Some Deluxe Paper Editions

First edition, illustrated with 7 original colour lithographs by Jacques Villon, from a limited edition of 1,800 numbered copies on Marais wove paper.

Texts by Paul Eluard: \"De la lumière et du pain\" and René-Jean: \"Eloge de Jacques Villon.\"

A fine copy housed in its original portfolio and slipcase.

New edition, limited to 750 numbered copies on vélin labeur paper, in the second issue of the publisher's boards.

Publisher's binding executed after the original design by Mario Prassinos.

A pleasant copy.

First edition, limited to 200 copies on pur fil de Rives paper; this is one of the few hors commerce copies printed with the recipient's name.

A pleasing copy despite a small vertical cut to the front cover.

Illustrated with 7 engravings by Marcel Gromaire, 4 of them double-page and printed in colour.

First edition, one of 28 numbered copies on Japan paper, the only large-paper copies after 10 on China paper and 12 on vieux Japon.
A fine and rare copy.

First edition, limited to 200 copies printed on pur fil de Rives paper.

A pleasant copy.

Illustrated with 11 engravings by Jacques Villon, including 4 full-page plates.

First edition, one of 60 numbered copies on Vosges vellum, the only large paper copies.
A fine copy.

First edition of the French translation, one of 34 numbered copies on Japan bamboo paper, the only large-paper copies.

A rare and handsome copy of this political spy thriller recounting a neo-fascist coup d'état.

The novel was adapted for the screen in 1981 by Peter Zinner, starring Franco Nero, Anthony Quinn, Christopher Lee, Claudia Cardinale, Eli Wallach...

First edition, one of 30 numbered copies on pur fil du Marais paper, this being copy no. 1, the only large-paper copies apart from a few hors commerce copies on pur fil du Marais.
A fine copy.

First edition of the French translation, one of 100 numbered copies on alfa paper, the only large-paper copies.

A pleasant copy.

First edition, one of 62 numbered copies on Holland paper, the deluxe issue after 16 copies on Japan paper.

Spine and covers sunned, copy with full margins.

Below the limitation statement, autograph inscription signed by Gaston Riou to his friends the Linossiers.

First edition, one of 120 numbered copies signed by André Gide at the colophon, the only limited issue after 10 copies on Japan paper.

Some light foxing, mainly affecting the edges and the soft card slipcase.

Two copies of the first edition presented together in a single wrapper: one on butcher’s paper, from the limited issue of sixty numbered copies printed for private distribution (hors commerce), unopened; the other on pure linen laid paper, from the limited issue of fifteen numbered copies.

This poem by Charles de Jonquières, written in 1944-1945, was published in 1959 as a token of gratitude to those who had supported him in founding the Union des intellectuels indépendants, an association established in 1950.

Illustrated with headpieces and tailpieces.

Very light soiling to the illustrated wrapper; the copies are otherwise in...

First edition, one of 25 numbered copies on vélin de Lana, the only large-paper copies; ours is one of the few copies marked hors commerce.

A rare and attractive copy.

First edition, one of 75 numbered copies on Holland paper, part of the deluxe issue (tirage de tête), preceded only by 12 copies on Japan paper.
Red half shagreen with corners, spine with five raised bands framed by black fillets, moiré-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, others untrimmed, small black spots on the spine, binding signed by Caffin, Parisian binder of the rue Saint-Lazare.

First edition of the French translation, one of 45 numbered copies on alfa paper, the only large-paper copies.

Preface by Joseph Kessel.

A rare and very fine copy.

First edition, one of 20 numbered copies on Madagascar paper, the deluxe issue, preceded only by a single unique copy on Japon impérial reserved for General de Gaulle.
A fine copy, complete with its chemise and slipcase.

First edition, one of 40 numbered copies on vélin pur fil paper, the deluxe issue.

A rare and attractive copy, illustrated with drawings on plates.

First edition of the French translation, one of 50 numbered copies on alfama marais paper, the only large-paper copies.

Preface by André Maurois.

A vertical crease mark to the lower cover, a few faint and insignificant spots to the edges; a rare and attractive copy.

First edition, one of 109 numbered copies on Lafuma Navarre laid paper, reimposed in quarto tellière format, forming the deluxe issue (tirage de tête).

Half aubergine morocco with corners, spine with four raised bands outlined with black fillets, gilt date at foot, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt. Binding signed by Semet & Plumelle.

An attractive and handsomely bound copy of this work, awarded the Prix Goncourt in 1926.

First edition, one of the numbered copies on alfa paper.
Half navy blue shagreen with corners, spine with five raised bands (slightly faded), moiré-effect paper boards, marbled paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, contemporary binding signed by Caffin, binder in rue Saint-Lazare, Paris.

Some light foxing, mainly affecting the edges.

First edition, one of 103 numbered copies on pur fil paper, the only large-paper copies apart from 6 hors commerce copies on Holland paper.
Preface by Henri Pourrat.

A monogrammed roundel pasted to the upper right corner of an endpaper, serving as a bookplate.
A fine and rare copy.

First edition, one of 13 numbered copies on vélin d'Arches, the deluxe issue after a single copy on Japon.

A pleasant copy.

First edition, one of 330 numbered copies on Holland paper.

Light foxing to the endpapers.
A fine copy, the blue wrappers unfaded.

First edition, one of only 6 copies numbered in Roman numerals on Holland paper, this copy being No. I, the only deluxe copies issued.

Endpapers partially darkened.

A rare and attractive copy.

First edition, limited to 195 numbered copies on pur fil paper, each printed with the name of its recipient.

A rare and attractive copy.

First edition, one of the numbered copies printed on alfa paper.
A very good copy.

First edition, one of an unspecified number of copies printed on China paper, not mentioned in the limitation statement.

Contemporary Bradel-style binding in brown straight-grain half morocco, smooth spine with a few minor scuffs and an incorrect date gilt-stamped at the foot (1895 instead of 1890), comb-marbled paper boards, original wrappers and spine preserved, corners slightly bumped.

Some inevitable foxing to the edges, owing to the nature of the China paper.

First edition, one of the copies printed on Japanese paper.

Small tears and minor losses to the corners of the wrappers, which are partially faded along the edges; a tear at the foot of the spine.

Internally in very good condition.

First collected edition, one of 36 numbered copies on Holland paper, constituting the deluxe issue.

A very good copy.

First edition, one of 20 numbered copies on Hollande paper, the deluxe issue after 10 copies on Japan paper.

A rare and handsome copy.

First edition of this exhibition catalogue, printed in an edition of 1,000 copies on wove paper, accompanying an exhibition of works by Raoul Dufy held at the Galerie Louis Carré in July and September 1953.

Published in aid of the preservation of the Palace of Versailles, the catalogue is illustrated with five plates, including three double-page lithographs, one of which appears on the wrappers.

Includes numerous contributions by writers and artists, among them Roland Dorgelès, André Warnod, Jean-Louis Barrault, Fernand Léger, Moïse Kisling, André Lanskoy and Hans Hartung.

A very good copy.

First public edition of this text by Jean Guéhenno, written under the pseudonym Cévennes, one of 60 numbered copies on Madagascar paper, from the deluxe issue.

A fine copy.

First edition, one of 50 numbered copies on Marais Crèvecoeur paper, issued as part of the publisher’s deluxe limitation.

Spine and boards faintly sunned and toned as usual, with a small spot to the lower outer corner of the front board.

As stated in the limitation, this copy includes its original etching by Jacques Villon, signed in the plate.

First edition of the French translation, one of 26 lettered copies on Lana wove rag paper, issued as part of the tête-de-tirage.

A fine copy.

First edition, one of 35 numbered copies on Rivoli vellum, the only deluxe-paper issue.

A particularly handsome copy

First edition, one of 24 numbered copies on Vélin Rivoli, the only deluxe issue.

A particularly handsome copy.

First edition, one of 36 copies on pure-wire vellum, the only copies printed on deluxe paper.

A particularly attractive copy.

First edition of the French translation, one of 25 numbered copies on pur fil, the only copies printed on deluxe paper.

Blood red morocco binding, gilt title lengthwise, gold stingray boards framed in morocco, gilt decorative paper endleaves, original wrappers preserved, top edge gilt, an elegant binding signed Boichot. Front free endpaper slightly toned, otherwise a handsome untrimmed copy.

First French edition, illustrated by Arthur Rackham with 40 mounted colour plates on thick brown paper, each protected by a captioned tissue guard, along with 30 black-and-white line drawings within the text, one of the extremely rare 30 copies printed on japon, signed by Arthur Rackham on the limitation page; the deluxe issue.

Publisher’s Bradel binding in full vellum-style boards, smooth gilt-titled spine, upper board gilt-stamped with title and a tree design, top edge gilt; the silk tie on the lower board is lacking.

...

First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.

Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.

First edition, one of 26 copies on pure wove paper, the only deluxe-paper issue.

A rare and handsome copy.

Antoine Tudal was the son-in-law and close confidant of Nicolas de Staël, who confided to him a few days before his death: "Tu sais, je ne sais pas si je vais vivre longtemps. Je crois que j'ai assez peint. Je suis arrivé à ce que je voulais..."

First edition of the French translation prepared by Michel Vaucaire, who would later write the lyrics to the famous song Non, je ne regrette rien, singed by Édith Piaf. One of the rare named copies printed on japon. 

Vertical creasing to spine, minor corner losses to spine and boards, traces of erasure to first two leaves, as issued.

Illustrated with 9 black-and-white photographs, including one on the cover.

Illustrated edition with 24 colour plates by Arthur Rackham tipped in with captioned tissue guards, 8 full-page black-and-white illustrations, together with numerous ornaments and vignettes in the text by Arthur Rackham, one of 300 copies printed on vélin à la forme, signed by Arthur Rackham on the limitation page.
Publisher’s Bradel binding in full bright white vellum, smooth spine lettered in gilt, upper cover gilt-stamped with the title and a design of fantastic animals within a vertical gilt rule, illustrated endpapers and pastedowns, top edge gilt, untrimmed edges preserved. 
A very well-preserved copy of Milton's baroque and Dionysian...

First French edition of the 50 colour plates by Arthur Rackham, tipped in with captioned tissue guards, a black vignette on the title page, and a further black vignette hors texte by Arthur Rackham, one of 200 copies on Whatman paper.
Publisher’s full vellum, smooth spine gilt-lettered, upper cover gilt-stamped with the title and a gilt illustration of Rip Van Winkle, illustrated endpapers, top edge gilt, uncut, original silk ties preserved. Occasional light foxing.

A splendid copy, remarkably fresh, of Washington Irving’s fantastical tale profusely illustrated by Arthur Rackham.

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.

With sections devoted in particular to Cesare Pavese and Alberto Moravia...

A rare and attractive copy of Dominique Fernandez’s first published work.

First edition, one of 45 numbered copies on Holland paper, the deluxe issue.

Full chocolate-brown morocco binding, spine with five raised bands framed with black fillets, date gilt at foot, gilt rolls on the caps, marbled paper endpapers and doublures, gilt double fillet borders on the doublures, gilt fillets along the edges, original wrappers and spine preserved, all edges gilt, slipcase edged with matching chocolate morocco, sides in marbled paper, interior lined with grey felt. A splendid binding signed by Semet & Plumelle.

A very handsome copy, perfectly bound in full morocco by Semet & Plumelle.

First edition, one of 40 numbered copies on Ingres paper, deluxe issue.

A fine copy.

New edition, one of 50 copies on deluxe paper (no. 29/500) and issued with a named dedication, ours specially printed for Baron Emmanuel-Alban Guillaume-Rey (1837–1916), orientalist and archaeologist specializing in medieval Syria.

Full rigid vellum binding, smooth spine decorated with gilt fillets and floral tools, brick-brown morocco title label, gilt place and date at foot, gilt cornerpieces on the covers, original wrappers preserved, contemporary binding.

A poetic account of the exploits of Peter I of Lusignan, King of Cyprus (1328–1369), written shortly after his death at the request of Charles V, and centered on the so-called “Alexandrian Crusade,” the ill-fated...

First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Bound in full ebony morocco, smooth spine decorated with small inlays of garnet morocco and pearl-grey box calf, the latter framing the author’s initials and the title; the first numeral of the date, given in Roman numerals, appears within a square of pearl-grey box calf. Morocco boards framed with wide panels of chocolate suede, the upper cover with a large granulated paper panel lettered with the title and date of the edition set in garnet morocco, the initials framed by a rectangle of paper taken from a map of Haute-Savoie; bluish paper...

First edition, one of 160 hors commerce copies on Lana vellum, ours being one of 60 hors commerce copies, the only deluxe issue.

Half long-grain black morocco binding, smooth spine lettered with the author’s name, title, date, and the palladium inscription “EX. JOSEPH KESSEL 1958”, wood-patterned paper boards, grey endpapers and pastedowns, wrappers and spine preserved, binding signed by Thomas Boichot.

Some foxing, mainly affecting the wrappers and the first and last leaves.

Exceptional and moving signed autograph presentation from Maurice Druon to Joseph Kessel: "A toi mon grand Jef, cet Alexandre le grand né lui aussi sous le signe du...

First edition, one of 10 lettered copies on Holland paper, the only deluxe copies.

Illustrated on the cover with a portrait of Max Jacob by Pablo Picasso.

A rare and handsome copy.

First edition, one of 120 copies printed on pure laid paper.

Pleasant copy with wide margins throughout.

First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.

Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).

First edition, one of 30 numbered copies on Ingres d'Arches paper, the deluxe issue.

A fine copy.

First edition, one of 50 copies numbered on pure wove paper, the only deluxe issue.

A fine copy.

First bilingual edition, one of 50 numbered copies on Arches wove paper, the deluxe issue.

The French translation, printed opposite the English text, was prepared by Patrick Guyon and Marie-Claude White.

A rare and attractive copy.

First edition of the French translation by Isabelle Rivière, one of 33 numbered copies on pur fil de Voiron, ours being one of 5 hors commerce copies, reimposed in quarto Tellière format, the only deluxe copies.

A handsome and rare copy.

First edition, one of 15 numbered copies on pure wove paper, the only deluxe copies.

A very handsome copy.

First edition, one of 40 numbered copies on Lana wove paper, the only deluxe paper issue.

A handsome copy.

First edition, one of 25 numbered copies on Popset Whisky paper, the deluxe issue.

A fine copy.

First edition of the French translation by Pierre Jean Jouve of Georg Büchner's libretto for Alban Berg's opera, one of 40 copies on pure wove paper, this one specially printed for Charles Orengo.

Endpaper partly toned, a pleasant copy.

Inscribed, dated and signed by Pierre Jean Jouve to Charles Orengo.

First edition of the French translation, one of 75 numbered copies on pur fil, the only deluxe paper issue.

Half brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, endpapers and pastedowns, original wrappers and spine preserved, gilt top edge. An elegant binding signed Alix.

A handsome and carefully bound copy.

First edition for each volume.

Fine copy of Du côté de chez Swann in first edition, second printing, with all identifying points (front cover dated 1913, table of contents present, no publisher's catalogue at end); copy in first edition bearing the mention "quatrième édition" for À l'ombre des jeunes filles en fleurs (with the correct colophon dated November 30, 1918); although bearing the same colophon dated November 30, 1918, the 128 reimposed copies were not actually printed until a year later, together with the large paper copies of the Swann reissue; for the following 11 volumes...

First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.

Minor rubbing along the joints. A rare and attractive copy.

First edition dedicated to Louis Jouvet, one of 108 numbered copies on Lafuma Navarre laid paper, reimposed in quarto tellière format, deluxe issue.
Half red morocco-backed marbled boards, spine with five raised bands framed with blind fillets, date gilt at foot, marbled paper sides, comb-marbled endpapers and pastedowns, covers and spine preserved, top edge gilt, binding signed by D.H. Mercher.
Premiered by Louis Jouvet at the Comédie des Champs-Élysées on 14 December 1923. The actor also oversaw the staging and set design; in 1933, the play was later adapted for the screen by Roger Goupillières, again starring Louis Jouvet in the leading role.

First edition, one of 42 numbered copies on Japan Barjon paper, one of the deluxe issue, with 8 additional copies on Japan reserved for the author.

Introduction by Francis Scarfe and preface by Jean-Jacques Mayoux.

Rare and attractive copy of Kenneth White’s first book, complete with two photographs by Marie-Claude White.

First edition, one of 100 numbered copies on Holland paper.

Some minor foxing, two tears and slight losses to the spine.

Paul Léautaud’s handwritten signature beneath the colophon.

First edition, one of 1,000 numbered copies on offset.

A fine copy.

Illustrated with 10 drawings by René Magritte.

First edition, one of 60 numbered copies on pure wove paper, the only deluxe copies after 17 on Hollande.

Bradel binding in full beige cloth, smooth spine, red morocco title-piece, upper wrapper preserved, sprinkled edges, modest binding.

First edition, one of 30 numbered copies on alfa vellum, the only copies on deluxe paper.

Slight sunning at the foot of the spine.

A handsome copy.

First edition, one of 30 numbered copies on alfa vellum, ours being No. 1, the only copies on deluxe paper.

Rare and handsome copy.

First edition, one of 13 numbered copies on pure rag Rives vellum, the tête-de-tirage.

Rare and handsome copy.