Some Deluxe Paper Editions

First edition, one of 15 numbered copies on Corée paper, the tirage de tête after three on 3 Japon.
Illustrated with 3 images by Irène Lagut.
Two small insignificant tears to head and foot of spine.
This copy has a chemise and slipcase of paper boards covered in snakeskin-effect paper with black and green scales, the slipcase edged with black cloth. 

First edition, one of 100 numbered copies on vellum, ours unnumbered, the only deluxe papers after 15 copies on Japon.
Illustrated with a frontispiece drawing by Salvador Dalí.
Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. »

First edition, one of 47 numbered copies on Vergé de Vizille, the only deluxe paper issue.
A fine copy.

First edition, one of 50 copies on vergé de Hollande, only deluxe issue (with 10 copies on papier Chine).
Contemporary dark red shagreen, probably a publisher's binding, spine in six compartments with gilt fleurons, covers with double gilt fillet frame and gilt fleurons to corners, marbled endpapers and pastedowns, edge of covers ruled in gilt, gilt roulette to head-pieces, top edge gilt, slipcase edged in dark red shagreen. 
A very rare and handsome copy perfectly set in a contemporary binding.

First edition, one of 80 numbered copies on Hollande paper, the deluxe issue.
Fine copy.

First edition of the german translation by Paul Celan, printed on vergé.

Slight foxings, not serious, on one cover of the slipcase.
A good copy.
Autograph inscription, signed and dated, by Paul Celan to the surrealiust painter Edgar Jené and his wife : "Für Erica und Edgar Jené herzlich, Paul Celan. Paris, am 30. Oktober 1960".

First edition of 30 copies printed on Japon paper of this offprint of L'Artiste for November 1890.
Contemporary Bradel binding of beige paper boards, ex-libris to pastedown.
Autograph inscription signed from Paul Verlaine to Edmond Bonnaffé on the justification of printing at end: “Exemplaire de Monsieur E. Bonnaffé. P. Verlaine [Monsieur E. Bonnaffé's copy. P. Verlaine]”. Edmond Bonnaffé (1825-1903) was a wealthy collector and noted historian of art, very close to the artistic movements of the age.
These pages by Verlaine are a critical review of the book by Roger Marx of the same name (Paris, 1890). In it, the poet discusses the great names in Art...

First edition, one of 20 numbered copies on vélin de cuve paper reserved for the “XX” bibliophile group, the tirage de tête.
A good copy complete with its double covers by Albin Michel and the “XX” bibliophile group.
Joints of chemise rubbed, modern slipcase, tiny insignificant worming to endpapers.

Signed by the author on justification page.

First edition, one of 18 numbered copies on pur fil, from the deluxe issue.
Full red Jansenist morocco binding, spine in five compartments, date gilt at foot, black morocco endpapers and pastedowns, covers and spine preserved, all edges gilt; matching half red morocco chemise, spine in five compartments, date gilt at foot, black felt lining; slipcase edged in red morocco, ochre felt interior, a highly elegant ensemble superbly executed by Duhayon.
A superb copy, impeccably bound in a triple binding by Duhayon.

First edition, one of 60 numbered copies on Hollande, tirage de tête.
Beautiful illustrated cover.

A good copy with good margins.

First edition, one of 110 numbered copies on China paper, the only printing along with 12 copies on Japon nacré paper and 1 on Chine, variously enriched.
Illustrated with 11 original color lithographs by Jean Fautrier.
Autograph inscription from Robert Ganzo to a couple of his acquaintance.
Manuscript signatures of the author and illustrator on the justification page.
This copy retains its original glassine wrapper showing spiders wandering in the webs they've woven
Occasional very light spotting, a good copy.

With 8 original etchings to text and hors-texte by Oscar Dominguez, one of 70 numbered copies on B.F.K. de Rives paper, the only printing with 4 on old Japon paper, variously enriched.
Autograph inscription from Robert Ganzo to a couple of his acquaintance on half title.
This copy is additionally enhanced with a manuscript quatrain signed by the author on the page opposite half-title.
Autograph signatures of the author and illustrator on the justification page.
Some slight small foxing mostly affecting the first leaves, a joint of the chemise cracked, with a tear almost all over it.
A rare copy in a chemise and flexible...

First edition, one of 300 copies, this one of 20 numbered and justified by François-Louis Schmied, the tirage de tête.
With 42 full page plates hors texte.
Spine and covers sunned at edges, scratch to head of lower cover, occasional wormholes, internally good. 

First edition, one of 100 numbered copies on Hollande paper, the only large paper copies along with 5 on Japon.
Elegant brown morocco by G. Levitzsky, spine in six compartments, gilt roulettes to head- and tail-pieces, date at foot of spine, double gilt fillets to edges of covers, pastedowns with a frame of dentelles and quintuple gilt fillets, marbled pastedowns and endpapers, covers and spine preserved, top edge gilt.
Cover illustrated by Riou.
A very good copy in a handsome binding. 

First edition, one of 75 numbered copies on pure laid paper, the only deluxe-paper copies offered for sale (5 copies on Japan paper and 10 on Dutch handmade paper were also printed hors commerce; cf. Pierrette & Georges Dupont, Bibliographie des écrits d'Henri Béraud).
A rare and attractive copy with full margins of the author's masterpiece.

First edition, one of 21 numbered copies on Hollande paper, the tirage de tête.
A fine copy. 

First edition, one of 50 numbered copies on pur fil paper, the tirage de tête (firsts deluxe) copies after 10 Chine paper.
Illustrated with drawings by Georges Ribemont-Dessaignes.
Spine slightly faded, a few pale spots, not serious, to upper wrapper, internally good.
A rare copy.