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Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

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Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

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Idées cadeaux XIXᵉ siècle – Romantisme & Révolutions

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Idées cadeaux XIXᵉ siècle – Romantisme & Révolutions
  1. Lithographie originale en couleurs : "La Terre par Emile Zola, édition illustrée" - Les Maîtres de l'Affiche - planche 69Lithographie originale en couleurs : "La Terre par Emile Zola, édition illustrée" - Les Maîtres de l'Affiche - planche 69
    Jules CHÉRET

    Lithographie originale en couleurs : "La Terre par Emile Zola, édition illustrée" - Les Maîtres de l'Affiche - planche 69

    Les Maîtres de l'Affiche - imprimerie Chaix|Paris 1897|29 x 39.90 cm|une affiche lithographiée sur vélin fin
    Original color lithograph printed on fine vellum. Embossed printer's stamp at the lower right of the plate.
    Magnificent French monthly publication, Maîtres de l'Affiche, issued between 1895 and 1900 under the initiative of Jules Chéret.
    Each issue of the journal contains four posters reproduced in cloche format and in chromolithography, each bearing an embossed stamp of authentication.
    Splendid copy.
    €150
  2. Oper und DramaOper und Drama
    Richard WAGNER

    Oper und Drama[Opera and Drama]

    Verlagsbuchhandlung von J.J. Weber|Leipzig 1869|14.50 x 23 cm|relié
    | Inscribed copy concealing the secret truth of Wagner's (thwarted) love story |

    Second edition, with parts previously unpublished, with a new preface ("An Constantin Frantz", dated April 28, 1868, Tribschen bei Luzern). The first edition was published by the same publisher in 1852.
    Full burgundy morocco binding, spine with five raised bands, gilt date at foot, marbled endpapers and pastedowns, gilt turn-ins, original first softcover preserved, top edge gilt, gilt leading edges.
    Some foxing, more pronounced on some leaves, a small restoration to the upper right-hand corner on pages...
    €30,000
  3. "Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... "
    Paul SIGNAC (to Camille PISSARRO)

    "Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... "Signed autograph letter addressed to Camille Pissarro

    s. d. [23 janvier 1894]|22.60 x 17.50 cm|2 pages sur un double feuillet déplié
    Autograph letter signed by Paul Signac addressed to Camille Pissarro, written in black ink over two pages and signed with the artist’s monogram.
    This letter was transcribed in the article by Pierre Michel and Christian Limousin entitled "Octave Mirbeau et Paul Signac - Une lettre inédite de Signac à Mirbeau" (in Cahiers Octave Mirbeau, no. 16, March 2009, pp. 202-210).
    "Mon cher Maître, Cela vous ennuirait-il [sic] d'écrire à Mirbeau qu'un Signac, à votre avis, ne ressemble pas plus à un Seurat qu'un Hokousai à un Hiroshigé... si toutes fois (sic) le reproche d'imitation dont il cherche à m'accabler vous semble injuste. L'amitié que vous m'avez...
    €2,800
  4. ClioClio
    Alfons MUCHA, Anatole FRANCE

    Clio

    Calmann Lévy|Paris 1900|14.50 x 21 cm|relié
    Calmann Lévy | Paris 1900 | 14,5 x 21 cm | half morocco
    First edition with 13 original illustrations by Alfons Mucha (the cover, 7 hors-text and 5 banners), one of 50 numbered copies on China paper, the tirage de tête (deluxe copies).

    Binding in half orange morocco, gilt date at the foot of the spine, frame of black fillets on the marbled paper boards, endpapers in the same marbled paper, illustrated covers and spine preserved, contemporary binding signed Champs-Stroobants.

    Pleasant, attractively set copy including, as stipulated in the print justification, its double series of engravings: in colour and line drawings.
    €4,000
  5. [PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz[PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz
    Hector BERLIOZ

    [PHOTOGRAPHIE] Portrait photographique d'Hector Berlioz

    Nadar|Paris s. d. [circa 1860]|6.50 x 10.30 cm|une photographie
    Original albumen photograph, carte-de-visite format, mounted on card from Nadar studio, 35 boulevard des Capucines.
    Manuscript annotations on verso.
    A copy of this photograph is held in the Music Department of the Bibliothèque Nationale de France.
    €1,350
  6. Lettre autographe signée au diplomate de GardenLettre autographe signée au diplomate de Garden
    Emmanuel de LAS CASES, Guillaume de GARDEN

    Lettre autographe signée au diplomate de Garden

    Passy [Paris] 10 mai 1833|11.70 x 18 cm|une page sur un bifeuillet
    Autograph letter signed by Emmanuel de Las Cases to Count Guillaume de Garden, dated May 10, 1833. Autograph address on verso of last leaf. Tears to last leaf due to opening, small tear in upper margin of first leaf extending 4 centimeters, not touching text, usual folds.

    Precious letter from the famous memorialist, the Emperor's companion in exile, whose masterpiece was at the origin of the Napoleonic myth. He invites Count de Garden to lunch, also known under the name Garden de Saint-Ange. This great historian and diplomat is the author of the monumental Histoire générale des traités de paix.



    Monsieur le Comte,
    €500
  7. Portraits de Peintres. Pièces pour Piano d'après les poésies de Marcel ProustPortraits de Peintres. Pièces pour Piano d'après les poésies de Marcel Proust
    Marcel PROUST, Reynaldo HAHN

    Portraits de Peintres. Pièces pour Piano d'après les poésies de Marcel Proust

    Heugel & Cie • Au Ménestrel|Paris 1896|28 x 37.50 cm|en feuilles sous couverture
    First edition of this rare fascicle, unnumbered, and printed in a small number on Dutch laid paper. Illustrated with a portrait of Albert Cuyp after Maurin.
    In sheets under gray-green publisher's wrapper printed in black and red, 5 pages of lithographed music (Imp. Delanchy), publisher's wet stamp on blank verso of last leaf. Very small nicks at head and tail of soft cover spine, copy in pristine condition.
    Poetic and musical portrait of the Dutch Golden Age painter Albert Cuyp, created jointly by Marcel Proust and Reynaldo Hahn who accompanies the writer's verses with a piano melody.
    This is the first of four portraits of...
    €700
  8. La photographie - Traité théorique et pratiqueLa photographie - Traité théorique et pratique
    Alphonse DAVANNE

    La photographie - Traité théorique et pratique

    Gauthier-Villars|Paris 1886-1888|16.50 x 24 cm|2 volumes reliés
    Rare first edition. 
    Bradel decorative paper bindings, black morocco title labels, modern bindings signed Goy & Vilaine.
    Occasional foxing to first and last few leaves. 
    Our copy includes the four photographs on thick paper (two in frontispiece and one folding).
    Numerous vignettes in black and white, and a color spectrum.
    A fine copy.
     
    €1,000
  9. Reçu autographe daté et signé d'Eugénie Krantz (au nom de Verlaine) confirmant un paiement de Léon Vanier son éditeurReçu autographe daté et signé d'Eugénie Krantz (au nom de Verlaine) confirmant un paiement de Léon Vanier son éditeur
    Paul VERLAINE

    Reçu autographe daté et signé d'Eugénie Krantz (au nom de Verlaine) confirmant un paiement de Léon Vanier son éditeur

    Paris 10 Avril 1894|11.50 x 17.50 cm|un feuillet
    Autograph receipt dated and signed by Eugénie Krantz, for Paul Verlaine, confirming receipt of payment from his publisher Léon Vanier.
    Small pin holes at the "R" of Reçu.
    "10 Avril 1894,
    Reçu de M. Vanier éditeur la somme de cinq francs pour droit exclusif de publier la pièce de vers ci-joint "anniversaire" Paris 10 Avril 94 autorisé par M. Verlaine Mlle Krantz."

    At the end of his life, Paul Verlaine, despite being elected Prince of Poets by his contemporaries, led a life of poverty between alcoholism and vagrancy to the point of selling this poem to his publisher for the miserable sum of five francs.
    The poet met Eugénie Krantz known as...
    €450
  10. Pre-First Edition of Dumas' Masterpiece
    Pre-First Edition of Dumas' Masterpiece
    Le Comte de Monte-ChristoLe Comte de Monte-Christo
    Alexandre DUMAS

    Le Comte de Monte-Christo[The Count of Monte Cristo]

    Société belge de librairie, Hauman et cie|Bruxelles [Brussels] 1845 - 1846|9.70 x 15.30 cm|8 tomes en 4 volumes reliés

    A rare Belgian pirate edition in 8 tomes bound in 4, published shortly after the novel's first serial appearance in the Journal des débats from August 28, 1844 to January 15, 1846. Complete with all half titles and title pages. They are all dated 1845, except for the last two (vol. 7-8) dated 1846. The edition includes the misprint "Christo" for "Cristo", present in the pre-first edition of the Journal des débats, and corrected for the first time at the end of 1846 in the first illustrated edition.

    Rare pirate pre-first edition of the greatest revenge novel of all time. Given the extreme rarity of the French first edition in book form, these...

    €6,800
  11. "les vomissements m'ont fait beaucoup de bien...""les vomissements m'ont fait beaucoup de bien..."
    François René de CHATEAUBRIAND

    "les vomissements m'ont fait beaucoup de bien..."Autograph letter addressed to Mrs. Amédée de Duras concerning her improving state of health

    s. l. s. d. [vers le 25 septembre 1812]|15.50 x 19.50 cm|une page sur un double feuillet

    Autograph note by François René de Chateaubriand, 12 lines in black ink on a bifolium, addressed to Madame Amédée de Duras, rejoicing in her improved health.
    A tear with loss, due to the seal having been broken to facilitate reading the note.
    "Mde de CH[ateaubriand]. me dit de vous répondre: si je meurs, madame, ce sera à vos pieds le matin. Non pas à midi, mais à trois heures et demie. Je me porte à merveille chez ma soeur. Que cela ne soit pas vous, mais mde de Lévis qui m'ait vu perdre ma longue barbe er mon mouchoir turc. Ne venez pas, vous ne devriez pas venir. Mde de Ch[ateaubriand] est inconsolable... "

    €700
  12. Balzac's Soon to be Lost Illusion
    Balzac's Soon to be Lost Illusion
    "Je suis sur les dents ! [...] Je suis ivre de ma pièce""Je suis sur les dents ! [...] Je suis ivre de ma pièce"
    Honoré de BALZAC

    "Je suis sur les dents ! [...] Je suis ivre de ma pièce"Autograph letter signed to Sophie Kozlowska about Les Ressources de Quinola

    [Paris] 12 mars 1842|13.50 x 26 cm|4 pages sur un feuillet

    Autograph letter signed by Honoré de Balzac to Sophie Koslowska. 4 pages in black ink on a bifolium.


    Usual folds. Very small lacks of paper along the horizontal fold of the first leaf. Published in his Correspondance 1819-1850, II. Paris, Calmann-Lévy, 1875, pp. 31-33.


    A long, feverish letter by Balzac, a few days before the premiere of Les Ressources de Quinola at the Odéon theater. The writer writes to his close friend Sophie Kozlowska, daughter of Prince Kozlowski about the chaotic fi­nal preparations, and urges her to fill the theater with all of Paris's Russian high society.

    ...
    €15,000
  13. "Tu es le soleil de mon âme et la joie de mes yeux" (You are the sun of my soul and the joy of my eyes)
    "Tu es le soleil de mon âme et la joie de mes yeux" (You are the sun of my soul and the joy of my eyes)
    Lettre d'amour autographe inédite signée adressée à son amant Victor Hugo, le lendemain de sa plaidoierie défendant son fils CharlesLettre d'amour autographe inédite signée adressée à son amant Victor Hugo, le lendemain de sa plaidoierie défendant son fils Charles
    Juliette DROUET (Victor HUGO)

    Lettre d'amour autographe inédite signée adressée à son amant Victor Hugo, le lendemain de sa plaidoierie défendant son fils Charles

    s. l. • [Paris] 12 juin (1851)|11.50 x 17.90 cm|4 pages sur un bifeuillet

    Autograph letter most probably unpublished signed addressed by Juliette Drouet to her lover Victor Hugo, four pages written in black ink on a bifolium. 
    Transverse folds inherent to mailing, fold joining the two leaves reinforced with a fine strip of pasted paper barely perceptible.
    Absent from the very complete online edition of Juliette Drouet's letters to Hugo by the Centre d'Études et de Recherche Éditer/Interpréter (University of Rouen-Normandy).
    Very beautiful declaration of love and admiration by Juliette Drouet, the day after Hugo's plea defending his son. Charles Hugo had been brought before the assizes, and condemned despite his father's...

    €3,000
  14. Sand publishes her response to Lerminier
    Sand publishes her response to Lerminier
    "N'y changez rien. Relisez-en vous même et vous seul l'épreuve""N'y changez rien. Relisez-en vous même et vous seul l'épreuve"
    George SAND

    "N'y changez rien. Relisez-en vous même et vous seul l'épreuve"Autograph letter signed to François Buloz

    s. d. [23 février 1838]|11 x 20.40 cm|1 page sur feuillet
    Autograph letter signed by George Sand addressed to François Buloz. One page in black ink on a single sheet.
    Fold marks, sheet reinforced with paper on verso.
    Published in her correspondence (ed. Georges Lubin), vol. IV, pp. 331-332.
    Exasperated by the attitude of the Revue des deux mondes of her friend Buloz, George Sand decides to defend the progressive thinker Félicité Lammenais, targeted by a scathing critique published in the review. She takes up her pen here and orders Buloz to publish her response article, without changing a single line.


    Mon cher Buloz, voici la lettre à M. Lerminier...

    €1,200
  15. Eve's first kiss: 'The gods grant no favours untainted.'
    Eve's first kiss: 'The gods grant no favours untainted.'
    Lettre autographe signée après sa première rencontre avec Madame HanskaLettre autographe signée après sa première rencontre avec Madame Hanska
    Honoré de BALZAC

    Lettre autographe signée après sa première rencontre avec Madame Hanska

    s. l. • [Neuchâtel] [29 septembre 1833]|13.40 x 21.10 cm|une page sur un double feuillet

    Autograph letter signed by Honoré de Balzac, addressed to his friend, the writer Charles de Bernard. One page written in black ink on a bifolium. On the verso of the second leaf appears the address of the recipient [Charles de Bernard du Grail], written in Balzac’s hand, along with postal stamps and the seal bearing the arms of the Balzac d’Entraigues family, which the author had appropriated.

    A few minor holes not affecting the text; fold marks as usual from mailing.

    €10,000
  16. Contes des féesContes des fées
    Charles PERRAULT

    Contes des fées[Fairies Tales]

    Chez Saintin, 6 rue de l'Eperon|Paris s. d. [circa 1810]|8.90 x 13.80 cm|relié

    Very elegant edition of Perrault's fairy tales, printed with the stereotype process invented by Louis-Etienne Herhan.


    Illustrated with 5 full-text engravings (2 vignettes each) and a vignette on the engraved title, after the frontispiece by Antoine Clouzier for the first edition of Perrault's tales (Paris, Barbin, 1697).
    Full roan binding, smooth spine framed in gilt and gilt motifs, black title label stamped in gilt, boards framed in gilt, inner dentelle, endpapers and pastedowns in caillouté paper, all edges gilt. Joints slightly split at head of spine, a small brown stain to title page and frontispiece, some spotting. 
    Very rare edition, including Bluebeard, Little Red...

    €2,500
  17. "Amyot tient beaucoup à ce qu'on appuie sur les anecdotes nouvelles dont cette édition est augmentée""Amyot tient beaucoup à ce qu'on appuie sur les anecdotes nouvelles dont cette édition est augmentée"
    Astolphe de CUSTINE

    "Amyot tient beaucoup à ce qu'on appuie sur les anecdotes nouvelles dont cette édition est augmentée"Autograph letter dated and signed concerning the republication of his famous work "Russia in 1839"

    S. n.|s. l. 29 Novembre 1843|13.50 x 20.50 cm|une page
    Autograph letter signed by Astolphe de Custine (16 lines in black ink) regarding the republication, issued by the same publisher Amyot in the same year as the first edition, of his prophetic and famous work "La Russie en 1839".
    Fold marks inherent to posting, the ink of the year in the date having faded.
    Due to the great success of his work "La Russie en 1839" whose first edition was published in 1843 by Amyot, Custine had difficulty obtaining a copy of the republication, printed a few months later the same year, of his masterpiece which he intended for his correspondent: "Here, sir, is the second copy of La Russie that I have been able to...
    €800
  18. La cantinièreLa cantinière
    JOB, Georges MONTORGUEIL

    La cantinière

    Boivin & Cie • Félix Juven|Paris s. d. [1898]|28 x 36 cm|reliure de l'éditeur
    Illustrated edition with color images by Job.
    Publisher's full grey cloth binding, smooth spine, first cover illustrated with a polychrome plate depicting a battle scene, endpapers and pastedowns of blue paper marginally discolored without gravity, red edges, signed binding by Engel.
    Handsome copy.
    €400
  19. ContesContes
    Jean-Honoré FRAGONARD, Jean de LA FONTAINE

    Contes

    A. Le Vasseur|Paris 1884|25 x 32.50 cm|2 volumes reliés
    Edition consisting of a reprint of the Didot 1795 edition, revised and expanded by Anatole de Montaiglon and illustrated with works by Jean-Honoré Fragonard.
    Half brown morocco bindings with corners, spines slightly faded with five raised bands outlined in black fillets, marbled paper boards, combed paper endpapers and pastedowns, top edges gilt.
    Minor rubbing to foot of spine of first volume which shows pale dampstaining to heads of final leaves as well as a paper loss to head of final pastedown, some light foxing.
    A handsomely presented copy.
    €450
  20. Œuvres de J.F. CooperŒuvres de J.F. Cooper
    James Fenimore COOPER

    Œuvres de J.F. Cooper[Works]

    Furne & Cie • Charles Gosselin|Paris 1839-1852|10.50 x 18 cm|30 volumes reliés

    First edition of the French translation by A. J. B. Defauconpret. Illustrated vi­gnette on the title page of each volume, with two illustrations in each volume (60 in total) by Louis Marckl after Noël Bertrand.
    Green half shagreen binding, spine with five raised bands elaborately framed in gilt and blind, spine-ends stamped with a gilt rosette bearing cabbalistic signs, marbled paper boards, marbled endpa­pers and pastedowns, speckled edges, contemporary bindings.
    Spines slightly lightened, some corners slightly dulled, more pronounced foxing on some volumes, a tear not affecting text to pp. 303-304 of vol. 2, a restored tear and a marginal lack of paper not af­fecting text to pp...

    €3,800
  21. Pot-BouillePot-Bouille
    Émile ZOLA

    Pot-Bouille

    Charpentier|Paris 1882|12.50 x 19 cm|relié
    First edition, one of 250 numbered copies on Holland paper, the only deluxe copies after a few rare China paper copies.
    Half red morocco binding with corners, spine with five raised bands set with blind fillets, marbled paper boards, combed paper endpapers and pastedowns, bookplate pasted on one pastedown, original wrappers preserved, top edge gilt on deckled edges, signed binding (Pétrus) Ruban.

    Fine bookplate engraved by Provost-Blondel and pasted on one pastedown. It depicts a helmet adorned with a feather, a medallion and a phylactery bearing the motto "Toujours en face". It would have belonged to Victor Coué, second lieutenant killed in action during World War I.
    €2,500
  22. Fort comme la mortFort comme la mort
    Guy de MAUPASSANT

    Fort comme la mort

    Paul Ollendorff|Paris 1889|11.50 x 18.50 cm|relié
    First edition on ordinary paper.
    Half red morocco binding with corners, smooth spine, spine in five compartments with black fillets, gilt date at foot, marbled paper boards, combed paper endpapers and pastedowns, original wrappers preserved (one small stain and two tiny lacks at foot of first cover), top edge gilt, binding signed Gruel.
    Precious autograph inscription signed by Guy de Maupassant: « À monsieur Jules Claretie, cordial hommage. Guy de Maupassant» (To Monsieur Jules Claretie, cordial tribute. Guy de Maupassant).
    Autograph inscriptions on the first edition of this text are rare, especially in elegant contemporary signed bindings. A great admirer of...
    €3,800
  23. Traité théorique et pratique du haschich et autres substances psychiquesTraité théorique et pratique du haschich et autres substances psychiques
    [Ernest BOSC]

    Traité théorique et pratique du haschich et autres substances psychiques[The Treaty of Hashish]

    Chamuel|Paris 1895|12 x 19 cm|broché
    First edition published anonymously.
    Also dealing with opium, cocaine, ether, magic herbs, pills, narcotic plants...
    Spine warped with a small tear at foot, some foxing to covers, a light dampstain to margin of back cover, some gatherings tending to work loose, a small tear at foot of the last two pages.
    Rare.
    €600
  24. Punch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-StalkPunch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-Stalk

    Punch and Judy - The Pets - Puss in Boots - Red Riding Hood - Poor Cock Robin - The Three Bears - Mother Hubbard - Nursery Songs - Tom Thumb - Jack and the Bean-Stalk

    F. Warne & Co|London s. d. [vers 1900]|10.70 x 15.40 cm|relié
    Ten tales bound in one volume, 80 pages illustrated in chromolithography, accompanied by text in the lower portion.
    Charming and colorful collection of great classics of children's tales in English, including Puss in Boots, Little Red Riding Hood, Tom Thumb, and Jack and the Beanstalk.
    Half-shagreen binding in midnight blue, spine with five raised bands decorated with double black fillets and gilt floral motifs, pebbled paper boards. Light stains to board margins. Small loss to shagreen at foot of lower board.
    €600
  25. Outamaro - Le peintre des maisons vertes. - Exemplaire de Pierre LotiOutamaro - Le peintre des maisons vertes. - Exemplaire de Pierre Loti
    Edmond de GONCOURT (inscribed to Pierre LOTI)

    Outamaro - Le peintre des maisons vertes. - Exemplaire de Pierre Loti[Outamaro – The Painter of the Green Houses – Pierre Loti’s Copy]

    Charpentier|Paris 1891|11 x 18.50 cm|relié
    First edition.
    Half dark green shagreen binding, spine with five raised bands decorated with gilt floral motifs, marbled paper boards, marbled endpapers and pastedowns, contemporary binding with the pasted label of Henry Mériot on the front pastedown, bookbinder established in Rochefort since 1878 and friend of Pierre Loti.
    Precious autograph inscription signed by Edmond de Goncourt: "A Loti, avec ses amitiés, E. de Goncourt" (To Loti, with his friendship, E. de Goncourt).
    €1,200
  26. A highly visual letter bearing the fine signature of Maréchal Davout
    A highly visual letter bearing the fine signature of Maréchal Davout
    "Tu ne m'annonces point avoir vu l'Impératrice ou l'Empereur""Tu ne m'annonces point avoir vu l'Impératrice ou l'Empereur"
    Louis Nicolas DAVOUT

    "Tu ne m'annonces point avoir vu l'Impératrice ou l'Empereur"Autograph letter signed to his wife Aimée Leclerc

    Skierniewice 14 septembre [1807]|19 x 22.50 cm|2 pages et demi sur une double feuille

    Autograph letter signed by Marshal Davout to his wife, Aimée Leclerc. Two and a half pages in black ink on a double sheet. Fold marks inherent to mailing.
    Very likely unpublished letter ("the intimate correspondence of Marshal Davout ceases from August to November [1807]" incorrectly states the Marquise de Blocqueville in Le Maréchal Davout, prince d'Eckmühl, raconté par les siens et par lui-même) addressed to his beloved wife, sister-in-law of Pauline Bonaparte. Settled in his palace halfway between Warsaw and Łódź, Davout, now Governor General of the Duchy of Warsaw, longs for his wife and their property in...

    €2,000
  27. [PHOTOGRAPHIE] Portrait photographique de Louis Pasteur[PHOTOGRAPHIE] Portrait photographique de Louis Pasteur
    (Louis PASTEUR) Pierre PETIT

    [PHOTOGRAPHIE] Portrait photographique de Louis Pasteur

    s. n.|Paris 1910|10.50 x 15.60 cm|une photographie
    Silver gelatin photograph from the original plate by Pierre Petit who took this photograph around 1880. Cabinet card format.
    A photograph. Superb print, with strong contrast, very sharp.
    Several portraits exist from this famous sitting in Pierre Petit's studio, where we always see the scientist up close, in more fashionable attire. He wears the rosette of the Legion of Honor. The sessions at Nadar's appear to be a few years older. In this sitting, Pasteur hints at a smile and wears more elegant clothing. We know of prints from this sitting session but frontal, not in profile. Pierre Petit's framings are quite unusual for the period, tightly focused on the subject.


    €400
  28. From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    From barbarian invasions to the Romantic era : France as seen by its most famous cartoonist
    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumesFolies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes
    Gustave DORÉ

    Folies gauloises depuis les Romains jusqu'à nos jours - Album de moeurs et de costumes

    Au bureau du journal amusant|s. l. s. d. [1859]|34.50 x 26.50 cm|relié

    20 full-page lithographs in black by Gustave Doré, in second state.
    Red half oblong Bradel-style cloth binding, smooth spine, black morocco title label, marbled paper boards, beige paper endpapers and flyleaves, corners slightly dulled.

    €1,200
  29. "Clemenceau serait en droit de dire que je suis bien ennuyeuse mais montrez lui la lettre du petit si on pouvait obtenir qu'il ait un peu d'instruction.""Clemenceau serait en droit de dire que je suis bien ennuyeuse mais montrez lui la lettre du petit si on pouvait obtenir qu'il ait un peu d'instruction."
    Louise MICHEL

    "Clemenceau serait en droit de dire que je suis bien ennuyeuse mais montrez lui la lettre du petit si on pouvait obtenir qu'il ait un peu d'instruction."Signed autograph letter addressed to Lucien Barrois

    s. l. • [Paris] 6 février 1885|11.10 x 17.60 cm|1 page 1/2 sur un bifeuillet
    Autograph letter signed by Louise Michel addressed to Lucien Barrois; one and a half pages written in black ink on a bifolium of white paper with black border. Transverse folds inherent to mailing. A trace of glue on the second sheet where Louise Michel had probably pasted a letter from her cousin.
    News of Louise Michel's little cousin, Lucien Dacheux: "Je reçois une lettre de mon petit cousin Dacheux qui me demande de remercier encore pour lui Clemenceau et lui. Je le fais moi-même de tout coeur. N'oubliez pas de le dire à Clemenceau. Le petit Dacheux est à Brest 1ère division de recrutement. [...] Clemenceau serait en droit de dire que je suis bien ennuyeuse...
    €1,500
  30. "Jules Verne" - In Les Hommes d'aujourd'hui n°123 - & "P.J. Stahl (Hetzel) In Les Hommes d'aujourd'hui n°124"Jules Verne" - In Les Hommes d'aujourd'hui n°123 - & "P.J. Stahl (Hetzel) In Les Hommes d'aujourd'hui n°124
    André GILL, PIERRE

    "Jules Verne" - In Les Hommes d'aujourd'hui n°123 - & "P.J. Stahl (Hetzel) In Les Hommes d'aujourd'hui n°124

    Léon Vanier|Paris 1880|20 x 29.50 cm|2 volumes en feuilles
    First edition of both issues of this magazine, each consisting of two folded sheets.
    On the first sheet of each issue, a color woodcut representing Jules Verne and Jules Hetzel by André Gill.
    On the following sheets, text by Pierre and Paul in first edition entitled "Jules Verne" and "P.J. Stahl (Hetzel)".
    Handsome set bringing together one of the most popular and widely read writers of the very end of the 19th and very beginning of the 20th centuries and his famous publisher.
    €250
  31. Humoristique chanson autographe en octosyllabe datée et signée intitulée "Le banquet des maires"Humoristique chanson autographe en octosyllabe datée et signée intitulée "Le banquet des maires"
    Maurice MAC-NAB

    Humoristique chanson autographe en octosyllabe datée et signée intitulée "Le banquet des maires"

    S. n.|s. l. • (Paris) 14 juillet1888|13.50 x 21 cm|trois feuillets
    Autograph song in octosyllables dated and signed by Maurice Mac-Nab entitled "Le banquet des maires", 58 lines in black ink on three leaves.
    Maurice Mac-Nab, poet and hydropath songwriter (he wrote a thesis on hangovers), performed notably at the famous Montmartre cabaret Chat Noir where he recited "advertising songs".
    "Le banquet des maires"
    Enfant gâté de mon canton
    Depuis quartorze ans je suis maire
    Bien que je me flatte, dit-on,
    D'être un peu réactionnaire
    Un beau matin monsieur Floquet
    Me dépêche une circulaire :
    Il me convie au grand banquet
    Que nous offre le Ministère (bis)
    "Je t'en prie, Hector, n'y va pas,
    Me...
    €400
  32. Nouvelles Histoires extraordinairesNouvelles Histoires extraordinaires
    Edgar Allan POE, Charles BAUDELAIRE

    Nouvelles Histoires extraordinaires

    Michel Lévy frères|Paris 1857|11.50 x 18.50 cm|broché
    First edition of the French translation by Charles Baudelaire. No limited issue on luxury paper printed.
    Three small chips filled at head and foot of spine, covers marginally and slightly soiled, slight chips and tears to corners of the covers.
    A rare copy still in its original wrappers.
    €1,000
  33. Les plantes insectivoresLes plantes insectivores
    Charles DARWIN

    Les plantes insectivores

    C. Reinwald & Cie|Paris 1877|14.50 x 23.50 cm|reliure de l'éditeur
    Rare first edition of the French translation established by Edmond Barbier.
    Biographical introduction and additional notes by Charles Martins.
    Publisher's full green cloth binding, smooth spine, headcaps skillfully restored, blind-ruled frame on boards, grey paper endpapers and pastedowns.
    Some foxing, gift inscription dated in blue ballpoint pen at head of half-title page.
    Work illustrated with 30 figures in the text.
    €1,200
  34. Pauvres saltimbanques - L'exemplaire de Paolo FratelliniPauvres saltimbanques - L'exemplaire de Paolo Fratellini
    Signor Saltarino [Hermann Waldemar OTTO]

    Pauvres saltimbanques - L'exemplaire de Paolo Fratellini[Poor Entertainers - Paolo Fratellini's copy]

    Ed. Lintz|Düsseldorf 1897|17 x 25 cm|reliure de l'éditeur
    First edition illustrated with 39 photographs hors texte.
    Publisher's full bottle-green percaline cloth binding, smooth spine, head slightly rubbed, front cover illustrated with a circus scene, frame of blind fillets on the rear cover, endpapers and pastedowns of gilt floral motif paper, all edges gilt.
    German pencil annotations at the head of an endpaper and in black felt pen on the printed dedication page, occasional foxing, otherwise handsome interior condition.
    Prestigious provenance: from the library of Paolo Fratellini with two bookplates pasted on a pastedown and facing the half-title page.
    €250
  35. Poésies complètesPoésies complètes
    Arthur RIMBAUD, Paul VERLAINE

    Poésies complètes[Complete Poems]

    Léon Vanier|Paris 1895|11.50 x 18.50 cm|relié
    Collected edition with some parts in first edition, 10 poems appearing for the first time: Les Étrennes des orphelins, Patience, Jeune ménage, Mémoire, Est-elle almée, Fairy, Guerre, Génie, Jeunesse, Solde - the last 5 "attached" to the Illuminations.
    Important original preface by Paul Verlaine.
    Half red morocco binding, smooth spine decorated lengthwise with gilt floral motif, gilt date at foot, gilt fillet on marbled paper boards, marbled endpapers and pastedowns, original covers preserved, top edge gilt, contemporary binding signed by Bonleu.
    Work illustrated with frontispiece featuring two drawings after Verlaine representing Arthur Rimbaud.
    Very handsome copy...
    €3,000
  36. Manuel du libraire et l'amateur de livresManuel du libraire et l'amateur de livres
    Jacques-Charles BRUNET

    Manuel du libraire et l'amateur de livres

    Silvestre|Paris 1842-1844|15 x 23.50 cm|5 volumes reliés
    Fourth original edition, revised by the author, printed on laid paper.
    Half red shagreen bindings, spines with four raised bands decorated with fillets and quadruple gilt compartments, two tears at head of upper headcaps of volumes 3 & 4, marbled paper boards, marbled endpapers and pastedowns.
    Some foxing, some scratches on boards.
    Complete set in 5 volumes, the fifth and final volume being the systematic index.
    €450
  37. Catalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeuneCatalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeune
    HERMANN-PAUL

    Catalogue de l'exposition de lithographies, pastels et dessins d'Hermann-Paul à la galerie Bernheim jeune

    Galerie Bernheim jeune|Paris s. d. [circa 1900]|10.50 x 14 cm|broché
    First edition of this catalogue presenting 61 works by Hermann-Paul, lithographs, pastels and drawings, exhibited at the Galerie Bernheim jeune in Paris from 1 to 20 February.
    A handsome and rare copy.
    Catalogue illustrated with 6 drawings by Hermann-Paul.
    Text by Arsène Alexandre.

    €300
  38. Riquet à la houppe - Comédie féeriqueRiquet à la houppe - Comédie féerique
    Théodore de BANVILLE, Georges-Antoine ROCHEGROSSE

    Riquet à la houppe - Comédie féerique

    Charpentier|Paris 1884|12 x 19 cm|relié
    First edition illustrated with a drawing by Georges Rochegrosse engraved as frontispiece.
    Occasional foxing.
    Bradel binding in red half-cloth, smooth spine decorated with a central gilt fleuron, double gilt fillet at foot, brown shagreen title-label, marbled paper boards, contemporary binding.
    Signed autograph inscription from Théodore de Banville to Edouard Pailleron.
    €250
  39. Histoire de l'art du paysage, depuis la Renaissance jusqu'au dix-huitième siècle, ou recherches sur l'origine et les progrès de ce genre de peinture, et sur la vie, les ouvrages et le talent distinctif des principaux paysagistes des différentes écolesHistoire de l'art du paysage, depuis la Renaissance jusqu'au dix-huitième siècle, ou recherches sur l'origine et les progrès de ce genre de peinture, et sur la vie, les ouvrages et le talent distinctif des principaux paysagistes des différentes écoles
    Jean-Baptiste DEPERTHES

    Histoire de l'art du paysage, depuis la Renaissance jusqu'au dix-huitième siècle, ou recherches sur l'origine et les progrès de ce genre de peinture, et sur la vie, les ouvrages et le talent distinctif des principaux paysagistes des différentes écoles

    Le Normant|Paris 1822|12.50 x 21 cm|relié
    First edition.
    Half red Russia morocco binding with small corners, spine with four raised bands set with black and gilt fillets decorated with black typographic motifs and a gilt allegory in the center, gilt friezes at head and foot, light scratches of no consequence to joints, marbled boards marginally discolored, pebbled paper endpapers and pastedowns, all edges marbled, contemporary binding.
    Ink gift inscription in blue on endpaper, bookplate pasted on facing page.
    Handsome copy despite visible adhesive paper offsetting on pastedowns.
    €500
  40. Aventures prodigieuses de Tartarin de TarasconAventures prodigieuses de Tartarin de Tarascon
    Alphonse DAUDET

    Aventures prodigieuses de Tartarin de TarasconTartarin of Tarascon

    Dentu|Paris 1872|11.50 x 18.50 cm|relié sous chemise et étui

    Very rare and highly sought-after first edition according to Clouzot, for which no copies on large paper were issued.

    Full red morocco binding, spine with five raised bands, gilt rolls on headcaps, inner dentelle border on off-white morocco pastedowns enhanced with a red morocco mosaic fillet and quintuple gilt fillets, the fillet and quintuple gilt fillets interlacing at corners, gilt fillet border on turn-ins, ivory watered silk endpapers, iron-grey wrappers and spine preserved (Clouzot notes two states of wrappers: iron-grey - the rarer - and bluish-grey), all edges gilt, double gilt fillets on board edges, half red morocco slipcase with bands, spine with five raised bands...

    €8,000
  41. Une saison en enferUne saison en enfer
    Arthur RIMBAUD

    Une saison en enferA Season in Hell

    Alliance typographique (M.J. Poot & Cie)|Bruxelles [Brussels] 1873|12.50 x 18.50 cm|relié sous étui
    Une saison en enfer [A Season in Hell]
    Alliance typographique (M. J. Poot & Cie) Bruxelles 1873 | 12,5 x 18,5 cm | full morocco and custom slipcase

    First edition published in small numbers at the author's expense.
    Binding in full black morocco elaborately decorated in blind, original wrappers preserved, half black morocco slipcase, outstanding binding signed Semet & Plumelle.
    This very scarce first edition of Une saison en enfer is a major collector's piece on several counts: it remains the only work published by Rimbaud himself, then a young unknown 19-year-old poet. He eventually never honored his debt towards the...
    €28,000
  42. Carte postale autographe signée adressée à Emile StrausCarte postale autographe signée adressée à Emile Straus
    Auguste BARTHOLDI

    Carte postale autographe signée adressée à Emile Straus

    A. Bartholdi|Paris 15 février 1899|13.90 x 8.90 cm|une carte postale
    Autograph signed postcard from sculptor Auguste Bartholdi addressed to Emile Straus: "All my compliments to Papyrus [one of Straus's pseudonyms] for the highly original work he sent me, with my thanks for the friendly sentiment that inspired his sending it". The front shows a reproduction of a black and white drawing depicting the citadel of Belfort and its famous lion, as well as the statue of the three sieges.
    A great enthusiast of epistolary art, Emile Straus founded in 1899 La Carte postale illustrée, the newsletter of the association he had just launched, the International Poste-Carte Club.
    €480
  43. Lithographed cover by Henri de Toulouse-Lautrec
    Lithographed cover by Henri de Toulouse-Lautrec
    Hors les LoisHors les Lois
    Henri de TOULOUSE-LAUTREC, Louis MARSOLLEAU

    Hors les Lois

    P.V. Stock|Paris 1898|13 x 19 cm|broché
    First edition, with no deluxe paper copies issued.
    Two small spots of foxing on the upper cover.
    A handsome copy, with an ex-libris pasted on the verso of the upper cover.
    Work illustrated on the covers with an original lithograph by Henri de Toulouse-Lautrec.
    €400
  44. Revue du Salon de 1844Revue du Salon de 1844
    Arsène HOUSSAYE, Narcisse DIAZ DE LA PENA

    Revue du Salon de 1844

    Martinon|Paris 1844|25 x 32 cm|relié

    First edition published in 20 instalments, illustrated with wood-engraved vignettes in the text after Célestin Nanteuil, Français, Karl Girardet, Jules David, etc., and 20 copper-engraved or lithographed plates after Diaz, Decamps, Hazé, A. Guignet, E. Hedouin, Théodore Chasseriau, Alophe, Couture, etc. The original covers of all instalments are bound at the end. The covers erroneously announce 30 engravings instead of the 20 actually included.
    Later binding in red Russian half morocco with corners, spine in five raised bands richly gilt, date in gilt at foot, gilt fillet frame on pasteboard covers. Considerable rubbing and bumped corners.

    €600
  45. Les JoyauxLes Joyaux
    Joseph MÉRY, Paul GAVARNI

    Les Joyaux

    G. de Gonet|Paris s. d. [1850]|18 x 27 cm|relié
    First edition and first issue, illustrated with 16 hors-texte engravings by Paul Gavarni engraved on steel by Charles Geoffroy and heightened in colors. Each plate features lace-cut decorative borders standing out against a pink paper background.
    Publisher's full pictorial boards, original yellow paper endpapers and pastedowns somewhat soiled at margins as usual. Some corners slightly rubbed, as well as the headcaps; rear joint very slightly opened. Scattered foxing more pronounced on certain leaves.
    Very handsome publication preserved in its romantic pictorial boards.
    €800
  46. Scènes de la vie privée des animauxScènes de la vie privée des animaux
    Honoré de BALZAC, Alfred de MUSSET

    Scènes de la vie privée des animaux[Scenes from the Private Lives of Animals]

    J. Hetzel • et Paulin|Paris 1842|18.50 x 27 cm|2 volumes reliés
    First edition illustrated with 200 plates and 120 vignettes by Grandville, engraved by Brévière. One plate missing from volume 2 ("Tous l'aimaient éperdument..." in the chapter entitled "Les peines de coeur d'une chatte française". In volume 1, the plates from pages 241 and 378 are incorrectly bound at pages 140 and 275. The frontispiece of the first volume is different in the first volume from most other copies, however the usual frontispiece has been placed further along.
    Contemporary half red calf bindings, smooth spines decorated with large uniformly faded gilt tools, marbled paper boards with some minor rubbing as well as on the bindings overall, pebbled paper endpapers and...
    €1,000
  47. Les Etoiles Dernière féerie [avec] Astronomie des dames par le Comte FoelixLes Etoiles Dernière féerie [avec] Astronomie des dames par le Comte Foelix
    Joseph MÉRY, Jean Ignace Isidore Gérard GRANDVILLE

    Les Etoiles Dernière féerie [avec] Astronomie des dames par le Comte Foelix

    G. de Gonet|Paris s. d. [1849]|19.50 x 28.50 cm|relié
    G. de Gonet | Paris [1849] | 19 x 28,5 cm | publisher‘s binding
    First edition of this posthumous work illustrated with 15 insert steel-engraved plates by Charles Geoffroy and enhanced in color, including two frontispieces and a portrait of Grandville.

    Publisher's binding with full historiated cream boards, first board illustrated, browned endpapers as is usual for this period.
    Rare interior foxing.

    Superb publication, arguably one of Grandville's most poetic, in which – as for his Fleurs animées – the artist represents celestial bodies with young women.
    €2,800
  48. Carte autographe signéeCarte autographe signée
    Pierre PUVIS DE CHAVANNES

    Carte autographe signée

    Paris 23 avril 1883|11.70 x 8.90 cm|une carte autographe
    Autograph card signed by Pierre Puvis de Chavannes addressed to an unknown recipient, written in black ink, with the painter's monogram and address at the head. Some minor soiling and traces of glue on the verso. One perforation on the monogram.
    "Madame, j'accepte avec infiniment de reconnaissance et de plaisir votre si aimable invitation pour mercredi et vous prie d'agréer l'hommage de mes sentiments respectueux et dévoués." ["Madam, I accept with infinite gratitude and pleasure your kind invitation for Wednesday and beg you to accept the tribute of my respectful and devoted sentiments."]
    €180
  49. Carte postale montage mettant en scène Cléo de MérodeCarte postale montage mettant en scène Cléo de Mérode
    Charles REUTLINGER (Cléo de MÉRODE)

    Carte postale montage mettant en scène Cléo de MérodePostcard colour montage featuring Cleo de Merode dancing in four different costumes against a rural background.

    SIP|Paris s. d. [vers 1895-1905]|13.80 x 8.90 cm|une carte postale
    Postcard colour montage featuring Cléo de Mérode dancing in four different costumes against a rural background.
    A copy of this rare postcard edited by Charles Reutlinger has been digitised by Gallica.
    A very beautiful image of one of the very first popular icons.
    €200
  50. Monsieur Bergeret à ParisMonsieur Bergeret à Paris
    Anatole FRANCE

    Monsieur Bergeret à Paris

    Calmann Lévy|Paris 1899|11.50 x 18.50 cm|relié
    First edition on ordinary paper.
    Bradel binding in half almond green cloth, smooth spine decorated with gilt fleuron, double gilt fillet at foot, brown shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding signed in blind by Carayon.
    Minor foxing to endpapers.
    Handsome copy attractively bound.
    €150
  51. Les MisérablesLes Misérables
    Victor HUGO

    Les Misérables

    A. Lacroix, Verboeckhoven & Cie|Bruxelles [Brussels] 1862|14.50 x 22 cm|10 volumes reliés


    Victor HUGO
    Les Misérables
    A. Lacroix & Verboeckhoven & Cie, Bruxelles 1862, 14,5x22cm, 10 bound volumes.

    First edition without statement published concomitantly with the Pagnerre's Paris edition.
    Bound in half blue sheepskin, spine in four compartments decorated with double gilt fillets, blue paper plates, marbled paste-down and endpapers, mottled edges, English bindings of the time.
    Scattered foxings, title page of the third volume slightly and marginally soiled, paper plates a little rubbed and a few tears on some edges, some joints repaired.

    €4,800
  52. Dans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumesDans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumes
    Aristide BRUANT, Théophile Alexandre STEINLEN

    Dans la Rue. Chansons et Monologues Volumes I, II & III . - Sur la Route. Ensemble complet en 4 volumes[In the Street. Songs and Monologues Volumes I, II & III. – On the Road. Complete set in 4 volumes]

    Furne & Cie|Paris 1885-1900|13.50 x 19 cm|4 volumes reliés
    First edition of each of the four volumes, one of 50 copies (for the first and third works) or one of 150 copies (for the second and fourth) printed on Japan paper, the only deluxe issue.
    Bradel bindings in citron half morocco with corners, smooth spines slightly darkened, marbled paper boards, pebble-grained endpapers and pastedowns, covers and backstrips preserved in one piece, contemporary bindings signed Champs.
    Covers and in-text or full-page drawings by Théophile Alexandre Steinlen for the first and second volumes, by Francisque Poulbot for the third, and by Louis Borgex for the fourth and final volume.
    Each volume bears Aristide Bruant’s autograph signature...
    €4,000
  53. Lettre autographe signée adressée à Narcisse Ancelle. "Je suis très attendu à Paris et à Honfleur"Lettre autographe signée adressée à Narcisse Ancelle. "Je suis très attendu à Paris et à Honfleur"
    Charles BAUDELAIRE

    Lettre autographe signée adressée à Narcisse Ancelle. "Je suis très attendu à Paris et à Honfleur"Autograph letter signed to Narcisse Ancelle. "I am eagerly awaited in Paris and in Honfleur"

    30 mai 1865|13.70 x 21.10 cm|une page sur un feuillet

    Autograph letter signed by Charles Baudelaire to Narcisse Ancelle, written in black ink on a sheet of blue paper.

    Folds from mailing, three minute pinholes not affecting the text.

    This letter was transcribed in the Complete Works volume 11 published in 1949 by L. Conard.

     

    A moving letter from Brussels addressed to the celebrated family notary who became in 1844 Charles's legal guardian, charged with managing his annuity and his exponential debts. A...

    €9,000
  54. CarmenCarmen
    Prosper MÉRIMÉE

    Carmen

    Michel Lévy frères|Paris 1846|13 x 20 cm|relié
    First edition of this work which is one of the “rarest and most sought-after Romantics” (cf Clouzot).
    Binding in half burgundy Russian morocco, spine decorated with a gilt cartouche adorned with gilt and black typographic motifs, marbled paper boards, caillouté marbled endpapers, top edge gilt, romantic pastiche binding.
    Printed stamp of the bookbinder-seller on the title page.
    Half-title page mounted on guards and minor marginal tears restored on some pages.
    Rare.
    €1,500
  55. Anthologie japonaise. Poésies anciennes et modernes des insulaires du NipponAnthologie japonaise. Poésies anciennes et modernes des insulaires du Nippon
    Léon de ROSNY

    Anthologie japonaise. Poésies anciennes et modernes des insulaires du Nippon

    Maisonneuve & Cie|Paris 1871|14.50 x 23 cm|relié

    First edition complete with its 72 pages of Japanese texts in colors bound at rear.
    Contemporary binding in half blue shagreen, spine with five raised bands richly decorated with grotesque compartments, double gilt fillet on marbled paper boards, top edge gilt retaining deckled edges. Corners bumped (one slightly cracked) and surface wear.
    Rare.

    €1,700
  56. "Nous allons au théâtre en traîneau""Nous allons au théâtre en traîneau"
    Jules MASSENET

    "Nous allons au théâtre en traîneau"Signed autograph letter

    Budapest 17 janvier 1879|11 x 17.50 cm|4 pages sur un feuillet remplié
    Autograph letter signed by Jules Massenet, two pages written in black ink on a double sheet.
    Fold inherent to mailing. A small split at the junction of the two sheets, without gravity.
    Fine letter written by the composer during his first stay in the Hungarian capital for Le Roi de Lahore whose premiere took place eight days later: "Répétition générale ce matin [...] excellente exécution" ["General rehearsal this morning [...] excellent execution"]. Massenet mentions the setbacks that occurred which forced the postponement of the opera's programming: "La Benza [Ida], notre Sitia, ne pouvant chanter demain à cause de son deuil, la...
    €800
  57. Lithographie originale en noir et blanc - Enfantillages - "J'veux aussi qu'on me fasse la barbe moi, na!.."
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Enfantillages - "J'veux aussi qu'on me fasse la barbe moi, na!.."

    Chez Aubert|Paris s. d. [1851]|27.90 x 35.80 cm|une feuille
    Original black and white lithograph, second state, for Le Charivari, printed on heavy paper. Signed on the plate.
    Delteil, 1703
    Monogrammed stamp "AB" on verso of the plate.
    Some foxing.
    €150
  58. "Au pays noir" - Lithographie originale sur Chine - L'Estampe Moderne"Au pays noir" - Lithographie originale sur Chine - L'Estampe Moderne
    Jules-Gustave BESSON (Émile ZOLA)

    "Au pays noir" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Juin 1898)|24.50 x 32 cm|une feuille
    Rare original lithograph, executed by Jules-Gustave Besson for L'Estampe Moderne, series number 14 published in June 1898.
    One of 50 deluxe proofs printed on China paper with large margins, artist's signature in the plate, publisher's dry stamp showing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on verso, some foxing.
    Lithograph inspired by an extract from Germinal by Emile Zola.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of unpublished chromolithographs which, unlike other magazines such as Les Maîtres de l'Affiche and as...
    €300
  59. "Bal de barrière" - Lithographie originale sur Chine - L'Estampe Moderne"Bal de barrière" - Lithographie originale sur Chine - L'Estampe Moderne
    Théophile Alexandre STEINLEN (Edmond & Jules de GONCOURT)

    "Bal de barrière" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Juin) 1898|34.50 x 21 cm|une feuille
    Rare original lithograph, executed by Théophile Alexandre Steinlen for L'Estampe Moderne, series number 14 published in June 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature and date in the plate, publisher's dry stamp depicting a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso, some foxing.
    Lithograph inspired by an excerpt from Germinie Lacerteux by the Goncourts.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of unpublished chromolithographs which, unlike other...
    €600
  60. Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule" Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule"
    Honoré DAUMIER

    Lithographie originale en couleurs - L'Exposition Universelle - "Vue prise à la buvette pendant la canicule"

    Maison Martinet|Paris s. d. [1855]|25.20 x 33.60 cm|une feuille
    Original lithograph heightened in colors and gummed, second state, for Le Charivari, printed on thick paper.
    Delteil, 1776
    Some light foxing.
    €350
  61. Lithographie originale en couleurs - Bohêmiens de Paris- "Le tondeur de chiens"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohêmiens de Paris- "Le tondeur de chiens"

    Chez Aubert|Paris s. d. [1842]|25.20 x 33.20 cm|une feuille
    Original lithograph enhanced with colors and gum arabic, third state, for Le Charivari, printed on heavy paper.
    Delteil, 845
    Plate uniformly shaded.
    €350
  62. Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse" Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse"
    Honoré DAUMIER

    Lithographie originale en couleurs - Bohêmiens de Paris - "La glaneuse"

    Chez Aubert|Paris s. d. [1841]|24.40 x 33.20 cm|une feuille
    Original lithograph heightened in colors and gummed, in third state, for Le Charivari, printed on heavy paper.
    Delteil, 827
    Plate uniformly shaded.
    €300
  63. Couverture de L'Estampe Moderne n°22 février 1899Couverture de L'Estampe Moderne n°22 février 1899
    Alfons MUCHA

    Couverture de L'Estampe Moderne n°22 février 1899Cover of L'Estampe Moderne n22 February 1899

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris Février 1899|41 x 56 cm|une feuille
    Cover of L'Estampe Moderne n°22 February 1899

    L'Estampe Moderne, Imprimerie Champenois pour CH. Masson & H.Piazza, Paris February 1899, 41 x 56 cm, one leaf

    Original large margin print in black and white serving as the cover of the famous monthly publication Estampe Moderne. Entirely printed in black and white, our print is the cover of the rare collection in a large-margin luxury print of the first year of publication. Artist's signature on the board and number of the luxury print added in pencil.

    A magnificent monthly French publication published between May 1897 and April 1899, L'Estampe moderne comprised unpublished chromolithographs...
    €450
  64. "La chevelure" - Lithographie originale sur Japon - L'Estampe Moderne"La chevelure" - Lithographie originale sur Japon - L'Estampe Moderne
    Jules FLANDRIN (Charles BAUDELAIRE)

    "La chevelure" - Lithographie originale sur Japon - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Novembre 1898)|34 x 24 cm|une feuille et une serpente
    Rare original crayon-manner lithograph, executed by Jules Flandrin for L'Estampe Moderne, series number 19 published in November 1898.
    One of 50 deluxe proofs printed on Japan paper with wide margins, laid paper mounted on Japan paper, publisher's blind stamp representing a child's profile in lower margin, numbered stamp of the deluxe edition on verso; engraving preceded by a tissue guard inscribed with the artist's name, title, and an excerpt from a work.
    Lithograph inspired by the first four stanzas of the poem La chevelure from Charles Baudelaire's collection Les Fleurs du Mal, reproduced on the print's tissue guard.
    €1,200
  65. "La femme au perroquet" - Lithographie originale sur Chine - L'Estampe Moderne"La femme au perroquet" - Lithographie originale sur Chine - L'Estampe Moderne
    A. YANK (Léo DESMARAIS)

    "La femme au perroquet" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Novembre) 1898|17 x 34.50 cm|une feuille
    Rare original lithograph, executed by A. Yank for L'Estampe Moderne, series number 19 published in November 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature and date in the plate, publisher's dry stamp representing a child's profile in lower margin, mounted on a sheet of laid paper with on verso the numbered stamp of the luxury edition, pale marginal foxing.
    Lithograph inspired by an extract from Miroirs by Léo Desmarais.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike other magazines such as Les Maîtres de...
    €400
  66. "Le baiser" - Lithographie originale sur Chine - L'Estampe Moderne"Le baiser" - Lithographie originale sur Chine - L'Estampe Moderne
    Victor-Emile PROUVE (J. MORET)

    "Le baiser" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Décembre) 1898|24.50 x 34.50 cm|une feuille
    Rare original lithograph, executed by Victor Prouvé for L'Estampe Moderne, series number 20 published in December 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature in the plate, publisher's dry stamp representing a child's profile in the lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso, some foxing; engraving preceded by a tissue guard captioned with the artist's name, the title, and an extract from a work.
    Lithograph inspired by three stanzas extracted from a poem by J. Mouret.
    Magnificent French monthly publication issued between May 1897 and April 1899...
    €350
  67. "Pantomime" - Lithographie originale sur Chine - L'Estampe Moderne"Pantomime" - Lithographie originale sur Chine - L'Estampe Moderne
    André IBELS (Paul VERLAINE)

    "Pantomime" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Août 1898)|35 x 26.50 cm|une feuille
    Rare original lithograph in red chalk manner, executed by André Ibels for L'Estampe Moderne, series number 16 published in August 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, publisher's blind stamp depicting a child's profile in lower margin, mounted on a sheet of laid paper with numbered stamp from the luxury printing on verso, pale marginal foxing.
    Lithograph inspired by a poem by Paul Verlaine from the collection Fêtes galantes.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of unpublished chromolithographs which, unlike other magazines such as Les Maîtres de...
    €450
  68. [PHOTOGRAPHIE] Portrait photographique de Léon Tolstoï[PHOTOGRAPHIE] Portrait photographique de Léon Tolstoï
    (Léon TOLSTOI)

    [PHOTOGRAPHIE] Portrait photographique de Léon TolstoïPhotographic portrait of Leo Tolstoy

    Vezenberg|Saint-Pétersbourg [Saint Petersburg] s. d. [circa 1880]|6.40 x 10.70 cm|une photographie au format carte cabinet
    Photographic portrait of Leo Tolstoy
    Vezenberg | Saint Petersburg n. d. [ca 1880] | 6.4 x 10.7 cm | one carte-de-visite photograph
    Extremely rare original photograph on albumen paper, carte-de-visite size, laid on a cardboard of the Vezenberg studio in Saint Petersburg.
    Stamp in Russian at the bottom of the photograph indicating in Cyrillic “L. Tolstoy”.
    We have not fond any copy of this photograph in public collections.

    The photographs of the master of Russian literature are rare and sought after.
    €1,700
  69. "Salomé" - Lithographie originale sur Chine - L'Estampe Moderne"Salomé" - Lithographie originale sur Chine - L'Estampe Moderne
    Alfons MUCHA

    "Salomé" - Lithographie originale sur Chine - L'Estampe ModerneOriginal lithograph on China paper - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Juin 1897)|23.50 x 33 cm|une feuille
    "Salomé" - Original lithograph on China paper - L'Estampe Moderne

    L'Estampe Moderne, Imprimerie Champenois for C H Masson & H Piazza | Paris (june 1897) | subject: 23.5 x 33 cm, plate: 40.8 x 55 cm | one leaf and one guard

    Rare original black and white lithograph by Alphonse Mucha for L'Estampe Moderne, series number 2, published in June 1897.

    One of the 50 grand luxe proofs printed on China paper with wide margins, signed and dated by the artist in the plate. Embossed stamp of the publisher showing a child in profile to lower margin, laid down on a leaf of vélin paper with the numbered stamp of the...
    €3,000
  70. "La femme au paon" - Lithographie originale sur Chine - L'Estampe Moderne"La femme au paon" - Lithographie originale sur Chine - L'Estampe Moderne
    Louis John RHEAD

    "La femme au paon" - Lithographie originale sur Chine - L'Estampe ModerneLa femme au paon" - Original lithograph on China paper - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Juillet 1897)|22.50 x 34 cm|une feuille
    La femme au paon" - Original lithograph on China paper - L'Estampe Moderne
    L'Estampe Moderne, Imprimerie Champenois pour C H Masson & H Piazza, Paris (july 1897), subject: 22.5 x 34 cm, plate : 40.8 x 55 cm, one leaf
    Rare original lithograph by Louis John Rhead for L'Estampe Moderne, series no. 3, published in July 1897.
    One of the 50 grand luxe proofs printed on China paper with wide margins, printed in brown ink, signed and dated by the artist in the stone. Embossed stamp of the publisher showing a child in profile to lower margin, laid down on a leaf of vélin paper with the numbered stamp of the tirage de luxe to verso, occasional spotting to...
    €1,000
  71. Manuscrit illustré de dessins originaux et composé de deux parties "La Porcelaine de Chine" et "Le Bronze chinois"Manuscrit illustré de dessins originaux et composé de deux parties "La Porcelaine de Chine" et "Le Bronze chinois"
    ANONYME

    Manuscrit illustré de dessins originaux et composé de deux parties "La Porcelaine de Chine" et "Le Bronze chinois"Manuscript with original drawings and made up of two parts, "Chinese Porcelain" and "Chinese Bronze"

    Paris 1888|18 x 23 cm|relié
    Manuscript with original drawings and made up of two parts, “Chinese Porcelain” and “Chinese Bronze”
    Paris 1888 | 18 x 23 cm | contemporary half shagreen
    Manuscript entitled “Chinese Porcelain”, with numerous original drawings in and hors texte, in black and white and color, some full-page on delicate bits of China paper and stuck in to illustrate text or on occasional leaves of thick paper.

    The text is also enriched with a plate from Racinet's Costume historique (1888), as well as a printed page from the same text. This is a made-up volume from several texts: Octave de Sartel, La Porcelaine de Chine (1881), Stanislas Julien...
    €2,500
  72. Nouveau plan de ParisNouveau plan de Paris
    Adolphe JOANNE

    Nouveau plan de Paris

    Hachette|Paris 1867|11 x 17.80 cm|relié
    Collection des guides Joanne series. Alphabetical list of Paris streets with also the list of omnibuses and their routes, fares, mobile carriages and other public transport.
    Publisher's binding in full purple cloth. Smooth unlettered spine. Title and arms of Paris on the first cover.
    Large folding map of Paris in colors. Several small tears. Handsome copy.
    The Paris of Napoleon III and Haussmann. This map of Paris was published for the 1867 Paris Universal Exhibition. At the end of the chapter on public carriages, one reads: "A special service, from Place du Palais-Royal to Pont d'Iéna, will operate throughout the duration of the exhibition".
    €450
  73. [PHOTOGRAPHIE] Portrait photographique de Gustave Courbet à la canne[PHOTOGRAPHIE] Portrait photographique de Gustave Courbet à la canne
    (Gustave COURBET)

    [PHOTOGRAPHIE] Portrait photographique de Gustave Courbet à la cannePhotographic Portrait of Gustave Courbet with a cane

    Carjat|Paris s. d. [circa 1860]|6.30 x 9.10 cm|une photographie
    Photographic Portrait of Gustave Courbet with a cane

    Carjat | Paris n. d. [ca 1860] | 6.3 x 9.1 cm | one carte-de-visite photograph

    Rare original photograph on albumin paper, in visiting card format, laid down on card. Remnants of glue, paper slightly rubbed on verso, but not seriously.

    Gustave Courbet met Etienne Carjat in 1859 in Germany and the two men struck up a very strong friendship.

    “My dear Carjat, I care for you, as you as you know, you are my confidant in love, my biographer, you are my friend.” (Letter from Courbet, February 1863).
    We have been unable to find another copy of this photograph in public collections.
    €1,600
  74. La Seine et ses bordsLa Seine et ses bords
    Charles NODIER

    La Seine et ses bords

    Au bureau de La Publication|Paris 1836|14.50 x 22.50 cm|relié
    First edition.
    Half red shagreen binding, spine with four raised bands decorated with gilt fillets and ornate triple gilt compartments with gilt stars at their centers, red paper boards marginally faded, speckled paper endpapers and pastedowns, contemporary binding.
    Some foxing.
    Very rare copy complete with its 46 engraved plates and 4 folding maps at the end of the volume.

    €800
  75. "Paul Verlaine" - Les Hommes d'aujourd'hui n°244"Paul Verlaine" - Les Hommes d'aujourd'hui n°244
    Paul VERLAINE, Émile COHL

    "Paul Verlaine" - Les Hommes d'aujourd'hui n°244

    Léon Vanier|Paris 1896|20.30 x 29.80 cm|en feuillets
    ”Paul Verlaine” – Les Hommes d'aujourd'hui n° 244
    Léon Vanier | Paris 1896 | 20.3 x 29.8 cm | loose in sheets
    The second and definitive edition, the first for some parts, as expanded by the author himself, two folded sheets.

    On the front, a color lithograph showing Paul Verlaine.
    €500
  76. La bonne chansonLa bonne chanson
    Paul VERLAINE

    La bonne chanson[The Good Song]

    Léon Vanier|Paris 1891|12 x 19 cm|relié

    Second edition, printed in a small number of copies on Hollande laid paper.

     

    3/4 red morocco, five raised bands-spine,  gilt date at foot. Slight, superficial fading to spine, marbled paperboards, pebbled flyleaves and pastedowns, original covers and spine preserved, top edge gilt, A finely executed, unsigned binding from the late 19th to early 20th century.

    Provenance: from the library of Simone and André Maurois, with their engraved bookplate on front pastedown.


    Signed and inscribed copy by Paul Verlaine to the opera singer Marie-Blanche Vasnier : "A Madame Vasnier, hommage respectueux. P. Verlaine." [To Madame Vasnier, with respectful homage. P...

    €3,000
  77. Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "Un début à la chasse"Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "Un début à la chasse"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "Un début à la chasse"

    Chez Aubert & Cie|Paris 1844|26 x 34 cm|une feuille
    Original black and white lithograph created for Le Charivari and printed on heavy paper.
    Delteil, 738
    Scattered pale foxing and a light dampstain in the right margin.
    €150
  78. Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "L'Amateur de melons"Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "L'Amateur de melons"
    Honoré DAUMIER

    Lithographie originale en noir et blanc - Les Beaux Jours de la vie - "L'Amateur de melons"

    Chez Aubert & Cie|Paris 1845|24.40 x 32.70 cm|une feuille
    Original black and white lithograph, second state, created for Le Charivari and printed on heavy paper.
    Delteil, 798
    Light scattered foxing.
    €200
  79. Epreuve originale des Maîtres de l'Affiche - Lithographie originale en noir et blanc : "Paris Courses" Epreuve originale des Maîtres de l'Affiche - Lithographie originale en noir et blanc : "Paris Courses"
    Jules CHÉRET

    Epreuve originale des Maîtres de l'Affiche - Lithographie originale en noir et blanc : "Paris Courses"

    Imprimerie Chaix|Paris 1897|31 x 41.60 cm|une affiche lithographiée
    Rare original proof from the Maîtres de l'Affiche, black and white lithograph printed on strong paper without the embossed stamp of the journal but with cutting marks.
    This poster, published in Maîtres de l'Affiche, does not bear the embossed stamp of the journal.
    Superb French monthly publication, Maîtres de l'Affiche, appeared between 1895 and 1900 on the initiative of Jules Chéret.
    Small corner lacks and marginal tears.
    €200
  80. [PHOTOGRAPHIE] Album photographique contenant 12 portraits de geishas et vues de la route du Tokaïdo[PHOTOGRAPHIE] Album photographique contenant 12 portraits de geishas et vues de la route du Tokaïdo
    ANONYME

    [PHOTOGRAPHIE] Album photographique contenant 12 portraits de geishas et vues de la route du Tokaïdo

    s. l. • [Japon] [Japan] s. d. [circa 1880]|17 x 12 cm|un album contenant 12 photographies
    Accordion-style photographic album containing 12 portraits of geishas and views of the Tokaido road on both sides. Period albumen prints hand-colored.
    Red cloth binding on wooden boards.
    Some tissue guards slightly creased, otherwise very handsome copy.
    All the geisha portraits were taken in studio while the views of the Tokaido road, connecting Edo to Kyoto, present scenes of daily life (women at the entrance of a house, porters, men praying...)
    €1,200
  81. Le premier grenadier de France : La Tour d'AuvergneLe premier grenadier de France : La Tour d'Auvergne
    Paul DÉROULÈDE

    Le premier grenadier de France : La Tour d'Auvergne

    Georges Hurtrel|Paris 1886|11.50 x 16.50 cm|broché
    First edition, one of 100 copies numbered and justified on Holland paper by the publisher, deluxe copy.
    Fine copy despite small marginal worming on first endpaper.
    Work illustrated with a color frontispiece, a facsimile letter as well as 7 plates of which 3 in color, historiated bandeaux and initials, reproducing drawings by Detaille, Berne-Bellecour, Baugnies, etc...
    €250
  82. A travers ParisA travers Paris
    CRAFTY

    A travers Paris

    Plon|Paris s. d. [1885]|27 x 23 cm|reliure de l'éditeur
    First edition and first printing of the illustrations.
    Publisher's full olive green cloth binding, smooth unlettered spine, front board decorated with an equestrian scene, blue paper endpapers and pastedowns, red edges.
    Illustrations in text and full-page in black and color by Crafty.
    Very occasional foxing.
    Handsome copy despite the top headcap very slightly rubbed without any significance and a small nick at the foot of the front board.
    We include the dust jacket of the work in poor condition.
    €350
  83. Les métamorphoses du jourLes métamorphoses du jour
    Jean Ignace Isidore Gérard GRANDVILLE, Louis LURINE

    Les métamorphoses du jour

    Garnier frères|Paris 1869|18.50 x 25.50 cm|relié
    New edition with some parts in first edition as revised and completed by Jules Janin for the text and expanded with numerous tailpieces and headpieces by Grandville for the illustration. A bibliography of books illustrated by Grandville/
    Later half red sheep binding (ca 1920), Jansenist spine with raised bands, small traces of rubbing on the slightly faded spine. Set of beautiful freshness, but some pale browning in the margins at the beginning of the work. The preserved cover restored with a strip of paper to be restored. Inversion of leaves at the beginning of the work, leaf 3 appearing before leaf 1.
    Handsome copy.
    Work illustrated with a frontispiece and 70 hand-colored...
    €800
  84. [PHOTOGRAPHIE] Portrait photographique d'Henrik Ibsen[PHOTOGRAPHIE] Portrait photographique d'Henrik Ibsen
    Henrik IBSEN

    [PHOTOGRAPHIE] Portrait photographique d'Henrik Ibsen[PHOTOGRAPH] Photographic portrait of Henrik Ibsen

    Fr. Hanfstaengl|Munich s. d. [circa 1878]|6.60 x 10.50 cm|une photographie
    [PHOTOGRAPH] Photographic portrait of Henrik Ibsen

    FrHanfstaengl, Munich N.d. (circa 1878), 6.6x10.5 cm, photograph

    An extremely rare original photograph on albumin paper in a visiting card format, laid down on card, showing Henrik Ibsen.
    Ink inscription with the name of the Norwegian playwright to lower margin of mount. Embossed stamp of the Swedish publisher Lostroom & Komp just below the image. Brief contemporary biographic note pasted to verso.
    We have not been able to find any copies of this photograph in any of the international public collections.
    €1,500
  85. [PHOTOGRAPHIE] Portrait photographique de Pierre-Joseph-Marie Proudhon
    (Pierre-Joseph-Marie PROUDHON)

    [PHOTOGRAPHIE] Portrait photographique de Pierre-Joseph-Marie Proudhon

    Ch. Reutlinger|Paris s. d. [circa 1864]|10.80 x 16.50 cm|une photographie
    Original photograph of Pierre-Marie-Joseph Proudhon produced using the gelatin silver process mounted on cardboard from the Reutlinger studio in Paris.
    This photograph was taken in Charles Reutlinger's studio at the request of painter Gustave Courbet, who was then creating a portrait of the philosopher now preserved at the Petit Palais museum in Paris. Proudhon died on January 20, 1865 before posing for Courbet, making this image one of the painter's only sources of inspiration for his posthumous portrait: "go to Reutlinger and ask him on my behalf [...] for the large portrait he made of the philosopher according to my pose. I want to paint him at 146 rue...
    €800
  86. Les farfadets ou tous les démons ne sont pas de l'autre mondeLes farfadets ou tous les démons ne sont pas de l'autre monde
    Alexis Vincent Charles BERBIGUIER DE TERRE-NEUVE DU THYM, Marie MAURON

    Les farfadets ou tous les démons ne sont pas de l'autre monde[The Farfadets; or, Not All Demons Are from the Other World]

    Chez l'auteur • P. Gueffier • S. n. • Chez tous les marchands de nouveautés des quatre coins du monde|Paris 1821|13 x 21 cm|3 volumes reliés
    First edition printed in 400 copies and illustrated with 8 plates outside the text, including one folding plate, as well as a portrait of the author as frontispiece. Berbiguier destroyed almost all copies after publication.

    Contemporary bindings in half brown sheep, smooth spines decorated with quadruple fillets, dentelles and gilt fleurons, red morocco title and volume labels, grained paper boards, all edges marbled.
    Two minor wormholes at the head of the second volume. Enigmatic and very fine pinhole marks at regular intervals on all three spines.
    Bookplate of the R. & B. L. library pasted on the front pastedown of the first volume.
    « L'époque où Berbiguier...
    €3,800
  87. [PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi[PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi
    Giuseppe VERDI

    [PHOTOGRAPHIE] Portrait photographique de Giuseppe Verdi

    Disdéri|Paris s. d. [circa 1850]|6.20 x 9.80 cm|une photographie
    Rare original photograph on albumen paper, in carte-de-visite format, mounted on cardboard.
    We have been able to find only one copy of this photograph in public collections, at La Scala in Florence.
    €700
  88. [PHOTOGRAPHIE] Portrait photographique de Richard Wagner[PHOTOGRAPHIE] Portrait photographique de Richard Wagner
    Richard WAGNER

    [PHOTOGRAPHIE] Portrait photographique de Richard WagnerCabinet card portrait of Richard Wagner

    Fritz Luckhardt|Wien [Vienna] s. d. [circa 1860]|6.40 x 10.50 cm|une photographie
    Cabinet card portrait of Richard Wagner
    Original cabinet card photograph of Richard Wagner on albumen paper, mount with the stamp of the Fritz Luckhardt studio in Vienna.
    Annotations on the back, including "Collection Romi". French journalist and "historian of the unusual" Robert Miquel ran a store in Paris at 15 rue de Seine, captured by Robert Doisneau in his photograph series entitled "La Vitrine de Romi".
    No other examples of this photograph found in public collections.
    €1,200
  89. Description du TibetDescription du Tibet
    Peter Simon PALLAS, Baron Jean de REUILLY

    Description du Tibet[Description of Tibet]

    Chez Bossange|à Paris 1808|13 x 20.50 cm|relié
    First edition, rare, translated by Baron Jean de Reuilly.
    Contemporary full red Russia leather binding. Smooth spine decorated with 5 fleurons and fillets. Gilt title. Wide decorative border on boards with eagles, serpents, rabbits and stars in the corners. Interior garland. Spine darkened, having become dark red. Dark stains on lower board. One scratch on upper board. Endpapers having suffered humidity with discoloration. In lower margin, faint trace of dampstaining throughout the volume, more extensive at end of volume, with traces in outer and lower margins. Handsome copy in contemporary Russia leather.
    Manuscript ownership inscription Sorlin d'origny, Constantinoples, 1882...
    €1,200
  90. Relation des voyages faits par les Arabes et les Persans dans l'Inde et à la Chine dans le IXe siècle de l'ère chrétienneRelation des voyages faits par les Arabes et les Persans dans l'Inde et à la Chine dans le IXe siècle de l'ère chrétienne
    Joseph Toussaint REINAUD

    Relation des voyages faits par les Arabes et les Persans dans l'Inde et à la Chine dans le IXe siècle de l'ère chrétienne

    Imprimerie Royale|Paris 1845|9.50 x 15 cm|2 volumes reliés en 1

    First edition in French of the translation, corrections, additions and clarifications, established by Joseph Toussaint Reinaud in 1845, from the Arabic text printed in 1811 under the care of Louis Langlès.
    Bradel binding in full marbled paper, original covers preserved, binding signed Thomas Boichot.
    Very rare copy without foxing.








    €1,000
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