Paris

First edition, one of 30 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 38 numbered copies on pur fil, the only large paper copies.
A very good copy.

First edition in French of which there were no large paper copies.
A very good copy.

First edition on ordinary paper.
Spine and covers very slightly and marginally sunned, not serious, a good copy.

First edition.
A good copy preserving its folding supplementprinted on yellow paper.
Cover illustratetd by Jean-Paul Curtay.
A good copy.

First edition, one of 95 numbered copies on Arches paper, the tirage de tête.
Spine and upper covers uniformly sunned, internally good.

New edition of 1250 numbered copies.
Spine and covers slightly and marginally faded, internally good.

First edition on ordinary paper.
Rare autograph inscription from Dionys Mascolo to Roger Parry.

First edition, one of 945 numbered copies on vélin paper, the only large paper copies after 20 on Hollande paper and 30 on Arches paper.
A good copy.

First edition of which there were no large paper copies.

A good copy despite a small trace of sunning to foot of spine.

First collected edition.
Iconography.
A good copy.

First edition, one of 18 numbered copies on pur fil paper, the only large paper copies.
A very good copy with good margins.

First edition, one of 15 numbered copies on pur fil, the only large paper copies.
A good copy.

first edition printed in 750 copies.
autograph dedication of the author autograph signed and dated Nelly Kaplan Charles Spaak: "... friend of Abel Gance, in tribute attentive"
Foreword by Philippe Soupault.
Nelly Kaplan was for several years the assistant Able Gance who entrusted him with the task of drafting this explanatory pamphlet of his invention: The polyvision.

Edition for which he was not drawn large paper, review copy.
Signed autograph of Paul Serant, the name of the dedicatee was crossed out.
Preface by Marcel Ayme.
Some foxing in margins flat.

First edition on ordinary paper.
Spine very slightly sunned, not serious, otherwise a good copy retaining its advertising band.

First edition, one of 1150 numbered copies on vélin, the only printing after 25 vélin fontaine.

A good copy.

first edition.
Signed autograph Maxime Alexandre Madame Cariou.
Presentation by Paul Claudel.
First flat with a slight lack, a tear in the foot and a blue ink stain.

First edition, review copy.
Signed autograph of the poet André Breton Guy Lavaud.
Back slightly insolated minor and as usual, a small spot on the sidelines of the first flat.

First edition, one of the numbered copies on alfa.
A good copy.

First edition, one of 320 numbered copies on alfa paper, the only large paper copies.
A good copy despite small traces of adhesive paper to endpapers.

First edition in French by Roger Caillois and of 2650 numbered copies on alfa paper.
A good copy.

New edition printed in 1000 numbered copies.
Publisher's paper boards with an original design by Mario Prassinos.
With plates hors texte.
Spine wrinkled to the bottom.

Edition first in part, one of 540 numbered copies on alfa.
Publisher's paper boards with an original design by Mario Prassinos.
A good copy.

Edition printed in 170 copies on Arches paper and illustrated with 71 original lithographs by André Marchand.
André Marchand signed the justification of the draw.
Back of the shirt with spots and pale waterstains also affecting the sidelines, a dish of the case, nice interior state.

First edition, a numbered copy on alfa paper.

Marginal stains to the first ten leaves, otherwise a good copy.

first edition of which he was not drawn large papers.
Signed autograph author Professor Jean-Philippe Mery: "... this copy that really deserves its digital adjective, since the second is the only one that has come to him, very friendly homage ..."
Nice full copy of his jacket.

First edition in French, translated by Charles Baudelaire, of which there were no large paper copies.
Elegant dark red half morocco over marbled paper boards by Dreneau, spine in six compartments, gilt date to foot of spine, marbled endpapers and pastedowns, covers and spine (repaired) preserved, top edge gilt.
A rare copy, free of foxing and nicely bound in a modern binding retaining the covers – unlike most copies, which were modestly bound at the time.

First edition, bilingual, one of 1000 numbered copies, the only printing after 1 on Japan paper impérial and 35 on Arches paper.
Iconography.
Spine slightly sunned, otherwise a good copy.

First edition, review copy.
autograph dedication of the author autograph signed and dated by Alain Marcel Martinet: "... this collection of snowmen, love them ..."
Two small head of the back tears.

First edition on ordinary paper despite a mention of third edition.
Two small lacks, not serious, to head and foot of spine.

First edition pour L'homme aux valises, an advance (service de presse) copy.
Autograph inscription from Eugène Ionesco to Bernard Privat.

first edition one of 350 numbered copies on Alfa paper and reserved to the press service.
Signed autograph Jean Guéhenno a friend named Pascal.
Back slightly insolated not serious, nice copy.

First edition, one of 64 numbered copies on pur fil, the only large paper copies.
A good copy.

First edition, one of 792 numbered copies on pur fil paper, the only large paper copies after 108 reimposed.
A good copy.

First edition, one of 50 numbered copies on chiffon d'Annonay, the only large paper copies after 10 pur fil paper.
Spine slightly sunned, otherwise a good copy.

First edition, one of 25 numbered copies on pur fil paper, the only large paper copies after 5 Arches paper.
Spine slightly sunned to head and foot, small spotting to head of lower cover and endpapers.

First edition for which there were no large paper copies, an advance (service de presse) copy.
A good copy retaining its illustrated dust jacket.

First edition, one of 40 numbered copies on pur fil, the only large paper copies after 5 Japon and 12 Hollande.
Our copy retains an illustrated cover by Marcel Duchamp.
Illustrations.
A good and rare copy retaining his chemise and slipcase and soft paper boards.

first edition on the current paper.
Binding to bradel full paper gold decorative patterns and moiré, smooth back, as part of olive green morocco, preserved covers featuring angular restorations binding signed Thomas Boichot.
Precious autograph signed by Octave Mirbeau in Catullus Mendes: "... his dear friend and too distant, alas"
Nice copy pleasantly established.

First edition, one of 30 numbered copies on pur fil, the only large paper copies.
A very good copy.

Chroniques de ma vie [An Autobiography]
First edition, one of 10 numbered copies on pur fil paper, the tirage de tête.
With 6 drawings hors-texte.
A very good and rare copy.

DALI Salvador & DéON Michel. La Vie secrète de Salvador Dali [The Secret Life of Salvador Dali]
La table ronde, Paris 1935, 12 x 19 cm, original wrappers
First edition of the French adaptation by Michel Déon, one of 120 numbered copies on pur fil paper, the only grand papier (deluxe) copies.
Illustrations.
A very good copy.

First edition, one of 460 copies on vergé à la forme.
Autograph inscription from Marcel Schwob to Paul d'Armon.
Illustrated with a lithograph by Maurice Delcourt on the cover.
A good copy.

First edition, one of 850 numbered copies on vélin labeur.
Publisher's paper boards with an original design by Paul Bonet.
A fine copy retaining his rhdoid plastic jacket and his soft slipcase.

First edition in French translated Boris Vian, one of 50 numbered copies on papier Bible, the only large paper copies.
Spine slightly sunned, two traces of fold to upper cover, internally good.

First edition, one of 25 numbered copies on alfa paper, the only large paper copies.
Spine slightly sunned, otherwise a good copy.

Edition on current paper, false entry of second edition.
Precious autograph signed Audiberti Jacques Raymond Gallimard: "... a tribute to old friend ..."

Edition of wich no leading copies exists, stamp printed press service of the head of the last guard.
Signed autograph of Jacques Pierre Audiberti Desgraupes.
Iconography.

CAMUS Albert
La Chute [The Fall]
Gallimard, Paris 1956, 12 x 19 cm, original wrappers
First edition, one of the advance (service de presse) copy.
Autograph inscription by Albert Camus to Joseph-André Brusco.
$ 5 000

First edition, one of 300 numbered copies on Alfa paper and reserved to the press service.
Signed autograph Jean Guéhenno in Albert Thibaudet.
bibliophile cold buffer below the autograph.

First edition, one of 40 numbered copies on alfa, the only large paper copies.
A good copy.

First edition la traduction française, one of 105 numbered copies on pur fil, tirage de tête.
A good copy.

Edition of wich no leading copies exists.
Signed autograph Maurice Druon Michel Debré.
printed stamp Michel Debré on guard as an bookplate.

First edition of which there were no large paper copies.
Autograph inscription from Le Corbusier to Claudine Choney.
Illustrations.