Paris

Autograph signed postcard addressed to Alfred Barr and his wife Autograph postcard signed by Joan Miró addressed to M. and Mme Barr, written on the back of a black and white view of the Colonne de Juillet (July Column). Next to Miró's signature is that of his wife Pilar and his daughter Dolorès.
Charming greetings card addressed to American friends: Alfred Barr – art critic and the first director of the Museum of Modern Art (MoMA) in New York – and his wife.

First illustrated edition, first printing, rare. The original was published in 1844 in eight volumes. A frontispiece portrait of Dumas by Beaucé, and 32 hors-texte by Delestre, Beaucé, Marckl, Wattier... Letters, tail-pieces, headpieces.
Bound in contemporary half black sheep. Spine with false bands, richly decorated boards with 4 large tooled motifs, roll-tooling on the tail and heads of the bands. Rubbed binding. Light scattered foxing, notably on several off-texts.
The paper is clean on the whole and unusually white. Corners dulled. A good copy.

Trois morceaux pour piano à quatre mains : Chinoiserie – Valse sentimentale
– Kasatchok First edition illustrated with 6 lithographs in two tones, including 4 full page, by Michel Larionow.

A rare and pleasant copy.

Illustrated edition with 92 original compositions engraved with burin by Albert Decaris including 38 hors-texte plates, one of 55 copies on Imperial Japan paper, deluxe copies after 30 handmade white Japan paper.
Full brown morocco binding, spine very slightly faded with three raised bands, beveled boards, front board ornamented with the large plate of the original copper that served for the illustration of the work's frontispiece, endpapers and pastedowns of Japanese paper, frame of two black and gilt morocco fillets on the pastedowns, all edges gilt, covers preserved, superb binding signed M.T. Aigner.
The subscription fascicle written by Henry de Montherlant is bound at the end

Handwritten mock-up for issue n°4 of the periodical Le Surréalisme mêmeHandwritten mock-up intended to become the fourth cover of issue n°4 of the journal Le Surréalisme même, consisting of a manuscript in pencil, ballpoint pen, ink and a glued label. Interesting handwritten placard composed by six hands, as indicated by the caption on the back. The typographical annotations are by Benjamin Péret, the glued paper by Jean-Louis Bédouin and all the rest by André Breton.
Some folds and a minor cut with no loss of content in the lower right margin of the leaf.