Calmann-Lévy

Edition partly original from which it was not drawn from large papers.
Binding in half heartache cherry, back with five nerves, date in tail, boards of marbled paper, guards and counterplates of paper in the tank, preserved covers and back, golden head, Contemporary binding signed by Vermorel.
Our copy is enriched with an autograph letter of 4 pages, glued on the cover page with two small pieces of scotch tape, from Noémie Renan, sister of Ernest, to a 'dear master' in particular about the commemorations which will surround the centenary of the birth of Ernest Renan.
Pleasant copy free from freckles.

Edition illustrated with original illustrations by Georges Rochegrosse and F. Marcotte, one of 50 numbered copies on Japan paper, the only deluxe copies.
Handsome copy.

First edition of the French translation, one of 30 numbered copies on Rives laid paper, the only deluxe copies.
Spine split, faded and with small tears at head and foot, light foxing to some deckled edges.

New edition of the French translation by Charles Baudelaire.
Fine copy despite the spine slightly sunned at head and foot, a marginal lack to the second cover.

First edition for which there is no mention of leading copies.
Binding half brown Moroccan brown, back thinned with four nerves set with double gilded nets and triple golden boxes, back with some traces of rubbing, golden date tail, gilt fillet on marble paper plates, guards and contreplats of paper in the bowl, gilded head, preserved covers, ex-libris glued on a contreplat, Contemporary binding.
Our copy is enriched by an autograph ticket signed by Jules Lemaître, stamped on a guard who left a shadow on the page opposite.

Illustrated edition with 1000 drawings by Cham.
Publisher's binding in full red cloth signed Magnier. Spine slightly faded, headcaps rubbed, scratch on one of the leading edges.

New edition on current paper.
Binding half green shagreen corners, back slightly discolored four nerves, traces of rubbing in the foot of the back, marbled paper plates, guards and contreplats of handmade paper, gilded head.
Beautiful autograph dedication signed by Albert Josipovici to Jean Sarment: "... You have written the book closest to my soul which I have read, I have meditated on your Shadow Fisherman, I was wrong, I thought I had to give the deep reasons for my admiration - I was wrong, it is enough that I tell you that I love him totally by thought and by heart and I am delighted to have you known and to have found you so similar to your work Josipovici. "

First edition in trade, one of 75 numbered copies on Holland paper.
Two tears at head and foot of one joint, title page partially and lightly shaded.
A full-margined copy.

First edition, one of 112 numbered copies on laid paper, the only deluxe copies.
A photographic portrait of Charles Dullin as frontispiece.
Handsome copy.

First edition, one of 112 numbered copies on laid paper, the only deluxe copies.
Handsome copy.

First edition, one of 25 numbered copies on laid paper, the only deluxe copies.
Handsome copy.
Iconography.

First edition, one of 50 numbered copies on laid paper, the only deluxe copies.
Handsome copy.
Iconography.

First edition, one of 112 numbered copies on laid paper, the only deluxe copies.
A photographic portrait of Charles Dullin as frontispiece.
Handsome copy.

First edition, one of 25 numbered copies on laid paper, the only deluxe copies.
Spine and covers lightly sunned as usual, handsome copy.
Iconography.

First edition of the French translation for which it was not drawn great papers.
A fold at the bottom of the first board.
Handwritten signature of Mendel Mann at the head of the first guard.

First edition, one of the rare copies on Holland paper, of which no mention is made.
Handsome copy with full margins.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.
Handsome copy.

First edition, one of 25 numbered copies on Holland paper, only leading copies.
A bit split in the foot, some small marginal tears on the boards, pleasant interior state.
Signed autograph of Stany Orbier to Mary Hesse.

First Edition, one of 30 numbered copies on Holland paper, only leading copies after 12 China, 12 Japan and 1 vellum skin.
Nice copy at all margins.
Autograph signed by Alexandre Dumas son to Mademoiselle Maremon.

New edition.
Half red shagreen binding, spine with four raised bands set with gilt fillets and decorated with double black compartments, marbled paper boards, marbled endpapers and pastedowns, corners slightly bumped.
Gift inscription in ink from a previous owner on the half-title page.
Some foxing, light dampstain to margins of first leaves, trimmed copy.

First edition.
Binding in half red percaline, smooth back decorated with a golden floral pattern, double gilded nets in tail, title piece of blue shagreen, boards of marbled paper, guards and contreplats of orange paper.
Some small foxing.
Autograph signed by Edmond Théry: "To my friend Pinot ...", the feather having caused a small hole in the "p" of the surname of the dedicatee.

First edition.
Bradel bindings in half sienna cloth, smooth spines decorated with gilt floral motifs, double gilt fillets at foot, navy blue shagreen title labels, marbled paper boards, orange paper endpapers and pastedowns, contemporary bindings.
Some foxing, gift inscription from a previous owner on the half-title pages of the volumes.
Work illustrated with 3 frontispiece portraits.
Rare work complete in 3 volumes.

First edition, one of 15 numbered copies on Holland paper, the only deluxe copies.
Small tears and slight lacks without gravity to the deckled edges, endpapers shaded, some deckled edges marginally shaded.
A full-margined copy.

First edition, one of 30 numbered copies on Holland paper, only leading copies.
A small tear in the back of the head.
Nice and unique copy.
Our copy is exceptionally enriched with two original drawings, in pencil, of Alcide Théophile Robaudi, which he signed and enhanced with black ink, representing scenes of Chamillac and which were placed at the beginning of the volume.

.

first edition from which it has not been printed.
Beautiful autograph signed and dated from Alfred Sauvy to Paul Camus .

first edition, one of 200 numbered copies on vergé, only large papers after 50 Japan.
Binding in half morocco blue, smooth back decorated with double golden cartridges, date golden in tail, golden nets on the plates of marbled paper, guards and counterplates of paper with the vat, golden head on witnesses, covered blankets and backs, signed binding of Creuzevault.
Signed autograph signed by Ludovic Halévy to Jules Claretie.
Book with 8 illustrations inset.
Beautiful copy pleasantly established.

First edition, one of 100 numbered copies on Ruysscher laid paper, the only deluxe copies.

Handsome copy.

New edition of the French translation by Pierre Loti and Emile Vedel.
Signed autograph Emile Vedel Dr. Belières enriched with the handwritten signature of Pierre Loti.
A small lack filled Length of a flat, traces of folds in margins flat.

First edition, one of 150 numbered copies on Holland paper, the only announced deluxe copies.
Discoloration stain at foot of spine and joints, small tears to board margins, ballpoint pen initials at head of half-title page deckle edge.
A full-margined copy.

Edition of wich no leading copies exists.
autograph dedication of the author autograph signed and dated Alfred Sauvy Monique Landon.
Pleasant copy despite back slightly past.

First edition.
Bradel binding in full watered-effect paper, smooth spine, hazelnut morocco title-label, gilt date at foot, marbled endpapers and pastedowns, slightly soiled covers and spine preserved, lower corners slightly bumped.
Occasional foxing.
Provenance: from the library of Juan Hernandez with his bookplate engraved on China paper and bearing library shelf numbering.

First edition on ordinary paper.
Bradel binding in full moiré-effect paper, smooth spine, hazelnut morocco title-label, gilt date at foot, marbled endpapers and pastedowns, covers and spine preserved, corners bumped, contemporary binding signed by Yseux.
Provenance: from the library of Juan Hernandez with his bookplate engraved on a leaf of Japan paper and bearing a library shelf numbering system.

first edition on the current paper françaie translation by PG La Chesnais.
Binding to bradel full paper moiré patterns, smooth spine piece of black shagreen with scratches, wrappers and back preserved and bound in, gilded head, contemporary binding signed by G. Schroeder.
Signed autograph PG La Chesnais Jean Sarment.

Edition PPUR which was not drawn large paper, review copy.
Signed autograph of Yvon Taillandier Franck Elgar.
Cover art by André Lanskoy.
Nice copy.

First edition, one of 112 numbered copies on Ruysscher laid paper, the only deluxe copies.
With a photographic portrait of Edwige Feuillère as frontispiece.
A small and minor stain on the first cover, trace of a glued label at the foot of the second cover.
Handsome copy.

First edition, one of 10 numbered copies on Japan paper, deluxe copy.
Endpapers uniformly shaded, some very light marginal tears of no significance to the boards.
Handsome full-margined copy.

First edition of the French translation which was not drawn large paper, review copy.
Other contributions from Cyril Connolly, Malcolm Muggeridge, Austen Albu ...
Rare handwritten signature of Arthur Koestler on the half-title page.
Some reading marks in ballpoint pen margins of some pages, small tears stuck back foot in the back, some small gaps protective film covering the covers of the book.

First collected edition, one of 260 numbered copies on vélin teinté paper, the only large paper copies.
A few marginal wormholes to some leaves, including endpapers.

First edition of the French translation, of which there were no deluxe copies.
Handsome copy despite a vertical crease mark in the center of the front cover.

First edition, one of 25 numbered copies on Japon, tirage de tête.
Repaired tears to the spine, otherwise a good copy.

First edition of the French translation, one of 60 numbered copies on Hollande paper, the only grand papier (deluxe) copies announced.
Spine slightly faded as usual, small tears without lack to head in the margins of the covers.
Collector printed stamp as ex-libris, nice copy with edges preserved.

First edition, one of 75 numbered copies on Holland paper.
Half navy blue morocco shagreen binding with corners, spine with five raised bands, marbled paper pastedowns and endpapers, top edge gilt on deckled edges, binding signed Gruel.
Handsome copy of this play in four acts.
Provenance: From the library of Lafitte with pasted bookplate.

First edition printed in 1050 numbered copies on white vellum.
Signed autograph inscription from André Lang to Jean Hamelin below the justification page.
Iconography, handsome copy.

First edition, one of 75 numbered copies on Hollande, the only large paper copies.
A good copy with good margins.

First edition.
Contemporary Bradel binding of half purple cloth over marbled paper boards, spine (faded) with gold fillets, brown shagreen label with title and author.
Handsome autograph inscription signed by Pierre Loti to Alphonse Daudet : "... avec ma meilleure affection...[…with my best wishes…]"
Julia Daudet's library stamp to head of one endpaper.
A little spotting.

First edition, one of 75 numbered copies on Hollande.
A very good copy with edges preserved.

First edition.
Half chocolate brown morocco binding, spine with five raised bands decorated with triple black compartments, gilt initials at foot, marbled paper boards, marbled endpapers and pastedowns, speckled edges.
Handsome copy.

First edition, one of 50 numbered copies on Holland paper, the only deluxe copies.
Bradel binding in half caramel brown morocco, smooth spine very lightly browned, marbled paper boards, marbled endpapers and pastedowns, top edge gilt retaining deckled edges, covers and spine preserved, contemporary binding signed by Stroobants.
Some foxing affecting certain deckled edges, discreet printed bibliophile monogram at head of one endpaper.

Edition illustrated with 11 original compositions by Stanislaw Rejchan, one of 100 numbered copies on Japan paper, deluxe issue.
Half navy blue morocco binding with corners, spine with five raised bands set with gilt dots decorated with gilt double compartments embellished with gilt typographical motifs, gilt date at foot, gilt fillets framing the marbled paper boards, marbled endpapers and pastedowns, top edge gilt, corners slightly bumped, some tears on the leading edges, contemporary binding signed by A. Knecht. Our copy, as stipulated in the justification page, is indeed complete with the duplicate suite of compositions.
Fine interior condition.
A handsomely established copy in a charming signed contemporary binding which shows some defects of wear.

« Développer à toute leur puissance les dons physiques et intellectuels qu'il tenait du hasard , faire de lui-même le type accompli d'un civilisé de son temps, charmer les femmes et dominer les hommes, se donner toutes les joies de l'esprit , des sens et du pouvoir , dompter tous les sentiments naturels comme des instincts de servage , dédaigner toutes les croyances vulgaires comme des chimères ou des hypocrisies, ne rien aimer, ne rien craindre et ne rien respecter que l'honneur : tels furent, en résumé, les devoirs qu'il se reconnut et les droits qu'il s'arrogea . »

Tenth edition.
Half red shagreen binding, spine with five raised bands set with black fillets decorated with gilt fleurons, marbled paper boards, marbled endpapers and pastedowns.
Handsome copy.

First edition.
Bound in half straw yellow shagreen, spines with five raised bands set with black fillets decorated with double black compartments at whose centers the gilt cipher of the great bibliophile Roger de Cormenin is repeated four times, navy blue morocco title and volume labels, light scratches of no consequence at head of joints, marbled paper boards, marbled endpapers and pastedowns, top edges gilt, near-contemporary bindings.
Work illustrated with two portraits of Prosper Mérimée by A. Leveille as frontispieces to the volumes.
Provenance: from the library of Roger de Cormenin, son of Louis de Cormenin who was the confidant and secretary of Théophile Gautier and also the intimate friend of Gustave Flaubert.
A handsome copy.

first edition.
Binding half caramel calf, back smoothes decorated with gilded nets and dotted, golden tail date, title piece of chocolate morocco small traces of restoration on a bit, marbled paper plates, a slight lack of skin Length of the first flat, guards and contreplats of handmade paper, dotted gilded on the cuts, sprinkled edges, corners bumped, contemporary binding.
Signed autograph Ernest Renan to his friends Perrot.
autograph dedication of the author having been trimmed slightly by the bookbinder.
Pleasant copy.

First edition, one of 20 numbered copies on Japan paper, the only deluxe copies.
Letters written by George Sand among others.
A small lack at head of spine, handsome copy with full margins.

First edition published as part of the complete works
Half light brown morocco by Petit successeur de Simier, spine in six compartments, marbled pastedowns and endpapers, top edge gilt
Handsome autograph inscription from George Sand to his friend Charles Sagnier, a frequent visitor of the house at Nohant during the final years of Sand's life
Provenance: from the library of Charles Sagnier with his ex libris.

First edition, one of 15 copies on Whathman paper
Contemporary Bradel binding by Paul Vié in red cloth, gilt fleuron to spine, midnight blue morocco titlepiece, double fillet and date at foot of spine
Handsome autograph inscription from Victor Hugo to Leconte de Lisle, poet and head of the Parnassianist movement, who would go on to take over Hugo's chair at the Académie Française.

First edition in French for which there were no large paper copies.
A trace of fold to foot of lower cover, a good copy.

First edition, of which there were no deluxe copies.
Bradel binding in half indigo cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, navy shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding.
Occasional light foxing.

Edition illustrated with 2 large folding maps and 250 engravings after Dauzats, Horace Vernet, Ary Scheffer, Eugène Lami, Descamps, Paul Delaroche, Raffet, etc...
Publisher's full blue cloth binding, smooth spine illustrated with a standing infantryman, spine and boards faded at head, front board decorated with military design, rear board illustrated with a cavalryman sounding the charge on bugle, all edges gilt, binding by Paul Souze & Engel.
Some foxing affecting mainly the beginning and end of the volume.

First edition.
Half black sheep binding, smooth spine decorated with quadruple gilt fillets, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Handsome copy.

Third edition.
Bradel binding in full mauve cloth decorated with vegetal motifs, smooth spine faded decorated with a gilt monogram, gilt date at foot, original wrappers preserved, top edge gilt, contemporary binding signed by Paul Vié.
The work illustrated with a portrait of Madame de Custine as frontispiece.

HUGO Victor
La Pitié suprême [The Supreme Compassion] Calmann Lévy, Paris 1879, 150 x 240 mm (5 15/16 x 9 7/16 ”), half shagreen
First edition.
Elegant half dark blue shagreen over marbled paper boards by René Aussourd, spine in four compartments with gilt dots and double gilt compartments containing horizontal arabesques and gilt stars, date and “ex. de J. Drouet” in gilt to foot, marbled endpapers and pastedowns, covers and spine preserved (marginal repairs to covers), top edge gilt, ex-libris of Pierre Duché on one endpaper.
An exceptional autograph inscription from Victor Hugo to Juliette Drouet, the love of his life: “The first copy for you, my lady. V.”
Written in 1857, this long philosophical poem on the Revolution was originally meant to conclude the Légende des Siècles. Victor Hugo eventually published it in 1879 when he took a stand on behalf of the Communards.
Pleading for the abolition of the death penalty, La Pitié suprême highlights one of the first and most heartfelt of Hugo's political struggles, which he carried on till the very end of his 80s: “if my name stands for anything in these deadly times in which we live, it stands for Amnesty” (Letter to the citizens of Lyon, 1873).
Comparing Hugo and Machiavelli, J. C. Fizaine underlines the intellectual rigor of the poet who put himself at the service of a humanism elevated into a universal principle: “Machiavelli writes for those who wanted to become princes. Hugo writes, first and foremost, for the people, who have known tyranny. It is La Pitié suprême that defines what will remain immutably sacrosanct, human life, without hate, resentment and the memory of past suffering being justifications for the transgression of its sanctity; and the danger of such transgression is the impossibility of establishing any kind of political system and falling back into a pre-civilized state.” (Victor Hugo penseur de la laïcité – Le clerc, le prêtre et le citoyen)
It was together with Juliette Drouet that he waged this final struggle. Published in February 1879, not long after they had settled in the avenue d'Eylau, La Pitié suprême seems to be a political echo of the newfound legitimacy of the two old lovers after fifty years of clandestine relations. Hugo's last fight for amnesty and pardon reverberated in his emotional life, like with the poem he wrote on the death of Juliette in 1883:
“On my grave they'll write, as a great victory,
The cherished, deep, embattled memory
of a love that was not sanctioned but grew virtuous...”
A fine copy in a handsome binding and with an extraordinary provenance, the most desirable one could wish for.

New edition.
Bradel binding in full navy blue cloth, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, gilt volume number at foot of spine, red shagreen title-label, original wrappers preserved, contemporary binding signed in blind by Pierson.
Handsome copy.

Fourth edition.
Full navy cloth Bradel binding, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, gilt volume number at spine foot, red shagreen title-label, original wrappers preserved, contemporary binding signed in blind by Pierson.
Handsome copy.

New edition.
Full navy cloth Bradel binding, smooth spine decorated with gilt floral motif, gilt date and double fillet at foot, gilt volume number at spine foot, red shagreen title-label, original wrappers preserved, contemporary binding signed in blind by Pierson.
Handsome copy.

First edition on ordinary paper.
Bradel binding in full brown cloth, smooth spine very lightly browned decorated with a gilt floral motif, double gilt fillets and gilt date at foot, black shagreen title-label, original wrappers preserved with small marginal restorations, one upper corner slightly bumped, contemporary binding.
The final endpaper is marginally creased.
Precious autograph inscription signed by Anatole France to his friend Marcel Schwob.

First edition, a Service de Presse (advance) copy.
Precious autograph inscription signed by Colette Yver to Maurice Blanchot.
Two tears repaired at head and foot of spine, worming on top edge.

First edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
Precious signed autograph inscription from Constantin de Grunwald to Maurice Blanchot.
Iconography.
Two tears at head and foot of spine.

The first edition, of which there were no deluxe copies.
Bradel binding in half sage-green cloth, spine decorated with gilt floral motif, double gilt fillet at foot, red shagreen title label, marbled paper boards, original wrappers preserved, contemporary binding.
Precious signed autograph inscription from Emile Nolly to Jean Ajalbert.
Furthermore, our copy is expanded with a four-page signed and dated autograph letter from the author, mounted on a stub, and addressed to the dedicatee in which Emile Nolly warmly thanks Jean Ajalbert for supporting his candidacy for the Prix Goncourt as well as for his laudatory articles in the Indochinese press concerning "Hien le maboul". Finally, we include an original photograph of the author. The article by Jean Ajalbert published in an Indochinese weekly is bound at the rear.
Provenance: from the library of Jean Ajalbert with his Japanese-style bookplate pasted to the verso of the front board, consisting of a wood engraving, probably by Félicien Rops, printed in a very small number and depicting Mount Fuji.
Handsome ensemble.

The first edition, of which there were no deluxe copies.
Contemporary Bradel binding in half mouse-grey cloth, smooth spine very slightly faded decorated with a gilt typographical motif, double gilt fillet at foot, chocolate shagreen title-label with marginal scratches, marbled paper boards, original wrappers preserved.
Precious signed autograph inscription from René Boylesve to Jean Ajalbert.
Provenance: from the library of Jean Ajalbert.

First edition on ordinary paper, no mention of deluxe copies.
Bradel binding in half periwinkle cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, red shagreen title-label with some light rubbing, marbled paper boards, top edge gilt, contemporary unsigned binding attributable to Lancelin.
Signed autograph inscription from Paul Déroulède to Paul Ollendorff and his wife.
Handsome copy handsomely bound.
Provenance: from the library of Paul Ollendorff.

First edition on ordinary paper, no mention of deluxe copies.
Bradel binding in half periwinkle cloth, smooth spine decorated with gilt floral motif, double gilt fillet at foot, red shagreen title-label with some minor traces of rubbing, marbled paper boards, corners slightly bumped, top edge gilt, contemporary unsigned binding but attributable to Lancelin.
Signed autograph inscription from Paul Déroulède to Paul Ollendorff on the half-title page which shows a very slight lack at foot.
Provenance: from the library of Paul Ollendorff.

First edition on ordinary paper, with only 10 Holland copies printed on deluxe paper.
Bradel binding in half blue cloth, smooth spine, date at foot, marine shagreen title-label, marbled paper boards, covers and spine preserved, contemporary binding signed in blind by Stroobants.
Handsome copy.

New edition.
Half hazel shagreen binding, spine with five raised bands, marbled paper boards, marbled endpapers and pastedowns, top edge gilt, binding signed by Bonleu.
Handsome copy, beautifully executed.

First edition in French, one of 220 numbered copies on Rives paper, the only deluxe copies.
Worming to covers and endpapers, spine sunned.

First edition.
Half chocolate shagreen binding, spine sunned with five raised bands, date at foot, marbled paper boards, endpapers and pastedowns, contemporary binding.
Some minor foxing affecting mainly the first and last pages, marginal pencil annotations by a previous owner.

First edition.
Bradel binding in half olive percaline, smooth spine, rust-colored shagreen title-label, marbled paper boards, original wrappers preserved, contemporary binding.
Copy almost entirely free from foxing.

First edition with no mention of deluxe copies.
Half bordeaux shagreen binding, spine with five raised bands showing light rubbing, gilt initials at foot, one upper corner slightly bumped, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Double autograph inscription by Jules Lemaître to the same dedicatee on the first endpaper and the half-title page.
Light worming to edges.

First edition.
Half chocolate shagreen binding, spine with five raised bands with very light scratches of no significance, marbled paper boards, contemporary binding.
Handsome copy free of foxing.

First edition.
Half electric blue cloth Bradel binding with corners, smooth spine decorated with gilt floral motif, chocolate shagreen title-label with slight lack, double gilt fillet at foot, original wrappers preserved, contemporary binding.
Precious inscription from Jules Lemaître to Galipaux who created the role of Leplucheux in this play.
Numerous press cuttings regarding the cast of this play pasted to endpapers with manuscript annotations by a previous owner of the work.

First edition on ordinary paper, only 20 Rives deluxe copies were printed.
Half tan sheep binding with corners, spine with five raised bands, red shagreen title-label, traces of scuffs at head and foot of one joint and on corners, original wrappers preserved.
Autograph inscription from André Savignon.
Our copy is enhanced with 2 autograph notes and a visiting card from the author addressed to the same recipient.

New edition. Half tanned sheep binding, smooth spine decorated with gilt fillets, red shagreen title-label, traces of rubbing to joints, contemporary binding. Copy almost free of foxing.

New edition.
A repaired tear at head of spine, some foxing.

First edition of the French translation, false statement of edition.

First edition, of which there were no deluxe copies.
Bradel binding in half blue-grey cloth, smooth spine decorated with a gilt typographical motif, date at foot, brown shagreen title-label, original wrappers preserved, contemporary binding.

First edition, of which no deluxe copies were printed, false statement of third edition.
Autograph inscription from the author.
Three tears at head and foot of spine, small angular lack to first cover, second cover lacking, handsome interior condition. Rare.

First edition, one of rare copies on China paper of which there is no mention in the justification of the print run, nor in the 'Talvart', the 'Carteret' or the 'Clouzot'.
Spine cracked, faint marginal dampstain to edges.

First edition for the first text, second edition for the second.
Half sheep binding in fir green, smooth spine decorated with gilt friezes and fillets and blind fillets, contemporary binding signed by the Compagnons relieurs de Moulins.
Two press clippings bound at the beginning and end of the second volume, some minor foxing without gravity.