Traveling writers

First edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Small foxing on covers marginally and slightly sunned, one joint cracked and glued down to foot, a small tear to head of spine.
Illustrated, as frontispiece, with a drawing by Etienne Dinet.
Handsome autograph inscription signed by Etienne Dinet to Georges Rochegrosse : "A G. Rochegrosse cordial souvenir de son vieil ami."

Rare first edition of Hector Berlioz's first book.
Some restorations to the top spine-end, volume label on the spine of the second volume not fully visible, boards strengthened or lined (first board of the first volume), some stains on the first boards of both volumes.
Fine condition inside almost without any foxing.
Our copy is housed in green half shagreen chemises and slipcases, marbled paper boards, slipcases lined with the same shagreen, gilt titles and dates on the spine.
Rare.

The first edition for large parts of the text, printed in 550 copies with the correct date of 1891 on the title.

Contemporary paper boards with blindstamped floral motifs, spine very slightly browned, brown shagreen title-piece, gilt date to foot of spine, covers preserved.
Biographical press clippings bound in at end, bookseller's description laid down on head of one endpaper, leaving a mark on the opposite page.
This copy is complete with the original preface by Rodolphe Darzens, removed from most copies of this printing.
A good copy in a contemporary binding, which is rare, according to Clouzot.

First edition, one of 13 numbered copies on Or Turner paper, large paper copy, the fewest copies.
Rare and nice copy with double cover.

First edition
Contemporary red half Russian morocco, the spine with double gilt fillets, corners very lightly rubbed.
Presentation copy, inscribed by Théophile Gautier to Monsieur Bufquin des Essarts on half-title.

First edition in French, printed on vergé paper.

Publisher's Arabesque yellow paper binding by A. Lenègre, spine with gilt, black, and turquoise Arabic decorative motifs (head- and tail-pieces slightly rubbed), upper cover richly ornamented with Arabic decorative motifs in gilt, black and turquoise with a frame of gilt and black fillets, turquoise paper pastedowns and endpapers (corners slightly bumped), all edges gilt, a few small insignificant spots to lower cover.
Text by Alfred Edmund Brehm & Johannes Dumichen.
The work is illustrated with 24 watercolors after nature by Charles Werner.
A few small spots, mostly affecting endpapers.
Rare.

New edition, of which there were no deluxe copies.

Very light traces of rubbing to the joints.
Inscribed by Henry de Monfreid.

Autograph note dated and signed by Paul Claudel, one page addressed to Thierry Maulnier (12 lines in blue ink on a single sheet).
Central folds.