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Paris

Paris

Local nameParis
CountryFrance
Name Variants
  • Barbès-Rochechouart
  • Batignolles
  • Bikini

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59051 results
  2. Ma cuisine pour vous
    Joël ROBUCHON

    Ma cuisine pour vous

    Robert Laffont|Paris 1986|15.50 x 24.50 cm|reliure de l'éditeur
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  6. Les garçons
    Henry de MONTHERLANT

    Les garçons

    Gallimard|Paris 1969|14 x 20.50 cm|relié sous chemise et étui
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  7. Rigodon
    Louis-Ferdinand CÉLINE

    Rigodon

    Gallimard|Paris 1969|14.50 x 20.50 cm|broché
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  9. Gorki
    Henri TROYAT

    Gorki

    Flammarion|Paris 1986|15 x 21 cm|broché
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  13. Au coin des rues
    Francis CARCO, Maurice BARRAUD

    Au coin des rues

    L'éventail|Paris 1919|14 x 19.50 cm|relié
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  15. Couleur du temps
    Henri de RÉGNIER

    Couleur du temps

    Mercure de France|Paris 1909|13 x 19 cm|relié
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  16. Ivanhoé
    Walter SCOTT

    Ivanhoé

    Librairie Firmin-Didot & Cie|Paris 1880|18 x 27.50 cm|relié
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  18. Mémoires de madame de Staal
    Charles DELORT, Marguerite Jeanne Cordier de Launay, baronne de STAAL

    Mémoires de madame de Staal

    Librairie L. Conquet|Paris 1891|15.50 x 23.50 cm|relié
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  22. Journal d'un génie
    Salvador DALÍ, Michel DÉON

    Journal d'un génie

    La Table Ronde|Paris 1964|14.50 x 21 cm|broché
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  23. Paris anecdote
    Alexandre PRIVAT D'ANGLEMONT, Charles MONSELET

    Paris anecdote

    P. Rouquette|Paris 1885|17 x 25 cm|relié
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  24. Lettres de fusillés
    Missak MANOUCHIAN

    Lettres de fusillés

    Editions France d'abord|Paris 1946|15 x 23 cm|relié sous chemise-étui
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  25. L'étranger
    MAYO [Antoine MALLIARAKIS] Albert CAMUS

    L'étrangerThe Stranger

    Gallimard|Paris 1946|17 x 27 cm|relié
    L'Étranger [The Stranger]
    Gallimard | Paris 1946 | 17 x 27 cm | half morocco
    First edition illustrated with 29 original etchings by Mayo, one of 44 numbered copies on pure rag Arches vellum, the “tirage de tête”.
    The work is enriched with three sets – instead of 2 – of 30 leaves on various pages, including one sanguine, 29 etchings and several drawings not selected with a great number of comments not appearing in the paged and unpaged illustrations.
    Also bound are the 10 leaves of original ink, pencil and watercolour drawings by Mayo with remarks and comments by the painter (which are not included in the justification).
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  27. Mémoires
    Richard NIXON

    Mémoires

    Stanké|Paris 1978|15 x 24 cm|broché
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  28. Le coq d'or et d'autres contes
    Boris ZWORYKINE, Alexandre POUCHKINE

    Le coq d'or et d'autres contes

    L'Edition d'art H. Piazza|Paris 1925|30.40 x 23.40 cm|broché sous étui, suite sous chemise
    First edition, one of 145 copies on imperial japan paper, complete with its suite of illustrations in black under chemise, the deluxe coipies (tirage de tête) with the other 35 copies on imperial japan paper containing a double suite in color and in black.

    With 19 plates inset in colors and enhanced with gold, 4 initials calligraphed in colors and in-text figures also in colors by the Russian artist Boris Zworykine.

    Superb copy in mint condition, some discreet marginal foxing on the suite in black.
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  30. Le nabab
    Alphonse DAUDET, Pierre ROUSSEAU

    Le nabab

    Henri Cyral|Paris 1931|15 x 20.50 cm|relié
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  31. Drame
    Philippe SOLLERS

    Drame

    Seuil|Paris 1965|13 x 18.50 cm|broché
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  34. Mar morto
    Jorge AMADO

    Mar morto

    Nagel|Paris 1949|13 x 20 cm|broché
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  36. Oeuvres choisies
    Walter BENJAMIN, Maurice de GANDILLAC

    Oeuvres choisies

    Julliard|Paris 1959|14.50 x 20.50 cm|broché
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  39. Contes du lundi
    Alphonse DAUDET, Pierre LISSAC

    Contes du lundi

    Henri Cyral|Paris 1930|15 x 20.50 cm|relié
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  42. Sapho
    Alphonse DAUDET, Pierre ROUSSEAU

    Sapho

    Henri Cyral|Paris 1929|15 x 20.50 cm|relié
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  43. Numa Roumestan
    Alphonse DAUDET, Paul-Loÿs ARMAND

    Numa Roumestan

    Henri Cyral|Paris 1925|15 x 20.50 cm|relié
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  45. L'hypnotisme et les états analogues au point de vue médical
    Georges GILLES DE LA TOURETTE

    L'hypnotisme et les états analogues au point de vue médical

    E. Plon, Nourrit & Cie|Paris 1887|13.50 x 22.50 cm|relié
    Important first edition.

    Bound in half navy blue shagreen, spine in five compartments decorated with gilt fleurons, gilt initials of the dedicatee at the bottom of the spine, marbled paper boards with scratches, rubbing at the foot of one leading edge, speckled edges, contemporary binding.
    Preface by Professor Paul Brouardel.

    Rare handwritten presentation signed by Georges Gilles de La Tourette: "A mon ami Poirier hommage bien affectueux. Gilles de La Tourette.” “To my friend Poirier a very loving tribute. Gilles de La Tourette.”
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  47. Discours prononcé dans la séance publique tenue par l'Académie Française pour la réception de M. de Lesseps le 23 Avril 1885
    Ferdinand de LESSEPS

    Discours prononcé dans la séance publique tenue par l'Académie Française pour la réception de M. de Lesseps le 23 Avril 1885[Speech delivered at the public session held by the Académie Française for the reception of M. de Lesseps on April 23, 1885]

    Typographie de Firmin-Didot & Cie|Paris 1885|22 x 27 cm|relié

    First edition.
    Small corner losses to the boards, clean and appealing interior condition.
    Bradel binding in full combed paper, smooth spine with a black morocco label lettered lengthwise, binding signed by Thomas Boichot.

    Rare signed autograph inscription by Ferdinand de Lesseps "à mon ami 'chéri' Rousseau".
     

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  49. Les liaisons dangereuses
    Pierre-Ambroise-François CHODERLOS DE LACLOS, Lubin de BEAUVAIS

    Les liaisons dangereuses

    A. Ferroud - F. Ferroud, Successeur|Paris 1908|18.50 x 27 cm|relié
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  50. Bruges la morte
    Georges RODENBACH, Lucien LÉVY-DHURMER

    Bruges la morte

    Javal et Bourdeaux|Paris 1930|26 x 34 cm|en feuilles sous chemise-étui
    Edition illustrated with pastel compositions by Lucien Lévy-Dhurmer, engraved by Lorrain, printed with 160 copies, ours being one of the hors-commerce copies specially printed for Charles Flammarion. Our copy is complete with its four versions of illustrations: a final version in colour (in-text), an annotated colour version, a blue version and a green version.

    A very beautiful copy.
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  51. La Divine comédie
    Salvador DALI, DANTE ALIGHIERI

    La Divine comédie

    Editions d'art Les Heures Claires|Paris 1959-1963|26.50 x 33 cm|Lithographie(s)|6 volumes en feuilles sous couvertures, chemises et étuis
    Editions d'art les heures claires, Paris 1959-1963, 26.5 x 33 cm, 6 volumes in leaves in covers, chemises and slipcases.

    First print of Salvador Dali's illustrations published with 4765 copies, ours being one of the numbered copies on vélin pur chiffon de Rives paper.

    The work is illustrated with 100 original Salvador Dali compositions engraved on wood in colour by Raymond Jacquet.
    Spines of the slipcases lightly sun-damaged and some rare slightly foxed leaves.

    In 1950, at the request of the Libreria dello Stato in Rome, Salvador Dali undertook to produce one hundred watercolours corresponding to the one hundred songs of Dante's @Devine Comedy#. In 1951,
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  53. Les prisonniers du Caucase
    Xavier de MAISTRE, Julien LE BLANT

    Les prisonniers du Caucase

    A. Ferroud|Paris 1897|16.50 x 25.50 cm|relié
    Edition printed with 500 copies, ours is one of the few copies on Japan containing three stages of the engravings, the “tirage de tête”. Preface by Léo Claretie.
    Work illustrated with 9 compositions by Julien Le Blant engraved by etching by Louis Muller.
    Our copy includes the label of the publisher Lucien Durvand at the justification, with the words “reliure unique” “unique binding”.
    Art Deco binding in full black morocco, spine in five compartments decorated with honeysuckle flowers inlaid with brown morocco whose stems are intertwined in panels, place and date at the foot, boards richly decorated with a blind tooling stamped fillet framing a significant interlacing of honeys
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  54. Les Fioretti de Jeanne d'Arc
    Jean-Jacques BROUSSON

    Les Fioretti de Jeanne d'Arc

    Ernest Flammarion|Paris 1931|14 x 18.50 cm|relié
    First edition, one of 50 numbered copies on pure thread paper, the only deluxe copies after 10 Holland.
    Full black morocco binding, spine with four raised bands, front board decorated with a beautiful repousse calf plaque representing Joan of Arc in profile with her signature and arms engraved in the upper corners, double fillet stamped in blind framing the plaque, painted and gilt paper pastedowns lined with black morocco decorated with rich gilt dentelle framing on three sides, painted and gilt paper endpapers, gilt dentelle on the leading edges and headcaps, covers and spine preserved, top edge gilt on deckled edges, elegant unsigned binding.
    Fine copy established in a rare repo
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  55. Thaïs
    Anatole FRANCE, Paul-Albert LAURENS

    Thaïs

    A. Romagnol|Paris 1900|19 x 27.50 cm|relié
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  59. Khadra danseuse Ouled Nail
    Sliman BEN IBRAHIM, Étienne DINET

    Khadra danseuse Ouled Nail

    L'Edition d'art H. Piazza|Paris 1926|17 x 23 cm|relié sous étui
    First edition, one of 800 numbered copies on B.F.K velin.
    Work illustrated with sixteen colour compositions sometimes enhanced with gold, including 25 full-page by the Orientalist painter Etienne Dinet, ornamentation and decoration by Mohammed Racim.
    Binding in full red morocco, spine in four compartments enhanced with gilt stippling and richly decorated with listels in panels with inlaid lilies in the corners and Moorish mosaic motifs in green and tan morocco, date at the foot, boards richly decorated with a large frame of black morocco listel and gilt fillets and stippling, important Moorish-inspired motifs in green morocco stamped with black arabesques, gilt dots, gilt fers-de-l
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  64. Les confessions
    Maurice LELOIR, Jean-Jacques ROUSSEAU

    Les confessions

    H. Launette & Cie|Paris 1889|22.50 x 32.30 cm|2 volumes reliés
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  65. La princesse de Cleves
    [Madame de LA FAYETTE]

    La princesse de Cleves

    Par la la Compagnie des Libraires Associés|à Paris 1741|9 x 16.60 cm|2 volumes reliés
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  68. L'été
    Albert CAMUS

    L'été

    Gallimard|Paris 1954|12 x 18.50 cm|relié
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  69. Almanac in elaborately decorated full green morocco
    Etrennes mignones, curieuses et utiles pour l'année mil sept cent soixante-onze

    Etrennes mignones, curieuses et utiles pour l'année mil sept cent soixante-onze

    Chez Pierre-François Durand|à Paris 1771|5.50 x 9.60 cm|relié

    First edition illustrated with two folding maps, one of France and one of the Paris region.
    Contemporary full olive morocco binding. Smooth spine richly decorated with an interlaced pattern. Wide border of Greek key motifs on the boards. Gilt edges. Endpapers with floral motifs and gold powder.
    A very attractive copy, bound in high-quality leather.


    NB: This item is available at the bookshop upon request within 48 hours.


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  70. Caricature anti-dreyfusarde à système intitulée "Zola dans la mé...lasse !"
    (Émile ZOLA) DOUS Y'NELL

    Caricature anti-dreyfusarde à système intitulée "Zola dans la mé...lasse !"Anti-Dreyfusard system caricature entitled "Zola dans la me...lasse !"

    Léon Hayard|Paris s. d. [1898]|12 x 17.80 cm|une caricature à système
    Anti-Dreyfusard moving caricature entitled “Zola dans la mé...lasse !”
    Léon Hayard, Paris s.d(1898), 12 x 17.8 cm, a moving caricature
    First edition of this anti-Dreyfusard moving caricature printed on cardboard entitled "Zola dans la mé...lasse !" by P. Dous Y'Nell. A paper fastener is used to activate the mechanism of a soldier's arm, wearing red trousers and a red kepi, plunging the writer into a barrel labelled “vidange” “sewage”. This caricature, although printed with 30,000 copies by Léon Hayard - the king of the camelots - is today extremely rare.
    Some small foxing, otherwise a beautiful copy.
    These ephemeral, extremely fragile, paper games were distributed in orde
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  72. [Affaire Dreyfus] Jeu de la casserole. - Renouvelé des Grecs et du Jeu d'Oie
    (Alfred DREYFUS) BRUNO

    [Affaire Dreyfus] Jeu de la casserole. - Renouvelé des Grecs et du Jeu d'Oie

    André Denys|Paris 1905|23.70 x 19 cm|une grande feuille rempliée
    Colour lithography by caricaturist Bruno printed on a large fold-out sheet.
    Some minor foxing in the margin of the cover.
    The “jeu de la casserole” is an anti-Masonic and anti-Semitic game in thirty-three boxes, illustrated with caricatures, which went on sale in 1905. Its title is inspired by the “affaire des casseroles” “Affair of the Casseroles” also called “affaire des fiches” “Affair of the Cards”, an operation of political and religious filing of anti-republican officers that took place between 1900 and 1904, in the midst of the Dreyfus Affair.
    The central figure is the president of the Council, Émile Combes, freemason and inspirer of the law in 1905 (on the separation o
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  73. "35.000 francs pour charrier Zola ! Hola !!!" - Tract dénonçant le transfert de Zola au Panthéon
    (Émile ZOLA)

    "35.000 francs pour charrier Zola ! Hola !!!" - Tract dénonçant le transfert de Zola au Panthéon"35.000 francs pour charrier Zola ! Hola !!!" - Leaflet denouncing Zola's transfer to the Pantheon.

    Information populaire par l'affiche et le tract|Paris s. d. [1906]|22.20 x 27.90 cm|une feuille
    “35.000 francs pour charrier Zola ! Hola !!!” - Leaflet denouncing Zola's transfer to the Pantheon.
    Information populaire par l'affiche et le tract, Paris s.d(1906), 22.2 x 27.9 cm, one leaf
    First edition of this leaflet denouncing Zola's transfer to the Pantheon: “35.000 francs pour charrier Zola ! Hola !!! Tout l'argent des contribuables ne suffirait pas à réhabiliter le pornographe de profession, le calomniateur de la France, l'insulteur de l'Armée - Zola au Panthéon c'est un défi aux honnêtes gens ; sa vraie place est dans l'ordure qu'il aimait tant...” “35,000 francs to cart Zola! Hola!!! All of the taxpayers' money would not be enough to rehabilitate the professional pornogra
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  78. Les fleurs du mal
    Charles BAUDELAIRE, Jules Léon PERRICHON

    Les fleurs du mal

    Editions d'art Edouard Pelletan|Paris 1917|16 x 21 cm|relié
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  79. Graziella
    Alphonse de LAMARTINE, Umberto BRUNELLESCHI

    Graziella

    L'Edition d'art H. Piazza|Paris 1931|17 x 23.50 cm|relié
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  80. Texaco
    Patrick CHAMOISEAU

    Texaco

    Gallimard|Paris 1992|15 x 22 cm|broché
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  85. Cyrano de Bergerac
    Edmond ROSTAND

    Cyrano de Bergerac

    Charpentier et Fasquelle|Paris 1898|12.50 x 19 cm|relié
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  89. Le Tour du monde en 80 jours. Le Docteur Ox
    Jules VERNE

    Le Tour du monde en 80 jours. Le Docteur Ox

    Hetzel|Paris 1905-1914|18.50 x 28 cm|relié
    New edition, illustrated with drawings by Neuville and Benett.
    Publisher's board with “an elephant, title in the fan” signed at the bottom of the Engel plate, lighthouse on the spine, type “i” second board according to Jauzac.
    Top spine-end a little saggy, three tiny bumps to the leading edges of the upper board and some sections a little protruding, otherwise a beautiful copy.
    Le Tour du monde en quatre-vingts jours (Around the World in Eighty Days) is an adventure novel. The novel tells the story of the English gentleman Phileas Fogg's race around the word, who made a bet that he could achieve it in eighty days. He is accompanied by Jean Passepartout, his French ser
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