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Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

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Paris (France)
  1. La peinture impressionnisteLa peinture impressionniste
    COLLECTIF

    La peinture impressionniste

    Taschen|Paris 2010|24.50 x 32.50 cm|2 volumes en reliures de l'éditeur sous étui
    First edition.
    Publisher's full rose cardboard bindings, copies complete with their dust jackets which have no defects as well as their slipcase.
    Volume 1: Impressionist painting in France.
    Volume 2: Impressionism in Europe and North America.
    Rich iconography.
    Very fine set.
    €200
  2. Sade mon prochainSade mon prochain
    Pierre KLOSSOWSKI

    Sade mon prochain

    Seuil|Paris 1947|14.50 x 19.50 cm|broché
    First edition, one of 105 numbered copies on vélin aravis, the only large paper copies.
    A rare and good copy.
    €450
  3. Le crime des richesLe crime des riches
    Jean LORRAIN

    Le crime des riches

    Pierre Douville|Paris 1905|12 x 19 cm|relié
    First edition on ordinary paper.
    Half black shagreen binding with corners, spine with four raised bands set with gilt fillets decorated with a gilt fleuron, gilt initials at foot, gilt fillet frame on snakeskin-pattern paper boards, snakeskin-pattern paper endpapers and pastedowns, bookplate pasted on endpaper, covers and spine preserved, top edge gilt.
    Autograph inscription signed by Jean Lorrain to Paul Padovani: "Le crime des riches qu'il côtoie tous les jours..." ["The crime of the wealthy whom he rubs shoulders with every day..."]
    Some passages of the text underlined in blue pencil.
    Handsome copy.
    €500
  4. La passion de Roland GarrosLa passion de Roland Garros
    Jean AJALBERT (Roland GARROS)

    La passion de Roland Garros

    Les Editions de France|Paris 1926|14 x 20.50 cm|2 volumes brochés
    First Edition, one of the 16 numbered copies on Holland paper, small print in the smallest paper before 18 Japan.
    Autograph dedication signed by Jean Ajalbert on the title page of the first volume.
    Our copy is enriched by an autograph letter dated and signed by the author, three pages, addressed to an attorney in which he defends the mother of Roland Garros about legal problems related to the exploitation of the name of the "Garros" family, whom she was deprived of as she fought for the glorious memory of her son and has always maintained good relations with him ..., envelope attached to the letterhead of the Academy Goncourt.
    We also enclose...
    €500
  5. Chants et chansons populaires de la FranceChants et chansons populaires de la France
    Théophile Marion DUMERSAN, COLLET

    Chants et chansons populaires de la France

    Garnier frères|Paris 1848|18 x 28.50 cm|relié
    Second edition by Garnier in a new expanded format, after the first by Delloye in 1843, in 125 installments of 4 leaves comprising a notice, the score and 4 recto-verso pages of steel engravings (extraordinary compositions framing the song text), in addition to three frontispieces. Illustrations by Trimollet, Daubigny, Meissonnier... The first edition by Delloye contained only 84 installments and songs. Printed on heavy laid paper.
    Half dark green morocco binding with corners signed Niedrée at foot. Spine with raised bands ornately decorated in grotesque style with stylized wavelets. Top edges gilt. Thin split to upper joint at head of volume 1 and at foot of volume 3. 2 corners of...
    €900
  6. Elizabeth Craig raconte Céline. Entretien avec la dédicataire de "Voyage au bout de la nuit"Elizabeth Craig raconte Céline. Entretien avec la dédicataire de "Voyage au bout de la nuit"
    Jean MONNIER

    Elizabeth Craig raconte Céline. Entretien avec la dédicataire de "Voyage au bout de la nuit"

    Bibliothèque L.F. Céline|Paris 1988|13.50 x 21.50 cm|broché
    First edition, of which there were no deluxe copies.
    A handsome copy.
    Autograph inscription signed by Jean Monnier to the great Céline scholar Pierre Monnier: "Pour l'auteur de Ferdinand furieux..." ["For the author of Ferdinand furieux..."]
    €150
  7. Tout Céline, 2Tout Céline, 2
    Louis-Ferdinand CÉLINE

    Tout Céline, 2

    Bibliothèque de l'Université Paris 7|Paris 1983|18 x 24 cm|broché
    First edition printed to 500 numbered copies.
    A very good copy.
    €120
  8. Cahiers Céline 5 : lettres à des amies
    Louis-Ferdinand CÉLINE

    Cahiers Céline 5 : lettres à des amies

    Gallimard|Paris 1979|14 x 20.50 cm|broché
    First edition of which there were no large paper copies.
    A good copy.
    €50
  9. Cahiers Céline 2 : Céline et l'actualité littéraire 1957-1961
    Louis-Ferdinand CÉLINE

    Cahiers Céline 2 : Céline et l'actualité littéraire 1957-1961

    Gallimard|Paris 1976|14 x 20.50 cm|broché
    First edition of which there were no large paper copies.
    Spine slightly faded, a good copy.
    €50
  10. Les françaises à toutes les époques de notre histoireLes françaises à toutes les époques de notre histoire
    Henri GOURDON DE GENOUILLAC

    Les françaises à toutes les époques de notre histoire

    A. Hennuyer|Paris 1893|18 x 27.50 cm|reliure de l'éditeur
    First edition.
    Publisher's full mouse-gray cloth binding, smooth spine decorated with gilt and blind allegorical motifs, headcaps slightly worn, gilt allegorical decoration on front cover, corners very slightly bumped without any gravity, all edges gilt, binding signed by Engel.
    Work illustrated with numerous hors-texte illustrations by F. Lix, P. Merwart, J. Geoffroy, J. Girardet, L. Roux... Handsome copy.
    €80
  11. Voyage en France, 41ème partie : Pyrénées, partie occidentaleVoyage en France, 41ème partie : Pyrénées, partie occidentale
    Victor-Eugène ARDOUIN-DUMAZET

    Voyage en France, 41ème partie : Pyrénées, partie occidentale

    Berger-Levrault & Cie|Paris 1914-1917|11.50 x 18.50 cm|reliure de l'éditeur
    Second edition.
    Publisher's flexible mouse-grey cardboard binding, smooth spine, red top edge, original wrappers preserved.
    Work illustrated with 27 maps or sketches.
    Handsome copy.
    €40
  12. Les zoocécidies des plantes d'Europe et du bassin de la Méditerranée. Tomes 1 & 2 (sur 3)Les zoocécidies des plantes d'Europe et du bassin de la Méditerranée. Tomes 1 & 2 (sur 3)
    C. HOUARD

    Les zoocécidies des plantes d'Europe et du bassin de la Méditerranée. Tomes 1 & 2 (sur 3)

    Lib. scientifique A. Hermann et fils|Paris 1908|16 x 24.50 cm|2 volumes reliés
    First edition.
    Half mouse-colored cloth bindings, smooth spines, marbled paper boards, contemporary bindings.
    Work illustrated with numerous figures in the text.
    Some minor foxing.
    Handsome copy.
    €200
  13. Tableaux analytiques pour la détermination des coléoptères d'Europe Carabidae, 1ère tribu : Carabini. - Tableau de détermination des coléoptères d'Europe comprenant les carabidae : classification des harpalini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae, tribu : pogonini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae sous famille des brachyninae. - Tableaux de détermination des coléoptères d'Europe comprenant la tribu des scaritini. -  Tableaux de détermination des coléoptères d'Europe carabidae genre bembidium latr. d'Europe et de la région méditerranéenne. - Tableaux analytiques pour la détermination des coléoptères d'Europe : histeridaeTableaux analytiques pour la détermination des coléoptères d'Europe Carabidae, 1ère tribu : Carabini. - Tableau de détermination des coléoptères d'Europe comprenant les carabidae : classification des harpalini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae, tribu : pogonini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae sous famille des brachyninae. - Tableaux de détermination des coléoptères d'Europe comprenant la tribu des scaritini. -  Tableaux de détermination des coléoptères d'Europe carabidae genre bembidium latr. d'Europe et de la région méditerranéenne. - Tableaux analytiques pour la détermination des coléoptères d'Europe : histeridae
    Edmund REITTER, A. FLEISCHER

    Tableaux analytiques pour la détermination des coléoptères d'Europe Carabidae, 1ère tribu : Carabini. - Tableau de détermination des coléoptères d'Europe comprenant les carabidae : classification des harpalini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae, tribu : pogonini. - Tableaux de détermination des coléoptères d'Europe renfermant carabidae sous famille des brachyninae. - Tableaux de détermination des coléoptères d'Europe comprenant la tribu des scaritini. - Tableaux de détermination des coléoptères d'Europe carabidae genre bembidium latr. d'Europe et de la région méditerranéenne. - Tableaux analytiques pour la détermination des coléoptères d'Europe : histeridae

    S. n.|Toulouse • & Paris 1906 & 1923 & 1908 & 1926 & 1907|15.50 x 24.50 cm|6 volumes reliés en 1
    First edition of each volume.
    Half red sheep binding, spine with five raised bands, marbled paper boards, marbled endpapers and pastedowns.
    The first four fascicles are written by Edmund Reitter.
    Rare and handsome set.
    €280
  14. Les femmes d'artistesLes femmes d'artistes
    Alphonse DAUDET

    Les femmes d'artistes

    Alphonse Lemerre|Paris 1874|11 x 18 cm|relié
    First edition on ordinary paper with the statement "Première série" on the title page, of which only 8 copies were printed on China paper in deluxe format.
    Half chocolate-colored morocco-grained shagreen binding, spine with five raised bands decorated with double gilt compartments enriched at their centers with Francisque Sarcey's gilt cipher, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
    Precious signed autograph inscription from Alphonse Daudet to his friend (Francisque) Sarcey.
    Work illustrated with a frontispiece etching by André Gill.
    Ink gift inscription at head of title page, handsome copy.
    €800
  15. Fresques du souvenirFresques du souvenir
    Francis NORGELET

    Fresques du souvenir

    François Bernouard|Paris 1923|15 x 15 cm|broché
    First edition, one of 1000 copies on laid paper.
    Affectionate signed autograph inscription by Francis Norgelet to a couple of his friends.
    Work illustrated with a portrait of the author by Despiau engraved by Germain on the front cover.
    Handsome copy.
    €70
  16. Fresques de l'Ile-de-FranceFresques de l'Ile-de-France
    Francis NORGELET

    Fresques de l'Ile-de-France

    Le monde contemporain|Paris 1926|14.50 x 21.50 cm|broché
    First edition printed in a small number of copies on vergé paper.
    Affectionate autograph inscription from Francis Norgelet to a couple of his acquaintance.
    €70
  17. Fresques du souvenirFresques du souvenir
    Francis NORGELET

    Fresques du souvenir

    François Bernouard|Paris 1923|17.50 x 22 cm|broché
    First edition, one of 100 numbered copies on handmade Arches vellum.
    Signed autograph inscription by Francis Norgelet.
    Our copy is complete with the author's portrait by Despiau and his painting by Charles Guérin.
    Furthermore, our copy is enhanced with Charles Guérin's painting engraved in three colors by Jules Germain which consists of a trial printing of 3 copies of this proof, ours bearing No. 6.
    Handsome copy.
    €150
  18. La marche au pouvoir en U.R.S.S. de Lénine à Brejnev 1917-1969La marche au pouvoir en U.R.S.S. de Lénine à Brejnev 1917-1969
    Pierre Faillant de VILLEMAREST

    La marche au pouvoir en U.R.S.S. de Lénine à Brejnev 1917-1969

    Fayard|Paris 1969|14.50 x 23 cm|broché
    First edition, one of 70 numbered copies on alfa paper, the only large paper copies.
    A very good copy.
    €100
  19. Les disciples d'Emmaüs ou les étapes d'une conversionLes disciples d'Emmaüs ou les étapes d'une conversion
    Théodore de WYZEWA

    Les disciples d'Emmaüs ou les étapes d'une conversion

    Perrin & Cie|Paris 1893|9 x 14.50 cm|broché
    First edition for which there is no mention of leading copies.
    Binding half black shagreen, back with four nerves set with gilt fillets, marbled paper plates, guards and contreplats of handmade paper, Contemporary binding.
    Nice copy.
    Rare autograph dedication signed by Theodore de Wyzewa to Charles Pozzo di Borgo.
    €230
  20. Les histoires de Jean-Marie CabidoulinLes histoires de Jean-Marie Cabidoulin
    Jules VERNE

    Les histoires de Jean-Marie Cabidoulin

    Hetzel|Paris s. d. [1901]|12 x 19 cm|relié
    First edition, of which there were no large paper copies
    Half light brown calf over marbled paper boards, double gilt fillets to spine, covers mounted on guards and preserved, top edge speckled; an unsigned modern pastiche binding by Goy & Vilaine
    Very rare autograph inscription from Jules Verne to [Achille] Tournier, prefect of the Somme at the time
    With original illustrations by Georges Roux
    A very good copy handsomely bound.
    €7,500
  21. Un drame en LivonieUn drame en Livonie
    Jules VERNE

    Un drame en Livonie[A Drama in Livonia]

    Hetzel|Paris s. d. [1904]|12 x 19 cm|relié
    The first edition, of which there were no deluxe copies.
    Half hazelnut calf binding, smooth spine decorated with double gilt fillets, marbled paper boards, original covers mounted on guards and preserved, speckled top edge, modern pastiche binding unsigned by Goy & Vilaine.
    Work decorated with original illustrations by L. Benett.
    Very rare signed autograph inscription from Jules Verne to [Achille] Tournier, then Prefect of the Somme.
    Jules Verne settled in Amiens, his wife's birthplace, in 1871: "At my wife's wish I settled in Amiens, a wise city, polished, of even temper, where society is cordial and learned. One is close to Paris, close enough to have...
    €7,500
  22. La revanche du corbeau, nouvelle histoire de bêtesLa revanche du corbeau, nouvelle histoire de bêtes
    Louis PERGAUD

    La revanche du corbeau, nouvelle histoire de bêtes[The Raven’s Revenge, A New Animal Tale]

    Mercure de France|Paris 1911|15.50 x 20 cm|broché sous chemise et étui
    First edition, one of 19 numbered copies on Hollande, the only deluxe paper issue.
    A fine copy with full margins.
    €1,800
  23. Voyage littéraire de la Grèce, ou Lettres sur les Grecs, anciens et modernes, avec un parallèle de leurs moeursVoyage littéraire de la Grèce, ou Lettres sur les Grecs, anciens et modernes, avec un parallèle de leurs moeurs
    Pierre-Augustin GUYS

    Voyage littéraire de la Grèce, ou Lettres sur les Grecs, anciens et modernes, avec un parallèle de leurs moeurs

    Chez La veuve Duchesne|Paris 1783|12.50 x 19.50 cm|4 volumes reliés
    Third edition illustrated with 10 plates hors-texte including a frontispiece by Dalbou after Hoüel, 5 plates hors-texte by Laurent after Favray and 4 folding plates hors-texte by Laurent after Massit. The first three volumes contain all the letters on Greece, the last contains other opuscules by the author: Essays on Tibullus's Elegies (followed by their translation), The Seasons and Light Poetry.
    Numerous floral headpieces and tailpieces (flower baskets, carnations...).
    Contemporary full marbled blonde calf binding. Smooth spines decorated with green morocco title and volume labels, small gilt floral fleurons, and gilt dentelle at tail. Triple gilt frames on boards. All edges...
    €1,400
  24. Elle est charmante, comédie en trois actes, 1899-1900Elle est charmante, comédie en trois actes, 1899-1900
    André-Ferdinand HEROLD

    Elle est charmante, comédie en trois actes, 1899-1900

    S. n.|Paris 1899-1900|77pp. in-4|en feuilles
    Complete and unpublished autograph manuscript of 77 pages written and numbered on the recto in black ink.
    Paper cover bearing the title, date and place Paris 12 December 1899 - 12 January 1900. Some autograph corrections by the author.
    Unpublished comedy in prose; the action takes place in the contemporary period, in Paris and in the forest of Fontainebleau; it features a dramatic author, a charming actress, a provincial journalist...
    €500
  25. Le pays latinLe pays latin
    Henry MURGER

    Le pays latin

    Michel Lévy frères|Paris 1852|12 x 19 cm|relié
    New edition.
    Full cloth Bradel binding in almond-colored percale, smooth spine slightly faded decorated with a gilt floral motif, double gilt fillet and date at foot, burgundy shagreen title-label, binding cold-stamped signed by Pierson.
    Some minor foxing.
    €40
  26. En Suisse le sac au dosEn Suisse le sac au dos
    Albert LAPORTE

    En Suisse le sac au dos

    Théodore Lefèvre|Paris 1878|15.50 x 24.50 cm|relié
    First edition.
    Half black shagreen binding, spine slightly faded with four raised bands decorated with quadruple gilt fillets and adorned with a gilt fleuron enriched with a red shagreen mosaic piece, light scratches of no consequence to the joints, cold-stamped fillet and interlacing frame on boards, gilt edges, binding signed by Charles Magnier.
    Work illustrated with 73 engravings in and outside the text.
    Some minor foxing.
    €150
  27. Les Cahiers des Droits de l'Homme. 36e année - du n°2 du 20 janvier 1936 au n°34 du 25 décembre 1936
    COLLECTIF

    Les Cahiers des Droits de l'Homme. 36e année - du n°2 du 20 janvier 1936 au n°34 du 25 décembre 1936

    Imprimerie centrale de la Bourse.|Paris 1936|21.50 x 30 cm|25 fascicules en feuillets
    First edition of this tri-monthly review directed by Emile Kahn.
    Set of 25 fascicles including 5 double issues. Nos. 1, 26, 28 and 33 are missing.
    Official organ of the League of Human Rights established in 1920, the Cahiers are considered by democracy's defenders as both a militant tool and an important source of documentary information.
    €400
  28. Les Cahiers des Droits de l'Homme. 34e année - du n°15 du 20 mai 1934 au n°33 du 30 décembre 1934
    COLLECTIF

    Les Cahiers des Droits de l'Homme. 34e année - du n°15 du 20 mai 1934 au n°33 du 30 décembre 1934

    Imprimerie centrale de la Bourse.|Paris 1934|21.50 x 30 cm|17 fascicules en feuillets
    First edition of this tri-monthly review directed by Emile Kahn.
    Set of 17 fascicles including one double issue. No. 21 is missing.
    Official organ of the League of Human Rights established in 1920, the Cahiers are considered by democracy's defenders as both a militant tool and an important source of documentary information.
    €350
  29. Les Cahiers des Droits de l'Homme. 35e année - du n°1 du 10 janvier 1935 au n°33 du 30 décembre 1935
    COLLECTIF

    Les Cahiers des Droits de l'Homme. 35e année - du n°1 du 10 janvier 1935 au n°33 du 30 décembre 1935

    Imprimerie centrale de la Bourse.|Paris 1935|21.50 x 30 cm|29 fascicules en feuillets
    First edition de cette revue tri-mensuelle dirigée par Emile Kahn.
    Ensemble de 29 fascicules. Nr 5, 14 and 17 are missing.
    €550
  30. Les Cahiers des Droits de l'Homme. 39e année - n°9, 12, 13, 14 et 15
    COLLECTIF

    Les Cahiers des Droits de l'Homme. 39e année - n°9, 12, 13, 14 et 15

    Imprimerie centrale de la Bourse.|Paris 1939|21.50 x 30 cm|5 fascicules en feuillets
    First edition of this tri-monthly review directed by Emile Kahn. Set of 5 fascicles: no. 9 of May 1st, 1939, no. 12 of June 15th, 1939, no. 13 of July 1st, 1939, no. 14 of July 15th, 1939 and no. 15 of August 1st, 1939. Official organ of the League of Human Rights which appeared in 1920, the Cahiers are considered by defenders of democracy as both a militant tool and an important source of documentary information.
    €100
  31. Les Cahiers des Droits de l'Homme. 37e année du n°1 du 1er janvier 1937 au n°14 du 15 juillet 1937
    COLLECTIF

    Les Cahiers des Droits de l'Homme. 37e année du n°1 du 1er janvier 1937 au n°14 du 15 juillet 1937

    Imprimerie centrale de la Bourse.|Paris 1937|21.50 x 30 cm|7 fascicules en feuillets
    First edition of this tri-monthly review directed by Emile Kahn.
    Set of 7 fascicles. Issues nos. 5, 6, 8, 9, 12 and 13 are missing.
    Official organ of the League of Human Rights which appeared in 1920, the Cahiers are considered by defenders of democracy as both a militant tool and an important source of documentary information.
    €150
  32. AntigoneAntigone
    Pierre-Simon BALLANCHE

    Antigone

    De l'imprimerie de Didot l'aîné|Paris 1819|14.50 x 23 cm|relié
    First illustrated edition and marked as second edition, after the original, published in 1815 by the same publisher. 6 figures by Bouillon in the antique style engraved by Baquoy. Fine printing on laid paper and elegant typographic execution by Didot.
    Contemporary full green straight-grained morocco binding. Smooth spine with 4 flat raised bands, decorated with 3 Restoration stamps, multiple decorative rolls, fillets, etc. Gilt title and date. Covers stamped in blind with a central Restoration roundel; 4 large corner stamps connected by 3 fillets forming a frame. Fine copy, very fresh, some worming on tissue guards and in margins of engravings. Very fine unsigned master binding.
    €500
  33. Sur ma rive de chair...Sur ma rive de chair...
    Emmanuel LOOTEN

    Sur ma rive de chair...

    Paillart|Paris s. d. [1968]|25 x 32.50 cm|en feuilles sous couverture et chemise
    First printing of Eekman's lithographs published in 740 copies (no. 80) signed by the authors.
    One joint of the chemise very slightly split at foot for a few centimeters.
    The work is illustrated with lithographs hors-texte in black by Eekman.
    Handsome copy.
    €80
  34. Commerce. Hiver 1924 - Cahier IIICommerce. Hiver 1924 - Cahier III
    Paul VALÉRY

    Commerce. Hiver 1924 - Cahier III

    Chez L. Giraud-Badin|Paris 1924|20 x 25 cm|broché
    First edition, our copy being one of the service de presse copies. Cover somewhat faded, pale dampstain affecting the entire spine. Literary contributions by Saint-John Perse (Chanson), Max Jacob (Poèmes), André Breton (Introduction au discours "Sur le peu de réalité"), Léon-Paul Fargue (Nuées), Valery Larbaud (Lettre d'Italie), etc. Commerce, literary review founded by Marguerite Caetani, appeared as twenty-nine "quarterly notebooks published under the direction of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication formed part of the competitive tradition of French reviews of the 1920s and was not content merely to showcase the most prominent authors of French literature: it...
    €50
  35. Commerce. Automne 1929 - Cahier XXICommerce. Automne 1929 - Cahier XXI
    Paul VALÉRY

    Commerce. Automne 1929 - Cahier XXI

    Chez L. Giraud-Badin|Paris 1929|20 x 25 cm|broché
    First edition published in 2900 copies, ours being a Service de Presse (advance) copy.
    Literary contributions by Paul Claudel (Le Livre de Christophe Colomb), T.S. Eliott (Som de l'Escalina), Valery Larbaud (Le Patron des traducteurs), Léon-Paul Fargue (Mimes), etc.
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and was not content merely to showcase the most prominent authors of French literature: it played the role of "discoverer" of young talents and...
    €50
  36. Commerce. Été 1929  - Cahier XXCommerce. Été 1929  - Cahier XX
    Paul VALÉRY

    Commerce. Été 1929 - Cahier XX

    Chez L. Giraud-Badin|Paris 1929|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Littérature), Ribemont-Dessaignes (Première épître aux directeurs), etc.
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and was not content merely to showcase the most prominent authors of French literature: it played the role of "discoverer" of young talents and unearthed forgotten seminal texts.
    €50
  37. Commerce. Printemps 1927  - Cahier XICommerce. Printemps 1927  - Cahier XI
    Paul VALÉRY

    Commerce. Printemps 1927 - Cahier XI

    Chez L. Giraud-Badin|Paris 1927|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Essai sur Stendhal), Léon-Paul Fargue (Trouvé dans des papiers de famille), Valery Larbaud (Sur le rebut), etc.
    Commerce, literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly notebooks published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication follows in the competitive tradition of French reviews of the 1920s and does not merely promote the most prominent authors of French literature: it plays a role as "discoverer" of young talents and unearths forgotten seminal texts.
    Light...
    €50
  38. Commerce. Été 1926  - Cahier VIIICommerce. Été 1926  - Cahier VIII
    Paul VALÉRY

    Commerce. Été 1926 - Cahier VIII

    Chez L. Giraud-Badin|Paris 1926|20 x 25 cm|broché
    First edition published in 2900 copies, ours being a Service de Presse (advance) copy.
    Literary contributions by Paul Valéry (Au sujet des lettres persanes), Valery Larbaud (Rues et visages de Paris), Max Jacob (Poèmes), etc.
    Commerce, literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly notebooks published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication follows in the competitive tradition of French reviews of the 1920s and does not merely promote the most prominent authors of French literature: it plays a role as "discoverer" of young talents and unearths forgotten seminal texts.
    Light foxing at...
    €50
  39. Commerce. Hiver 1930 - Cahier XXVICommerce. Hiver 1930 - Cahier XXVI
    Paul VALÉRY

    Commerce. Hiver 1930 - Cahier XXVI

    Chez L. Giraud-Badin|Paris 1930|20 x 25 cm|broché
    First edition published in 2900 copies, ours, one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Allocution), Léon-Paul Fargue (D'un porte-plume à un aimant), Ribemont-Dessaignes (Deuxième épître aux serins et même aux rossignols), Franz Kafka (Récits), etc.
    Commerce, a literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly issues published under the supervision of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication formed part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent authors of French literature: it played the role of "discoverer" of young...
    €50
  40. Commerce. Printemps 1925 - Cahier IVCommerce. Printemps 1925 - Cahier IV
    Paul VALÉRY

    Commerce. Printemps 1925 - Cahier IV

    Chez L. Giraud-Badin|Paris 1925|20 x 25 cm|broché
    First edition published in 2900 copies, our copy, one of the copies on Alfa paper.
    Literary contributions by Paul Claudel (Le Vieillard sur le Mont Omi), Francis Jammes (Trois extraits de "Ma France poétique"), Paul Valéry (Préface pour une nouvelle traduction de la Soirée avec M. Teste), Léon-Paul Fargue (Poème), Valery Larbaud (Sir Thomas Wyat), etc.
    Commerce, a literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly issues published under the supervision of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication formed part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent...
    €50
  41. Commerce. Hiver 1932 - Cahier XXIXCommerce. Hiver 1932 - Cahier XXIX
    Paul VALÉRY

    Commerce. Hiver 1932 - Cahier XXIX

    Chez L. Giraud-Badin|Paris 1932|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Réponse), Valery Larbaud (Le Vaisseau de Thésée), T.S. Eliot (Difficultés d'un homme d'Etat), Henri Michaux (Nous autres), William Faulkner (Une rose pour Emily), etc.
    Commerce, a literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication forms part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent authors of French literature: it played the role of "discoverer" of...
    €50
  42. Commerce. Été 1930 - Cahier XXIVCommerce. Été 1930 - Cahier XXIV
    Paul VALÉRY

    Commerce. Été 1930 - Cahier XXIV

    Chez L. Giraud-Badin|Paris 1930|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Moralités), Valery Larbaud (Du sel ou du sable), etc.
    Commerce, a literary review founded by Marguerite Caetani, appeared in the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication forms part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent authors of French literature: it played the role of "discoverer" of young talent and unearthed forgotten seminal texts.
    €50
  43. Commerce. Printemps 1930 - Cahier XXIIICommerce. Printemps 1930 - Cahier XXIII
    Paul VALÉRY

    Commerce. Printemps 1930 - Cahier XXIII

    Chez L. Giraud-Badin|Paris 1930|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Valery Larbaud (Trois belles mendiantes), Ribemont-Dessaignes (Au delà du pouvoir), Jean Paulhan (Sur une poésie obscure), etc.
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly notebooks published under the supervision of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and was not content merely to promote the most prominent authors of French literature: it played the role of "discoverer" of young talents and unearthed forgotten seminal...
    €50
  44. Commerce. Hiver 1925 - Cahier VICommerce. Hiver 1925 - Cahier VI
    Paul VALÉRY

    Commerce. Hiver 1925 - Cahier VI

    Chez L. Giraud-Badin|Paris 1925|20 x 25 cm|broché
    First edition published in 2900 copies, our copy being one of the copies on Alfa paper.
    Literary contributions by Léon-Paul Fargue (Banalité), Valery Larbaud (Le Vain travail de voir divers pays), André Suarès (Saint-Juin de la Primevère), etc.
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly notebooks published under the supervision of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and was not content merely to promote the most prominent authors of French literature: it played the role of "discoverer" of young talents and unearthed forgotten...
    €50
  45. Commerce. Printemps 1931 - Cahier XXVIICommerce. Printemps 1931 - Cahier XXVII
    Paul VALÉRY

    Commerce. Printemps 1931 - Cahier XXVII

    Chez L. Giraud-Badin|Paris 1931|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (Amphion), Joé Bousquet (L'Ombre d'une ombre).
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent authors of French literature: it played the role of "discoverer" of young talents and unearthed forgotten seminal texts.
    €50
  46. Commerce. Automne 1925 - Cahier VCommerce. Automne 1925 - Cahier V
    Paul VALÉRY

    Commerce. Automne 1925 - Cahier V

    Chez L. Giraud-Badin|Paris 1925|20 x 25 cm|broché
    First edition published in 2900 copies, ours being one of the copies on Alfa paper.
    Literary contributions by Paul Valéry (A B C), Léon-Paul Fargue (Tumulte), Jean Paulhan (L'Expérience du proverbe), Francis Ponge (Poèmes), etc.
    Commerce, a literary review founded by Marguerite Caetani, took the form of twenty-nine "quarterly issues published under the care of Valéry, Fargue and Larbaud" between 1924 and 1932. Its publication was part of the competitive tradition of French reviews of the 1920s and did not merely showcase the most prominent authors of French literature: it played the role of "discoverer" of young talents and unearthed forgotten seminal texts.
    €50
  47. Auguste Brouet. Catalogue de son oeuvre gravé précédé d'une étude de Gustave GeffroyAuguste Brouet. Catalogue de son oeuvre gravé précédé d'une étude de Gustave Geffroy
    COLLECTIF, Gustave GEFFROY

    Auguste Brouet. Catalogue de son oeuvre gravé précédé d'une étude de Gustave Geffroy

    Gaston Boutitie & Cie|Paris 1923|23 x 28.50 cm|2 volumes en feuilles sous double chemises et étuis
    First edition, one of 100 numbered copies on Arches paper, deluxe issue.
    Our copy, like all copies from the deluxe issue, is complete with its original etching in double state signed by Auguste Brouet.
    Work illustrated with 270 plates reproducing the artist's engraved work.
    The slipcase of the second volume is worn.
    Handsome copy.
    €400
  48. Le Spectateur ou le Socrate moderne, où l'on voit un portrait naïf des Moeurs de ce SiécleLe Spectateur ou le Socrate moderne, où l'on voit un portrait naïf des Moeurs de ce Siécle
    Richard STEELE, Joseph ADDISON

    Le Spectateur ou le Socrate moderne, où l'on voit un portrait naïf des Moeurs de ce Siécle

    Chez Mérigot|Paris 1754-1755|9.50 x 17 cm|9 volumes reliés

    New edition adorned with seven frontispieces by Scotin the elder. The journal first appeared in volume form in 1712.


    Contemporary full speckled brown sheep binding. Spine with five raised bands, red morocco title and volume labels, gilt compartments and floral fleurons. All edges red. Head caps of volumes 1, 2, 3, 4, 5, 7 and 8 and foot caps of volumes 2, 3, 4 and 9 abraded (some damaged). Corners slightly bumped. Four joints cracked. Pale marginal dampstains to the second volume.

    €450
  49. Le réveille-matin - Exemplaire d'Emmanuel BerlLe réveille-matin - Exemplaire d'Emmanuel Berl
    Paul MORAND (inscribed to Emmanuel BERL)

    Le réveille-matin - Exemplaire d'Emmanuel Berl

    Grasset|Paris 1937|12 x 19 cm|broché
    First edition, one of the review copies.
    A pleasing copy.
    Precious signed autograph inscription from Paul Morand to Emmanuel Berl.
    €450
  50. Musiques nouvellesMusiques nouvelles
    Philippe CHABANEIX, Robert LOTIRON

    Musiques nouvelles

    Les pharmaciens bibliophiles|Paris 1958|23.50 x 28.50 cm|en feuilles sous double chemise et étui
    Edition with 32 original lithographs by Robert Lotiron, one of 200 numbered copies on Rives, the only printing.
    A rare and good copy.
    €300
  51. L'art de l'Islam : la céramiqueL'art de l'Islam : la céramique
    Raymond KOECHLIN

    L'art de l'Islam : la céramique

    Albert Morancé|Paris s. d. [circa 1925]|19.50 x 23 cm|reliure de l'éditeur
    First edition.
    Half hazel shagreen binding, spine with five raised bands slightly faded, publisher's gilt monogram at foot of front cover, marbled paper boards, top edge gilt, publisher's binding.
    Work illustrated with 49 plates at the end.
    €70
  52. SalammbôSalammbô
    Gustave FLAUBERT

    Salammbô[Salammbô]

    Michel Lévy|Paris 1863|15 x 23 cm|relié

    First edition on ordinary paper.


    Half-forest green shagreen contemporary binding, spine with five raised bands, marbled paper board and endpapers, bookplate pasted on one guard.
    Some slight, minor foxing.


    Rare signed and inscribed copy by Gustave Flaubert to (Louis) de Carné, journalist and historian, several of whose works were listed in the inventory of Flaubert's personal library.


    Flaubert's interest in de Carné's work was not always benevolent, however. Critical notes on his articles can be found in the Bouvard and Pécuchet files.
    Moreover, the publication of Salammbô coincided with the controversial election of Louis de...

    €15,000
  53. Vue d'optique - Le Pont Saint Ange à RomeVue d'optique - Le Pont Saint Ange à Rome
    ANONYME

    Vue d'optique - Le Pont Saint Ange à Rome

    Chez Daumont|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Ponte Sant'Angelo in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  54. Vue d'optique - La Vue de Saint Pierre de RomeVue d'optique - La Vue de Saint Pierre de Rome
    ANONYME

    Vue d'optique - La Vue de Saint Pierre de Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving.
    Optical view heightened in watercolor, depicting a view of Saint Peter's in Rome.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very fashionable between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards.
    Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in...
    €180
  55. Vue d'optique - Vue de l'Académie Royale de Peinture à RomeVue d'optique - Vue de l'Académie Royale de Peinture à Rome
    ANONYME

    Vue d'optique - Vue de l'Académie Royale de Peinture à Rome

    Chez Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Royal Academy of Painting in Rome. Blue paper. Optical views, also called views, perspectives or "mondo nuovo", are engravings very fashionable between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first...
    €150
  56. Vue d'optique - Vue du Palais Quirinal à RomeVue d'optique - Vue du Palais Quirinal à Rome
    ANONYME

    Vue d'optique - Vue du Palais Quirinal à Rome

    Chez Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view of the Quirinal Palace in Rome. Blue paper. Optical views, also called vues, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a series of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris, then London...
    €150
  57. Vue d'optique - Vue de l'Eglise de St Jean de Latran à RomeVue d'optique - Vue de l'Eglise de St Jean de Latran à Rome
    ANONYME

    Vue d'optique - Vue de l'Eglise de St Jean de Latran à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, depicting a view of the Church of St. John Lateran in Rome. Optical views, also called vues, perspectives or "mondo nuovo," are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a series of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were drawing room entertainments. The process was first developed in Paris, then London...
    €150
  58. Vue d'optique - Vue perspective de la grande Place du peuple, à RomeVue d'optique - Vue perspective de la grande Place du peuple, à Rome

    Vue d'optique - Vue perspective de la grande Place du peuple, à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving.
    Optical view heightened in watercolor, depicting a view of the great Piazza del Popolo, in Rome.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards.
    Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris...
    €150
  59. Vue d'optique - Les Boulevards de Paris pris de la Porte du TempleVue d'optique - Les Boulevards de Paris pris de la Porte du Temple
    ANONYME

    Vue d'optique - Les Boulevards de Paris pris de la Porte du Temple

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the Boulevards of Paris taken from the Porte du Temple. Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in...
    €150
  60. Vue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à RomeVue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à Rome
    ANONYME

    Vue d'optique - Vue des trois galleries, du Palais des Arts et des Sciences à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the three galleries of the Palace of Arts and Sciences in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered the predecessors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in...
    €150
  61. Vue d'optique - Vue du fameux théâtre de Marcellus à RomeVue d'optique - Vue du fameux théâtre de Marcellus à Rome
    ANONYME

    Vue d'optique - Vue du fameux théâtre de Marcellus à Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the Theatre of Marcellus in Rome. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very popular between the late 18th and early 19th centuries. They were intended to be viewed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and finally...
    €150
  62. Vue d'optique - Vue perspective de la Revue de la Maison du Roy. Vue d'optique - Vue perspective de la Revue de la Maison du Roy.
    ANONYME

    Vue d'optique - Vue perspective de la Revue de la Maison du Roy.

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the review of the King's Household, "infantry which takes place every year in the plain of Sablons one league from Paris". Optical views, also called vues, perspectives or "mondo nuovo", were engravings very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were...
    €150
  63. Vue d'optique - L'intérieur de Saint Paul de RomeVue d'optique - L'intérieur de Saint Paul de Rome
    ANONYME

    Vue d'optique - L'intérieur de Saint Paul de Rome

    Chez Daumont et Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting an interior view of St. Paul's in Rome. Optical views, also called vues, perspectives or "mondo nuovo", were engravings very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  64. Vue d'optique - L'intérieur de l'église Saint SulpiceVue d'optique - L'intérieur de l'église Saint Sulpice

    Vue d'optique - L'intérieur de l'église Saint Sulpice

    Chez Chéreau|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving.
    Optical view heightened in watercolors, depicting an interior view of Saint Sulpice church.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the end of the 18th and early 19th centuries. They were intended to be viewed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards.
    Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in...
    €180
  65. Vue d'optique -Vue de la colonnade du LouvreVue d'optique -Vue de la colonnade du Louvre

    Vue d'optique -Vue de la colonnade du Louvre

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolour, depicting a view of the Louvre colonnade. Optical views, also called views, perspectives or "mondo nuovo", are engravings very fashionable between the end of the 18th and the beginning of the 19th century. They were intended to be observed through a set of several mirrors or by means of a Zegrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €200
  66. Vue d'optique - Vue du Palais d'Holyrood en EcosseVue d'optique - Vue du Palais d'Holyrood en Ecosse

    Vue d'optique - Vue du Palais d'Holyrood en Ecosse

    Chez Hocquart|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of Holyrood Palace in Scotland. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and finally...
    €180
  67. Vue d'optique - Vue de l'église St Ouen à Rouen prise du jardin des plantesVue d'optique - Vue de l'église St Ouen à Rouen prise du jardin des plantes

    Vue d'optique - Vue de l'église St Ouen à Rouen prise du jardin des plantes

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of St. Ouen church in Rouen taken from the botanical garden. Optical views, also called vues, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in...
    €200
  68. Vue d'optique - Vue perspective de la revue de la maison du roi. Infanterie qui se fait tous les ans dans la pleine des Sablons, à une lieu de ParisVue d'optique - Vue perspective de la revue de la maison du roi. Infanterie qui se fait tous les ans dans la pleine des Sablons, à une lieu de Paris

    Vue d'optique - Vue perspective de la revue de la maison du roi. Infanterie qui se fait tous les ans dans la pleine des Sablons, à une lieu de Paris

    Chez J. Chereau|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, representing a perspective view of the review of the royal household. Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process developed first in Paris...
    €200
  69. Vue d'optique - L'Abbaye de Westminster et de l'Eglise Sainte Marguerite à LondresVue d'optique - L'Abbaye de Westminster et de l'Eglise Sainte Marguerite à Londres

    Vue d'optique - L'Abbaye de Westminster et de l'Eglise Sainte Marguerite à Londres

    Chez Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolors, representing a view of Westminster Abbey and Saint Margaret's Church in London. Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the forerunners of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process developed first in...
    €150
  70. Vue d'optique - Vue du cours de MarseilleVue d'optique - Vue du cours de Marseille

    Vue d'optique - Vue du cours de Marseille

    Chez Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the court of Marseille.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was developed first in Paris, then London and finally...
    €230
  71. Vue d'optique - L'Intérieur de l'Abbaye de WestminsterVue d'optique - L'Intérieur de l'Abbaye de Westminster

    Vue d'optique - L'Intérieur de l'Abbaye de Westminster

    Chez Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of the interior of Westminster Abbey.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was developed first in Paris, then London...
    €150
  72. Vue d'optique - Vue intérieure de la Bourse royale à LondresVue d'optique - Vue intérieure de la Bourse royale à Londres

    Vue d'optique - Vue intérieure de la Bourse royale à Londres

    Chez Lachaussée|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Vue d'optique heightened in watercolour, depicting an interior view of the Royal Exchange in London.
    Vues d'optique, also called vues, perspectives or "mondo nuovo", are engravings that were highly fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Vues d'optique can be considered the precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Vues d'optique appear to have emerged in the 1740s and were drawing-room entertainments. The process was first developed in Paris...
    €150
  73. Vue d'optique - Vue de l'Hôtel du Lord Maire à LondresVue d'optique - Vue de l'Hôtel du Lord Maire à Londres

    Vue d'optique - Vue de l'Hôtel du Lord Maire à Londres

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Vue d'optique heightened in watercolour, depicting a view of the Lord Mayor's residence in London.
    Vues d'optique, also called vues, perspectives or "mondo nuovo", are engravings that were highly fashionable between the late 18th and early 19th centuries. They were intended to be viewed through a set of mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Vues d'optique can be considered the precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Vues d'optique appear to have emerged in the 1740s and were drawing-room entertainments. The process was first developed in Paris...
    €150
  74. Vue d'optique - Vue de la Bourse de DunkerqueVue d'optique - Vue de la Bourse de Dunkerque

    Vue d'optique - Vue de la Bourse de Dunkerque

    Chez J. Chereau|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the Dunkirk Exchange.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the predecessors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €250
  75. Vue d'optique - Bourse ou Loge des changes à LyonVue d'optique - Bourse ou Loge des changes à Lyon

    Vue d'optique - Bourse ou Loge des changes à Lyon

    Chez J. Chereau|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Hand-colored optical view in watercolor, depicting a view of the Exchange or Trading Lodge in Lyon.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the predecessors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then...
    €200
  76. Vue d'optique - Vue de St Denis prise du pontVue d'optique - Vue de St Denis prise du pont

    Vue d'optique - Vue de St Denis prise du pont

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolor, depicting a view of St Denis taken from the bridge.
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the late 18th and early 19th centuries. They were intended to be viewed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered precursors to three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was first developed in Paris, then London and finally in...
    €200
  77. Vue d'optique - Vue de la grande place à Tournay. Vue d'optique - Vue de la grande place à Tournay.

    Vue d'optique - Vue de la grande place à Tournay.

    Chez Basset|Paris [circa 1790]|30.50 x 48.50 cm|une feuille
    Original engraving. Optical view heightened in watercolours, depicting a view of the grand square of Tournai.
    Optical views, also called vues, perspectives or "mondo nuovo", are engravings very much in vogue between the late 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views appear to have emerged in the 1740s and were salon entertainments. The process was first developed in Paris, then London and...
    €200
  78. La peinture, poëme en trois chantsLa peinture, poëme en trois chants
    Antoine-Marin LE MIERRE

    La peinture, poëme en trois chants

    Chez Le Jay|à Paris 1769 S.d.|19 x 25.50 cm|relié
    First edition, illustrated with a medallion portrait of Corneille on the title page, and three figures on heavy paper after Cochin, and engraved by Prévost, Ponce and Saint-Aubin.
    Contemporary brown sheep binding. Spine with raised bands decorated with 5 fleurons. Red morocco title-label. Roulette on leading edges. Rubbing. 3 corners slightly bumped.
    Didactic and lyrical poem, in alexandrines.
    €300
  79. Vue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à ParisVue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à Paris
    ANONYME

    Vue d'optique - Élévation perspective du portail de l'église paroissiale de St Eustache à Paris

    Chés Lachaussée|Paris [circa 1790]|46 x 33.50 cm|une feuille
    Original engraving. Optical view heightened with watercolors, depicting Saint Eustache Church. Optical views, also known as views, perspectives or "mondo nuovo", are engravings that were very fashionable between the late 18th and early 19th centuries. They were intended to be observed through a set of multiple mirrors or by means of a Zograscope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were parlor entertainments. The process was first developed in Paris, then London and finally in...
    €150
  80. Instruction sur la conservation et les usages des pommes-de-terreInstruction sur la conservation et les usages des pommes-de-terre
    BERTHOLLET

    Instruction sur la conservation et les usages des pommes-de-terre

    De l'imprimerie de la Feuille du cultivateur|à Paris ca 1795 S.d.|13 x 21 cm|cousu

    The rare first edition of this pamphlet.
    Stitched pamphlet, unbound.


    The commission of agriculture and arts was founded in 1794 and Parmentier was from its creation an eminent and influential member. The potato was soon perceived, thanks to Parmentier, as a means to combat famine and food shortages, whether for humans or animals.


    NB: This work is available at the bookshop on request within 48 hours.

    €400
  81. Les soeurs RondoliLes soeurs Rondoli
    Guy de MAUPASSANT (inscribed to Amaury Marie RENOUL)

    Les soeurs Rondoli

    Paul Ollendorff|Paris 1884|12 x 19 cm|broché

    First edition.
    Authorial presentation inscription signed by Guy de Maupassant “to Monsieur [Amaury] Renoul,” manager of the Librairie Nouvelle, located at 15 boulevard des Italiens. The back room of this celebrated Parisian bookshop served as a literary salon frequented by many of the capital’s foremost artistic and intellectual figures. 
    Spine slightly cocked, joints rubbed, otherwise a very good copy in its original condition.

    €2,800
  82. Description et usage d'un cabinet de physique experimentaleDescription et usage d'un cabinet de physique experimentale
    Joseph-Aignan SIGAUD DE LA FOND

    Description et usage d'un cabinet de physique experimentale

    Chez Gueffier|à Paris 1784|12.50 x 20.30 cm|2 volumes reliés
    Second edition, illustrated with 51 folding plates (23 for volume I and 28 for the second, at the end of volumes) on heavy paper.
    Contemporary full glazed blonde calf binding. Decorated spine with raised bands. Red morocco title-label. Gilt and rubbed volume numbering. Various rubbing. Two corners slightly bumped. Good copy, fresh.
    An extraordinary pedagogue and demonstrator, Sigaud de la Fond early on attended the courses of Abbé Nollet (no less famous for his experiments in physics and electricity) whom he would succeed, and quickly established an experimental physics cabinet. His experiments were numerous and engaged many fields: electricity, but also phosphorus, toothpaste...
    €1,300
  83. D. Dionysii Carthusiani insigne comentariorum opus, in Psalmos omnes Dauidicos. Quos ipse multiplici sensu quantum fieri potuit, nempe Literali, Allegorico, Tropologico, & Anagogico (id quod nemo hactenus praestitit) non nisi solidissimis sacrae scripturae locis, doctissime explanat. [Ensemble] D. Dionysii carthusiani, in quatuor evangelistas enarrationes, praeclare admodum, & ab eruditissimis optimisque viris quam diutissime desideratae, atque nunc ex altera : eaque diligentissima ad archetypon recognitione, sublatis mendis quibus scatebant pluribus, quam diligentissime excusaeD. Dionysii Carthusiani insigne comentariorum opus, in Psalmos omnes Dauidicos. Quos ipse multiplici sensu quantum fieri potuit, nempe Literali, Allegorico, Tropologico, & Anagogico (id quod nemo hactenus praestitit) non nisi solidissimis sacrae scripturae locis, doctissime explanat. [Ensemble] D. Dionysii carthusiani, in quatuor evangelistas enarrationes, praeclare admodum, & ab eruditissimis optimisque viris quam diutissime desideratae, atque nunc ex altera : eaque diligentissima ad archetypon recognitione, sublatis mendis quibus scatebant pluribus, quam diligentissime excusae
    Denys le CHARTREUX

    D. Dionysii Carthusiani insigne comentariorum opus, in Psalmos omnes Dauidicos. Quos ipse multiplici sensu quantum fieri potuit, nempe Literali, Allegorico, Tropologico, & Anagogico (id quod nemo hactenus praestitit) non nisi solidissimis sacrae scripturae locis, doctissime explanat. [Ensemble] D. Dionysii carthusiani, in quatuor evangelistas enarrationes, praeclare admodum, & ab eruditissimis optimisque viris quam diutissime desideratae, atque nunc ex altera : eaque diligentissima ad archetypon recognitione, sublatis mendis quibus scatebant pluribus, quam diligentissime excusae

    apud Ambrosium Girault • In aedibus Claudii Chevallon|Parisiis [Paris] • (Paris) 1539 et 1536|22 x 33.50 cm|deux volumes reliés en un
    Fourth edition produced by Lodoycus Tiletanus for the first text; this edition having been shared among multiple printer-booksellers in Paris. Printer's device on title page. Initials. Colophon: Parisiis, Excudebat Iohannes Lodoycus Tiletanus. M. D. XXXIX. Not listed in Adams. Edition found several times in the British Library catalogue but with different printers.
    The second work appears to have been published for the first time in 1532. Magnificent woodcut title page, with Claude Chevallon's printer's device, Christ in glory and a nativity with the Virgin and the Magi, symbolic images representing the position of Claude Chevallon's widow. Initials. This edition is not found in English...
    €2,000
  84. A voix basseA voix basse
    Francis CARCO

    A voix basse

    Albin Michel|Paris 1938|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Signed autograph inscription from Francis Carco to Lucien Descaves.
    Light worming affecting mainly the endpapers.
    €70
  85. Fond de cantineFond de cantine
    Pierre DRIEU LA ROCHELLE

    Fond de cantine

    Nrf|Paris 1920|13 x 19.50 cm|broché
    First edition, one of 940 numbered copies on pur fil, the only large paper copies with 118 re-imposed.
    Autograph inscription dated and signed by the author in pencil to Monsieur Hennique.
    A good copy.
    €800
  86. Jacob Cow le pirate ou si les mots sont des signesJacob Cow le pirate ou si les mots sont des signes
    Jean PAULHAN

    Jacob Cow le pirate ou si les mots sont des signes

    Au sans pareil|Paris 1921|11.50 x 14.50 cm|broché
    First edition, one of 500 numbered copies on vellum, the only issue after 5 Japan and 20 Hollande.
    Precious signed autograph inscription from Jean Paulhan to (Jean-Emile) Laboureur.
    Work illustrated with a vignette by André Derain on the cover.
    Two tiny insignificant lacks at head and foot of one joint, small sunning at foot of spine extending slightly onto both boards, handsome copy.
    €680
  87. Secrets d'étatSecrets d'état
    Tristan BERNARD

    Secrets d'état

    Edition du Monde Illustré|Paris 1908|12 x 19 cm|broché
    First edition, one of 30 numbered copies on Hollande paper, the only deluxe copies.
    Precious autograph inscription from the author to his friend Fernand Vandérem, to whom the work is dedicated and in which he evokes the world of horse racing.
    Handsome copy.
    €350
  88. Les parents paresseuxLes parents paresseux
    Tristan BERNARD

    Les parents paresseux

    Editions des portiques|Paris 1932|12 x 19 cm|broché
    First edition, one of 35 numbered copies on vélin pur fil paper, the only large paper copies.
    Handsome autograph inscription from the author to his friend Fernand Vandérem.
    A very good copy.
    €280
  89. Les biens de ce mondeLes biens de ce monde
    Irène NÉMIROVSKY

    Les biens de ce monde[All Our Worldly Goods]

    Albin Michel|Paris 1947|14 x 19 cm|broché
    First edition, one of 100 numbered copies on vélin de Rives, the only large paper copies.
    A rare and good copy with edges preserved.
    €600
  90. Les dieux s'en vont d'Annunzio resteLes dieux s'en vont d'Annunzio reste
    Filippo Tommaso MARINETTI

    Les dieux s'en vont d'Annunzio resteThe Gods Are Leaving, D'Annunzio Remains

    Sansot|Paris 1906|11.50 x 19 cm|relié
    MARINETTI Filippo Tommaso
    Les Dieux s'en vont d'Annunzio reste [The Gods Are Leaving, D'Annunzio Remains]
    Sansot, Paris 1906, 11,5 x 19 cm, contemporary half red morocco
    First edition in French, for which there is no mention of grand papier (deluxe) copies.
    Contemporary half ed morocco over marbled paper boards by Stroobants, spine in six compartments decorated with gilt spots and double gilt compartments with gilt typographic devices (slight insignificant rubbing to three bands), gilt fillet frame to boards, marbled endpapers and pastedowns, wrappers and spine preserved, top edge gilt.
    Autograph inscription from Filippo-Tommaso Marinetti in...
    €1,200
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