The elegant laid paper (vergé de Hollande), with its wire and chain lines, is the illustrious descendant of the vergés invented in France by Protestant craftsmen who took refuge in the Netherlands after Louis XIV ordered the revocation of the Edict of Nantes. Although this fine paper is not very sensitive to foxing and ageing, it is rarely used for the very limited issues reserved for the author or a few bibliophiles. Laid paper is nevertheless the preferred special paper for limited issues of most novels of the late 19th and 20th centuries. This thick, supple paper, with a smooth ivory color, soaks up light and delightfully blends it with ink. It's the ideal medium for rereading your favorite texts.
First edition of the republication of this rare and anonymous text by Louis Lacour. By this date, the Académie des bibliophiles had published 18 rare and forgotten texts, bibliophilic curiosities. Limited edition of 200 numbered copies on laid paper, No. 10. Title page in red and black.
Contemporary half red shagreen binding with corners signed Gaetan Ronner at the top of the endpaper. Smooth spine. Gilt title. Uncut throughout.
Bookplate: Library of Count F. de Rohan Chabot.
The author of this piece wrote this account based on the testimony given to him by Madame de Grammont. He depicts the Duke of Choiseul visiting the Princess of Guéménée while she was in her bath, to defend the Duchess of Lauzun whom the princess sought to dishonor. "The conversation between these two characters is a masterful piece of fine mockery..."
First edition, one of 35 numbered copies on Holland paper, deluxe copy.
Minor worming to spine without significance.
Rare and handsome copy.
First edition, one of 450 numbered copies on Holland paper.
Work illustrated with 35 original woodcuts by Fernand Siméon.
Full brown morocco binding, smooth spine decorated with a vertical band of black mosaic morocco, black roulettes on the headcaps, slight rubbing to the upper headcap, gilt title struck to the center of the first cover, covers decorated with a large diamond and a wide horizontal band of black mosaic morocco, endpapers and pastedowns of paper with gilt floral motifs and moiré effect, frame of vertical and horizontal bands of black mosaic morocco on the pastedowns, covers and spine preserved, top edge gilt, double black fillets on the leading edges, slipcase with brown morocco entry, covers of paper with gilt floral motifs and moiré effect, perfect Art Deco binding signed A. Pinard-Lefort.
Handsome copy perfectly executed in a beautiful Art Deco binding.
First edition, one of 70 numbered copies on Holland paper, deluxe edition.
Half red morocco-grained shagreen binding, smooth spine, marbled paper boards, original wrappers preserved (rear wrapper marginally soiled without consequence), top edge gilt with deckled edges.
First edition, one of 315 numbered copies on laid Marais paper and reimposed in Tellière quarto format.
Half dark green shagreen bindings with corners, spines with five raised bands, gilt dates at foot, combed paper boards, endpapers and pastedowns of matching paper, covers and spines preserved, slipcase edged with dark green shagreen, boards covered with combed paper.
First edition, strictly hors commerce and printed in a small number of copies.
Rare and handsome copy.
Beautiful autograph inscription signed by Pierre Guyotat:
"B
E
A
Pour Francis Ponge, ce B.A. = BA de l'écriture, où s'intercale le "E" de l'étouffement, Pierre Guyotat, le 19 Avril 1973." ["For Francis Ponge, this B.A. = the ABC of writing, where the "E" of suffocation intercedes, Pierre Guyotat, 19 April 1973."]
New edition, with some parts in first edition as expanded with a preface, one of 30 numbered copies on Holland paper, deluxe copies after 6 on Japan paper.
Full chocolate brown morocco binding, spine with five raised bands, gilt roulettes on headcaps, quadruple black fillets framing the boards, black fleurons at corners, marbled endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, double gilt fillets on leading edges, top edge gilt on deckled edges, contemporary binding signed by Stroobants.
Bookplate pasted at head of one pastedown.
Very fine copy perfectly executed by Stroobants.
