Handsome copy.
Autograph inscription dated and signed by Joseph Joffo to a woman named Lyne: "... la vie sans musique n'est rien...." ["... life without music is nothing...."]
Autograph letter dated and signed by Jacques Chardonne addressed to his friend Roger Nimier (54 lines in blue ink) regarding Paul Morand's style, spiritual father of the Hussards, Roger Nimier and Antoine Blondin being considered, much against their will, as leaders of this literary movement.
Fold marks inherent to the letter's mailing, envelope included.
Jacques Chardonne intends to challenge two false ideas concerning Paul Morand, the first being stylistic in nature: "There is a double misunderstanding regarding Morand. He has been seen as a 'modern'... but he is essentially a 'naturalist'; his artistic doctrine is exactly that of Maupassant and Flaubert." holding the latter as a major writer: "But he has infinitely more talent and intelligence than the writers of the naturalist school." ; the second of a psychological nature: "He is hygiene and wisdom incarnate, in his person. But through his work he has debased the youth who came after him. It is he who nearly killed Sagan."
Jacques Chardonne then ironizes about Françoise Sagan's talents while exalting the predominance and mastery of his friend Paul Morand in everything he undertakes: "It is Morand who bought Sagan's terrible cars. But he knows how to drive." while recalling the cautious advice that Bernard Frank gave to the author of Bonjour tristesse : "Bernard Frank says: your car doesn't hold the road... Sagan, vexed, accelerates. And everything capsizes."
As a literary elder brother, Jacques Chardonne reassures Roger Nimier about his own talent: "Morand is very pleased with you. I say that Gaston (Gallimard) seems to have much friendship for you." and congratulates his correspondent on the quality of Artaban, a review to which Roger Nimier contributes, Jacques Chardonne being honored in a recent issue: "... surprised to see myself on the front page; the text fills me with pride. I have scorned honors, in order to be honored. I could not have been better served than in this little text." and attributes the authorship of the text concerning him to one of his Hussard disciples: "... I tell myself: it's Nimier, or Hecquet, or Milliau. Truth be told, I don't know. And I thank the Lord."
Overwhelmed by so many tributes paid to him, Jacques Chardonne, lucid, prefers to avoid being too much in the spotlight: "That is why I no longer want to publish anything. As soon as one applauds you, you must leave."
Very handsome letter from Jacques Chardonne praising his friend Paul Morand, spiritual father of the Hussards, and evoking Françoise Sagan's terrible car accident in an Aston Martin on April 13, 1957. A premonitory evocation: Roger Nimier would kill himself five years later on the western highway, on September 28, 1962, also at the wheel of an Aston Martin.
Autograph letter dated and signed by André Frénaud addressed to art critic Georges Raillard (12 lines in blue ballpoint pen) regarding the publication of his latest work L'étape dans la clairière.
Fold marks inherent to the letter's envelope placement, envelope included.
André Frénaud expresses his discontent at being so poorly perceived in the literary world and, in an effort to be better regarded, he appeals to Georges Raillard regarding his latest work L'étape dans la clairière: "... je vous l'adresse comme une approche par l'auteur, très subjective donc et unilatérale, pas du tout une interprétation officielle et complète !!! mais cela vous intéressera peut-être pour éclairer sinon une intention préalable au poème du moins une analyse chemin faisanrt et après coup." ["... I send it to you as an approach by the author, very subjective therefore and unilateral, not at all an official and complete interpretation!!! but this might interest you to illuminate if not a prior intention to the poem at least an analysis in the making and after the fact."]
Album of lithographed plates in third state, first cover printed in 3 tones, black, bistre with gradients and white highlights, followed by 24 lithographs in black on 12 double-sided pages.
Gray half calf binding, smooth spine, some foxing, original soft cover preserved, binding signed by Charles Septier.
Created in 1851, this youthful work influenced by Rodolphe Töppfer's style, is now considered an incunabulum of comic strips.
First collective edition of this complete series of 25 original lithographed plates printed on thick vellum.
Mounted engravings, preceded by a title page bringing together three series: Souvenirs de Carnaval (6 plates), Les bals masqués (7 plates), Costumes historiques (12 plates).
Each of these series first appeared in other journals: under the title 'Souvenirs de Carnaval' in Ritner et Goupil, 'Les bals masqués' in La Caricature and 'Costumes historiques' in Charivari.
Engravings in third state according to Vicaire.
Some foxing.
Red half straight-grained morocco Bradel binding, smooth spine decoratively tooled and lettered in gilt with a rich ornamentation of repeated floral motifs, marbled paper pastedowns and endpapers, binding signed V[ictor] Champs.
Very rare collection in a deluxe edition printed on thick vellum, elegantly bound.
First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.
Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and subtitle in black, box lined with burgundy paper, superb work by artist Julie Nadot.
Manuscript list by André Malraux (20 lines in blue ballpoint pen) providing details and instructions for André Parinaud concerning the publication of his works forming the "Ecrits sur l'art" collection illustrated with photographs by Roger Parry.
Fold marks inherent to postal mailing.
Resistance member and contributor to Combat, André Parinaud was a journalist, columnist, art critic and writer. From 1959 to 1967, he held the position of editor-in-chief of the important weekly Arts bringing together the elite of French creation in all artistic fields : literature, painting, theater, cinema... He would then conduct more than 1000 radio interviews with the greatest writers and artists including Salvador Dali, Louis-Ferdinand Céline, Colette, Paul Léautaud, André Breton, Georges Simenon and André Malraux... While continuing to work at O.R.T.F. and on radio, he founded several festivals or artistic events such as Le Festival international du film d'art, l'Académie nationale des arts de la rue.