Some Deluxe Paper Editions

Edition illustrated with 159 original illustrations by Louis Jou, printed in a single issue of 135 named and numbered copies on Rives laid paper.
A shadow from newspaper clippings to the left margin of the front free endpaper.

Fine copy housed in a brown full-board chemise and slipcase.

First edition, one of 30 numbered copies on Imperial Japanese paper, the deluxe issue.

A fine copy.

Illustrated edition with decorative initials and 16 original lithographs by Lucien Moretti, each signed in pencil; one of 173 numbered copies on Arches wove paper.

Preface by Georges Brassens.

A fine copy, issued in loose sheets in a folder and burgundy cloth slipcase.

Signed presentation inscription from René Fallet: Pour madame et monsieur Prigent 13 apostoliquement leur René Fallet, together with a signed presentation inscription from Raymond Moretti to the same recipients.

Our copy is further enhanced by the autograph signature of Georges Brassens on the facing page.

First edition, one of 80 numbered copies on Lana Ingres laid paper, this copy No. 1, the only deluxe issue.
A fine copy despite two yellow scratches to the right-hand margin of the rear cover.

First edition, one of 1,000 numbered copies on pur fil paper, the only deluxe issue after 69 copies on Holland paper.
A fine copy, complete in five volumes.

First edition of the French translation, one of 41 numbered copies on pur fil paper, the sole large-paper issue.

Spine and boards slightly and marginally faded, as often; two small spots of foxing in the left margin of the front board.

Rare first edition of the French translation, one of 350 numbered copies on alfa paper, the only deluxe issue after 50 copies on pur fil.

Spine and boards very slightly and marginally sunned, of no consequence.
Rare and attractive copy.

First edition of the French translation, one of 28 numbered copies on Arches wove paper, the only deluxe copies.

Fine copy.

First edition of Marthe Robert's French translation, one of 106 numbered copies on pur fil paper, the only large-paper issue.

Spine and boards slightly and marginally faded, as usual.

First edition of Alexandre Vialatte's French translation, one of 205 numbered copies on pur fil paper, the deluxe issue.

Spine and boards slightly and marginally faded, as usual.

New edition published in the same year as the first, one of 425 numbered copies on pur fil paper, the only large-paper copies after 65 copies on pur fil.

Fine copy, with full margins.

Illustrated with a frontispiece drawing by Jean Oberlé.

Dated and signed presentation inscription from Pierre Bourdan to Monsieur Prin.

First edition, one of 450 numbered copies on Marais pur fil paper, the only deluxe issue announced.

Fine copy, with full margins.

Signed presentation copy from Pierre Bourdan to Monsieur Prin, conveying his best wishes for the year 1946.

First edition, one of 65 numbered copies on pur fil paper, the deluxe issue.

A fine copy.

Illustrated with a frontispiece drawing by Jean Oberlé.

First edition, one of 20 numbered copies on vat-made vellum reserved for the Société bibliophilique des XX, this copy being that of Georges Calmann-Lévy, from the hors-commerce deluxe issue.

Manuscript signature of the Comtesse de Noailles beneath the limitation statement.

Below, a signed autograph presentation inscription from the president of the Société bibliophilique des XX.

Rare and handsome copy, preserved in sheets under double wrappers and spine, housed in a chemise and slipcase of full mauve moiré silk.

As usual, some rubbing to the joints of the chemise and to the slipcase.

First collected edition, one of 110 numbered copies on Lafuma-Navarre laid paper, specially imposed in quarto tellière format, forming the deluxe issue.

Newspaper clipping laid in, causing slight overall offsetting to the first free endpaper; occasional foxing.

Signed autograph inscription by Léon-Paul Fargue: " à Willy Michel que je pensais bien rencontrer un jour ou l'autre. avec amitié..."

First edition, one of 70 numbered copies on pur fil paper, the deluxe issue after 25 hors commerce copies on Holland paper reserved for the Cercle lyonnais.

Rare and fine copy.

First edition of the French translation by Alexandre Vialatte, one of 148 numbered copies on alfa paper, the only grand papier copies.

Preface by Bernard Groethuysen.

Half gray morocco binding with corners, smooth spine, marbled paper sides, endpapers and pastedowns of marbled paper, original wrappers and spine preserved, gilt top edge, slipcase edged in mouse-gray morocco with marbled paper sides, contemporary binding signed Lévêque.

Partly original edition, one of 25 numbered copies on Holland paper, the deluxe issue.

A few small creases to the margins of the boards, otherwise a fine copy.

Our copy is housed in a grey half-morocco chemise, with a flat spine and date at foot, lined with suede lambskin, and a grey paper-covered slipcase, signed Elbel and dated 2020.

First edition, one of 105 numbered copies on wove paper, the only large-paper copies after 35 on Holland paper.

Press clippings laid in, having left a slight offset on the colophon page at the end of the volume.

A pleasing copy.

Signed presentation inscription from Louis Aragon to Jean-Pierre Lecointre, further enhanced by Elsa Triolet's autograph signature.

First edition, one of 35 numbered copies on imperial Japan paper, this copy no. 1, from the deluxe issue.

A fine copy.

First edition, one of 200 numbered copies on Lafuma pur fil paper, the only deluxe issue after 125 copies on alfa paper and 25 on Hollande.

A few minor rubs to the slightly sunned spine.

Important signed presentation inscription from Lise Lamarre to the eminent Resistance figure Jacques Debû-Bridel: "Puisse ce livre vous aider à conserver le souvenir de Lise Lamarre, française de bonne souche, dont le coeur et l'esprit surent dans la pire adversité dominer les évènements..."

This presentation inscription alludes to the ordeal endured by Lise Lamarre and her husband, who were accused of collaboration and imprisoned despite having themselves...

First edition, one of 70 numbered copies on Japan paper, comprising the deluxe issue.

A few spots of foxing to the boards, spines and some deckle edges.

Rare untrimmed copy, preserving the full margins, of the Tiger's philosophical testament.

New edition of Alfred Franklin's French translation, one of 300 copies on hollande paper, the only issue aside from 6 copies on Whatman paper.

Contemporary red half morocco, spine with five raised bands ruled in black, date gilt at foot, marbled paper boards, combed-paper endpapers and pastedowns, top edge gilt.

An attractive copy, handsomely bound.

First edition, one of 35 numbered copies on Lafuma pure rag paper, this copy one of 15 lettered hors commerce copies, the only deluxe-paper issue.

A rare and fine copy of this work, awarded the Prix Femina in 1971.

First edition, one of 32 numbered copies on Alfama paper.

A rare and fine copy.

First edition, one of 15 numbered copies on Arches wove paper, the only deluxe-paper copies.
A rare and fine copy.

The majority of the text in in first edition. One of 45 numbered copies on hollande, the most limited deluxe issue.

Full black morocco binding, flat spine, covers decorated with some hundred inlays of red, orange-red and orange morocco evoking the chromatic variations of a setting sun, white morocco frame on the red suede endleaves and doublures, monogram blind-stamped on one doublure, original wrappers and spine bound in, all edges gilt; matching chemise in half black morocco with flaps, flat spine, date gilt at the foot, marbled paper sides, beige suede lining, matching slipcase edged in black morocco, marbled paper sides, white felt lining, a splendid binding signed and...

First edition, with all the first issue features, including the misprint "Sénart" on the dedication leaf.
Elegant half hazel morocco bindings with corners by Blanchetière, spines with five raised bands, very slightly faded, dates gilt at foot, marbled paper sides, combed paper endleaves and pastedowns, original wrappers bound in, with the original spine preserved for the first volume, top edges gilt.
Complete with the publisher's catalogue at the end of the first volume.

Occasional light foxing.
A handsome and desirable copy, retaining its rare original wrappers and finely bound by Henri Blanchetière.

First edition, one of 20 numbered copies on Japan paper, the deluxe issue.

Spine slightly sunned, otherwise a very good copy.

Preface by Léon Bocquet.

First edition, one of 100 numbered copies on Dutch handmade paper.
Previously unpublished letters by Alfred Jarry, Marcel Schwob, Guillaume Apollinaire, Jacques Rivière, Marcel Proust, Rainer Maria Rilke... Contributions by Valery Larbaud, Jules Supervielle, Pierre Drieu la Rochelle, Francis Ponge...

Includes an unpublished text by Fargue, 'Rêves', and a previously unpublished musical composition by Maurice Ravel.
Illustrations by Jean-Gabriel Daragnès, Pablo Picasso, Henri Michaux, Giorgio de Chirico, Marie Laurencin...
A few small marginal tears to the covers and occasional foxing to some of the deckle edges.

First edition, one of 20 numbered copies on Johannot pure wove paper, the only deluxe issue.

Rare and attractive copy.

First edition, one of 22 copies of the deluxe issue numbered in Roman numerals, together with 9 presentation copies, the only copies to feature an original collage cover by Olivier O. Olivier.

Illustrated with 25 reproductions of works by Olivier O. Olivier.

Signed presentation inscription in pencil from Olivier O. Olivier to a friend named Lise.

First edition of the French translation, printed in an edition of 90 copies numbered on wove paper and signed by John Crombie and Sheila Bourne.

Illustrated throughout by Sheila Bourne.

A rare and fine copy of this artist's book created by Sheila Bourne and her husband, John Crombie.

First collected edition, partly first edition, one of 129 numbered copies on wove paper, enhanced with an original engraving by Pierre Alechinsky, signed and numbered by the artist; our copy is one of the first 10 to contain a manuscript leaf, as stated in the limitation notice.

Signed by Yves Bonnefoy beneath the limitation notice.

A rare and fine copy.

First edition of the French translation, one of 210 numbered copies on pur fil paper, the deluxe issue.

Spine and boards lightly faded at the margins, as is often the case.

Very rare first edition, one of 150 copies signed at the colophon by Conrad Rooks. OCLC records only two copies at the American College of Greece and at Princeton University Library.

Spine and boards marginally sunned, two stains to the right margin of the rear board.

Presentation copy, inscribed, dated and signed "to Sueeva Viegand with appreciation for kind thoughts and friendship. Sincerely Conrad Rooks 5/7/1963 / Paris 26 rue Saint Beniot [Benoît] ’

Extremely rare first edition of Conrad...

First edition, one of 150 numbered copies on Marais wove paper, the only deluxe-paper copies.
Illustrated by Edith Destouches.
A fine copy.

First edition, one of 50 numbered copies on pur fil paper, the only deluxe-paper issue (cf. Claude Menguy).

Endpapers slightly and partially toned.

A rare and attractive copy.

First edition, one of 50 numbered copies on ivory laid edition paper, the only deluxe-paper copies.

A rare and fine copy.

Signed autograph inscription from Eric Jourdan to a friend named Guy: "... ce livre qui vient de loin presque à des années lumières, mais que j'accepte tel qu'il est. En signe d'amitié de toujours. éric 19 février 1996."

New edition, one of 50 numbered copies on Dutch laid paper, the only deluxe-paper copies.

A very good copy.

First edition, one of 100 numbered copies on Lana wove paper, the only deluxe-paper copies.

A small tear at the head of the front panel of the dust jacket.
A pleasing copy.

First edition, one of 250 numbered copies on alfa paper reserved for presentation and review.

A pleasing copy.

Signed presentation inscription from Jean Giraudoux to Maurice Martin du Gard, additionally signed by Jean-Louis Barrault and Madeleine Renaud, who created the roles of the imperial prosecutor Blanchard and Lucile Blanchard.

First collected edition, one of 30 copies on alfa paper, this copy unnumbered but duly identified as printed on alfa at the foot of the spine and in the limitation statement, the only deluxe-paper copies.
Albert Camus's foreword appears here for the first time.
A pleasant copy.

First edition, one of 455 numbered copies on pur fil paper, the only deluxe-paper copies after 170 on Holland paper.
A fine copy despite some minor foxing, chiefly to the top edge.

First French edition, one of 75 numbered copies on Arches wove paper, the deluxe issue.

A rare and handsome copy.

This copy is complete with the original silkscreen by Victor Vasarely, numbered and signed in justification by the artist.

First edition, one of 15 lettered copies on Imperial Japan paper, the deluxe issue.

Full red morocco, spine with five raised bands decorated with triple gilt compartments, very minor rubbing to the bands, gilt date at foot, gilt rolls to the spine ends, boards framed with triple gilt fillets, sand-coloured polished calf endleaves and doublures, wrappers and spine preserved, all edges gilt, slipcase edged in red morocco and covered with decorated paper sides, an elegant binding signed by Devauchelle.

A fine copy superbly bound in full morocco by Devauchelle.

First edition, one of 80 numbered copies on Montval paper, the deluxe issue.
A handsome copy with wide margins.

First edition, one of 75 numbered copies on Montval paper, the deluxe issue.
A pleasing wide-margined copy.

First edition, one of 30 numbered copies on Holland paper, the deluxe issue.
Front cover vertically creased.

First edition, one of 45 numbered copies on hollande, most limited deluxe issue.

Contemporary full red morocco, spine with four raised bands framed with black fillets, date gilt at foot, taupe morocco doublures, red silk endleaves, gilt fillets and dots to board edges, all edges gilt, slipcase, an elegant binding signed Favre-Petit-Mermet.

A fine copy, handsomely bound in full morocco with morocco doublures by Favre-Petit-Mermet.

First edition, one of 50 numbered copies on Japon paper, the deluxe issue.
Illustrated with a frontispiece portrait of the author by Christian Bérard.
A pleasing copy despite a slight shadow to the spine.

First French edition, one of 16 copies printed on Imperial Japan paper, our copy unnumbered but correctly justified as "japon" beneath the limitation statement and at the foot of the spine, from the deluxe issue.

A rare and handsome copy.

First edition, one of 1,040 numbered copies on chestnut paper.
Publisher's boards after the original design by Mario Prassinos.
Spine very lightly sunned, otherwise a fine copy.

First edition, one of 350 numbered copies on alfa paper reserved for the press.

Spine slightly cocked.

A touching and highly desirable signed autograph inscription from Louise de Vilmorin to her lover, the French sports shooter, businessman and politician Jean de Beaumont: "à mon Jean chéri que j'aime toujours davantage sa mendiante de baisers. Louise", enhanced with a drawing of a four-leaf clover enclosing the name Louise.

First French edition, one of 35 numbered copies on pure wove paper, the only deluxe paper issue.
A fine copy.

First edition, one of 50 numbered copies on Montval paper, the deluxe issue.
A small chip at the head of the spine, otherwise a pleasant copy.

Illustrated by Pierre Devaux.

First edition, one of 49 numbered copies on deluxe pure wove paper, the only deluxe paper issue.
A fine copy.

First edition, one of 15 numbered copies on pur fil paper, the only deluxe paper issue.

A rare and handsome copy.

Edition limited to 100 numbered copies on laid paper.

Bradel binding in half vellum-style paper boards with corners, smooth spine very lightly toned, black date lettered at foot, blue paper-covered boards with a few small stains, endpapers partially foxed, pasted bookplate.

Original edition of Marcel Schwob's introduction and facsimile reproduction of the Stockholm manuscript.

First edition, one of 85 numbered copies printed on Arches wove paper, this being one of the 15 deluxe copies issued with an additional suite of the 7 original drypoints and 8 rejected drypoints on Auvergne paper, all individually numbered and signed in pencil by Brigitte Simon, from the deluxe issue.

The upper cover lightly and uniformly sunned.
Fine copy, complete with its original grey cloth chemise and slipcase.
Illustrated with 7 original drypoints by Brigitte Simon.
Claude Esteban and Brigitte Simon's handwritten signatures beneath the limitation statement.

Signed autograph inscription from Brigitte Simon to the...

First edition, one of 500 numbered copies printed on Rives wove paper.

Illustrated with 1 original colour lithograph and 6 line drawings by Fernand Léger.

Three small spots of foxing to the spine, foxing to the lower cover, internally in pleasing condition.

Definitive edition with a foreword by the author, one of 12 numbered hors commerce copies on alfa paper, the only deluxe paper issue.

The first edition of 1935 was not issued on deluxe paper.

A rare and pleasing copy.

Signed autograph inscription from Jacques Debû-Bridel to Monsieur and Madame Claude Gallimard.

First edition, one of 46 numbered copies on pure wove paper.

Minor tears at the head and foot of the spine, a pleasant copy with full margins.

First edition, one of 35 numbered copies on pure wove paper, the only deluxe paper issue.

A handsome copy.

Inscribed and signed by Alain Jouffroy to Monsieur Marchaux: "... en plein vol jusqu'au prochain..."

First edition, one of 52 numbered copies on Holland paper, the deluxe issue.

A handsome copy.

First edition, one of 25 numbered copies on alfa mousse paper, the only deluxe paper issue.
A pleasing copy.

Signed autograph inscription from Jean Freustié to Micheline Amar: "... this Marthe ou les amants tristes to which she will owe much..."

First edition, one of 24 numbered copies on Lana laid paper, the only deluxe paper issue.
A pleasing copy.

First edition, one of 24 numbered copies on pure wove paper, the deluxe issue.

Spine showing two small areas of sunning at the head and foot.

A rare and pleasing copy of this novel set against the backdrop of the French collapse during the Second World War.

Edition illustrated with colour plates by Albert Dubout, one of the numbered copies on Arches wove paper, the only issue after 500 copies on deluxe Arches laid paper.

Spines of the chemises slightly faded.

The set comprises the following titles: "The Miser", "The Bourgeois Gentleman", "The School for Wives", "The Learned Ladies", "Scapin's Deceits", "The Imaginary Invalid", "The Misanthrope", "Tartuffe".

An attractive complete set in 8 volumes, also complete with all its chemises and slipcases.

First edition, one of 25 numbered copies on pure wove paper, the only deluxe paper issue.
Spine and boards lightly sunned.

First edition, one of the numbered copies on vélin d'archers, the only large paper issue.

First endpaper, half-title and title pages slightly shadowed, with a few pencil annotations and reading marks in the margins of some leaves.

Rare and pleasing copy.

French first edition, one of 155 numbered copies on pure vellum, ours being one of the 75 reserved for the Club de l'édition originale, the only large paper issue after 20 Holland.
Pleasant copy despite the spine being very slightly sun-faded, without significance.

First edition, one of 500 numbered copies on white vellum,  after 1 copy on Japan paper, 13 on Arches paper, and 22 on marsh vellum.
A pleasing copy.

First edition, one of 210 numbered copies on Sirène, the only large-paper copies.
A fine copy.

First edition, one of 35 numbered copies on hollande paper, top-of-edition issue.

A very fine copy.

First edition, one of 110 numbered copies on vergé pur fil d'arches, the most limited deluxe issue.

A blue ballpoint pen mark to the upper cover, spine and boards lightly and partially sunned, as is often the case.
Untrimmed copy with wide margins, illustrated throughout.
A typed letter of thanks from Pierre Clostermann, signed by him and addressed to Henri Torrès, bound to the left margin of the half-title page.

Our copy exceptionally contains two original watercolours (14 x 10.5 cm) depicting two R.A.F. bomber aircraft flown by Pierre Clostermann: the Vickers-Armstrong "Wellington" and the Bristol...

First edition, one of 50 numbered copies on Arches wove paper, the sole deluxe issue.

Spine slightly sunned.

A rare and pleasing copy.

First edition, one of 38 copies printed, this being one of the 30 copies issued with a wash drawing by Marcel Dumont.

A fine copy.

Illustrated with an original wash drawing by Marcel Dumont.

Manuscript signatures of Marcel Dumont and François Cheng in pencil on the colophon.

First edition, one of 55 numbered copies on mould-made Arches wove paper, the only deluxe issue.

Rear cover slightly and marginally sunned, very faint offsetting to the head and foot of the endpapers.

First edition, one of 30 numbered copies on vergé pur fil, the only large-paper copies.
"Collection Goncourt" ex-libris pasted to a flyleaf.

"When Batouala was first published in Paris a half-century ago, it was not only an event of major literary importance, but also a turning point in both the intellectual and political history of contemporary Africa. A creation of Rene Maran, an Afro-Caribbean who had years of direct experience in Africa as an employee of France's colonial service, Batouala was the first great novel about Africa by a Black writer." (Donald E. Herdeck...

First edition, one of the rare copies specially printed for the author on Holland paper.

Contemporary Bradel binding in half vellum-style paper boards, smooth spine slightly sunned and decorated with a central gilt ornament, marbled paper covers, wrappers preserved.

Fine signed autograph inscription by Binet-Valmer: "à Claude Farrère son admirateur, à Charles Bargonne, son ami reconnaissant, Binet-Valmer."

First edition, one of 2,270 numbered copies printed on alfa paper, the only printing.
A pleasing copy despite small marginal tears to the wrappers.

First edition, one of 10 numbered copies on Alfama paper, the only deluxe paper issue apart from a few hors commerce copies also printed on Alfama.

Minor, unobtrusive traces of corner creasing to the wrappers.

A rare and pleasing copy.

First edition, one of 47 numbered copies on pure wove paper, the only deluxe issue.

A handsome copy.