Paris

First edition, one of 40 numbered copies on alfa mousse, the only large paper copies.
A good copy.

First edition, one of 36 numbered copies on Hollande, tirage de tête.
A very good copy.

First edition, one of 100 numbered copies on Arches paper, the only large paper copies.
Spine very slightly sunned, not serious, otherwise a very good copy.

First edition, one of 350 numbered copies on light Featherweight only leading copies on strong after 25 Featherweight.
Dated and signed autograph tribute to Ernst Moerman.
marginal miss on the boards.
Rare.

A complete set of the Les Nuits series, as published by Flammarion. First editions of some of the 12 works, each one of 750 numbered copies reimposed on vélin de Rives paper.
The works are bound in threes in half navy-blue shagreen by Houades, the spines decorated with stars and crescent moons in palladium, upper covers preserved (some lower also retained), all edges gilt.
All the works are illustrated with etchings, lithographs or woodcuts, each by a different artist from among the following : Alexeieff, Ahü, Dignimont, Baudier, Renefer, Drouart, Mainssieux, Suréda, Fouqueray, Serveau and Dethomas.
A very good and rare complete set of the Les Nuits series, as published by Fla

Edition printed on laid and few.
Eugene signed autograph tribute to Rozière leading the first board as a present.
Three shortfalls in the top and bottom of the back foot as well as the first board, a small spot on the first flat, pale wetting at the back of the first flat.

first edition on the current paper.
Binding half
Signed autograph of Georges Clemenceau to his friend Chaplet.

With illustrations drawn by Le Barbier and engraved under his direction. Portrait of the author engraved by Lemire and 12 illustrations engraved by Baquoy, Dambrun, Duclos, Hubert, Petit, Romanet and Simonet.
Contemporary light-brown marbled calf, spine with gilt latticework decoration, gilt fillets and fleurons, red morocco title-piece and volume labels, gilt fillets and striae to edges of covers, gilt roulette frame to covers, delicate gilt roulette around pastedowns, all edges gilt.
A little light insignificant rubbing, spines uniformly slightly faded, but otherwise a very good copy.

First edition, one of 200 advance (service de presse) copies with the notice "service de presse" printed on the back and without the publisher’s catalogue at end, the first copies issued, preceding even the large paper ones.
Handsome autograph inscription signed by Louis-Ferdinand Céline to Gonzague Truc.
Rare and good copy.

Text signed Gerard Bauer and illustrated with drawings by Chastel.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon public

First edition on ordinary paper.
Cover and spine skillfully repaired.
Autograph inscription signed by Louis-Ferdinand Céline : "A Gonzague Truc qui me déteste...[To Gonzague Truc, who hates me…]"

Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69

Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69

Set of eight original prints in color, drawn on laid paper. The boards are introduced by a presentation of the front pages of sketches, followed by a detailed description of the back sketches I and II are signed David in the lower right boards.
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilizat

Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches XLI, XLIII, XLV and XLVIII are signed David, respectively bottom left and right boards.
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor.

Set of eight original prints in color, drawn on laid paper. The boards are introduced by a text signed Joan Ramon Fernandez. The sketches are signed XIX and XXI David, respectively on the lower right and left boards.
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69

original print in color, printed on laid paper, signed upper right of the board. Text on the back.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models o

original print in color, printed on laid paper, signed lower left of the board. Text on the back announcing the publication by Editions Lucien Vogel of Antony and Cleopatra by W. Shakespeare, translated by André Gide and illustrated by Drésa.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to

original print in color, printed on laid paper, signed lower right of the board. Text on the back.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models o

[FASHION] DUFY Raoul & BIANCHINI-FERIER. Croquis de mode par Raoul Dufy
Lucien Vogel éditeur, Paris 1920, 18 x 24 cm, bound
Set of 12 original lithographs in color, on vergé paper, signed in plate by Dufy.
Eight original color prints and one large folded leaf presenting 4 plates, signed in plate on lower right hand side by Raoul Dufy. Covers preserved, description of the plates on the back.
Soieries de Bianchini-Férier (“Croquis”, La Gazette du Bon ton, 1920 n° 1) [suivi de] Robes pour l’été 1920. Panorama de Raoul Dufy et soieries de Bianchini-Férier

Set of four original lithographs in color, drawn on laid paper, signed lower right and left boards. Text on the back explaining the boards.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color p

Set of eight original prints in color, drawn on laid paper, signed lower right and left boards. The boards are introduced by a text signed Jean Cocteau and represent costumes for Shakespeare (two Bergeres Paulina or Time).
Original prints made ??for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She

First edition, review copy.
autograph dedication of the author autograph signed and dated by Romain Gary Peter Loiselet.
Paper yellowed and brittle, first guard tending to unplug.
complete copy of his prayer to insert.

First edition, one of 300 numbered copies on Alfa paper and reserved to the press service.
Binding half lemon shagreen, smooth back, paper boards to the tank and moiré, wrappers and back preserved and bound in, gilded head.
Signed autograph author Dr. Henri Drouin.

First edition, one of 100 numbered copies on alfa mousse paper, the only large paper copies.
Endpapers very slightly faded, not serious, a good copy.

original print in color, printed on laid paper, signed lower right. Text describing the boards on the back.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting

original print in color, printed on laid paper, signed lower. Text describing the boards on the back.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The

original print in color, printed on laid paper, signed lower right. Text on the back.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion des

original print in color drawn on laid paper, signed lower left on the board.

Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, th

original print in color drawn on laid paper, signed lower left on the board.

Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, th

original print in color drawn on laid paper, signed lower left on the board.

Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers. Upon publication, th

original print in color, printed on laid paper, signed lower right.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in the gard

original print in color, printed on laid paper. Text on the reverse signed by Nada.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desig

original print in color, printed on laid paper, signed upper right of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designer

original print in color, printed on laid paper, signed on the top left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion desi

original print in color, printed on laid paper. Two advertising stickers on the back "The magical Marcel method of permanent hair waving" and "Les Editions du Bon Ton."
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illu

original print in color, printed on laid paper, signed lower right of the board.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsely frightened!. The Taste bucolic in

original print in color, printed on laid paper, signed lower right of the board. advertising board for Mappin & Webb travel of briefcase on the back.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a yo

original print in color, printed on laid paper, signed lower left of the board. advertising board for decorating at Mercier Brothers.
Trained at the School of Fine Arts in the studio of Fernand Cormon, André Édouard Marty works in the Gazette du Bon tone from the start of the review; it is then known for his elegant style in which often stand a whimsical or humorous touch. In a decidedly Art Deco inspiration, he draws Poiret dresses alongside Lepape but also those of Lanvin or to Doeuillet. This is particularly illustrating the dresses of the latter trait that reveals a multifaceted: fun, in silent, my heart .. where a young Cupid aims his arrow of a young woman falsel

original print in color, printed on laid paper, signed on the top left of the board. Three advertising vignettes for Paul Caret, Poussin (both Georges Lepape) and Lucien Editions Vogiel overleaf.
Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth ^century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
Lepape George

original print in color, printed on laid paper, signed lower right of the board. Text on the back.
Regular contributor to the Gazette du Bon tone, Pierre Mourgue adapts his style to the great artistic movements of the early twentieth ^century: if it adopts a decidedly Art Deco feature in its first achievements, he leaves later gradually gain by the trait of his American colleagues with whom he worked increasingly in the years 1940 to 1950, leaving at the same time the pages of the Gazette to prefer them as publishing the Atlantic Vogue.
Lepape Georges, meanwhile, is formed Humbert workshop alongside Braque, Picabia or Laurencin, and begins to wo

original print in color, printed on laid paper and signed at the bottom of the board. advertising board for jackets Rodier overleaf.
Initiated from the beginning to the etching technique, Bernard Boutet de Monvel is also known in the early years of the twentieth century for his mastery of oil painting. Along with his success as etcher, of Monvel also carries fashion designs that are found in the pages of Femina and the Garden of the new fashions; its many activities the note by the couturier Paul Poiret who collaborates with him from 1908 until his friendship with Lucien Vogel opened the doors of the Daily Bon Ton in 1912 and worked alongside

original print in color, printed on paper. Text on the reverse signed John Bonnefon.
Born in Spain, Eduardo Garcia Benito first became known as a commercial artist including working with printers like Alfred Tolmer in 1913 or in 1916. Another Draeger illustrator Georges Lepape, working at the same time for Draeger, while drawing parallel fashion plates for the Gazette du Bon tone; it is for this same magazine that Benito working hand after producing vignettes where slender female bodies embody the creations of Jeanne Lanvin, Beer or Larsen. The figures, from Cubist inspiration, irresistibly evoke the paintings of Modigliani, in which members drawn alongside similar faces in mas

original print in color, printed on laid paper, signed lower left of the board. Text on the back.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of

original print in color, printed on laid paper, signed upper left of the board.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting models of fashion designers

First edition of which there were no large paper copies.
Spine skillfully repaired, a small tear, not serious, to center of upper cover.

original print in color with three vignettes, printed on laid paper, signed lower right of a thumbnail.
Original content produced for the illustration of The Gazette fashionable, one of the finest and most influential twentieth century fashion magazines, celebrating the talent of creators and artists French burgeoning art deco.
Famous fashion magazine founded in 1912 by Lucien Vogel, The Gazette fashionable appeared until 1925 with an interruption during the War of 1915 to 1920, due to mobilization of its editor. She is 69 Deliveries from just 2000 copies and is illustrated including 573 color plates and 148 sketches depicting mod

New edition, richly illustrated by Crafty.
Rare foxing, one joint cracked then glued, otherwise a good copy.

With 10 engravings and numerous drawings within the text by Maxime Dethomas.
A good copy.

First edition, one of the advance (service de presse) copies.
Autograph inscription from Marguerite Yourcenar to a girl.
Small tears, not serious, to head and to foot of spine.