Calmann-Lévy

First edition of the French translation, one of 200 copies numbered on Marais vellum, the only deluxe paper issue.

Minor rubbing along the joints. A rare and attractive copy.

First edition on ordinary paper.

Half black shagreen binding, spine with five raised bands decorated with gilt garlands, marbled paper boards, comb-marbled endpapers and pastedowns, gilt top edge, original covers and spine preserved.

Scattered foxing mostly affecting the edges.

First collected edition, one of 25 copies printed on Japan paper, the deluxe issue.

Contemporary brown half shagreen binding with corners, spine with five raised bands ruled with gilt dotted lines, adorned with double gilt compartments and decorative motifs, moiré paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt on witnesses.

A handsome copy in an attractive period binding.

First edition, 15 issues in 15 separate instalments, abundantly illustrated with black and white photographs. Complete with the special issue “Hommage à Picasso” (#3, 1930) and the index for the year 1929, published as a separate 8-page stapled booklet. Some spines slightly faded not affecting the text, occasional minor foxing along the margins of certain covers

Presented in a custom slipcase with a flat spine in blue morocco, title stamped in palladium and spine framed in palladium, decorative blue paper boards, sky-blue suede doublures; a handsome ensemble signed...

First edition, illustrated with 39 full-page plates and numerous in-text vignettes (cf. Lorenz IX, 494).

Bradel binding in full brown buckram, smooth spine gilt-stamped with a floral tool, gilt double fillet at foot, green morocco label, modern binding signed by Lobstein-Laurenchet.

Some foxing, mostly to the first and last leaves.

A pleasant copy.

First edition.

Half morocco binding, spine with five raised bands tooled in black with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, contemporary binding.

Some minor foxing.

Presentation copy signed by Victor Hugo to René Heymann.

Victor Hugo most likely came to know René Heymann (1866-1944) through his beloved grandson, the future painter Georges Victor-Hugo. In the immediate aftermath of the great poet's death, two years after the publication of this penultimate series of La Légende des siècles, Heymann would receive from Georges a heartbreaking letter: "Do not come today. If you only knew...

First edition, one of the scarce copies on Holland laid paper, not mentioned in the justification.

The seven volumes of text are in their original wrappers, with deckle edges preserved, showing small marginal tears and, at times, minor losses to certain spines and covers.

Our copy is complete with its in-folio atlas volume comprising 30 maps with outlines heightened in colour (cf. Vicaire VI, 397-398. F. Monaghan p. 74, no. 1157.)

The atlas is bound in contemporary full dark blue cloth, smooth spine, printed title label laid down on the spine, gilt device on the upper cover, a few scratches to the boards, contemporary binding.

This remains the finest contemporary...

First edition, one of 50 numbered copies on Japan, deluxe copies ("tirage de tête").
Two small tears in the head and foot of the spine, nice copy wide-margined.