, dated and signed by Tchicaya U Tam'si to Régine Deforges: “Pour Régine Deforges qui a écrit quelques mots que j'aurais voulu mettre en guise de dédicace mais ma mémoire est moins fidèle que moi. à elle toute la poésie de ce 'roman'.” (“For Régine Deforges who wrote some words that I would have liked to include as a dedication but my memory is less faithful than me. To her, all the poetry of this 'novel'.”)
Provenance: from the library of Régine...
First edition of the theatrical adaptation.
Bound in half red shagreen, spine in four compartments set with gilt stipples adorned with double gilt spine panels, marbled paper plates, marbled endpapers, contemporary binding.
Precious handwritten presentation signed by George Sand: “à monsieur Huart en lui demandant pardon de tout le mal que je lui donne.” “To Mr Huart asking for his forgiveness for all the harm I am causing him.”
Provenance: from the Grandsire library with its ex-libris.
First edition, one of 1000 numbered copies on special paper called "Hôcho", the only printing along with 12 deluxe copies and 6 hors commerce copies.
Work illustrated with 14 drawings in the text by Audrey Parr engraved on wood by Bonkotsu Igami, "following the Japanese process", with a color composition by Keisen Tomita (on verso), engraved by Bonkotsu Igami, an autograph poem in facsimile, title page drawn by Noémi Pernessin.
Rare and very handsome copy without any foxing, spine of the blue percaline chemise slightly faded as usual.
Provenance: from the library of Doctor Lucien-Graux with his pasted bookplate.
Partly first edition, gathering the most famous speeches by Victor Hugo, including some of his most memorable addresses delivered at the tribune of the Legislative Assembly—most notably the speech on constitutional revision and the powerful plea he gave at the trial of his son, on 11 June 1851, before the Cour d'assises of the Seine, in defense of the inviolability of human life. Spurious mention of “eighth edition.”
Complete with the rare portrait of the author by Masson printed on China paper, as frontispiece.
Scattered occasional foxing.
Precious inscribed copy signed by Victor Hugo to Juliette Drouet : « à mon pauvre...
First edition, one of 90 copies on Holland paper, ours being one of a few lettered hors commerce copies.
Bradel binding in half brown box, smooth spine, decorated paper boards, brown endpapers and pastedowns, original covers preserved, top edge gilt, binding signed by Goy & Vilaine.
Precious autograph inscription signed by Paul Valéry: « A Victoria Ocampo, - a sus piès de Vd - ce petit rien qu'elle a bien voulu désirer. »
A superb dedication that marks the beginning of the enduring friendship between the two writers, beyond all differences.
At Valéry's death in 1945, Victoria Ocampo would recall their first meeting in December 1928 during a writers’ dinner to...
First edition, one of 60 numbered copies on Hollande, tirage de tête.
Beautiful illustrated cover.
A good copy with good margins.
