Paris (France)

First edition.
With a photographic portrait of the author as frontispiece.
A good copy.

Original issue for which it was not derived great papers and having the correct one colophon, false entry of seventh edition.
Very rare autograph dedication signed by the author on the original edition of the masterpiece of Albert Camus.
The first edition of the Stranger was pulled to 4400 copies 21 April 1942 and divided into eight dummy "editions" of 550 ex. Camus, who was then living in Oran "received a copy - one for his author's copies were lost en route." (See "Albert Camus" by H. Lottman). It was not until August 1942, when he arrived in France, to cure his tuberculosis he could autograph a few copies in its retirement Panelier near Chambon sur Lignon.
We could not identify the relationship between the dedicatee, Nelly Albon, and Albert Camus, it is not possible to say that the dedication of the book is contemporary. however, the dedications on the same post abroad are a rarity badge.
Our copy is presented shirt and bag: back of the shirt red morocco, marbled paper plates, golden tail date lined case the same morocco and marbled paper covered with the same elegant signed set of P. & C. Goy Vilaine .

First edition of which there were no large paper copies.
A clear dampstain to head of spine, otherwise a good copy.

First edition printed on alfa paper, the only printing with 5 on Japan paper and 10 on Lafuma paper.

A good copy.

Later collected edition, first in part since the author corrected both texts.
Rare autograph inscription signed by Prosper Mérimée on half-title.
Covers and spine restored and reinforced, marginal repairs to half-title.
A light and clear marginal dampstain to head of second page, almost no spotting.
With a brown cloth slipcase lined in beige felt.

First edition.
Illustrated with 48 photographs and one map hors texte.
A good copy.

New edition, falsely stated the 1000th.
Preface by J.H. Fabre.
With 16 plates hors texte.
A good and rare copy.

First edition, one of 935 numbered copies on Arches paper, the only printing with 5 on Japan paper and 65 Hollande paper.
Tiny spots, not serious, to spine, a good copy.

New edition of which there were no large paper copies.
Autograph inscription from Léo Malet.
A good copy.

Later edition.
Half black shagreen over vellum-effect paper boards (slightly rubbed), spine in five compartments with blindstamped fillets, slight insignificant rubbing to joints, marbled endpapers and pastedowns, ex libris to one endpaper.
Rare autograph inscription signed by Alphonse de Lamartine.
Scattered foxing.