Angelo
First edition, one of 35 numbered copies on Holland paper, deluxe copy.
Minor worming to spine without significance.
Rare and handsome copy.

First edition, one of 35 numbered copies on Holland paper, deluxe copy.
Minor worming to spine without significance.
Rare and handsome copy.
First edition, one of 796 numbered copies on pur fil paper, the only grands papiers (deluxe copies) after 109 reimposed.
Full green board Bradel binding, title piece in glazed yellow calf, covers and spine preserved, contemporary binding.
Presentation copy inscribed by André Breton: “à Edmond Jaloux, hommage très dévoué. André Breton” “To Edmond Jaloux, a very devoted tribute. André Breton”.
Edmond Jaloux, who was one of the earliest promoters of surrealism, wrote at the release of this atypical novel and misunderstood by most of his contemporaries, the most laudatory article of the time, concluding with this admiring admission of the impotence of...
First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy...
First edition, one of 80 numbered copies on Holland paper, the deluxe issue.
A fine copy.
First edition, one of the 25 numbered copies on vergé de Holland paper, the "tirage de tête" (first deluxe copies).
Very nice copy.
Second edition, printed in a small number of copies on Hollande laid paper.
3/4 red morocco, five raised bands-spine, gilt date at foot. Slight, superficial fading to spine, marbled paperboards, pebbled flyleaves and pastedowns, original covers and spine preserved, top edge gilt, A finely executed, unsigned binding from the late 19th to early 20th century.
Provenance: from the library of Simone and André Maurois, with their engraved bookplate on front pastedown.
Signed and inscribed copy by Paul Verlaine to the opera singer Marie-Blanche Vasnier : "A Madame Vasnier, hommage respectueux. P. Verlaine." [To Madame Vasnier, with respectful homage. P...
First edition, one of 50 copies printed anonymously on papier japon.
First edition, one of 50 copies printed anonymously on papier japon.
Illustrated with an erotic frontispiece by Félicien Rops on chine.
Custom chemise and slipcase in half morocco and paper boards signed Boichot, some discreet restorations to the spine and covers, some discreet restorations to the top margin of the frontispiece, not affecting the engraving.
“La Présidente”, honorary nickname given to Apollonie Sabatier (alias Aglaëe Savatier, her real name), was one of the most captivating Salon hostesses of the 19th century. She inspired an ethereal love in Baudelaire who...
First edition, one of the 100 numbered copies on Holland paper, the only deluxe copies ("grand papier").
Very nice copy.
First edition, one of 230 numbered copies on Auvergne paper, ours one of 75 not-for-sale copies, the only printing after 10 copies on China and a few hors commerce copies; this copy specially printed for René Daumal.
Frontispiece illustrated with an original lithograph by Étienne Cournault.
Very faint, insignificant foxing to the margins of the covers.
A handsome copy complete with its original wraparound band.
Exceptional and superb signed autograph inscription dated 27 December 1936 from René Daumal to his future partner Véra Milanova : « à Véra Milanova – à toi Véra, d'abord ces anciens mensonges (que je n'ai pu nourrir...
First edition, one of 480 numbered copies on laid paper, only grands papiers (deluxe) copies besides 20 Arches and 100 service de presse (advance) copies on laid paper.
Our copy is complete with the rare vignette etching drawn and engraved by Hans Bellmer printed 'en sanguine' present in only around 200 copies.
Preface by Jean Paulhan.
Spine very lightly faded.
A beautiful copy of this masterpiece of erotic literature.
First edition, one of the 90 numbered copies on pur fil Lafuma, deluxe copies ("tirage de tête").
Nice copy.
Signed handwritten inscription by Jean Anouilh to Robert Delaroche-Vernet.
First edition, one of 12 numbered copies on Hollande, the only deluxe issue.
Complete with the folding map at the end.
Full fawn morocco binding, five raised band spine, date at foot, comb-marbled paper pastedowns framed with a rich gilt roll, comb-marbled endpapers, gilt fillet to headcap, gilt fillet to leading edges, gilt roll to headcaps, original wrappers and spine preserved, all gilt deckled edges, housed in a fawn morocco-edged slipcase. Binding signed by Semet & Plumelle.
Provenance: From the libraries of Dr André Chauveau, Lucius Wilmerding, and RBL, with their bookplates affixed.
A splendid deluxe copy of exceptional...
First edition, one of 90 numbered copies on laid Arches paper, the only deluxe copies (grand papier) after 10 Montval.
Beautiful copy.
First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.
First edition, one of 60 numbered copies on vergé d'Arches paper, deluxe copies ("tirage de tê").
Bound in brown half morocco, covers and spine preserved, top edge gilt, binding signed by Thomas Boichot.
Nice copy.
First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.
First edition, one of 30 numbered copies on pur fil paper, this copy one of 10 hors commerce, the only grand papier (deluxe) copies.
A nice copy despite the very slightly sunned spine.
Autograph inscription dated and signed by Marguerite Yourcenar to Maurice Bourdel, director of publishing house Plon, and his wife : "... cette Electre perdue dans "un monde où l'ordre n'est pas"