Paris

First edition.
Some foxing and small marginal tears, otherwise a handsome copy.

First edition.
A very good and rare copy.

Second edition.
Small tears in the margins without lacks otherwise a very good copy.

First edition.
Half sheep binding, smooth spine handsomely decorated, usual wear mainly to headcaps, contemporary binding.
Some light foxing, bibliophile's stamp, handsome copy.

First edition.
A glued tear to head of a joint, ex dono biffé.
A very good and rare copy.

First edition for which there was no mention of large paper copies, press stamp.
A rare and very good copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and recomposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition.
Occasional foxing.
Rare.

New edition.
A nice copy.

First edition, one of 110 numbered copies on Holland paper, the only print run with 15 Japan and 50 hors commerce.
Handsome copy.

First edition, one of 800 numbered copies on pure thread paper, after only 120 copies in quarto format.
A small hole on the endpaper, spine very slightly faded.

First edition, of which there were no deluxe copies.
This is an opéra-bouffe in two acts with music by Roland Manuel.
Handsome copy despite a small marginal lack affecting the front cover.
Rare.

First edition, one of 480 numbered copies on Montgolfier paper, the only issue with 5 Japan and 15 vélin du Marais copies.
A very handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
A handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition of the French translation, one of 109 numbered copies on Lafuma Navarre paper reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.

First edition.
About the Old Believers, vagabonds, Christs, the mutilated, religious suicides and silent ascetics among others...
Small tears without loss to spine.

First edition, one of 900 numbered copies on alfa, the only issue with 17 Auvergne and 82 Arches. Some foxing affecting the last leaves.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe printing.
Handsome copy.

First edition, one of 350 numbered copies on Holland paper, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper, reimposed in Tellière quarto format, deluxe copy.
Handsome copy despite very light shadowing to the front cover.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 108 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.

First edition of the French translation, one of 109 numbered copies on Lafuma Navarre paper, reimposed in Tellière quarto format, deluxe copy.

First edition, one of 109 numbered copies on Lafuma Navarre paper, reimposed in Tellière quarto format, deluxe copy.

First edition on ordinary paper, only 20 copies were printed on Arches paper.
Worming affecting mainly the first and last leaves.

Edition, but first for many parts, for which there were no large paper copies.

First edition.
Autograph inscription signed by the author.
Handsome copy.

First edition, one of 121 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.

First edition, one of 108 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.

First edition. Contributions by Pierre Drieu la Rochelle, Pierre Reverdy, Roger Vitrac, Georges Hugnet. Drawings by Paul Klee. A handsome and rare copy.

First edition for which there were no large paper copies.
A very good copy.

First edition, one of the copies on tinted laid paper, the only printing with 5 Japan, 12 China and 25 Holland.
With a notice by Anatole France.
A handsome copy.

First edition, one of 350 copies on Holland paper, this copy unnumbered, the only issue with 30 Japan and 50 hors commerce copies.
Occasional minor worming, otherwise a handsome copy.

First edition published anonymously and printed in 290 copies.
Two dampstains at foot of front cover, cover and spine marginally soiled.
Rare.

First edition, one of 300 numbered copies on Arches laid paper, the only issue with 2 China paper, 5 Japan paper and 25 Chapelle paper copies.
Handsome copy.

First edition on laid paper, no deluxe copies were issued.
Covers soiled and rubbed.

First edition on ordinary paper, there were only 36 large paper copies.

First edition, of which there were no deluxe copies.
Rare autograph inscription from Louis Ménard, three corner lacks affecting the front wrapper which also has a small marginal tear.

First edition, of which there were no deluxe copies.
A brief praise of anarchy by the author of 'Réflexions sur l'Anarchie'.
Two tears to the spine.
Rare.

First edition, one of 10 numbered copies on Japan Imperial, the only deluxe copies.
A lack at head of sunned spine, small marginal lacks to second board.

First edition.
A very good copy.

First edition printed on ordinary paper, only 6 deluxe copies were produced.
Work illustrated with five drawings by Etienne Morannes including one as frontispiece.
Rare work dedicated to Joris-Karl Huysmans, handsome copy.

First edition.
Work illustrated with drawings in text and hors-texte by Willette.
Minor staining to front cover which also shows a crease mark.

First edition on ordinary paper, of which only 32 deluxe copies were printed.
Selected thoughts preceded by an introduction by Denys Amiel.
Handsome copy.

Definitive edition, one of 800 numbered copies on laid paper, the only printing with 200 other deluxe copies.
Work illustrated with ten woodcuts drawn and engraved by Picart le Doux.
Minor worming affecting the first cover, otherwise a handsome copy.

First edition of which only 15 deluxe copies were printed, one of the Service de Presse (advance) copies.
Angular dampstains framing both covers but not affecting the charming drawing by Chas Laborde adorning the first cover.

First edition, one of 740 numbered copies on Holland paper, the only printing with 50 Japan paper copies.
Work illustrated with wood engravings by P.A. Moras.
Handsome copy.

First edition. Arianism, Emperor Julian, Attila, the iconoclasts, Abelard, the Albigensians, the Hussites, John Calvin, Anabaptism, Napoleon I among others... Rare.

First edition, one of 108 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe copy.
Handsome copy.

First edition, one of 110 numbered copies on Lafuma Navarre paper and reimposed in Tellière quarto format, deluxe issue.
Preface by Benjamin Crémieux.
Handsome copy.

First edition, one of the numbered copies of the first printing printed on the press.
Handsome copy.

First edition on ordinary paper, only 15 deluxe copies were printed.
Fine autograph inscription signed by the author to Paul Léautaud on a loose slip.
Handsome copy despite a tiny marginal lack affecting the first cover.

First edition.
Spine cracked with lacks to foot and to head.
Rare.

First edition, one of 20 numbered copies on Arches laid paper, after only 5 China and 25 Holland.
The work illustrated with a self-portrait by the author.
A slight dampstain affecting the very first pages, otherwise a handsome copy.

A complete set of this review, edited by Ernest Raynaud.
The first six copies of this set are part of a de luxe edition printed in only 12 copies on Japan paper for each issue; the subsequent volumes, of which there were no de luxe copies issued by the publisher, are on ordinary paper. This set retains its 8 loose plates hors texte as called for, 7 of which are portraits. N° 14 (August 1901) was a special issue dedicated to the opening of the monument to Arthur Rimbaud at Charleville. Among the principle contributors were: Charles Cros, Francis Jammes, Jean Moréas, Charles Morice, Rachilde and Paul Verlaine.
An extremely rare set.

First edition, one of 50 copies on pur fil paper.
This is an offprint from an issue of the Nrf.
A marginal lack on the first page where an autograph inscription from the author should have appeared.

First edition, one of the numbered copies on alfa paper.
Autograph inscription by the author.
Handsome copy.

First edition, one of 16 numbered copies on Japan paper, deluxe issue after 7 on Chine.
Light worming affecting the front cover, handsome full-margined copy.

First edition on wove paper, no mention of deluxe copies.
Autograph inscription by G. de. Porto-Riche.
Minor marginal lacks affecting the front cover, otherwise a handsome copy.

First edition, one of 250 numbered copies on Arches laid paper, the only issue with 5 Japan copies and 25 hors commerce copies.
A marginal shadow affecting the front cover, small marginal tears with slight lacks to the boards.

First edition on ordinary paper.
A small tear on the first cover, handsome interior condition.

First edition, one of 1100 numbered copies on pur fil paper, the only deluxe copies with 53 on Arches paper.
Marginal worming affecting the front cover, otherwise a handsome full-margined copy.

First edition on ordinary paper; only 12 copies were printed on Holland paper.
Handsome copy.

First edition on ordinary paper, only 50 deluxe copies were printed.
Light spotting of no consequence to the back cover, handsome copy.

First edition, of which there were no deluxe copies. One angular fold affecting the front cover, otherwise a handsome copy. Rare.

First edition, one of the numbered copies on alfa paper.
Handsome copy, printed bookplate on the half-title page.

First edition, one of the numbered copies on laid paper, with only 6 copies printed on China paper and 24 on Japan paper.
Work illustrated with five drawings by Laboureur.
Autograph inscription from André Billy to Albert Milhaud.
Spine and covers marginally faded as usual.

First edition, of which there were no deluxe copies.
Spine sunned, a small tear affecting the rear cover, otherwise a handsome copy.

First edition, one of the rare copies on China paper.
Some light foxing mainly affecting the margins, otherwise a handsome copy.

First edition, of which there were no deluxe copies.
One lack and tears to spine, paper yellowed as is often the case.

First edition for which there were no large paper copies.
A very good copy.

First edition, of which there were no deluxe copies.
Twenty portraits of celebrities of the era drawn by Bib and satirized by Henri Béraud.
One fold affecting the front cover.
Rare.

First edition, of which there were no deluxe copies.
This is a thesis submitted for the university doctorate degree.
Handsome copy.
Provenance: from the library of P.G. Castex who annotated the thesis on the endpaper.

First edition on ordinary paper, false statement of edition, no deluxe copies were printed.
A tear without loss, reattached, affecting the front cover which shows some marginal worming, a tear without loss, reattached, at the foot of the spine.

First edition, of which there were no deluxe copies.
Light stains on the back cover.
Rare.

New edition published under the pseudonym François Le François, one of 135 numbered copies on Marais vellum, the only printing.
Shadow on the first cover which also has some worming, handsome interior condition.

First edition, one of 700 copies on ordinary paper, the only issue with 10 on Japan paper.
Autograph inscription from René-Marie Hermant to Ernest Raynaud.
Cover, head- and tailpieces by C. Zdavii.
Contains poems, ballads and songs of low life.
Rare and handsome copy.

First edition, one of 1000 numbered copies on Japon Charavines paper, deluxe issue.
Autograph inscription signed by the author to Fernand Fleuret.

First edition of this cinematic melodrama, of which there were no deluxe copies.
Illustrated, handsome copy.