Paris

First edition on ordinary paper.

Some scattered foxing.
Bradel binding in full combed paper, smooth spine, navy morocco lettering-piece framed with gilt fillets, elegant pastiche binding signed by Thomas Boichot.
Rare and precious autograph inscription signed by Hector Malot: "A Guy de Maupassant, son dévoué confrère."

First edition for which there is no mention of large paper copies.
Bradel binding of paper boards, dark blue morocco title label with gilt fillets, covers preserved, elegant binding by Thomas Boichot.
Handsome autograph inscription from the author : "A Guy de Maupassant, son ami."

New post-incunabula edition in Petit Jehan. Gothic print in two columns to 45 lines. Thumbnail of the printer on the title page. The first edition was published in 1498. Jehan Petit reprinted several times in sermons 1506-1522 (Brunet). Many white initials on black (full of stars or others).
Colophon transcribed: "Opera Johannis Barbier impensis vero honesti viri Johannis Small Bibliopole parisiensis impressorum. Anno. M.CCCCC. VIII quarto nonas maii. »
Full burgundy morocco binding late ^nineteenth or early ^{twentieth century.} Back with nerves decorated with jewels box section 5. Golden tail date basis. Cold coaching nets on the dishes. Gilt edges. Wetting...

First edition, of which there were no large paper copies.
Elegant pastiche binding by P. Goy & C. Vilaine in half copper-colored calf over marbled paper boards, spine with double gilt fillets and date in gilt at foot, marbled pastedowns and endpapers, covers preserved.
Autograph inscription from Jules Barbey D'Aurevilly to his friend (Eugène) Yung, director of the La revue bleue, in pink ink.
A few spots, mostly to final leaves.