Oriental Impressions

First edition, illustrated with 32 color illustrations by Sureda and engraved by Aubert (full-page, headpieces and fine lettering), many of which are enhanced in gold or silver ink.

Limited edition of 400 copies. This one, marked H. C. V, is one of the rare first paper copies on the finest Japon (only 15 copies), containing every engraving in double state on Vieux Japon and Japon Impérial of all the woodcuts, covers and spine.

 
Signed and inscribed on the title page from the authors: "What a pleasure it is for you, O reader, if you enjoy La Fête arabe !" Jérôme and Jean Tharaud. December 1928."

Full morocco midnight blue binding with polychrome inlays depicting Orientalist compositions signed by Yseux, pupil of master bookbinder Simier. Gilt edges, illustrated covers and spine preserved. Blue paper slipcase lined with blue shagreen leather.
Spine slightly darkened. Brown trace over 3 cm on the blank reverse of one plate, moderate creasing/paper handling to the lower margin of another plate, slight paper defect appearing to be original in the inner margin of 1 or 2 other plates, minor light soiling on 2 white leaves. Wide margins, superb paper condition.

A wonderfully bound travel book of Arabia, one of the rarest copies of this edition with two sets of color illustrations

First edition complete with its 72 pages of Japanese texts in colors bound at rear.
Contemporary binding in half blue shagreen, spine with five raised bands richly decorated with grotesque compartments, double gilt fillet on marbled paper boards, top edge gilt retaining deckled edges. Corners bumped (one slightly cracked) and surface wear.
Rare.

An album containing 14 gouaches on silk, including 12 erotic paintings. The first painting on each side of the folding shows a bird and on the other side maple leaves, thus masking on each of the first pages the erotic aspect of the collection. Shunga is the generic Japanese term that designates erotic art, it literally means Spring Image, spring being a euphemism and figure of style expressing sexuality. The term Shunga having been reserved for a long time for prints, collections or albums have often been designated by the appellation Pillow Books, or notes for the pillow, etc. (Utamaro: The Song of the Pillow, 1788).
Japanese accordion album covered with damask silk with flowers and birds in pale gold. Silk band on the first cover serving as a label but mute. Each painting 12.8x16cm is mounted on cardboard. The cardboard folding sections are covered with cream paper speckled with gold. Very fine condition, edges rubbed, with small lacks to fabric.
The paintings respect the canons of Japanese erotic representation: oversized genitals, body hair, women with white skin and men of flesh color. No decorative element comes to distract the eye from the sexual act (only one painting contains a mirror), the bodies being most of the time clothed in rich kimonos. These collections were still in the modern era offered to newlyweds, particularly to women. The whole is of fine workmanship, the 2 introductory paintings, the bird and the maple leaves are particularly successful.
This type of representation was forbidden in Japan and therefore contains no signature, it is however evident that there existed painters whose profession and specialty this was and whom one went to see for private commissions; it is also not forbidden to think that the painter made several on his own initiative and that he offered them for sale, as was done with collections of colored photographs at the end of the 19th century.
Precious and rare ensemble in superb condition.

Rare suite of woodcuts by Itchô Hanabusa (英一蝶) on Japanese folk tales, printed in black ink. Only one volume of a three-volume set, possible 19th-century reprint.

Bound in Japanese style, pages bound by a seam, blue soft cover with title label, folds, small stains and lacks of blue paper to corners, ink stain in title piece not affecting the text.

Itchô Hanabusa was part of the Kanō school and studied under Kanō Yasunobu, however he rejected this training to become a renowned painter and calligrapher.

Illustrations of Japanese legends with genre scenes, animals and flowers. The technique of Ukiyo-e, or Japanese printmaking, is very close to the original drawing, since the ink drawing was affixed to a piece of wood that the engraver carved out, precisely following the lines of the drawing, itself destroyed in the process.
Japanese bookplate, stamped in red ink.

First edition in French of the translation, corrections, additions and clarifications, established by Joseph Toussaint Reinaud in 1845, from the Arabic text printed in 1811 under the care of Louis Langlès.
Bradel binding in full marbled paper, original covers preserved, binding signed Thomas Boichot.
Very rare copy without foxing.