Les échanges artistiques entre le Japon et la France à partir de 1854 furent parmi les plus fructueux de l’histoire des arts. La fascination qu’exercèrent les arts orientaux sur les écrivains français et la capacité d’assimilation des techniques occidentales par les artistes japonais ont été à la source d’une formidable créativité donnant naissance à de nombreux chefs- d’œuvre, prisés par les collectionneurs depuis près de deux siècles.
First edition, one of 25 numbered copies on bouffant vellum paper from the Salzer mills, ours being No. 1, the only deluxe paper issue.
Handsome copy of this work awarded the Grand Prix du Roman of the Académie française.
First edition printed on alfa paper, no mention is made of deluxe copies.
Work illustrated with illustrations in the text.
Manuscript signature of Géo Lévy-Say at the head of the title page.
Japan, circa 1900. Erotic emakimono composed of twelve original paintings on silk, mounted continuously in a scroll covered with silk patterned with gilt brocade and bordered with gilt edging. The outer margins are of printed silk, while the paintings are laid onto a paler silk ground decorated with cloud motifs, the whole mounted on paper. A few small spots and light stains to the silk. Each painting measures 18 x 23.5 cm; complete scroll: 24.5 x 380 cm. In very good overall condition.
The series comprises twelve scenes, a number traditionally associated with painted shunga scrolls. Here...
Painted handscroll, or makimono, comprising twelve paintings on silk with a transparent ground, mounted end to end to form a long continuous strip measuring 840 cm - that is, twelve panels of 70 x 14 cm - laid down on paper and edged with gold along its slips. When fully unrolled, the supporting paper strip measures 869 cm. Scroll mounted on a wooden rod and preserved in its original green silk wrapper. Some foxing and localised staining affect certain panels, without impairing the harmony of the whole, which remains in satisfactory condition.
Unsigned, this scroll is stylistically related to the circle of Miyagawa Shuntei (1873-1914), a painter and illustrator trained...
Collected edition of the French translation, no deluxe copies issued.
Boards slightly and marginally soiled, two small spots on the edges not affecting the leaves.
Very rare presentation copy signed and inscribed in Arabic by Mahmoud Darwish, the poet of the Palestinian condition, on the half-title page.
Illustrated edition with 38 original engravings by Ling Chou, copper-engraved and hand-printed in sanguine, printed in 134 nominative and numbered copies on double Yu-Pan China paper.
The book, separated into two fascicles hand-sewn and covered in green moiré silk, is protected by two black lacquer plates and laces, work of the master lacquerer Tchou-Tze-Tsin.
The whole is contained in a moiré silk case closed by two ivory clasps, following the illustrator's design.
The case is partially and lightly discolored, with a light stain at the head of the first board of the case, handsome copy.
Signatures of Ling Chou, of the president and vice-president of the...
First edition strictly hors-commerce, one of 200 copies printed on glassine vellum or European paper, only print after 81 imperial Korean paper.
Our copy is complete with its overlay cover (the colour and decorative motifs often vary) and the white glassine paper label bearing the title Stèles printed in Chinese on the first part of the cover, the latter being folded into three parts.
Our copy is presented in a blueish paper chemise and slipcase, navy blue morocco spine, name of the author, title and date in palladium, slipcase in blueish paper, all signed Devauchelle in palladium.
First collected edition of the works of François-René de Chateaubriand, issued in parts between 1826 and 1831 and here gathered in 32 volumes. Partly a first edition, the series includes the first appearances of Les Natchez, Le Dernier Abencérage, Voyage en Amérique and Moïse. Each volume is illustrated with a wood-engraved frontispiece by Charles Thompson, the English engraver established in Paris from 1816, showing a young woman seated beside a stone inscribed
First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.
Limited edition of 400 copies. This one, marked H. C. V, is one of the rare first paper copies on the finest Japon (only 15 copies), containing every engraving in double state on Vieux Japon and Japon Impérial of all the woodcuts, covers and spine.
Signed and inscribed on the title page from the authors: "What a pleasure it is for you, O reader, if you enjoy La Fête arabe !" Jérôme and Jean Tharaud. December 1928."
Concertina album comprising five paintings in colour on ochre silk, mounted on card and framed with beige silk. Bound in blue brocaded silk with Chinese motifs, with a blank gold-flecked buff title label. Both paintings and binding retain notable freshness in the areas documented by the photographs.
The first page bears a four-character manuscript title, 趣味無止, freely rendered as “Pleasure Without End”. Beside it is a partially legible vertical inscription, 汴江陸[...], followed by a red seal and a final...
