
Printed in small numbers, illicitly passed out, sought-after, forgotten, found again, major works or confidential texts... Some of these works are extremely rare today ; here are a few of them.
First edition of this brochure of the Serge Poliakoff exhibition, of which 300 copies were printed. The exhibition was held at the Der Spiegel gallery in Cologne in 1964.
Work illustrated with two separate original engravings by Serge Poliakoff, including one double-page spread.
Texts by Hans Arp and Albert Schulze Vellinghausen.
Wrappers and spine slightly discolored at the margins, otherwise an attractive copy.
Provenance: from the library of the art publisher and collector Alex Grall, with his stamp printed as an ex-libris.
The first edition on simili-Japon paper.
Bradel grey cloth binding, navy blue cloth band with authors and title blindstamped to edge of upper board, upper cover preserved at end.
With 21 collages by Max Ernst.
A very good and rare copy.
The very rare first edition.
Full glazed red calf bindings, smooth spines ornately decorated with gilt vegetal motifs, black calf title labels, gilt tooling on the headcaps, frames of quadruple black and gilt fillets enhanced with gilt fleurons at the corners on marbled paper boards, pink paper endpapers and pastedowns slightly soiled at margins, all edges gilt, gilt fillets at head and tail of leading edges, contemporary bindings.
Some light rubbing to boards, some minor foxing.
A handsome and rare copy of this work dedicated to his friend Béranger bound in an elegant contemporary Romantic binding.
First edition, very rare. Three states can be distinguished: the first, ours, is distinguished by the title page entitled Oeuvres posthumes, as is the half-title. The second state substitutes a new title page entitled Album d'un pessimiste, with the half-title still indicating Oeuvres posthumes (this is the state known and described by Clouzot). The third state has a new title page dated 1836, again entitled Album d'un pessimiste, with the half-title oeuvres posthumes (this is the most common state); however, the mention of a notice by L'Héritier has disappeared to make way for the mention of a biographical notice (extracted from Michaud's...
Rare and highly sought-after first edition (...) of which only a portion of the copies contains a preface (cf. Clouzot). The important account of the lawsuit concerning The Lily of the Valley that precedes the novel was not retained in subsequent editions and is often lacking in a number of the copies published by Werdet.
Copy complete with both the preface and the account of the lawsuit that opposed Balzac to the publisher François Buloz. Contemporary half green sheepskin bindings, smooth spines decorated with gilt romantic typographical motifs, gilt fillets at heads and tails, marbled paper boards, paste paper endpapers and pastedowns, marbled edges...
First edition, one of 75 numbered copies on couleurs surfine paper, ours being one of 25 containing the three aquatints by Mimi Parent retouched in watercolor which she signed and justified, deluxe copy.
Autograph inscription signed by José Pierre to Paul Aveline.
Signatures of José Pierre and Mimi Parent below the justification page.
Work illustrated with 3 aquatints by Mimi Parent.
Spine very lightly sunned without gravity, otherwise handsome copy.
First French edition, one of 25 numbered copies on Hollande paper, deluxe issue.
This second volume of La comédie américaine was first published in English as The Ski Bum.
Fine copy.
First edition, one of 13 numbered copies on Or Turner paper, large paper copy, the fewest copies.
Rare and nice copy with double cover.