First Editions on Laid Paper

First edition, one of 80 numbered copies on Montval paper, ours unnumbered but properly justified with Montval at the foot of the spine and below the print run justification, deluxe copy.
Handsome full-margined copy.

First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.

Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and...

First edition printed in 200 copies, ours one of the 30 on Holland paper, deluxe copies.
Spine slightly browned with small lacks and tears at head and foot, slight lacks and tears to board margins, handsome interior condition despite clear foxing on the final endpaper.
Rare.

First edition, one of 120 numbered copies on holland paper, deluxe copy.
Very handsome copy.
Autograph inscription signed by André Malraux to his friends Minka and Karl-Hans [Strauss] enhanced with two small drawings in red and blue ink representing cats.
Minka, a Rothschild descendant, and Karl-Hans Strauss, were important patrons and collectors of art and music close to André Malraux. Their correspondence seems to reveal that in the 1970s the elderly writer was hunting around the world, with his last companion Sophie de Vilmorin, for works for their collection. At the end of his life, he thus rediscovered this youthful passion that inspired his first work...

First edition strictly hors-commerce, one of 200 copies printed on glassine vellum or European paper, only print after 81 imperial Korean paper.

Our copy is complete with its overlay cover (the colour and decorative motifs often vary) and the white glassine paper label bearing the title Stèles printed in Chinese on the first part of the cover, the latter being folded into three parts.

Our copy is presented in a blueish paper chemise and slipcase, navy blue morocco spine, name of the author, title and date in palladium, slipcase in blueish paper, all signed Devauchelle in palladium.