The Nectar and the Ambrosia: Legendary Gift Ideas

Actes et paroles - Avant l'exil, 1841-1851 [Words and Deeds - Before the Exile, 1841-1851]
Michel Lévy frères, Paris 1875, 19,5x25cm, bound.
First edition, one of 20 numbered copies on chine, most limited deluxe edition of this important collection of speeches, public declarations, and political texts intended for French parliament (Chamber of Peers, Constituent Assembly and Legislative Assembly), all written - as stated in the title - prior to his exile. These important texts address freedom of the press, theater and education, as well as the abolition of the death penalty.
Half red shagreen binding, smooth spine decorated in gilt lengthwise, marbled paper...

Autograph letter signed to Madame Catusse, 12,6x20,4cm, 3 pages on a double leaf.

Autograph letter signed by Marcel Proust, probably addressed to Madame Catusse. The recipient and date have been determined by Proust scholar Jean-Yves Tadié. Three pages in black ink on a double leaf edged in black. A fold inherent to the mailing.
A sombre and admirable letter steeped in Proustian melancholy. The future author of In Search of Lost Time feels more than ever the loss of his mother during the New Year period. The famously generous Proust also asks his faithful confidante Madame Catusse to buy a gift for the Straus couple, whose wife inspired...

A unique combination of French translations of the first two philosophical works on the Sublime, marking the beginning of the most important reflection on aesthetics in Western history.
Extremely rare first edition of the first French translation of a philosophical work by Immanuel Kant, and the second ever translation of a Kantian text. The others were only translated during the 19th century. Illustrated with a portrait of the author by Benezy. The first edition in German was published in 1764 in Königsberg under the title "Beobachtungen über das Gefühl des Schönen und Erhabenen".
Contemporary half brown roan binding with vellum corners, smooth...

To make the strength of marriage consist in that of love is to go so far as to misunderstand the spirit of this institution.

Autograph letter signed by Victor Hugo to Léon Richer, two pages in black ink on a double sheet framed in black. Crosswise folds inherent to envelope inserting. A central tear at the junction of the two sheets. Published in Œuvres complètes de Victor Hugo (Ollendorff, 1905).
Manuscript housed in a blue half morocco chemise and slipcase, marbled paper boards, marbled paper slipcase, signed Boichot.

A magnificent and important letter to Léon Richer, one of the first male feminist activists, considered by Hubertine Auclert as the "father of feminism" and later regarded by Simone de Beauvoir as its "true founder". This deeply humanist text is a compendium of...

"In the end, 5 hours of work for example to produce - per man - all that is necessary to man."

Complete unpublished autograph manuscript in French by Antoine de Saint-Exupéry. 9 pages on 8 leaves in black ink. Traces of horizontal and vertical folds. A small piece of paper missing in the center of two leaves.

Exceptional unpublished manuscript by Saint-Exupéry, to be compared with his political and economic reflections in Carnets (1989, p. 43). Personally affected by the 1929 crisis, Saint-Exupéry “the self-taught writer” writes passionately about the economy and puts forward reform strategies. The manuscript...

First edition, one of 750 numbered copies signed by the author, the only grands papiers (deluxe) copies.
Publisher's binding in half black cloth, marbled paper boards.
Autograph signature of William Faulkner on the justification page.
A beautiful copy, complete with its original acetate dust jacket.

Very rare and highly sought-after first edition according to Clouzot, for which no copies on large paper were issued.

Full red morocco binding, spine with five raised bands, gilt rolls on headcaps, inner dentelle border on off-white morocco pastedowns enhanced with a red morocco mosaic fillet and quintuple gilt fillets, the fillet and quintuple gilt fillets interlacing at corners, gilt fillet border on turn-ins, ivory watered silk endpapers, iron-grey wrappers and spine preserved (Clouzot notes two states of wrappers: iron-grey - the rarer - and bluish-grey), all edges gilt, double gilt fillets on board edges, half red morocco slipcase with bands, spine with five raised bands...

First edition strictly hors-commerce, one of 200 copies printed on glassine vellum or European paper, only print after 81 imperial Korean paper.

Our copy is complete with its overlay cover (the colour and decorative motifs often vary) and the white glassine paper label bearing the title Stèles printed in Chinese on the first part of the cover, the latter being folded into three parts.

Our copy is presented in a blueish paper chemise and slipcase, navy blue morocco spine, name of the author, title and date in palladium, slipcase in blueish paper, all signed Devauchelle in palladium.

Complete new edition of Buffon's works, published in Paris by Eymery between 1825 and 1828 according to the arrangement established by the Comte de Lacépède and completed by the supplementary volume issued in 1828. A handsome complete set in 26 bound volumes (13.5 × 21 cm; total shelf length: 103 cm), illustrated with 245 plates: Buffon's portrait engraved by Devéria as the frontispiece, 216 hand-coloured plates - some heightened with gold - including 91 devoted to mammals and 126 to birds, 13 plates in black, and 4 folding maps. Most of the coloured plates were executed by Jean-Gabriel Prêtre, the animal painter successively attached to Empress Joséphine's menagerie...

First edition, one of 115 numbered copies on alfa paper, the only deluxe copies aside from 35 on pure thread.

Two small spots of foxing on the front cover, a discreet crease, a handsome copy as issued.
 
Rare and highly sought after in deluxe paper.

First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper.

Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Skilful and discreet repair to the top of a joint.
Illustrated with 6 vignettes by André Derain.

Handsome inscription signed by Antonin Artaud: “à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud...

Illustrated edition with twelve original etchings by Édouard Chimot, issued in a limited edition of 576 numbered copies. The present copy, no. 111, is one of 100 printed on tinted Van Gelder Holland wove paper, accompanied by the usual double suite of the etchings in colour and in black.

It is further enriched with an original signed drawing by Édouard Chimot and an exceptional quadruple suite, on Japan paper, of eight of the etchings illustrating the work: the unreduced line engraving, the...

Rare first edition decorated with ornamental headpieces, letterheads and culs-de-lampe.

Posterior binding in full red morocco, Jansenist spine, gilt date at the foot, marbled endpapers, frame of gilt roll-tooling on the pastedown endpapers, all edges gilt.
A very beautiful copy of one of the most famous plays in the French repertoire. It was played for the first time on 13 December 1669 at the Hôtel de Bourgogne and received a mixed reception. At the head of this edition is a preface by the playwright responding to his critics:

“Of all the works that I have given to the public, there is none
that attracted more applause and nor...

Second illustrated edition.
Spine with some rubbing.
Illustrated with drawings by Horacio Cardo.
 
Rare presentation copy erroneously dated 1949 and signed by Jorge Luis Borges to his muse Ema Risso Platero : « à Emita, con afecto innumerable. »

Rare and genuine posthumous first edition of the first six books of the Confessions, the remaining volumes not appearing until 1789. Several other editions were issued shortly thereafter, but the evidence provided by the commentary published in the June 1782 issue of the Journal Helvétique clearly establishes that this separately printed edition, known as the "large type" issue, is indeed the very first (F. Michaux, "L'Édition originale de la première partie des 'Confessions' de J.-J. Rousseau" in Revue d'Histoire littéraire de la France, 35th Year, No. 2 (1928), pp. 250-253).
Contemporary half calf bindings, flat spines tooled with gilt fillets and decorated...

First edition printed in 310 copies, ours being one of 285 numbered copies on Auvergne paper.

Our copy is enhanced with an original drawing signed by Léon Courbouleix. 
Bradel binding in full vellum, smooth spine decorated with an original drawing and pen title, covers decorated with drawings by Gaston Hoffmann, marbled paper slipcase.
Very handsome work entirely engraved with etching, printed on hand press by Léon Courbouleix and bound in a very beautiful painted binding by Gaston Hoffmann.

First edition, no deluxe paper copies were issued.
 With a precious signed autograph inscription by Jacques Higelin to Régine Deforges : “To my lady Régine Deforges, the tender greeting of my twenty springs, which I lay today at the doorstep of your heart's secret garden.”
Provenance: the library of Régine Deforges.
 A handsome copy.

First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase...

First edition of one of the most beautiful books of the 18^th century, of which the text and the music are entirely engraved. It is illustrated with an engraved title, 3 frontispieces by Le Bouteux and Le Barbier, a dedication page with the Dauphine arms, and 100 figures by Moreau le Jeune, Le Barbier, Le Bouteux and Saint-Quentin, finely engraved in copperplate by Masquelier and Née. The portrait of Laborde, which can be found on some copies, is not part of this edition and was printed in 1774, separately.

Magnificent copy bound in 4 volumes, very rare condition. There are usually only copies with 2 volumes for understandable cost issues. It is...

First edition, one of 12 numbered copies on Hollande, the only deluxe issue. 

Complete with the folding map at the end.

Full fawn morocco binding, five raised band spine, date at foot, comb-marbled paper pastedowns framed with a rich gilt roll, comb-marbled endpapers, gilt fillet to headcap, gilt fillet to leading edges, gilt roll to headcaps, original wrappers and spine preserved, all gilt deckled edges, housed in a fawn morocco-edged slipcase. Binding signed by Semet & Plumelle. 

Provenance: From the libraries of Dr André Chauveau, Lucius Wilmerding, and RBL, with their bookplates affixed.

A splendid deluxe copy of exceptional...

Fourth collective edition for the first part and third for the second and third parts, published by Corneille himself. Our copy is adorned with the frontispiece of the first two editions (dated 1645), and the portrait of Corneille by Michel Lasne, dated 1644.

Later bindings in full blue morocco, Jansenist spines with five raised bands, endpapers and pastedowns framed with gilt dentelles of marbled paper, all edges gilt, marbled paper slipcases bordered with morocco, bindings signed by Alix.

Rare and beautiful copy elegantly bound.

First edition, one of 80 numbered copies on vélin pur chiffon de Lana, the only grand papier (deluxe) copies.
A very nice copy.