Gift ideas between 2 000 and 2 500 €

First edition of this concise treatise on rural economy, attributed to the Duke of Sully, the famed minister of Henri IV, born at Rosny and who bore the name of that estate.

His well-known commitment to the development of agriculture has passed into national lore. However, it cannot be excluded that another author, sharing the same territorial designation, may be responsible for the text.

Contemporary full mottled fawn sheep, spine with five raised bands decorated with gilt compartments and gilt tools, gilt fillets, Havana morocco lettering-piece, gilt rolls to the headcaps, gilt fillets to board edges, red sprinkled edges.

Some repairs to the binding. Manuscript ex-libr

New edition, illustrated with 111 drawings by Neuville and Riou. 7 plates some of which in color.
Publisher's gilt Globe binding, upper plate signed Blancheland, Engel relieur, spine with lighthouse, second plate of Engel H type, publisher's catalogue Y at end of volume.
Fine copy despite the last endpaper hinge partly split.
Undoubtedly the most famous of Jules Verne's novels, featuring the mythical figure of Captain Nemo and his legendary submarine, the Nautilus.

Original ink drawing by Marie-Laure de Noailles, signed “Marie-Laure” within the artwork (appearing twice as a result of folding the paper while the ink was still wet). With an autograph postcard signed to Valentine Hugo, with two inscriptions and some parts of the photograph drawn over. 

Second edition of this monumental work of historiography.

The collation of the text volumes (74 steel-engraved plates) conforms to the list of plates given in volume XX (with the exception of the plate depicting the French before Moscow, which is lacking), but does not match the plate count of the first edition, as certain plates were not reissued. The atlas corresponds to that of the first edition and is complete with its 66 maps.

Some foxing, mainly affecting the edges.

Handsome bindings of red half morocco with corners, the spines with five raised bands and triple blind-ruled compartments, a few minor abrasions without consequence to three spines, marbled paper sides,

Very rare first edition, illustrated in each volume with a copper-engraved frontispiece by Tardieu after Monnet.

Half black grained cloth bindings, smooth spines decorated with blind fillets, marbled paper boards with light rubbing, sprinkled edges, modest late 19th-century bindings.

Some foxing and a few pale waterstains at the end of the second volume.

This work is an essay whose concerns are strikingly close to our own, though expressed in a very different context.

A founder of French ecological thought, the civil engineer François-Antoine Rauch (1762–1837) demonstrated the direct relationship between deforestation and the increase in extreme weather, calling fo

Near-complete run of this scarce bi-monthly magic periodical.

Profusely illustrated (lacking only issues 1, 4 and 5 for the year 1947), Robelly having voluntarily ceased publication after issue 121.

Contemporary half sheep bindings in shades of fawn, brown or beige, spines with four raised bands gilt-tooled with floral ornaments, most spines faded or discoloured, a few minor rubs to some spines, marbled paper boards, endpapers and pastedowns, sprinkled edges; modest period bindings.

Robert Rouet, known as Robelly (1894–1975), was something of the historiographer of the "magician’s" profession, assembling a remarkable body of information and documentation.

At th

Rare first edition with bilingual text (French with facing Italian translation).

Our copy is preserved in its original state, uncut and unbound in temporary dominoté paper wrappers (with pen and black ink accounts and trials on the verso of the second cover). Minor foxing.

Only one copy recorded in the CCF (Avignon). Not listed in Starace.

A very rare collection documenting a little-known aspect of the famous "Miot decrees", which have given rise to much commentary, though only concerning their fiscal and customs provisions.

The regulatory activity of this unflinching State official extended into many other areas. When he disembarked from the Hirondelle on 25 March

A fine set of the first four volumes of the French intégrale edition, identical to the original American structure. Volume 1 is housed in a metal case with embossed lettering and a folding map of Westeros. It is a copy of the highly sought-after very first French collector's edition of the series published in 2012. Volumes 2 and 3 followed in 2013, and volume 4 in 2014. 

Each volume signed by George R.R. Martin on the title page. The signatures were obtained during the author's only public signing session for French reader

Edition published one year after the original, illustrated with four fine copper-engraved plates by Charles Eisen depicting Nordic types (Icelandic women, a bear hunt, Samoyeds, a Laplander in a sleigh) engraved by Le Mire, one folding map by Bellin, thirteen maps, plans, or views (eight of them folding) engraved by Croissey, as well as a charming engraved title vignette and a headpiece by Le Gouaz.

See Sabin, 37616; Chadenat, 1633; Boucher de la Richarderie, I, 380.

Full mottled calf binding, smooth spine richly gilt in compartments decorated with gilt fleurons and geometric motifs, sometimes slightly rubbed, red morocco label, restorations to spine and joints, gilt roll to

First edition of the French translation prepared by A. J. B. Defauconpret (see Brunet III, 555; Quérard IV, 230; not in Field).

The work is illustrated with 20 charming aquatint plates, 6 of them hand-coloured, and a folding plan. The English first edition contained only 13 aquatints.

Contemporary Bradel bindings in full sand-coloured paper boards, red morocco spine labels for title and volume numbers (partly faded), flat spines gilt with a central floral tool, light rubbing to spines, upper caps slightly worn, two corners bumped, entirely uncut. Period bindings.

Pleasant, clean internal condition.

Johnson was a British officer in India who chose to return to Engla

Portrait of Tsuguharu Foujita, original photograph on albumen paper. Blue stamp of the studio "Photographie Simon's, 40 rue de Passy, Paris" on the back of the print.

Splendid portrait inscribed by Foujita on his birthday: "A Lolotte Rabinovitz / Avec mes amitiés / Je suis toujours / prêt à toi [sic] / à Yoshinoya New York / ma fête 27 nov 1930". "To Lolotte Rabinovitz / With my friendship / I am always / close to you / at Yoshinoya New York / my birthday 27 Nov 1930".

Rare original lithograph printed in colour, by Louis John Rhead for L'Estampe Moderne, “Deuxième prime gratuite réservée aux abonnés d'un an de L'Estampe Moderne” [Second free gift reserved for the annual subscribers to L'Estampe Moderne].
One of the 50 grand luxe proofs printed on Japon paper with wide margins, artist's signature and date in the plate, publisher's embossed stamp showing a child's profile on the lower margin, a numbered stamp of the tirage de luxe on the back; engraving preceded by a protective tissue guard with the name of the artist, the title and a poem; as well as a blank protective tissue guard.
Lithograph inspired by a poem extract fr

Rare French first edition, translation by Butel-Dumont.

Full brown sheep binding, smooth spine decorated with gilt and tooled compartments, modern red morocco lettering-piece, restored tear and wear to the spine, one joint split at foot, marbled endpapers, gilt fillets to board edges, rubbed corners, contemporary binding.

The Acadia map is missing from our copy. It is extremely rare and is only found in a few copies. Sabin 35958. Leclerc 732.

Bookplate of the Marquis de Bassano pasted on a pastedown.

First edition.
Elegant half navy blue morocco over marbled paper boards by Pierre-Lucien Martin, spine in six compartments with gilt fillets to bands and geometric decoration of red morocco onlays, date gilt at foot of spine, gilt fillet to boards, marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, covers and spine preserved, top edge gilt.

A very good copy in a handsome binding. 
Exceptional autograph inscription from Claude Farrère : "A Pierre Louÿs son très petit disciple [To Pierre Louÿs, his very humble disciple]", along with Chinese ideograms.

First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.

Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.

 

Black cloth binding. A white star made by Mugler in corrector fluid on the first cover.

Fifteen pages of the notebook filled in by the fashion designer:
- The first page, in neon blue felt-tip pen, with the word "Yes" as and large exclamation mark ending with the iconic Mugler star.
- A double page with the word "white" enhanced with corrector fluid and in capital letters on a black felt-tip background, in orange the words "Indehain" (?) and "TRIBE" with a drawing depicting a sun, several notes in black ballpoint pen: "Aelino Rock-Elektro", "DJ", "Syath Choreographie".
- A double page with a wonderful drawing of a naked Black woman with voluminous pink hai

Rare first edition illustrated, at the end of the volume, with 2 folding plates.

Unique edition, of the utmost rarity, rendered all the more so by the second dedication to Berthier, unrecorded elsewhere and evidently added later.

It is known that the young Bonaparte, assigned to the artillery regiment of La Fère, had passionately learned his military trade at the Royal School of Artillery in Auxonne.

It is also known that he had studied in depth the Nouveaux principes d'artillerie by Benjamin Robins, on which he left notes.

This work must therefore have drawn his particular attention. The author long taught artillery in military schools, yet little is known about h

First edition on ordinary paper.
Handsome, fine autograph inscription signed by Albert Camus : "à Albert Béguin qui trouvera ici les raisons de mes désaccords avec Esprit, avec mon bien cordial souvenir...[to Albert Bégiun who will find here the reasons for my disagreements with the Spirit, in friendly remembrance…]"
A little light spotting primarily to upper cover and ffep.
Retaining its advertising notice, entitled "Lettres sur la révolte".

Rare first edition of the French translation prepared by Thomas-François Dalibard at the request of the Comte de Buffon (cf Wheeler Gift 367d. Waller 11339. DSB V, pp. 129-139).

Full mottled calf, spine with five raised bands ruled in gilt and decorated with double gilt compartments with floral tools, red morocco lettering-piece, gilt rolls on the caps (partly rubbed), restorations to head and tail of spine as well as to the corners of the boards, marbled endpapers and pastedowns, gilt fillets on the edges, marbled edges, contemporary binding.

Some foxing, a dampstain to the upper right corner of the first endpaper.

The English first edition was published in London in

First edition of this exceptionally rare complete set of twelve dance scores, each comprising a color-printed wrapper and five leaves (title page, four numbered pages of engraved music, and one blank leaf). All covers were lithographed and hand-colored using stencil techniques by Adolphe Cathelin, whose name appears on the title pages.

The musical works are by composers Alexandre Croisez, Alexandre Artus, Eugène Dupuis, Camille Michel, Alphonse Leduc, Émile Waldteufel, Voctir-Auguste Dolmetsch, Félix Joufferoy, and Antony Lamotte.

Contemporary half green calf binding, smooth spine decorated with gilt and blind-stamped fillets and dotted lines, joints rubbed; granite-patterned

First edition of this significant publication issued by the Commission of Inquiry tasked with collecting all available data and documentation on the cultivation, production, and sale of tobacco.

Illustrated with numerous folding tables and a folding map of France, printed in lithography by A. Cabassol and bound out of text.

Apparently not recorded in the Bibliothèque nationale de France.

Contemporary half calf binding, flat spine rebacked and decorated with gilt fillets, morocco labels in light brown, some rubbing to the spine, marbled paper boards with minor marginal flaws, marbled endpapers, sprinkled edges.

Some spotting to top edge; an embossed ownership st

First edition, illustrated with 6 folding plates at the end of the volume (cf. Polak 5375).

Contemporary Bradel binding in full red boards, flat spine, black shagreen label with gilt lettering, the upper cover stamped in gilt with the monogram of Prince Eugène de Beauharnais, stepson of Napoleon. Lower corners a bit rubbed. Period binding.

A few minor spots, not affecting legibility.

Only two copies listed in the CCF (BnF and École Polytechnique).

The only edition of this insightful analysis of French naval doctrine at the close of the Revolutionary and Napoleonic Wars, significantly bearing the motto on the title page: Delenda est Britannia. Charles-Louis-Victor d

First edition, very scarce (see O'Reilly, Nouvelle Calédonie, 175. O'Reilly & Reitman 1246. Ferguson 16990-91. Hill p. 290. Forbes, Hawaiian National Bibliography, III, 2730. Martin, Hawai‘i, p. 48. Jenkins, Bibliography of Whaling, p. 150. Vaucaire p. 259).

Contemporary bindings in red half morocco-grained sheep over marbled boards, spines with four raised bands ruled in black, marbled endpapers and pastedowns, original wrappers preserved (except rear wrapper of vol. I), modern bindings.

Some foxing, mainly at the beginning of the first volume.

The chapter on New Caledonia spans pp. 257 to 350 of volume I; the one on Tahiti covers pp. 177 to 282 of volume II.

The

Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).

Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.

The work comprises 35 engraved plates depicting the plans of 42 ports.

From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk.

Album of 50 full-page plates signed by Lange, each with captioned tissue guards (cf. Polak 6415).

Publisher's binding in red half shagreen, spine with five raised bands decorated with gilt dotted rolls and black fillets, gilt naval anchors, gilt title and naval anchor on the upper cover in red cloth, marbled endpapers and pastedowns.

Some minor foxing, a few faded spots along the edges of the covers, a well-preserved copy overall.

A fine visual survey of the French navy at the end of the 19th century, featuring 44 warships and 6 merchant vessels (from the Compagnie Générale Transatlantique, Messageries Maritimes, Chargeurs Réunis, Albert Méniér, and A

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the

First edition of the English translation by Michael Glenny, who first came to prominence with his translation of Bulgakov’s Master and Margarita in 1967. No deluxe paper copies issued.

Publisher’s binding in full black cloth, flat spine which shows some inherent creasing due to the laminated covering.

A handsome copy, with illustrations.

Very rare inscribed copy dated 27 April 1990 and signed by Boris Yeltsin.

From the library of Sam Yossman (Sam Jones) of the BBC Russian Service.

First edition, numbered copies on vélin pur fil, most limited deluxe issue.

A handsome copy complete with the publisher’s announcement slip.

Rare and important presentation copy inscribed by Irène Némirovsky: "A Benjamin Crémieux hommage de l'auteur. Irène Némirovsky". Némirovsky died in Auschwitz in 1942, and Crémieux in Buchenwald in 1944.

Crémieux had published a glowing review of Némirovsky’s first novel, David Golder. Its film adaptation by Julien Duvivier was among the earliest French talkies. On this short stories collection fittingly titled Films parlés (Talking Films) Némirovsky, the émigré writer, paid homage  to Crémieux,

First edition, illustrated with 7 plates: a plan of Fort William and a large folding view of Calcutta in the first volume; 5 folding plates in the second volume (including 3 views of Mocha and its surroundings), see Gay 3317bis.

Contemporary full tree calf bindings, smooth spines decorated with gilt fillets, floral tools and geometric patterns, now largely faded, red morocco title-pieces, green bottle-morocco volume labels, some wear to joints, marbled endpapers, red-speckled yellow edges.

Rubbing to the spines, split to one joint.

Rare sole edition of one of the author's two travel accounts. A naval officer and son of a slave trader from Saint-Malo, Louis Ohier de Gr

Partly first edition, revised and corrected, of which no deluxe copies were issued; one of the review copies.

Spine and covers slightly and marginally sunned, as usual.
Rare and valuable signed presentation inscription from Robert Antelme to Geneviève Hirsch.

"Il n'y a pas d'espèces humaines, il y a une espèce humaine. C'est parce que nous sommes des hommes comme eux que les SS seront en définitive impuissants devant nous."
["There are no human races; there is only one human race. It is precisely because we are men like them that the SS will ultimately be powerless against us."]

This seminal work on the Nazi concentration c

Rare first edition of this curious travel account, originally written entirely in verse (7,500 lines), though the author—on the advice of friends—agreed to intersperse it with prose narrative (retaining 2,500 lines of verse); see Sabin 20128, Gagnon 1134 (1710 edition), and Dionne II.

Contemporary full brown calf binding, spine with five raised bands, gilt compartments decorated with gilt floral tools, cherry red morocco label, gilt roll tooling at head and foot, double black fillet border on covers, gilt fillets on board edges, sprinkled yellow edges with red mottling.

Lower right corner of upper cover restored; some spots and minor scuffs to the boards; occasional light foxi

First edition of the vocal and piano score of the opera Déjanire by Camille Saint-Saëns.

A few pencil annotations in the margins of certain staves.

Our copy is presented in a 3/4 shagreen clamshell box, spine with five raised bands framed by gilt garlands and decorated with gilt fleurons, gilt lettering at foot of spine: "Inscribed by composer". Boards, endpapers and pastedowns in marbled paper. Spine of the box slightly faded.

Inscribed, dated and signed by Camille Saint-Saëns to music critic Edouard Beaudu.

Autograph letter signed by Jacques Mesrine, dated Wednesday 29 December 1976,  addressed to Jeanne Schneider, his love interest of the time. She smuggled out of prison the manuscript of his famous autobiography L'Instinct de mort. 66 lines in blue ink on two pages of a leaf. In the top left-hand corner of the letter, Jacques Mesrine has drawn a bouquet of flowers in multicoloured felt-tip pens. Usual horizontal fold, small tear to the fold in the right-hand margin.
Jacques Mesrine, who was in Fleury-Mérogis prison at the time, was delighted to receive so much proof of love and friendship in the many letters he received from his friends and family.
He, in tu

Autograph letter signed by Emile Zola addressed to Octave Mirbeau, dated in his hand March 4, 1901. Two pages in black ink on a bifolium.
Horizontal fold mark inherent to postal delivery.
Published in his Correspondence, vol. X, p. 242.
Precious letter from Zola to his great supporter Octave Mirbeau, who had paid his fine at the end of his second trial for "J'accuse!".
Now amnestied, the writer attempts - in vain - to recover the sum to reimburse him.
After his historic cry from the heart in l'Aurore, Zola was first condemned by the Seine jury on February 23, 1898 to one year in prison and a three thousand franc fine. The judgment was overturned on appeal,

First edition, exceedingly rare copy without statement of edition, with the correct imprint dated 20 October 1912.

Restorations to spine and inner margins of the covers, a discreet fold to the low­er right corner of the front cover.

Illustrated with 26 artworks by Paul Cézanne, Pablo Picasso, André Derain, Georges Braque, Jean Metzinger, Ma­rie Laurencin, Albert Gleizes, Fernand Léger, Marcel Duchamp, Juan Gris and Francis Picabia.

 
A fine copy despite restorations, rare without statement of edition, of this Cubist manifesto published on the oc­casion of the historic exhibition of the "Section d'Or" at the Galerie La Boétie.
 

***


"It

Rare first edition of this manual on film development.
Illustrated with 54 figures in the text and 6 folding plates at rear, containing 107 interest­ing samples of films negatives and celluloid.

With a frontispiece photographic portrait of Charles Pathé.

Skilfully restored brown half sheepskin pub­lisher's binding, smooth spine decorated with golden arabesques, small gaps filled at head of spine, marbled endpapers and past­edowns.

"In the early years of the twentieth century, the largest film production company was the Société Pathé Frères (Pathé Brothers Com­pany). Founded in 1897, the company was at its height in 1920s when it unveiled the first home

First edition.

Marbled paper boards, smooth spine, gilt lettered red morocco title-label lengthwise. Slightly sunned boards, some minor restorations to title page.

Extremely rare essay on a so-called “cure” for breast cancer, published during the French Revolution.

"Chère Madame,
Mille excuses pour le malentendu qui est de ma faute, sans doute.
Je ne me souvenais pas du tout que vous n'étiez pas libre ce soir. Si vous l'êtes demain samedi, j'en serais heureux. J'ai couru à Châtelet et suis parvenu à faire changer le jour pou

Very elegant edition of Perrault's fairy tales, printed with the stereotype process invented by Louis-Etienne Herhan.

Illustrated with 5 full-text engravings (2 vignettes each) and a vignette on the engraved title, after the frontispiece by Antoine Clouzier for the first edition of Perrault's tales (Paris, Barbin, 1697).
Full roan binding, smooth spine framed in gilt and gilt motifs, black title label stamped in gilt, boards framed in gilt, inner dentelle, endpapers and pastedowns in caillouté paper, all edges gilt. Joints slightly split at head of spine, a small brown stain to title page and frontispiece, some spotting. 
Very rare edition, including Bluebeard, Little Red

First edition, with seven folding plates engraved by Hallmandel after G. Schärf.
Beige full calf binding, spine with five raised bands framed in gilt, gilt lettered morocco title label lengthwise, stamped arms of the Society of Writers to the Signet in the center of the boards. Restored spine and corners, brittle spine ends, spalls and stains to boards.

A very rare and important publication by the British Consul General in Egypt in 1815, Henry Salt (1780-1827),involved in the excavation of several historical sites and the collection of numerous antiquities. The most remarkable of these is the colossal bust of Ramses II found at Thebes and housed in the British Museum, which is s

First edition, a Service de Presse (advance) copy.
A discreet restoration using a small adhesive piece on the verso of the first cover extending onto the first endpaper.

Autograph inscription signed by André Breton: "A Claude Aveline, hommage d'André Breton".
Nicknamed at 21 "the world's youngest publisher," Claude Aveline would publish from 1922 onwards, thanks to André Gide and Georges Duhamel, some fifty works. In 1934, he would engage in politics, alongside Henri Barbusse and Romain Rolland, in the anti-fascist movement then, from August 1940, in the Resistance first in Paris then in the free zone where he would miraculously escape arrest by the Gestapo in Apr

First edition, one of 200 numbered copies on Holland paper, the only deluxe paper issue.

Shadowed endpapers.

Half chocolate-brown morocco binding with corners, smooth spine decorated with gilt panels enhanced with black morocco onlays, gilt date at foot, marbled paper boards, handmade paper endpapers and doublures, original wrappers and spine preserved, bookplate pasted to an endpaper, top edge gilt on untrimmed leaves, an elegant binding signed Pierre-Lucien Martin at the foot of the spine.

A fine, wide-margined copy beautifully bound by Pierre-Lucien Martin, one of the most gifted bookbinders of the second half of the twentieth century.

First edition, one of the numbered copies on vellum, the only printing.
Publisher's binding executed after the original design by Paul Bonet.
Rich iconography.
Handsome copy complete with its illustrated dust jacket.
Precious autograph inscription signed by André Malraux: "Pour Georges Bataille André Malraux."

First edition printed in small numbers of this offprint from the Mercure de France published on May 15, 1920. OCLC does not locate any copies in North America and only three in Eu­rope (Bnf, Bibliothèque Doucet, Uni­versitätsbibliothek Basel).
Covers with frayed margins, second cover partially shaded, one small piece of paper missing from the right margin of a page due to the fragility of the paper.
Signed and inscribed copy to paint­er Bernard de Blois: “En sympathie de voisin de logis et d'esthétique. Canudo 1922.” [”In sympathy as a neighbor of lodgings and aesthetics. Canudo 1922.”]
Extremely rare first edition of the li­bretto of t

First edition for which no limited issue printed.
Publisher's original black full cloth binding, smooth spine, illustrated boards.
Some rubbing to the headpieces.
Numerous illustrations.

Precious and rare autograph signed inscription from François Truffaut: "Pour, Georges Pellegrin qui me faisait la courte échelle pour repérer les extérieurs de jules et jim, bien amicalement François Truffaut." ('For Georges Pellegrin, who gave me a leg up to scout the exteriors for Jules et Jim, with warm regards, François Truffaut.')

Georges Pellegrin, along with Robert Bober and Florence Malraux, served as assistant director to F

First edition, one of 25 numbered copies on bouffant vellum paper from the Salzer mills, ours being No. 1, the only deluxe paper issue.
Handsome copy of this work awarded the Grand Prix du Roman of the Académie française. 
 

First edition printed in 36 copies with a frontispiece portrait of the author, one of 30 numbered copies on vellum, the only issue after 1 Japan and 5 Holland paper copies.

Admirably printed, this extremely rare bibliophilic object is particularly precious for its complementarity with the first edition of Voyage au bout de la nuit.

Handsome copy presented in a full beige cloth chemise (with light dampstaining at foot) which appears to be the publisher's slipcase.

Bookplate affixed to verso of front cover.

Original carte-de-visite portrait signed and inscribed by Alexandre Dumas.
Albumen print photograph on mount. Stamp of Charles Reutlinger's studio in Paris on verso.

Very fine portrait signed and inscribed on the lower part of the mount: "A Ma­dame aimée Persat, A. Dumas".

Probably gifted to the second wife of Maurice Persat, an officer who took part in the Napoleonic Wars as well as Independence upris­ings in Latin America, Spain and Greece, where he bought back a young Turkish slave, Adélé. Back in France, she was placed in a convent under the protec­tion of the governor of Marseille and converted to Catholicism. Persat, a lib­eral and agitator,