Some Deluxe Paper Editions

First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.

First edition, one of 100 numbered copies on alfa, the only grands papiers (deluxe copies) after 5 pur-fil paper.

Bound in half green morocco, paste paper boards, marbled paper endpapers, wrappers and spine preserved, top edge gilt, contemporary binding signed Lucie Weill.
Skilful and discreet repair to the top of a joint.
Illustrated with 6 vignettes by André Derain.

Handsome inscription signed by Antonin Artaud: “à Alice & à Carlo Rim que j'aime beaucoup parce que j'aime dans la vie tout ce qui est nature, franc et sans fard et la vie d'Héliogabale aussi est franche et sans fard et dans la ligne de la grande Nature. Antonin Artaud leur ami.” (“To Alice & Carlo Rim whom I love very much because I love in life all that is nature, frank and unvarnished and the life of Elagabalus is also frank and unvarnished and in line with the great Nature. Antonin Artaud their friend.”)

First edition, one of 12 numbered copies on Hollande, the only deluxe issue. 

Complete with the folding map at the end.

Full fawn morocco binding, five raised band spine, date at foot, comb-marbled paper pastedowns framed with a rich gilt roll, comb-marbled endpapers, gilt fillet to headcap, gilt fillet to leading edges, gilt roll to headcaps, original wrappers and spine preserved, all gilt deckled edges, housed in a fawn morocco-edged slipcase. Binding signed by Semet & Plumelle. 

Provenance: From the libraries of Dr André Chauveau, Lucius Wilmerding, and RBL, with their bookplates affixed.

A splendid deluxe copy of exceptional rarity. 

First edition, one of 15 numbered copies on Japan paper, the only deluxe issue.

Illustrated with 121 wood engravings and a folding coloured map.

Bound in modern half black oasis, flat spine decorated with double gilt fillets, brown oasis lettering-piece, marbled paper boards, endpapers and pastedowns of marbled paper, lower cover preserved and mounted on a tab.

First edition, one of 500 numbered copies on Featherweight, the only deluxe issue.
Small loss and foxing to the headcap and upper edge, a crease and minor tears to the front cover, endpapers slightly toned without consequence.
Exceptional signed autograph presentation from Benjamin Fondane: « A Jacques Prévert cordialement. B. Fondane. Paris / 3 / 33. »

First edition, one of 100 numbered copies on vellum, ours unnumbered, the only deluxe papers after 15 copies on Japon.
Illustrated with a frontispiece drawing by Salvador Dalí.
Precious signed autograph presentation from Paul Eluard to René Char : « Exemplaire de mon ami René Char. Paul Eluard. »

First edition, one of 20 deluxe copies on Holland paper, the only large-paper issue, reimposed in octavo format (the ordinary edition being in duodecimo).

Cf. Vicaire III, 305-306. Carteret I, 222.

Contemporary full stiff ivory vellum, smooth spine, marbled endpapers and pastedowns.

Fine copy.

Bibliographers mention 25 copies, which seems difficult to account for, as the limitation is clearly stated on the verso of the half-title. This procedure was customary for the author (Les Six aventures, 1857, was issued in the same dual printing).

Precious presentation copy inscribed and signed by Maxime Du Camp to the celebrated critic Jules Janin (1804–1874), who later affixed his engraved bookplate to the front endpapers.

First edition of the author's second work, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bound in yellow half morocco with corners, spine with five raised bands, gilt date at foot, a small black spot at head of spine, floral and moiré patterned paper boards, pale green paper endpapers and pastedowns, original wrappers preserved, gilt edges, bookplate of Gérard Pesme Baron de Saint-Genies pasted on a pastedown, binding signed by Thomas Boichot.
Half-title entirely toned.
A fine copy, handsomely bound.

First edition, printed on vellum paper in 260 numbered copies.

Bradel binding in half vellum-style boards, smooth spine, gilt title running lengthwise, gilt fillet framing the marbled paper covers, top edge gilt.

A long orange offset to the margin of the lower cover on the vellum-style board, light orange offsets to the margins of the white endpapers.

Illustrated with 68 plates reproducing drawings by Max Liebermann in facsimile.

This copy retains the two original etchings by Max Liebermann, each signed by him in pencil.

Very rare first edition, printed in only 80 copies (According to CCFr, copies are held only at the BnF and in Lille).

This edition was printed on August 27, 1867, in the presence of Emperor Napoleon III, during his visit to northern France with Empress Eugénie from August 26 to 30, 1867.

Publisher’s binding in full green grained cloth, flat spine decorated with blind fillets, panels framed with blind fillets, slightly bumped corners, pink edges.

Minor foxing mainly affecting the endpapers; a handsome copy.

On a blank endpaper, an autograph inscription signed by Léonard-Jean-Baptiste Danel (1818–1905), nephew and successor of Louis Danel since 1843, addressed to Auguste Ohnet, likely the paternal uncle of the novelist Georges Ohnet (1848–1918), in which case he lived from 1808 to 1882.

Laid in: a chromolithographed broadside (39 x 29 cm) presenting a copy to the Empress ("Offert à S.M. l'Impératrice Eugénie par le personnel de l'imprimerie Danel à Lille").

First edition, one of 40 numbered copies, the only copies printed on deluxe paper.

A handsome and scarce copy.

Illustrated with full-page color drawings by André François.

Pencil signature by Vincent Pachès at the colophon.

First edition of the French translation by Jean Dutourd, one of 86 numbered copies on pur fil, only grand papier (deluxe) copies. 

First edition of this magnificent work, one of Gustave Le Bon’s (1841–1931) contributions to anthropology, in which he applied his pioneering theories to the Arab world. One of the few copies printed on japon paper, unrecorded in bibliographies.

Illustrated with 10 chromolithographs, 4 maps, and 366 engravings, including 70 large plates, after the author’s photographs or the most reliable documentary sources. Cf. Vicaire V, 134.

Contemporary half cherry-red shagreen, spine with five raised bands adorned with gilt fillets and double gilt compartments, double gilt fillet frame on marbled paper-covered boards, comb-marbled endpapers and pastedowns, top edge gilt.

Minor superficial rubbing to spine ends.

A rare and attractive copy on japon paper, handsomely bound in contemporary period style.

First edition, one of 950 copies on Vélin Vidalon signed by André Marchand, the only printing following 49 copies on Vélin d'Arches.

Bound in black morocco-backed boards with corners, smooth spine, gilt fillet borders on cat's eye paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, all edges gilt. Slipcase edged in black morocco, marbled paper panels. Binding signed by D. Saporito.

Illustrated with 50 splendid original lithographs by André Marchand, printed by Mourlot.

Featuring previously unpublished texts by Georges Spyridaki, René Lacôte, Georges Hugnet, Gabriel Audisio, Raymond Queneau, David Herbert Lawrence, Pierre Emmanuel, Luc Decaunes, Léon-Marie Brest, Jean Grenier, Antonio Machado, Marie Mauron, Paul Eluard...

A handsome and finely bound copy.

First edition, one of 35 copies printed on Japan paper, the deluxe issue, complete with the four states of the etchings (pure etching with remarque, with remarque, before letters, final state), see Vicaire, VII, 534.

(Vicaire mentions a blank leaf and a dedication leaf which appear to be missing here, although the copy is otherwise perfectly complete.)

Contemporary binding in half Empire green morocco, spine with five raised bands framed by black fillets, minor rubbing to the spine, spine and boards slightly faded, black fillet border on marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses, binding signed by Pétrus Ruban.

Excellent internal condition.

First edition, one of 300 numbered copies signed and justified by Frans de Geetere, reserved for the friends of La Marie-Jeanne, the only copies printed on deluxe paper.
As stated in the limitation, our copy is complete with a manuscript leaf from the work and an original drawing by the author depicting two reclining nude women, signed by him.
A desirable copy, complete with its rare promotional wraparound band: "le livre qu'aucun éditeur n'a osé publier".

First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine and covers slightly and marginally faded, a pleasant copy.

First collected edition, one of 25 copies printed on Japan paper, the deluxe issue.

Contemporary brown half shagreen binding with corners, spine with five raised bands ruled with gilt dotted lines, adorned with double gilt compartments and decorative motifs, moiré paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

A handsome copy in an attractive period binding.

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

Illustrated edition with 10 drawings, decorative headers and ornaments by Frans Masereel, one of 60 numbered copies on Lafuma paper.
Minor losses and small tears without loss to the head and tail of the upper cover, stains to the rear endpaper.

First edition, one of 800 numbered copies on Montgolfier paper.

Illustrated with two original hors-texte drypoints and in-text drawings by Jean Lurçat.

Spine and covers slightly and marginally faded, as usual; a well-preserved copy overall.

First edition, one of 35 numbered copies printed on vélin pur chiffon B.F.K. de Rives, the only limited deluxe issue.

A small tear at the top of the lower cover, barely noticeable.
Very handsome copy.

First edition, one of 50 copies numbered on pure white rag paper, deluxe printing.

Binding in red half-shagreen with corners, spine with five raised bands framed by black fillets, some small rubbing on a few of the bands, date in gilt at the tail, framed by black fillets on the boards of speckled paper, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

Illustrated with 60 heliogravure plates hors-texte.

Pleasant copy despite minor marginal spots of little significance on the endpapers.

Our copy is enriched with an autograph note dated June 1929 and signed by Pierre Abraham, mounted on tab, thanking Joseph Gabalda, then president of the Balzacian Circle, for his active contribution to the realization of this work.

The work also contains another autograph note, dated and signed by the author, mounted on tab, addressed to the same person, discussing the iconographic documents used to illustrate the book.

He promises him, in return for his investment, a copy from the deluxe printing.

First edition, one of 35 copies on pure rag paper, this one not numbered but specified as a copy printed for Pierre Jean Jouve under the colophon, the only deluxe paper copies issued.

Three small spots on the lower cover.

A very good copy.

First edition of the French translation by Dominique Aubier, printed in 150 numbered copies on Rives wove paper, ours being one of 30 copies including the original print, numbered and signed by Louis Chavignier.

Our copy is one of only 10 exceptionally enriched with an additional suite on chine appliqué of the etching by Alberto Giacometti and the 14 burin engravings by Louis Chavignier.

The work is illustrated with an original etching as frontispiece by Alberto Giacometti, and 14 full-page original burin engravings by sculptor Louis Chavignier.

A handsome and rare copy.

Enclosed is the printed report, on Rives paper, of the general meeting held on 16 May 1962 by the bibliophile society Les Impénitents.

Also included is the promotional leaflet illustrated with an original burin engraving by Louis Chavignier, justified and signed by the artist, announcing the forthcoming publication of the book.

Minor, insignificant foxing affecting one leaf of the final gathering.

A rare and desirable copy.

Edition established, annotated, and commented by Le Roux de Lincy and Anatole de Montaiglon. Deluxe printing limited to 395 copies on deluxe paper, this one of 40 on Whatman paper (No. 301), including three suites of the engravings: one in black on Japan paper, one in bistre, and one in sanguine.

Illustrated with a portrait by T. de Mare, a frontispiece by Dunker, and 76 figures after Freudenberg engraved by De Longueil, Eichler, Le Roy, among others. Includes head- and tailpieces. One chromolithographed plate depicting the arms of Marguerite de Navarre. All engravings are presented in three states, except the chromolithograph.

Contemporary full citron morocco binding signed by Allo. Spine with five raised bands, richly tooled with Marguerite de Navarre’s cipher repeated twice and fleur-de-lys motifs, framed in gilt compartments with various decorative tools and fillets. Her coat of arms stamped at the center of both covers, triple gilt fillet border. Lavish gilt dentelle turn-ins. A thin scratch to the lower board of volume II and a small surface crack along the lower joint of the same volume. A very well-preserved copy with only occasional light foxing. Edges untrimmed, causing the engravings to be slightly shorter than the text block.

A magnificent set in a masterly period binding.

Facsimile edition limited to 1,000 numbered copies of the exceedingly rare 1931 first edition published by Jeanne Walter.

Introduction by Fernand Léger.

Splendid volume illustrated with 80 photographs by Moï Ver.

A rare and desirable copy, complete with its original grey full cloth chemise and slipcase.

First edition, one of 50 copies on deluxe paper, the only copies printed on large paper.
Fine copy.

First edition, printed in 500 numbered copies on Arches wove paper, adorned with 48 black illustrations within the text and 32 full-page plates after drawings by Iacovleff, printed in bistre and black. A superb album, produced under the direction of Jacques de Brunhoff with the collaboration of Sergueï Grigorievitch Elisseeff (1889–1975).

In 1917, the Russian painter Aleksander Evgenevitch Iacovleff (1887–1938) spent six months on the Japanese island of Izu Ōshima, following a stay in China. He would never return to Russia, where the Soviets seized power that same year, but emigrated to France, where he would pursue the rest of his career. He became the official painter of the Croisière Noire and later the Croisière Jaune. His fascination with the Far East inspired several illustrated albums, including Dessins et peintures d’Extrême-Orient (1920), Le Théâtre chinois (1922), and finally, the present work.

Minor losses at head and foot of spine, restored tear to head of spine, small tears and stains to lower board, final endpaper slightly and partially toned with some marginal foxing; a well-preserved copy overall.

First edition, numbered copies on vélin pur fil, most limited deluxe issue.

A handsome copy complete with the publisher’s announcement slip.

Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.

Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage  to Crémieux, a descendant of a long-assimilated Jewish family from southern France. Two years after the publication of this collection, Irène Némirovsky’s name would appear alongside Crémieux’s in an anonymous antisemitic pamphlet entitled Voici les vrais maîtres de la France [Here are the true masters of Frabce] listing over 800 names of writers (Mémorial de la Shoah, Olivier Philipponnat).

Neither would return from the death camps: “In Geneva, in February 1945, Olga Jungelson, an envoy from the Ministry of Refugees to the Red Cross, was unable to obtain any information about her, nor about the other deported writers she had been tasked with tracing: Benjamin Crémieux, Robert Desnos, Jean Cavaillès, Maurice Halbwachs” (La vie d'Irène Némirovsky, Patrick Lienhardt, Olivier Philipponnat). 

First edition, one of 25 numbered copies on Vélin du Marais, the only copies printed on deluxe paper.

A fine and rare copy.

First edition, one of 55 numbered copies printed on Lafuma-Navarre laid paper, the only deluxe copies.

A light halo stain to the upper edges of the front endpaper and half-title, otherwise a pleasing copy.

First edition, one of 35 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome copy, despite slight and marginal fading to the spine and covers.

First edition, one of the rare copies on Holland paper, not mentioned in the printed justification.

Contemporary Bradel binding in half black morocco, smooth spine with gilt date at foot, cat's-eye paper-covered boards, marbled endpapers and pastedowns, binding signed Champs.

Inscribed and signed by Eugène Manuel to Madame Michel Lévy.

Our copy is enriched with two dated and signed autograph letters by Eugène Manuel, mounted on tabs at the beginning of the volume, most likely addressed to one of his literary mentors regarding the first performance of his play "Les ouvriers".

In the first letter, written with delicate modesty and dated the day before the premiere on 17 January 1870, Eugène Manuel expresses his hope and longing for the distinguished recipient to attend the opening of "Les ouvriers": "Vous prendrez peut-être plus d'intérêt à l'auteur, lorsque vous saurez que je suis le neveu d'un de vos amis d'autrefois, Jules Lévy, qui avait pour vous une bien vive et bien sincère affection... [...] J'espère, monsieur, que rien ne vous empêchera d'assister à cette représentation, peu importante peut-être pour vous, puisqu'il s'agit que d'un acte, mais qui est sérieux pour moi..."

In the second, the author warmly thanks his correspondent for the attention paid to the play: "J'apprends aujourd'hui seulement que vous m'avez fait l'insigne honneur d'entretenir de ma petite pièce des Ouvriers, l'auditoire d'élite qui se presse à vos leçons du Collège de France... [...] le jugement d'un critique aussi considérable est une de ces bonnes fortunes que l'on ose ambitionner..."

First edition, one of 25 numbered copies on pure wove paper, the only deluxe copies.

First endpaper slightly and partially toned, without consequence.

A handsome copy with full margins.

First edition, one of 60 numbered copies on alfa paper, the only copies printed on deluxe paper.

Quarter red shagreen with corners, spine with four raised bands ruled in black, gilt-patterned paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome and scarce copy, attractively bound.

First edition, one of 40 copies printed on pur fil paper, this one numbered 1, the only copies on deluxe paper.

Complete with the folding map at the end of the volume.

A handsome and rare copy, untrimmed, of this work dedicated "To the glory of those who fell and those who prevailed, workers, soldiers, and commanders."

Preface by Marshal Franchet d'Esperey.

First edition, one of 220 numbered copies on pure rag paper, the only deluxe issue.
Fine copy.

First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.

A fine copy with wide margins.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition of this text dedicated to Jean-Paul Sartre, one of the 43 numbered copies on pure rag paper, the only large paper copies.
Beautiful copy.

First edition of the French translation, one of 50 numbered copies on pur fil, the only deluxe copies.

Tiny marginal chips of no consequence on the wrappers, a crease to the upper right corner of the front cover, final page slightly darkened due to the presence of a folding facsimile.

This volume comprises three previously unpublished chapters from the novel "Les possédés".

First edition, one of 30 numbered copies on pure rag vellum, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 115 numbered copies on alfa paper, the only deluxe copies aside from 35 on pure thread.

Two small spots of foxing on the front cover, a discreet crease, a handsome copy as issued.
 
Rare and highly sought after in deluxe paper.

First edition, one of 80 numbered copies on alfa paper, the only copies printed on deluxe paper.

A handsome and rare copy.

First edition, one of the copies printed on pur fil paper, the only deluxe issue.

Illustrated.

A handsome copy.

First edition, one of 15 copies printed on japon impérial, most limited deluxe issue.

Bradel binding with grey box spine, front board in plexiglass revealing the original cover, back board in grey box, original wrappers and spine preserved, housed in a soft grey paper chemise lined with light grey felt; unsigned binding by Mercher.

Illustrated with three original lithographs, including the original colour illustration on the cover.

Discreet repairs to the head of the front wrapper, which also shows slight sunning along the left margin.

A very rare and beautiful deluxe copy of this major scenario for an imaginary Dadaist film by Picabia: "

I ask each of my readers to stage and film for themselves on the screen of their imagination [...] record for yourselves while reading La Loi d'accommodation chez les borgnes; all seats are the same price, and you can smoke without bothering your neighbors.

" (Picabia, preface). This work related to his celebrated Dada piece L’Œil Cacodylate, directly references the theme of distorted vision – a significant inspiration for Picabia, who suffered from ophthalmic shingles: "The title of the scenario itself (La Loi d’accommodation chez les borgnes) can be seen as an (ironic or humorous) echo of the visual processes explored in his latest works. Depth perception requires two eyes. The lack of stereoscopic vision in monocular vision results in a flat image, and the brain must work harder to construct a sense of relief." (Bernard Marcadé, Francis Picabia Rastaquouère, p. 390)

Our copy includes an autograph letter by the publisher confirming to the recipient that the work is complete and does indeed include two illustrations by Francis Picabia (in addition to the cover), contrary to what Skira indicated in his bibliography.

First edition, one of 125 numbered copies on B.F.K. de Rives, including an additional suite of the illustrations on pure rag paper.

A few minor spots on the covers, a pleasant copy overall.

Two light marginal dampstains on the slipcase, slightly rubbed at the corners.

Signed by Sacha Guitry at the beginning of the first volume.

First edition, one of 50 copies printed on Lancey watermarked paper, the only copies on deluxe paper.

A handsome copy despite some foxing on the boards.

Inscribed by Maurice Gorrée’s brother to him and his family as a gift.

First edition, one of 45 numbered copies on Arches wove paper, the deluxe issue.

A handsome copy, untrimmed, despite two pale vertical sunspots on the upper cover.

Inscribed and signed by Michel de Saint-Pierre to Maurice Gorrée, dated: "... ce roman qui est devenu champ-clos, alors que je voulais unir... Amicalement Michel de Saint-Pierre."

First edition, one of 50 numbered copies on laid paper, the only copies printed on deluxe paper.

A handsome and rare copy.

Illustrations.

Signed autograph inscription by Jean de La Varende to Maurice Gorrée.

First edition, one of 18 numbered copies on alfa paper, the only deluxe copies.

Bound in navy blue half shagreen with corners, spine with four raised bands, gilt-effect paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an elegant binding.

Inscribed and signed by Benoîte and Flora Groult to Maurice Gorrée (Benoîte signing on Flora’s behalf).

First edition, one of 110 numbered copies on alfa paper, this one not justified, the only copies printed on deluxe paper.

Bound in red half shagreen with corners, spine with four raised bands framed by black fillets, covers with gilt-patterned paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an attractive binding.

Illustrated with 16 phototype plates.

First edition, one of 30 numbered copies printed on Corvol l'orgueilleux, the only copies on deluxe paper along with a few hors commerce copies on the same paper.

A handsome copy.

Inscribed and signed by Armand Lanoux to Maurice Gorrée: "voici le commandant Watrin histoire d'hommes de bonne volonté," with an original drawing of a flower.

First edition, one of 240 numbered copies on pur fil paper, the only deluxe issue.

A handsome copy.

First edition, one of 285 numbered copies on Arches wove paper, deluxe issue.

A handsome copy.

Inscribed, dated and signed by Roger Peyrefitte to Maurice Gorrée.

First edition, one of 110 copies printed on pure Lana wove paper, the only copies on deluxe paper.

Half maroon shagreen binding with corners, spine with four raised bands adorned with black fillets, gilt patterned paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy, finely bound.

First edition, one of 50 copies on pur fil, ours being one of 4 hors commerce copies, the only deluxe papers after 5 hors commerce copies on Arches.

Bound in burgundy half morocco with corners, spine with five raised bands ruled in black, cat's-eye patterned paper-covered boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, bookplate affixed to a pastedown, top edge gilt, untrimmed. A handsome unsigned binding, likely by Devauchelle.

First edition, one of 175 numbered copies on alfa paper, the only copies printed on deluxe paper.

A fine copy.

First edition, one of 100 copies printed on pur fil paper, the only deluxe copies.

A handsome copy.