First edition, one of 137 numbered copies on pure vellum paper, a deluxe issue following 80 copies on Montval paper.
A handsome copy.
First edition, one of the numbered copies on pur fil, the only copies printed on deluxe paper.
A fine copy.
First edition, one of 50 copies printed on Madagascar paper, ours being one of 20 hors commerce copies, from the deluxe issue.
A handsome copy.
First edition of the French translation, one of 50 numbered copies on pur fil paper, the only deluxe issue.
Attractive copy, with minor foxing to the spine.
First edition, one of 158 copies printed on pur fil paper, following only 45 on Hollande.
A fine copy.
First edition, one of 275 numbered copies on Lana wove paper, the deluxe issue.
Illustrated with 31 hors-texte plates.
A fine, uncut copy, complete with its illustrated dust jacket.
First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.
A handsome copy.
First edition, one of 330 numbered copies on alfa paper.
Pleasant copy.
First edition, one of 50 numbered copies on China paper, the only copies printed on deluxe paper.
A pleasing copy.
Illustrated with plates by Louis Dunki.
First edition clandestinely printed in 175 copies on laid paper, each individually numbered.
Bound in full mint green morocco, spine with five raised bands framed by black fillets, subtle restoration to spine colour, date gilt at foot, endpapers and pastedowns of combed paper, gilt fillet border on pastedowns, original wrappers and spine preserved, all edges gilt, chemise edged in mint green morocco, covers of cat's eye paper, white felt interior, an elegant binding signed by Alix.
A very rare and handsome copy bound by one of the most distinguished binders of the second half of the twentieth century.
First edition, one of 40 copies printed on Crèvecoeur du Marais paper, the only copies on deluxe paper.
A pleasant copy, despite a faint sunning at the foot of the spine.
First collected edition of the French translation, one of 50 numbered copies on vélin alfa, the only copies printed on deluxe paper.
A handsome copy, with only a few insignificant foxing spots to the edges.
First edition, one of 450 numbered copies on Alfa paper, after only 17 on Hollande and 22 on pur fil.
Spine and covers slightly and marginally sunned, as usual, otherwise a pleasing copy.
First edition of the French translation, one of 44 numbered copies on pur fil, the only copies printed on deluxe paper.
Spine very slightly sunned without consequence, bookplate affixed to the verso of the front cover, a handsome copy.
First edition, one of 450 numbered copies on Corsican paper.
A pleasant copy, despite the spine and covers being slightly and marginally toned, as often.
First edition, one of 62 numbered copies on madagascar paper, deluxe copy.
Some light foxing affecting mainly the edges.
Half dark blue morocco binding, spine with five raised bands, cat's-eye paper boards, combed paper endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, binding signed by Devauchelle.
Handsome copy beautifully executed.
First edition of the French translation, one of 150 numbered copies on pur fil, the only deluxe copies issued after 25 copies on Holland paper.
A fine copy with all edges untrimmed.
First edition, one of 45 numbered copies on pur fil, the only copies printed on deluxe paper.
A handsome copy.
First edition, one of 41 numbered copies on Hollande paper, the leading issue.
A fine copy.
First edition, one of 15 copies on Japan paper, the deluxe issue.
Minor foxing to the edges of the covers, otherwise a desirable and uncommon copy with all edges uncut.
First edition, one of 35 numbered copies on Holland paper, the deluxe issue.
A fine copy.
First edition, one of 120 numbered copies on Lafuma pure wove paper, the only large-paper issue.
Endpapers very slightly and marginally toned, two small tears at foot of spine.
A rare and much sought-after copy in original state.
« Car les volontaires des Forces Françaises de l'intérieur [...] tous également fiers d'avoir libéré leurs provinces sans appui direct des forces débarquées estiment n'en avoir pas assez fait et se sont lancés, dans un élan spontané vraiment admirable [...] à la poursuite des hitlériens qu'ils veulent reconduire qu'au Rhin. [...] Un bon nombre se servent de véhicules de réquisition ou de récupération. Tel est le cas du 8e Dragons, groupe de reconnaissance motorisé de la colonne formée par les F.F.I. de Corrèze, qui arrive à Paray-le-Monial, le 7 septembre, en même temps que le 2e Dragons. Le Chef d'escadron Merlat qui le commande se met aussitôt à disposition du lieutenant-colonel Demetz qui l'incorpore d'emblée à son groupement. » (For the volunteers of the French Forces of the Interior [...] all equally proud of having liberated their provinces without direct support from the landed forces believe they have not done enough and have launched themselves, in a truly admirable spontaneous surge [...] in pursuit of the Hitlerians whom they want to escort back to the Rhine. [...] A good number use requisitioned or recovered vehicles. Such is the case of the 8th Dragons, motorized reconnaissance group of the column formed by the F.F.I. of Corrèze, which arrives at Paray-le-Monial on 7 September, at the same time as the 2nd Dragons. Squadron Leader Merlat who commands it immediately places himself at the disposal of Lieutenant-Colonel Demetz who incorporates him straightaway into his group.)
First edition, one of 8 numbered copies on Chinese paper, the deluxe issue.
Bound in full red morocco, smooth spine, spine and boards decorated with a geometric design of black and gilt fillets representing interlaced mountain peaks in zigzag pattern, endpapers and pastedowns illustrated with an original lithograph signed in pencil by Germaine de Coster, following endpapers of red paper, original wrappers and spine preserved, top edge gilt; a very elegant contemporary binding signed by Hélène Dumas and Germaine de Coster.
This copy is further enriched with an original charcoal portrait of Jean Giono, signed by Robert Joël and mounted on a stub after the front wrapper.
A copy of the deluxe issue, magnificently bound in full morocco with a geometric design by Hélène Dumas, and with lithographed endpapers by Germaine de Coster.
First edition, one of 70 numbered copies on pure thread paper, ours being one of 15 hors commerce copies lettered under Ingres covers, deluxe copies after 2 reimposed on pure thread laid paper hors commerce reserved for Jacques Hébertot and 13 holland paper copies.
Minor marginal tears of no consequence to the covers.
Handsome and rare copy of this response by Albert Camus to Jean-Paul Sartre's "Les mains sales".
First edition, one of 48 copies on pur fil, the only deluxe copies.
Work decorated with illustrations by Jean Hugo.
Light rubbing to extremities of the slipcase.
Superb binding in dark exotic wood marquetry signed Pierre-Lucien Martin, dated 1962.
Binding in chocolate brown box leather with bands, smooth spine, gilt title lengthwise, first cover formed of a mosaic arrangement of dark wood pieces, with grain arranged in opposite directions, bearing the title engraved vertically and the author's name revealed in acrostic, second cover formed of a large panel of the same wood with unfolded grain bordered in chocolate box leather, endpapers and pastedowns of chocolate paper, top edge gilt over deckled edges, covers and spine preserved, slipcase of chocolate paper bordered in chocolate box leather, interior lined with brown felt, elegant ensemble signed Pierre-Lucien Martin and dated on the rear pastedown 1962.
First edition, one of 25 numbered copies on pure laid paper, the only large paper copies.
Autograph presentation inscription dated and signed by Charles de Gaulle: "Pour J. Emery, bien cordialement ! C. de Gaulle. 25.2.61."
A fine and rare large paper copy with autograph presentation inscription signed by Charles de Gaulle.
First edition, one of 12 numbered copies on hollande paper, the only large paper copies.
Full red shagreen binding, spine with three raised bands decorated with gilt fillets and gilt cartouche enriched with black typographic motifs, marbled paper endpapers and pastedowns, bookplate affixed to pastedown, original wrappers and spine preserved, top edge gilt, other edges uncut.
Foxing to some uncut edges.
Autograph inscription signed by Georges Clemenceau to Monsieur Henry Leyret, political and judicial chronicler and editor at L'Aurore.
First edition, one of 535 numbered copies on Navarre laid paper, the only issue together with 10 copies on Japan paper.
Illustrated with a portrait of the author as frontispiece by Man Ray.
A fine copy despite a small, minor tear at the head of the spine.
Signed autograph inscription by Jacques Baron: " à Jeanne, Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques."
First edition printed in 100 numbered copies on wove paper, this copy unnumbered.
Rare and fine copy.
First edition, one of 35 numbered copies on Rives paper, the deluxe issue.
At the colophon, manuscript signatures in pencil by Micheline Catti and Ghérasim Luca.
A rare and handsome copy.
As stated in the limitation, our copy is complete with the original drypoint by Micheline Catti and the original etching by Ghérasim Luca, both signed by them in pencil.
First edition, one of 300 numbered copies on Arches paper, the only issue after 15 copies on Japan paper and 25 on Holland paper.
Very attractive colour illustrated wrapper and illustrations hors-texte by Francis Picabia.
A handsome copy.
First edition, one of the only issue of 35 numbered copies on handmade "Olive" and "Coquillage" papers, our copy one of the 5 hors commerce copies signed and numbered in pencil by Ania Staritsky.
Original engravings by Ania Staritsky ; entirely hand-set by Arlette Albert-Birot after Ania Staritsky’s original design.
The "Olive" and "Coquillage" papers, as well as the cover, were designed by Georges Duchêne.
Our copy is complete with the original collage by Ania Staritsky, signed by the artist.
A rare and very attractive copy housed in its chemise and slipcase in olive-green cloth.
Deluxe edition specially produced for members of the Club français du livre and printed in 1,000 numbered copies.
Publisher's special binding in full red cloth, smooth spine, housed in a black slipcase bearing at the foot of the upper cover the gilt statement : "cette édition de luxe a été spécialement réalisée pour les adhérents du Club français du livre".
Richly illustrated, with an essay by José Bergamin and the French translation prepared by Elisabeth Servan-Schreiber.
Nice copy.
First edition, one of 56 copies numbered on Arches paper, deluxe issue.
A handsome copy complete with its brown full board slipcase.
As stated in the limitation page, our copy is complete with the metallic frontispiece signed by Nicolas Schoffer.
Foreword by Henri Chopin.
First edition of the French translation by Eugène Guillevic, printed in 35 copies numbered and signed in the colophon on japon ancien, ours one of the 10 hors commerce lettered copies.
Presentation copy, signed and inscribed by Hélène Iliazd to Claude Nardin in pencil in the colophon.
A rare copy complete with its folders and guards made of various papers, its folded parchment chemise with a large outward flap, and its blue cloth chemise and slipcase.
This first edition, conceived and produced by Hélène Iliazd and Ania Staritsky in memory of Iliazd, contains an unpublished poem by the Russian poet, with his autograph Russian manuscript in facsimile along with its French translation by Eugène Guillevic.
The work is illustrated with 6 original copper plates by Staritsky, including 2 double-page plates; the artist also designed the book.
We include the invitation card for the opening presentation of the book by Hélène Iliazd at the Alexandre Loewy bookshop on Tuesday 1 February 1983.
Our copy exceptionally contains a signed autograph letter from Hélène Iliazd to Claude Nardin (two pages with its envelope), concerning the distribution of the work and an invitation to the gallery opening.
First edition of the French translation and adaptation prepared by Edmond Haraucourt, one of 10 numbered copies on Holland paper, the only deluxe paper issue.
Bradel binding in half tobacco percaline, smooth spine decorated with a gilt floral motif, date and double gilt fillet at foot, hazelnut shagreen title label showing some rubbing, marbled paper boards, wrappers with small marginal losses at corners and spine preserved, contemporary binding.
A few small foxing spots.
Music by Gabriel Fauré.
First edition, one of the numbered copies on offset paper, the only issue after 42 copies on Arches vellum.
A pleasing copy.
First edition printed in 85 numbered copies and 3 hors commerce copies, ours one of the 70 on B.F.K. de Rives paper.
A fine copy complete with its chemise and slipcase in full black cloth, spine of the chemise slightly faded, a small tear at the foot of the lower panel of the slipcase.
Illustrated with 19 original photographs signed in pencil by Henri Maccheroni.
First edition, one of 250 numbered copies on vellum, the only printing after 25 copies on Holland paper.
Spine and boards slightly and marginally faded, as generally encountered.
Autograph inscription signed by Céline Arnauld to the poet Henri Hertz.
First edition, one of 10 copies numbered and signed by Eugène Guillevic and Ania Staritsky in the colophon on Verveine de Puymoyen paper specially designed for this work, ours being one of the few hors commerce copies, from the deluxe issue.
Work illustrated with 5 original copper engravings in colour by Ania Staritsky.
A rare and pleasing copy, complete with its chemise and slipcase in almond-green full cloth, the spine of the chemise slightly yellowed.
As stated in the limitation notice, our copy is indeed complete with the original collage by Ania Staritsky and the six-line autograph manuscript poem signed by Eugène Guillevic, and, exceptionally, with a full suite of all the engravings by Ania Staritsky.
First edition of the French translation, one of the numbered copies reserved for the friends, collaborators and subscribers of "Lettres Nouvelles".
Spine very slightly sunned, a pleasant copy.
First edition of the French translation, one of 110 numbered copies on alfa paper, the only deluxe paper issue after 10 on Holland and 20 on pur fil.
A fine copy.
First edition printed in 35 numbered copies on B.F.K. de Rives paper, signed by Michel Seuphor and Ania Staritsky at the colophon, our copy one of the few hors commerce.
Illustrated with original engravings by Ania Staritsky.
A rare and pleasing copy, complete with its chemise and matching brown cloth slipcase.
Our copy, like the first 10 copies, is exceptionally enriched with an original collage signed by Ania Staritsky, a 9-line manuscript text signed by Michel Seuphor, a suite of all the engravings by Ania Staritsky, and finally, in pencil, an autograph inscription signed by Ania Staritsky: "Le manchot inspiré à son bras dévoué. Staritsky."
First edition, one of 70 numbered copies on Holland paper, deluxe issue after 30 on Japan paper.
A handsome copy.
Illustrated work, with a frontispiece portrait of Joseph Delteil by Mariette Lydis.
First edition, one of 50 numbered copies on Arches wove paper, the only deluxe paper issue.
A fine copy despite a few spots of foxing in the right margin of the first free endpaper.
Third edition, one of 200 numbered copies on handmade wove paper, the only large-paper issue.
Bound in red half-shagreen, spine with five raised bands framed by gilt dotted fillets and gilt double fillets, marbled paper boards, sprinkled top edge, pastedowns and endpapers in marbled paper, original front wrapper preserved, lower edge and fore-edge uncut.
Corners with light wear.
Illustrated.
An attractive copy.
Provenance: Paul Verneyras, who joined the French Resistance in 1940 and became an active member of the Libération-Nord movement, later serving as an MRP municipal councillor for the 6th arrondissement sector of Paris from 1945 to 1947.
First edition, one of 100 numbered copies on vellum.
A small chip at the foot of the spine, a few foxing marks to the endpapers, otherwise a pleasant copy.
First edition, one of 119 numbered copies on edition paper, the only issue after 1 on chine, 10 on japon and 20 on hollande paper.
Contemporary half hazelnut shagreen with bands, smooth spine slightly faded, boards covered with wood-patterned paper, light rubbing to the corners and to the right margin of the upper board, wood-patterned endpapers and pastedowns, covers preserved and slightly discoloured at the margins.
A pleasing copy internally.
First edition, one of 35 numbered copies on vélin Rivoli, the only deluxe paper issue.
A very fine copy.
First edition, one of 16 numbered copies on pur fil paper, the deluxe issue.
A very good copy despite a tiny stain on the upper cover beneath the printed title.
First edition of the French translation, one of 100 numbered copies on Arches wove paper, the only deluxe paper issue, our copy justified at the colophon by Raymond Mason as an artist’s copy, the sole large-paper issue.
Illustrated work, with an original engraving by Raymond Mason, signed and justified by him as an artist’s copy as frontispiece.
A scarce and pleasing copy.
First issue of the 250 wood-engraved compositions by Edmond Morin, one of 150 numbered copies on Holland paper.
The work is further illustrated with a frontispiece portrait of the author by Léopold Flameng.
Bound in half orange morocco over marbled boards with corners, spine with five raised bands ruled in gilt and richly tooled with double gilt compartments, covers framed with double gilt fillets, marbled endpapers, original wrappers preserved, top edge gilt, an elegant binding signed A. Bertrand.
A fine copy, impeccably presented.
Edition limited to 200 numbered copies on mould-made vellum paper and illustrated with 36 original lithographs by Louis Morin (including the wrapper).
Bradel binding in half orange morocco over marbled boards with corners, smooth spine featuring a gilt cartouche decorated with romantic gilt arabesques, gilt date at foot, gilt fillet frames to the marbled paper covers, a small snag to the lower left corner of the upper board, marbled endpapers and pastedowns, original wrappers and spine preserved, an elegant contemporary binding signed Alfred Farez.
A handsome copy, pleasingly bound.
First edition, one of 70 numbered copies on pur fil paper, the only deluxe paper issue.
Bound in blue-grey half morocco, spine in five raised bands, date gilt at foot, marbled paper boards, blue-grey endpapers and pastedowns, original wrappers and sun-faded spine preserved, top edge gilt, an elegant binding signed Boichot.
Valuable autograph inscription signed by Joseph Kessel, in violet pencil, on the front free endpaper: "A Charles Maurras cet exemplaire plus digne de lui" enhanced with the manuscript signature of Georges Suarez.
A fine copy, attractively bound
First edition of the French translation, one of 200 numbered copies on white wove paper, the only deluxe paper issue.
Bound in full mouse-grey shagreen, spine with five raised bands ruled in black, covers framed with a single black fillet, endpapers and pastedowns in cat’s-eye patterned paper, wrappers (with a small loss at the foot of the lower cover) and spine preserved, top edge gilt.
A pleasing copy.
New edition, one of 65 numbered copies on alfa paper, the only deluxe paper issue.
A fine copy.
First edition, one of 12 copies numbered on Montval laid paper, the deluxe issue.
Light foxing to the upper cover and endpapers, with a small nick to the lower right corner of the rear cover.
First edition, one of 42 numbered copies on alfa paper, the only deluxe paper issue.
Minor, unobtrusive foxing to the foot of the upper cover, otherwise a pleasing copy.
Preface by Thierry Maulnier.
First edition of each volume, one of 15 numbered copies on chine, deluxe issue after 2 copies on peau de vélin.
Contemporary half blue morocco over marbled boards with corners, spine in five raised bands ruled in gilt and tooled with double gilt compartments, date gilt at foot, covers framed with gilt fillets, comb-marbled endpapers and pastedowns, ex-libris mounted on a pastedown, corners slightly rubbed, top edge gilt, signed contemporary binding.
A few minor spots of foxing, chiefly to the edges, a small nick to one band, light rubbing to the headcap.
First edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe paper issue.
A fine copy, despite a small area of sunning at head and tail of the spine.
New edition, limited to 2,000 numbered copies on Lafuma vellum.
Signed autograph presentation inscription by Henri Barbusse beneath the limitation statement: "A Marcel Granoux fraternellement. Henri Barbusse."
Included are an original photograph of Henri Barbusse (8.9 × 13.8 cm, from the G.L. Manuel Frères studio), showing him full face, together with two typed letters dated 28 April and 2 July 1930, signed by Henri Barbusse, concerning an article he was late in sending and a copy of Le Feu that he promises to inscribe and forward to his correspondent.
The first typed letter also bears two manuscript corrections by Henri Barbusse.
A fine and cohesive ensemble.
First edition, one of 50 numbered copies on vélin de renage, most limited deluxe issue.
A fine copy.
First edition, one of 50 numbered copies on Renage vellum, the deluxe issue.
A fine copy.
First edition, one of 13 numbered copies on imperial Japan paper, deluxe issue.
Spine and boards very lightly and marginally sun-toned, without significance.
Rare and pleasing copy, with full margins and uncut.
First edition, one of 16 numbered copies on pur fil, the deluxe issue following 6 copies on Montval paper.
Half hazelnut morocco binding, spine with four raised bands ruled in gilt and decorated with double gilt panel compartments, date gilt at the foot, sides of cat’s-eye paper, marbled endpapers and pastedowns, bookplate pasted to a pastedown, original wrappers and spine preserved, top edge gilt, untrimmed, contemporary signed binding by Albinhac.
A fine copy attractively bound.
First edition, one of 35 copies on Holland paper, the limited deluxe issue following 19 on China paper.
A fine copy, with a visiting card tipped in on a blank leaf bearing the manuscript note: "de ton beau-frère, un échantillon des éditions suisses".
Illustrated with headpieces and tailpieces by Marcel North.
First edition, one of 56 numbered copies on Arches laid paper, after only 11 on China paper and 14 on Japan paper.
Bradel binding in half navy blue morocco, smooth spine slightly faded, gilt date at foot, marbled paper sides, marbled endpapers and pastedowns, bookplate pasted to one pastedown, original wrappers and spine preserved, top edge gilt.
Upper cover illustrated with a wood engraving by Pierre Lissac.
First edition, one of 200 numbered copies on Holland paper, the only deluxe paper issue.
Shadowed endpapers.
Half chocolate-brown morocco binding with corners, smooth spine decorated with gilt panels enhanced with black morocco onlays, gilt date at foot, marbled paper boards, handmade paper endpapers and doublures, original wrappers and spine preserved, bookplate pasted to an endpaper, top edge gilt on untrimmed leaves, an elegant binding signed Pierre-Lucien Martin at the foot of the spine.
A fine, wide-margined copy beautifully bound by Pierre-Lucien Martin, one of the most gifted bookbinders of the second half of the twentieth century.
First edition, one of the numbered copies on laid paper, the only issue after 1 copy on large Arches vellum, 50 on Japan paper, and 10 hors commerce.
The upper cover slightly and marginally toned; a pleasing copy.
Illustrated with wood engravings by Raoul Dufy.
First edition of the French translation prepared by Jacques Schiffrin and André Gide, one of 80 numbered copies on alfa paper, the only deluxe paper issue, with a further 45 copies on pure rag.
A rare and fine copy.
First edition, one of 20 numbered copies on Japan paper, the only deluxe paper issue.
Bound in full burgundy morocco, spine with five raised bands ruled in black, gilt rolls to the headcaps, moiré-effect paper endleaves and doublures, inner boards framed with gilt fillets, dotted tools and corner fleurons, original wrappers and spine preserved, top edge gilt on witnesses, double gilt fillets to the turn-ins, slipcase edged in burgundy morocco with sides covered in moiré-effect paper, contemporary signed binding by Vauthrin-Pezet.
A fine, beautifully executed copy.
First edition, one of 30 numbered copies on Vélin de Rives, the only deluxe paper issue.
A fine copy.
First edition, limited to 500 copies, this being one of only 8 numbered, signed and justified by Jean Lurçat in the colophon, constituting the deluxe issue.
As is often the case, this copy lacks the original drawing by Jean Lurçat that accompanied each of the eight deluxe copies.
Bookplate pasted to the upper left corner of the inside of the front cover, a scarce and pleasing copy.
First edition, one of the 10 numbered and justified copies on japon paper, the only large-paper issue announced.
Contemporary half brown morocco binding in the Bradel style, smooth spine, marbled paper boards, handmade endpapers, bookplate affixed to the front pastedown, original wrappers and spine preserved, top edge gilt, period binding.
Signed and dated autograph inscription from Jean Puget to his publisher Pierre Briquet: "... en souvenir des jours héroïques..."
Provenance: from the personal library of publisher Pierre Briquet, with his bookplate affixed to the front pastedown.
Exceptionally rare copy featuring the censored passages restored in black ink, likely by the publisher, on pages 92 and 118.
First edition, one of 60 numbered copies on Hollande paper, the deluxe issue after 30 copies on Japan paper.
Full red morocco binding, spine slightly toned with five raised bands ruled in black, gilt date at foot, minor unobtrusive rubbing to the bands, gilt rolls to the headcaps, marbled endpapers and pastedowns, gilt dentelle frame and double gilt fillet to the inside covers, original wrappers and spine preserved, gilt stippling to the edges, top edge gilt.
A fine copy, attractively bound.
First edition, one of 200 numbered copies on Japanese vellum, the deluxe issue.
Illustrated with 3 engravings and 1 map.
Brown half shagreen morocco binding with corner pieces; spine with five raised bands ruled in black, gilt date at foot; minor rubbing to the spine; marbled paper sides; marbled endpapers and pastedowns; original wrappers and spine preserved; corners slightly bumped; gilt top edge.
A pleasing copy.
First edition, printed in a limited run of 70 copies numbered on Montval paper and signed by Georges Hugnet.
Illustrated with a frontispiece etching by Stanley William Hayter.
Two poignant autograph inscriptions signed by Georges Hugnet—one to his father and one to his son—in blue and red pencil: "à Georges Hugnet mon père en souvenir des romans noirs dont il enchanta et peupla mon enfance. Georges Hugnet."; "Et maintenant vingt-ans après, à mon très cher fils Nicolas de la part de son grand-père qui l'aurait bien aimé de tout cœur son papa. G."
Illustrated edition with a frontispiece by Ossip Zadkine, one of 60 numbered copies on B.F.K. Rives mould-made vellum, the only deluxe paper issue.
Rare and fine copy.
First edition, one of 30 numbered copies on pur fil paper, this copy one of five not for sale.
A rare and fine copy.
