Rarest Books (Untraceables)

First edition, one of 70 numbered copies on Lafuma de Voiron and reimposed in quarto Tellière format, only deluxe copies ("tirage de tête").
Spine and cover slightly and marginally sunned.
Nice copy.

Original poster by Karen Horowitz numbered 145/200, dated 1974 and signed in pencil, showing a photograph with a superimposed quote from Lawrence Durrell's Justine: “The world is like a cucumber – today it's in your hand, tomorrow up your ass”.
A few tiny wormholes.

Manuscript inscription in felt tip pen by Lawrence Durrell to the left of the quote: “Buttons dear Attention! Larry Durrell. 1978”

This poster was given to a young lover of the author's who, in both Sommières and Paris, livened up his lonely days at the end of the 60s and in the 70s. Janine Brun, also known as “Buttons” in the author's letters and postcards was described thus...

First edition of Cendrars's second book, printed in 150 copies on handmade Hollande paper and offered to subscribers.

According to Sonia Delaunay, Séquences, Pâques à New York and theTranssibérien were published at the author's expense, thanks to a small inheritance. The address given - Éditions Hommes nouveaux - 4, rue de Savoie, was in fact the small attic room that Blaise Cendrars occupied at that time.

A precious copy of Blaise Cendrars's early poems, exceptionally rare and in remarkable condition.

First and only edition published of this remarkable set of 15 original lithographs from the post-impressionist painter George William Thornley, only 100 copies printed.
Publisher's portfolio bound in boards very skilfully restored.
14 of the 15 lithographs are printed in colour (black, blue, green, mauve and different browns) on broadside China paper laid on pale blue thick paper, one is directly printed on thick paper.
All except the last, bear the stamp of Thornley's signature with the words “Chez Mrs Boussod & Valadon – 19 Bd Montmartre” and “Imp. Becquet frères à Paris”.
“In 1888, George William Thornley was commissioned to produce a series of lithographs based on the...

First edition of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Bradel binding, spine slightly faded with a small spot to head, small stains on the covers, covers and spine preserved,
Contemporary binding signed by M.P. Trémois.
Exceptional and handsome autograph inscription signed by André Breton to Man Ray: “à Man Ray, dans la lumière qu'il a recréée, de tout cœur. André Breton” (“To Man Ray, in the light that he recreated, with all my heart. André Breton”)

First edition of the Marcello Virgilio translation in Latin, dedicated to Leo X. The princeps edition was based on an old translation by Petrus de Abano (ca. 1250-1316), and published in 1478 in Colle di Val d'Elsa. The original text was written in Greek around 60 AD.
Title page in red and black. 45 lines per page. Colophon : "Florentiæ per hæredes Philippi Iuntæ Florentini. Anno ab incarnatione Domini.1518. Idibus Octobris. Leone decimo Christiana[m] Rempub. gerente." Superb Filippo Giunta printer's mark on verso of last leaf. Bibliographical note in French opposite the title page.
Full modern limp vellum binding, all edges faintly bluish.
A lack of a small piece of paper...

First edition, one of 10 numbered copies on Japan paper, the deluxe issue.
Bradel binding in half chocolate-brown morocco with bands, smooth spine, date gilt at foot, marbled paper boards, brown endpapers and pastedowns, original wrappers and spine preserved, gilt edges, binding signed Honnelaître.

Rare invitation card to attend the performance of oriental dances created by Jeanne Ronsay and Toshi Komori, at Raymond Duncan's Akadémia on 20 February 1922.