Americana

Rare first edition of this curious travel account, originally written entirely in verse (7,500 lines), though the author—on the advice of friends—agreed to intersperse it with prose narrative (retaining 2,500 lines of verse); see Sabin 20128, Gagnon 1134 (1710 edition), and Dionne II.

Contemporary full brown calf binding, spine with five raised bands, gilt compartments decorated with gilt floral tools, cherry red morocco label, gilt roll tooling at head and foot, double black fillet border on covers, gilt fillets on board edges, sprinkled yellow edges with red mottling.

Lower right corner of upper cover restored; some spots and minor scuffs to the boards; occasional light...

Rare first edition of this "relation (...) much sought after for its accuracy", illustrated with 19 folding plates, including 2 maps (cf. Sabin 3604, Leclerc 119).

Full marbled tan calf binding, spine with five raised bands, gilt compartments decorated with gilt floral motifs, small chip at foot of spine, scuffing to covers, red edges, bumped corners, gilt fillets along the board edges, contemporary binding.

The author, a physician and botanist born in Perpignan in 1690—where he held a post at the military hospital—was introduced by Antoine de Jussieu to the Conseil de la Marine in August 1721 and appointed royal physician and botanist in French Guiana. He landed in...

First edition, illustrated with four plates including a map of the Sudan.

The plates depict human types and a map of Sudan, drawn "according to the Negro slaves in Bahia".

Modern Bradel binding in black half shagreen, smooth spine decorated with two gilt floral tools, gilt date at foot, marbled paper boards, original wrappers preserved (small hole on rear board).

A naturalist and explorer, Francis de Castelnau undertook, between 1843 and 1847, a major expedition across South America, notably visiting Peru and Brazil.

In 1848, he was appointed French consul in Bahia. Upon his arrival, he observed that several African-born slaves could read and write Arabic and...

Rare first edition of the French translation (not recorded by Sabin or Cordier).

Contemporary half calf bindings, spines with four raised bands ruled in gilt and adorned with blind-stamped typographic ornaments and gilt fillets, gilt Greek-key rolls at foot, marbled paper boards showing some scuffing with losses to paper at a few corners, marbled edges.

Some foxing.

The Scottish naval officer Basil Hall [Edinburgh 1788 – Gosport 1844], son of geologist and antiquary Sir James Hall, undertook numerous voyages as a Royal Navy officer to the East Indies, the seas of China, Japan, and Korea, the coasts of South America, the United States, and Canada, publishing detailed and...

Very rare first edition illustrated with 4 maps and 2 plates out of text: map of Amsterdam Island, map of part of the northwest coast of America, of the northern mouth of Queen Charlotte Sound, plan of Bokerelle port on the northwest coast of America, sea wolves and sea lions (cf. Sabin 61001. Howes 7897. F. Monaghan 1174. Lada Mocarski 89. Gay 272. Ferguson 980. Hill 230. Borba de Moraes II, 663: "A description of Bahia appears in Vol. I").

Scattered foxing. Minor losses and rubbing to joints.

Contemporary full khaki green calf bindings, spines faded and decorated with raised false bands adorned with gilt garlands, dotted lines, and gilt rules, along with blind-stamped...

"On June 28, 1970, I attended the first New York Gay Pride March. The date marks the first anniversary of the Stonewall riots, which launched the LGBTQ+ liberation movement in the U.S. We left from Christopher Street, a gay cultural mecca in Greenwich Village, and walked up 6th Avenue to Central Park. To end the day, a kissing contest was held in the middle of the park! It was a great moment of joy, love and freedom. This couple, who kissed for hours under an umbrella, obviously didn't care about photographers" (Interview with Clément Thierry, 2021)

First edition.

Contemporary full mottled calf. Smooth spine richly gilt, with red morocco title label. Marbled edges. Three bumped corners. Small losses at foot of spine. One 3cm loss along the upper board near the hinge. Another loss to the lower board at the corner. Some surface abrasions, responsible for the losses. Three small wormholes along the lower hinge. A well-preserved, clean copy overall.

Original inscribed photograph showing Yves Montand dressed as a cowboy and pointing a revolver in his right hand.

Yves Montand is slightly facing forward. Vintage silver gelatin print. 
On the verso, Yves Montand's name is misspelled twice.

Autograph inscription signed by Yves Montand at the bottom of the photograph: "Pour Michel amicalement Y.Montand."


 

First edition in French, of which there were no deluxe copies.

Foxing to spine and margins of boards, retaining the dust jacket which has small marginal tears.

Rare dated autograph inscription signed by William Styron to journalist Paule Villers.

First edition, one of 120 numbered copies on Lafuma pure wove paper, the only large-paper issue.

Endpapers very slightly and marginally toned, two small tears at foot of spine.

A rare and much sought-after copy in original state.

Autograph letter dated and signed by Jean Hélion addressed to Raymond Queneau, 41 lines (four pages on two leaves) written in black ink.
Jean Hélion cannot respond favorably to an invitation extended by his friend Raymond Queneau, partly due to his homebody nature: "J'ai pris l'habitude de rester chez nous, le samedi après-midi : à l'atelier jusqu'à 5 heures et là-haut jusqu'à l'heure du dîner pour y recevoit toutes sortes de jeunes gens que je n'ai pas le temps de voir un par un... Mais j'aimerais davantage vous montrer à vous seul, un peu tranquille et à n'importe quelle heure. Ne passez-vous jamais de ce côté ?" ("I have gotten into the habit of staying at...

First edition of the French translation by A. J. B. Defauconpret. Illustrated vi­gnette on the title page of each volume, with two illustrations in each volume (60 in total) by Louis Marckl after Noël Bertrand.
Green half shagreen binding, spine with five raised bands elaborately framed in gilt and blind, spine-ends stamped with a gilt rosette bearing cabbalistic signs, marbled paper boards, marbled endpa­pers and pastedowns, speckled edges, contemporary bindings.
Spines slightly lightened, some corners slightly dulled, more pronounced foxing on some volumes, a tear not affecting text to pp. 303-304 of vol. 2, a restored tear and a marginal lack of paper not af­fecting text to pp...

First edition of the French translation, one of 25 numbered copies on alfa paper, the only deluxe issue.

Faint, light foxing to spine, rear wrapper and final endpaper, otherwise a pleasant copy.

Original edition illustrated with 85 drawings by Benett, with a world map at the end of the volume. General publisher's catalogue in fine, DS.
Publisher's tan pictorial cloth binding with the two elephants and fan design, signed Souze and bound by Lenègre. Spine type D, back board type n. A very fine front board with well-struck gilt; a crease to the upper right corner. Minor touch-ups to the colour at the head, tail and corners, with some stiffening of the cloth. Spine sound, with an area of soiling to the right of the title extending onto the front board. Diffuse dark marks on the back board. Scattered foxing to the first two leaves, sparse thereafter except in the catalogue...

First edition of the French translation, one of 41 numbered copies on pur fil paper, the sole large-paper issue.

Spine and boards slightly and marginally faded, as often; two small spots of foxing in the left margin of the front board.

First edition, with no deluxe copies printed.

A pleasant copy.

Precious dated and signed presentation inscription from Jean Raspail: "A M. Marcel Jouhandeau de son ancien élève toujours fidèle. en respectueux hommage. Jean Raspail. 27 X 66".

Sixth issue of the year 1947, richly illustrated with photographic reproductions, including numerous works by Henri Cartier-Bresson. Illustrated cover by Jean Lurçat. Contributions by Albert Camus, Alexandre Astruc, Darius Milhaud, Iain Lang, Robert Sabin, Nancy Newhall, Newton Arvin, Jacques Delamain, Beaumont Newhall, Jean Vermandoy, and Woody Guthrie.

Cover slightly rubbed and soiled, a loss to the spine, leaves slightly browned.

Ex-libris of Pierre Mercier.

First edition of the French translation, with no deluxe-paper copies issued.

Preface by Annie Le Brun.

A pleasant copy despite a few small stains to the lower edge.

First edition, illustrated with 4 plates, one folding, and a large vignette on the dedication leaf.

Contemporary full fawn calf, smooth spine gilt in compartments with gilt floral tools, olive-green shagreen lettering-piece, minor rubbing to the joints, boards framed with triple gilt fillets, marbled endpapers and pastedowns, gilt fillets to the board edges, all edges gilt.

Contemporary ownership inscription on a free endpaper.

Internally in pleasing condition.

Later edition published only a few months after the first edition.
An attractive copy of this work, which won the 2001 Prix Goncourt and was adapted for television a few years later.
Dated and signed presentation inscription from Jean-Christophe Rufin to a woman named Muriel, to whom he also wishes a merry Christmas.

First edition of Anne Guérin's French translation, for which no deluxe copies were issued; one of the review copies.

A small, unobtrusive nick to the head of the spine.

Introduction by Daniel Guérin.

An attractive copy, complete with the publisher's printed notice.

First edition of the French translation, one of 210 numbered copies on pur fil paper, the deluxe issue.

Spine and boards lightly faded at the margins, as is often the case.

Very rare first edition, one of 150 copies signed at the colophon by Conrad Rooks. OCLC records only two copies at the American College of Greece and at Princeton University Library.

Spine and boards marginally sunned, two stains to the right margin of the rear board.

Presentation copy, inscribed, dated and signed "to Sueeva Viegand with appreciation for kind thoughts and friendship. Sincerely Conrad Rooks 5/7/1963 / Paris 26 rue Saint Beniot [Benoît] ’

Extremely rare first edition of Conrad...

First edition, on ordinary paper, of the French translation by Boris Vian.

A pleasing copy, considering the poor quality of this post-war paper.

First edition, with no deluxe-paper copies issued.

A fine copy.

Edition published in the same year as the first edition, with edition statements in each volume.

Contemporary half brown shagreen bindings, spines with four raised bands ruled in black and decorated with double black compartments featuring gilt central tools, marbled paper boards, marbled endpapers and pastedowns, speckled edges; corners rubbed.

Occasional foxing, with minor nicks to the top edge of one volume.

A handsome copy, attractively bound at the time.

First edition of the French translation, one of the ordinary issue copies, as no deluxe paper copies were produced.

A very good copy.

Signed autograph inscription from Richard Wright to Pierre Descaves.

Later edition on ordinary paper.

Illustrated wrappers.
Illustrations.
Spine slightly split as is often the case, a few minor marginal tears to the covers, the paper inevitably toned owing to the poor quality of this post-war stock.
Inscribed, dated and signed by Marcel Sauvage to Mr. Berthet.

First edition of this poetry collection, prepared posthumously by the author's former husband, Ted Hughes. Our copy is complete with its unclipped dust jacket.

Publisher's blue percaline in Bradel binding, smooth spine lettered in silver, with the title, author's name and publisher's imprint.

Lower headcap very slightly bumped, minimal wear to corners. To the dust jacket, upper headcap with a very slight split, and a faint...

First edition of the French translation, one of 1,000 numbered copies on pur fil paper, the only issue with 10 copies on Auvergne paper.
Frontispiece with an original portrait of Blaise Cendrars by Riera, covers illustrated with an original lithograph by Orfeo Tamburi.
Spine and boards slightly and marginally sunned, as usually.

First edition of the French translation, for which no deluxe paper copies were issued, with the correct "achevé d’imprimer" dated February 1939.

A fine copy, complete with its illustrated dust-jacket, as usual showing only slight rubbing and minor marginal tears, not affecting its overall appearance.

The work is illustrated, facing the title-page, with a map of the south-eastern United States during the Civil War.

First British edition of 1955 (the first edition of 1954 is American), complete with its dark pink dust jacket designed by Lynton Lamb, on which one of the two prizes received by A Fable in 1955 is mentioned: the Pulitzer Prize. This is the work on which William Faulkner laboured longest and which he considered his masterpiece.

Publisher's binding in candy-pink cloth, with title and author's name gilt in a false panel at the head of the spine, and publisher's name gilt at the foot. Galignani...

First English edition, printed after the first edition published in Milan in 1959 and the American edition published that same year, on ordinary paper, complete with its original unclipped dust jacket.
Publisher's red cloth binding, title and names of author and publisher to spine in gilt. Manuscript inscription, dated February 1964, on the front free endpaper.
Spine of the dust jacket sunned as is often the case, joints of the front board very slightly split, small tears at the head of the front board and a few minute red offsetting to that same board.
Scattered foxing and light browning to the pastedowns and endpapers.

English reprint of 1955 — the first American edition was published in 1927 and the first English edition in 1928 — on ordinary paper, complete with its original illustrated unclipped dust jacket.

Publisher's binding in light blue cloth, title, author's name and publisher's device stamped in dark blue to spine, title repeated, also in dark blue, to head of upper board.

Spine ends and edges slightly sunned as is often the case, a...

Later edition.

Publisher's full green cloth binding, smooth spine, copy complete with its illustrated dust jacket which shows a few small tears and minor losses.

The verso of the front panel of the dust jacket shows an angular loss affecting the printed price.

Dated and signed autograph inscription from Richard Wright to Ganan Bocca.

First edition, for which no deluxe paper copies were issued.

A pleasant copy.

Valuable signed autograph inscription from Susan Sontag to her friend Sonia Rykiel: "pour Sonia avec mes amitiés Susan Sontag 26 septembre 1995 Paris."

Copy of the thirteenth printing of the first edition illustrated by the author.
Publisher's full bottle-green binding, smooth spine decorated in black with the title and author's name at the head and the publisher's name at the foot, upper board decorated in black with the title and author's name within a blind-stamped border, complete with its illustrated dust jacket. Author's inscription in blue ink on the first free endpaper, followed by a slightly faded ex-dono on the next: "I hope you will still feel like reading this. Love, Sisi."
Headcaps slightly bumped, losses, folds and tears to the dust jacket.

First French edition, illustrated with 69 statistical tables on 24 folding plates (cf. Sabin 79632. Goldsmith's 22782. Kress C 619.)

Contemporary full sprinkled calf, smooth spine decorated with gilt ornamental tooling, covers framed with gilt rolls and fillets, marbled edges, gilt edge-lines.

Spine expertly restored, particularly at the upper right corner, occasional foxing.

The first French edition of this comprehensive statistical survey of the United States, covering population, commerce, navigation, fisheries, public lands, and the revenues and expenditures of the federal government.

Adam Seybert (1773-1825), a distinguished physician, chemist, and...

Partly pre-original edition for the first work and first complete edition for the second.

See F. Monaghan 239 and 240. Cited by Lasseray, "Les Français sous les treize étoiles"

Bound in at the end: "Guerre d'Amérique. 1780-1783. Journal de campagne de Claude Blanchard", printed in Paris by Librairie J. Dumaine and L. Baudoin in 1881.

Contemporary half blue percaline, smooth spine decorated with a gilt fleur, double gilt fillet at foot, brown shagreen title-piece with rubbing, marbled paper boards with a few scratches, marbled endpapers and pastedowns.

The half-title of the second volume was not bound in.

The pre-original edition bears manuscript...

First Gallimard edition, one of 1,050 numbered copies printed on Alfama du Marais paper.

Publisher’s boards bound after the original design by Paul Bonet.

A very fine copy.

First edition.

Original wrappers, complete with its color illustrated dust jacket.

Association copy, signed and inscribed: "A mon cher Georges Hugnet en souvenir de cette petite AMERICA '57 et de son ami Orfeo Tamburi / Paris 8.5.'68" [To my dear Georges Hugnet in remembrance of this little AMERICA '57 and his friend Orfeo Tamburi / Paris 8.5.'68]

Fine copy of this journey through the United States, with 37 illustrations by Tamburini from his travels to New York, Brooklyn, Chicago, New Orleans, Harrisburg, Milwaukee, Los Angeles, San Francisco, and Providence.

Hugnet and Tamburi collaborated on several artists' books: La Morale à...

First edition, printed in small numbers, of this offprint from the “Journal de la Société des Américanistes”. No deluxe issue printed. Skilful restauration to cover.

Rare presentation copy signed by Claude Lévi-Strauss to Simone de Beauvoir: “Cet humble aspect de la malédiction féminine, en amical hommage de Claude Lévi-Strauss” (“this humble aspect of the feminine curse, in friendly homage”) on the upper cover. This fieldwork study of the Nambikwara from Lévi-Strauss’ 1938 ethnographic expedition directly influenced Beauvoir, who...

New edition.

A handsome copy.

Fine inscribed copy, signed by Anaïs Nin to the writer Christiane Baroche: "Christiane Baroche my last novel before I began to edit the diaries and be drowned in them. Perharps because I had arrived at humor and could bear to make the journey backwards. Anaïs Nin."

Collection of 16 autograph letters signed by the painter John Carlton Atherton, comprising 9 letters addressed to Julien Levy and 7 letters addressed to Lotte Barrit, his gallery’s secretary and manager (19 pages on 17 leaves). All letters are signed John Atherton with the exception of three signed “Jack”. Letters on “The Quarry Bridgefield, Connecticut” headed paper, three letters with the printed heading struck through and replaced in pen with “Shaftsbury, Vermont”, and one letter bearing the address Upper Blackville, New Brunswick, Canada.

Rare and important first edition.

Our copy is sold unbound. A minor worm-trail on all leafs' heads, not affecting text. 

The work describes the dress, headdress, arsenal and equipment of soldiers and officers of the French army; it also addresses the cavalry, dragoons, and hussars.

The chapter devoted to the distinctive uniform of each regiment includes a list of these regiments, some of which took part in the American Revolutionary War. 

First edition (see Sabin 97501).

A light dampstain to the right margin of the opening leaves.

Half brown cloth binding, smooth spine with a brown sheep lettering-piece, boards with marbled paper; a modest later binding.

After distinguishing himself—at times infamously—during the wars of the French Revolution, notably in Vendée, Louis-Marie Turreau [1756–1816] later served in Italy and captured the city of Susa.

He held the post of Ambassador to the United States from 1804 to 1811 and was created Baron of the Empire upon his return. His Aperçu of 1815 offers a bitter critique of the federal government. Turreau’s name is inscribed on the Arc de Triomphe...

Edition issued after William Robertson’s History of America (cf. Sabin 38363, which records a work comprising the history of these three explorers under a collective title, printed in 1781).

Bound at the end is: "Kurzgefasste Geschichte des Ferdinand Cortez, Eroberers von Mexico und Franz von Pizarro ersten Entdeckers und Eroberers von Peru", published in Frankfurt by Eichenberg in 1781.

Contemporary early twentieth-century half red shagreen, spine in five raised bands ruled in gilt, minor rubbing to the spine, marbled paper boards, marbled endpapers and pastedowns.

Some light scattered foxing.

The preface to the work on Cortez notes that publication was...

First edition (cf. Sabin, 64,876).

Spine cracked with small losses; slight marginal tears and losses to the wrappers.

The subject of this dissertation does not, of course, concern the State of the same name (a member of the Confederacy during the Civil War), but the vessel, the CSS Alabama, a sloop of war with combined steam and sail propulsion, built in Great Britain in 1862. It served in the Confederate States Navy until it was sunk on 19 June 1864 following a naval engagement with the Union sloop of war USS Kearsarge off the port of Cherbourg, France.

In the aftermath of the war arose the Alabama Claims, demands for damages brought by the Federal Government of the...

First edition of this important first-hand account of the deportation and enforced stay in French Guiana of the counter-revolutionary journalist and songwriter Louis-Ange Pitou (1767–1846), placed under “preventive” arrest after the Directory’s coup d’état of 18 Fructidor, Year V [4 September 1797], sentenced to transportation, and released from exile only after 18 Brumaire (cf. Fierro, 1170. Sabin 63057. Leclerc 3445.)

The work is illustrated with two folding engraved frontispieces: La détention des déportés sur la frégate La Décade and Le désert de Konanama dans la Guyane.

Contemporary bindings in fawn calf, half-bound with small vellum corners, smooth...

Rare first edition.

No copy recorded in the CCF.

Some marginal tears and losses to the boards.

In 1838 the “Chinese Museum” opened in Philadelphia on the ground floor of the museum of Charles Willson Peale, based on the objects brought back from China by the Quaker merchant Nathan Dunn (1782–1844), who had returned from a long commercial stay in Canton (1818–1832).

The whole of this collection was also exhibited in London in 1842 and, after Dunn’s death, again in 1851, the latter showing meeting with far less success.

The fate of the objects that composed it remains obscure, but the collection fell victim to its own success and appears to have been both...

First edition.

Small losses to the head and tail of the spine, tears to one joint and to the spine neatly restored, a stain at the foot of the upper cover, slight corner losses to the boards; a clean and attractive copy internally.

At the head of the upper cover, an autograph presentation inscription by Édouard Maurel to a colleague.

First edition of these important memoirs covering the years 1747 to 1783 (cf. Sabin 39271).

Contemporary full mottled calf, smooth spine gilt with fillets, roulettes and floral tools, some rubbing with small losses of leather at the foot of the upper board, marbled endpapers, gilt fillets to the edges, marbled edges; period binding.

Upper cap and corners restored.

The duc de Lauzun (1747–1793) accompanied the comte de Rochambeau during the French expedition to America; he recounts this campaign in his Mémoires, pp. 339–375.

The editorial history of this publication deserves notice: the original manuscript having not been recovered, the text—issued some twelve times...

First edition of this anthology of French poetry compiled by the former French headmistress of an American boarding school, comprising 128 poems by the foremost French poets, from Malherbe to Victor Hugo, which the editor assigned to her pupils during her tenure.

Publisher’s full violet cloth, spine lightly faded, headcaps slightly frayed, upper cover blocked in gilt at centre with a swan, brown endpapers and pastedowns, hinges slightly split.

On the front free endpaper, a violet stamp bearing the name “Consuelo”. This very likely refers to Consuelo Suncin Sandoval (1901–1979), the Salvadoran artist who married Antoine de Saint-Exupéry in 1931 and was one of the muses of the...

First edition.

Minor marginal tears to the boards, a few spots of foxing.

Not recorded by Sabin.

First separately issued edition, illustrated with a large folding map, issued as a plate outside the text (cf. Sabin 94850).

The work was first published in 1838 in the Notices statistiques sur les colonies françaises.

"La lecture des documents officiels réunis dans la Notice statistique laissera déjà dans tous les esprits cette conviction que la Guyane française offre de nombreux éléments de richesse et de prospérité, et que, pour les avoir laissés improductifs pendant deux siècles, la France ne peut avoir renoncé à les mettre un jour en valeur".

Some light foxing, otherwise a pleasing copy.

First edition of the French translation (cf. Sabin 26375).

A defence of Catholic principles addressed to a Protestant minister (…) preceded by a notice on the author’s life and virtues. Translated from the English by Prince Augustin Galitzin. Paris, Ch. Douniol [printed by Simon Raçon et Comp.], 1856, 12mo.

Contemporary half navy blue shagreen, spine with four raised bands ruled and panelled in gilt, slight unobtrusive rubbing to the spine, marbled boards, marbled endpapers and pastedowns.

Scattered foxing.

A work of religious controversy; the preface offers interesting information regarding Prince Galitzin’s activities in the United States.

Bound after it...

First edition (cf. Sabin 23192).

Contemporary half brown shagreen, spine with four raised bands decorated with blind-stamped compartments, slight rubbing to the spine, marbled paper boards, marbled endpapers and pastedowns, speckled edges.

A few small spots of foxing, with several imperial colportage stamps at the foot of certain leaves.

The sole edition of this commemorative text, apparently composed directly in French for the author’s nephew.

The physician Thomas Wiltberger Evans (1823-1897) had practised as a dentist in Maryland until 1847, before moving to Paris at the invitation of a fellow American, Dr Cyrus Starr Brewster (1799-1870), who had been...

Very rare first edition, printed anonymously in London in June and July 1784. Octavo. Sabin 21044. The French Catalogue collectif de France records only two copies, at the Bibliothèque nationale de France and in Rouen. The first edition collates v, 320, viii pp., with table and errata.

Nineteenth-century green half calf with corners, smooth spine slightly darkened and ruled in gilt, marbled paper boards framed with a gilt fillet and with a crowned gilt cipher within a central cartouche, lemon edges. Corners bumped, a few small abrasions to board edges. Bookplate to one pastedown. A few small spots...

First edition of this particularly engaging monograph, written by the Dutch pastor Gerard Croese (1642-1710), and translated into English as early as 1696 although never into French.

A few minor spots of foxing.

Full green vellum binding, spine faded and tooled with small gilt ornaments, the title-piece largely lost, speckled green edges, a contemporary binding.

Partly informed by letters and documents supplied by William Sewel (1653-1720, himself the author in 1717 of an excellent Histori van de Opkompste, Aanwas en Voortgang der Christenen bekend by den naam van Quakers), it offers an account of the movement at a particularly significant moment in its...

First edition, illustrated with three folding tables in the text.

Our copy is preserved sewn, as issued, in plain contemporary waiting wrappers of pink marbled paper.

The plain spine is browned and detached, with some losses.

First edition printed in Gothic type (cf. Engelmann, I, p. 206. Sabin, 8207. Not in Howes.)

Contemporary plain full paper boards, smooth spine split at head and foot, collection label pasted on the spine and extending onto the covers, corners worn.

Foxing.

Bromme’s works, based on recent travels, constituted the principal source of information for prospective European emigrants.

He issued separate editions arranged by region or state, as here for Louisiana.

"Freud'sche Bibliothek" label pasted to the front pastedown, with manuscript number; Oscar Messerly stamp on the title page and on one further leaf.

First edition of the French translation (cf. Sabin 8048; Quérard I, 521, who gives the date 1825).

Contemporary half roan with an aubergine hue, the flat spines lightly sunned and ruled with gilt fillets and dotted tooling, some rubbing to the backs, marbled paper sides, yellow mottled edges.

A few very light, insignificant spots.

John Bristed, born in the county of Dorset in 1778, died in the United States in 1855.

After studying medicine and law, he entered the Church. "Before leaving England he began writing and seems to have held ideas considered radical at the time (...) In 1806 Bristed came to New York City and there practised law, lectured, and wrote...

Second edition, partly original, as enlarged (cf. Barbier II, 241: gives "Deslandes". Polak 1130. INED 737. See Sabin 19744 for the first English edition published the same year.)

Full brown sheep binding, smooth spine gilt-ruled and decorated with gilt compartments and floral tools, rubbing to the joints, gilt rolls on the head- and tailcaps partly dulled, marbled endpapers and pastedowns, gilt fillets on the board edges faint in places, red edges, a period binding.

Some repairs to the spine.

Pages 191 to 252 contain the "Mémoire historique sur les Indes Braves, et les Forbans François du Golfe de Darien".

This edition appeared in the same year as the...

First edition of the illustrated French translation, with a folding map (cf. Sabin 5568).

Only three copies recorded in the French Union Catalogue (BnF, Ministère des Affaires étrangères, Draguignan).

Contemporary-style half calf, smooth spine rubbed, joints split at head and foot, marbled paper boards, marbled endpapers and pastedowns, marbled edges, in a slightly later binding.

Light foxing, a paper flaw in the right margin of the final leaf not affecting the text.

It should be noted that the translator mistook the genitive form for part of the author’s surname, spelling it “Birkbecks”.

The American first edition appeared in 1818 under the title of...

Illustrated edition with 6 plates hors texte, including one folding map; French text with an English translation.

Only the introduction is in English, the remainder of the volume being devoted to a sound scholarly publication of the accounts of Cartier’s three voyages.

Repaired tears at head and tail of the spine; spine and boards lightly sunned.

Henry Percival Biggar (1872–1938) was an archivist at the Public Archives of Canada and a leading authority on the history of New France.

Copy from the library of the archivist Charles Bourel de La Roncière (1870–1941), a specialist in maritime and colonial history, with, on the front free endpaper, an autograph...

A new edition, published anonymously, of the French translation.

Half black cloth binding with corners, spine without lettering, rubbed with small losses to the cloth at the joints, marbled paper boards, soiled original wrappers preserved, contemporary binding.

This rare Strasbourg printing escaped Sabin. It is in fact an adaptation of Struggles and Triumphs, the autobiography of the remarkable Phineas Taylor Barnum (1810–1891), first published by him in 1869.

Widely regarded as the father of the modern circus, Barnum was also a consummate master of spectacle and publicity. His conquest of Europe, accompanied by “General” Tom Thumb, measuring just 63 cm in...

First edition, illustrated with 2 engraved portraits on separate leaves by Adam after Du Simitière (Washington and Arnold), and with 1 folding plan (forts, batteries and the post of West Point in 1780) (cf. Sabin 3302; Quérard I, 173).

Contemporary half polished brown calf, smooth spine ruled in triple gilt fillets, gilt decorative rolls at head and foot, orange calf lettering-piece, minor rubbing to spine and joints, marbled paper sides, marbled endpapers and pastedowns.

Occasional foxing, manuscript corrections in black ink on the second page of the introduction.