New York

First edition of this travel narrative with reproductions of the photographs Jack London took during his voyage, including one in color as frontispiece. Copy from the first printing.

Publisher's light blue binding, with a color depiction of the sailing ship “Snark” on the front cover, title and author in gilt on the front cover, smooth spine with gilt title, author and publisher. Very slight rubbing to the binding, otherwise a very fine copy.

First edition and the inaugural volumes of this significant scientific periodical, whose publication continued until 1954.

Volumes 43, 4, 5, and 6 are illustrated with respectively 332 in-text figures, 392 figures, 138 in-text figures, and 179 in-text figures.

Contemporary half-sheep bindings in brown, smooth spines decorated with gilt fillets and garlands, spines rubbed, red lettering and volume labels with a few minor losses on some volumes, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges, some volumes slightly rubbed at the extremities, the upper corner of the fourth volume lacking, a few snags to the board edges; period bindings.

The first...

First edition.

Publisher’s binding, smooth olive-green cloth spine partially faded, upper headcap trimmed, cream boards speckled with pink, bumped corners, shadowed endpapers.

Signed autograph inscription by Thomas Nelson Page at the head of the title page.

First edition, for which there was not printed any grand papier (deluxe) copies.
Publisher's binding in full grey cloth.
Illustrations.

Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.

Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”

First edition following the unobtainable mimeographed version produced by the author.
Inevitable minor wear along the edges of the covers and spine, restoration to the upper left corner of the front cover, newspaper clipping laid in. Barnes & Noble price sticker affixed to the front cover.
Commentary by Paul Krassner.
 
This incendiary pamphlet, issued by the marginal and modest Olympia Press, newly re-established in New York, was printed in only a small number of copies.
Gender discrimination, hate speech and incitement to genocide, a violent and unrepentant attempted murder of one of the most celebrated artists of the twentieth century, the advocacy of...

Black-and-white photograph showing Debbie Reynolds smiling in profile.

A fine example. With the autograph envelope sent by Debbie Reynolds to the prominent autograph collector Claude Armand.

Signed autograph inscription from Debbie Reynolds to Claude Armand: "To Claude best wishes. Debbie Reynolds."

First edition with 25 full-page photographs.
Green cloth publisher's binding. Copy complete with its dust jacket, with very slight tears, and traces of wear to the margins.
Rare autograph signature of Maria Callas on the title page.

First edition, one of the 300 numbered copies printed on red “bouffant” paper, the only deluxe issue alongside 5 copies on hollande. Covers slightly and marginally soiled, two initials in red ink in the upper left corner of the front cover.

Illustrated with a “portrait de crotte de bique et couillandouille par eux-mêmes” [portrait of goat-dropping and dick-and-drumstick by themselves.]

Very famous work from the Dadaist canon, written by Pansaers one year before his untimely death — the...

New edition. "American Imprints" 28030. See Lowndes II, 298 for the first edition: "Liveliness of description of scenery and manners, couched in an easy and elegant style…"

Contemporary half havana shagreen with corners, spine decorated with gilt fillets and fleurons, rubbed beige morocco label, a few minor scuffs along the spine. Gilt garland borders framing the marbled paper boards, endpapers and pastedowns of rose paper lightly soiled at margins, marbled edges. Late 19th-century binding.

Some occasional foxing.

A good copy.

Composite copy: the first volume corresponds to the second American edition, which is partially original (with the shortened title Incidents of Travel in Yucatan), while the second is the first edition (with the full title); the text of the first volume being expanded compared to the 1841 edition. This title, originally printed in 15,000 copies, was a tremendous success and saw numerous reprints between 1841 and the author’s death in 1852 (cf. Sabin 91 297 and 91 299).

Illustrated with 96 engravings distributed as follows: 54 illustrations (some full-page in-text), including 21 plates out of text (among them a folding map and a folding frontispiece) for the first volume...

Illustrated with a facsimile letter as frontispiece and a folding map at the end of the volume (cf. Sabin, 80002 and 25852).

Only one copy listed in the CCF (BnF).

Contemporary binding in red half shagreen, spine with five raised bands framed by gilt dotted rules, gilt triple compartments, marbled paper boards, marbled endpapers and pastedowns.

Traces of damp to the beginning of the volume, with clumsily restored paper margins to the upper right corners of some leaves, occasional foxing.

Previously published as the fourth volume in French’s major series, Historical collection of Louisiana, this compilation concerning the exploration of the Mississippi...

First bilingual English-French edition, illustrated with three engraved title pages and one hundred and thirty-two steel-engraved plates after drawings by Samuel Prout and James Duffield Harding, with tissue guards.

Publisher's brown half-chagrin bindings, boards in blind-stamped percaline, a gilt trophy at the centre of each board, a small gilt coat of arms at the head of the upper board of each volume, spines richly gilt with ornamental tooling, bilingual title and volume number gilt-lettered on the spines, yellow paper endpapers, gilt edges. Spines and corners lightly rubbed, some scuffing, one joint of the third volume split at the foot, occasional foxing.

...

First true edition as an earlier, truncated and inaccurate edition of this book had already appeared the same year in Brussels.
Copy in the original wrappers, as issued. Trace of a crease to the lower right corner of the front wrapper.

One of Hugo's masterpieces, containing some of the most powerful and sarcastic poems of the century. The emperor so reviled is treated here more mercilessly, if that is possible, than in Napoléon le Petit.

First American edition.

Publisher's original brown paper-covered boards, flat spine, spine ends and corners lightly rubbed, complete with its illustrated dust jacket showing a few minor closed tears.

Profusely illustrated throughout.

An exceptionally important presentation copy inscribed Paul Bocuse to Lionel Poilâne: "A monsieur Poilane avec toutes mes amitiés gourmandes. Paul Bocuse 1978." [with all my gourmand sympathies]

American edition based on the 1929 translation by the poet William Carlos Williams of Philippe Soupault's 1928 post-Surrealist work, Les Dernières Nuits de Paris. Enriched with illustrations, an introduction by the author written in 1980, "William Carlos Williams in Paris. By Day and by Night," translated into English for the present edition by Ron Padgett, a publisher's note, and a reprinted epigraph.

Complete with its violet dust jacket, with the price indicated on the rear...

First edition of the English translation published in New York, based on the 1927 first edition and the second edition of 1928, both printed in German.

Publisher's binding in black cloth, title and author's name gilt to spine and upper board, polychrome reproduction of a work by the artist laid down to the same board.

Small losses to the upper headcap, which is beginning to lift slightly, minor wear to the lower headcap, gilt...

First edition of the English translation published in New York, based on the first edition and the second edition, both printed in 1912.

Publisher's binding in black cloth, title and author's name gilt to spine and upper board, polychrome reproduction of a work by the artist laid down to the same board.

Upper headcap missing, lower headcap worn, three small holes to the spine cloth, gilt entirely faded to spine, slightly so to...

Later edition.

Publisher's full green cloth binding, smooth spine, copy complete with its illustrated dust jacket which shows a few small tears and minor losses.

The verso of the front panel of the dust jacket shows an angular loss affecting the printed price.

Dated and signed autograph inscription from Richard Wright to Ganan Bocca.

Copy of the thirteenth printing of the first edition illustrated by the author.
Publisher's full bottle-green binding, smooth spine decorated in black with the title and author's name at the head and the publisher's name at the foot, upper board decorated in black with the title and author's name within a blind-stamped border, complete with its illustrated dust jacket. Author's inscription in blue ink on the first free endpaper, followed by a slightly faded ex-dono on the next: "I hope you will still feel like reading this. Love, Sisi."
Headcaps slightly bumped, losses, folds and tears to the dust jacket.

First edition of this anthology of French poetry compiled by the former French headmistress of an American boarding school, comprising 128 poems by the foremost French poets, from Malherbe to Victor Hugo, which the editor assigned to her pupils during her tenure.

Publisher’s full violet cloth, spine lightly faded, headcaps slightly frayed, upper cover blocked in gilt at centre with a swan, brown endpapers and pastedowns, hinges slightly split.

On the front free endpaper, a violet stamp bearing the name “Consuelo”. This very likely refers to Consuelo Suncin Sandoval (1901–1979), the Salvadoran artist who married Antoine de Saint-Exupéry in 1931 and was one of the muses of the...

First edition abundantly illustrated with photographs.
Publisher's full black cloth binding, smooth spine, black paper endpapers and pastedowns, black edges, complete with dust jacket and soft cardboard slipcase.
Signed and inscribed by Peter Marino to a couple of friends accompanied by two drawn hearts on an endpaper: "For Christine & Olivier. Love. Peter"

Posthumous first edition of Mallarmé's chronicles for the journal La Dernière mode. Preface by S. A. Rhodes.

3/4 morocco binding, spine with five raised bands, gilt title, decorative paper covers, marbled endpapcers and paste­downs. Bound as issued, top edge gilt, binding signed by Maylander. Spine and top of the front cover faded, and small trace of adhesive to one of the flyleaves.

A rare copy of the only first edition of Mallarmé published in the U.S. - bring­ing together chronicles from his great magazine of wit and opinion, The Latest Fashion, every page of which he wrote himself under various pseudonyms of both genders. Mallarmé wrote about the latest women's...

First edition of this magazine led by Ivan Goll, uniting French surrealists then in exile in the United States with their American peers.
Several contributions including those from Saint-John Perse, Roger Caillois, William Carlos Williams, Alain Bosquet, Ivan Goll, André Breton, Aimé Césaire, André Masson, Henry Miller, Kurt Seligmann, Denis de Rougemont, Julien Gracq, Eugène Guillevic, Robert Lebel...
Illustrations by George Barker, André Masson, Wifredo Lam, Yves Tanguy.
Pleasant and rare collection despite a small piece missing at the foot of the spine on the double issue 2 & 3.
Complete collection in 6 issues and 5 deliveries (numbers 2 & 3 being double) of this...

First edition, one of 750 numbered copies signed by the author, the only grands papiers (deluxe) copies.
Publisher's binding in half black cloth, marbled paper boards.
Autograph signature of William Faulkner on the justification page.
A beautiful copy, complete with its original acetate dust jacket.

First edition, illustrated with 21 steel portraits of women from American society. Gift inscription on the title page.

Contemporary publisher's full black shagreen binding. Spine with raised bands, 5 decorated compartments, roulette at head and tail. Central blind medallion on boards surrounded by rich ornamental frame with foliage and flowers. Wide interior border. Rubbing to upper joint at tail, very narrow split in leather to lower joint at tail along 3 compartments. Gilt edges. Traces of rubbing. Perfectly fresh copy, with tissue guards, printed on tinted laid paper.
History of the United States after the War of Independence under Washington's governance. The...

First edition.
A shadow left by a piece of postal label on an endpaper and on the facing page where the autograph inscription appears.
Publisher's binding in full black cloth, smooth spine, complete with its photographic dust jacket which has small marginal tears.
Autograph tribute dated and signed by Erika Ostrovsky in French to Nadine Nimier, widow and wife of Roger Nimier who, after the war, rehabilitated Louis-Ferdinand with French publishers: "Avec beaucoup d'amitiés. Erika Ostrovsky. Juin 1967."
We include a promotional bookplate from the "New york university press" enriched with Erika Ostrovky's...

Second issue, printed in March-April 1917, one month after the first edition published in February of the same year.
Publisher's red cloth.
Exceptional inscribed copy signed by H.G. Wells to André Citroën: “To André Citröen who has to do his share in making a new world out of a very shattered old one. From H. G. Wells.”
The inscription echoes the chapter of the book entitled New arms for old ones, in which Wells describes the armament factory created by Citroën to remedy the French artillery weakness. Reconverted at the end of the war, the factory will become the first Citroën automobile manufacturer.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.


Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Portrait of Tsuguharu Foujita, original photograph on albumen paper. Blue stamp of the studio "Photographie Simon's, 40 rue de Passy, Paris" on the back of the print.

Splendid portrait inscribed by Foujita on his birthday: "A Lolotte Rabinovitz / Avec mes amitiés / Je suis toujours / prêt à toi [sic] / à Yoshinoya New York / ma fête 27 nov 1930". "To Lolotte Rabinovitz / With my friendship / I am always / close to you / at Yoshinoya New York / my birthday 27 Nov 1930".

First collected edition bringing together these three titles for the first time in a single volume.

Contemporary black half shagreen binding with corners, spine with three raised bands, gilt anchor stamped at foot of spine, minor rubbing to spine, gilt medallion in the upper left corner of the upper board depicting the liner Normandie with three red and black inlaid shagreen pieces representing its funnels; marbled endpapers and pastedowns, binding executed at the time for the SS Normandie.

A handsome copy with a prestigious provenance.

First edition, one of 450 numbered copies on Corsican paper.
A pleasant copy, despite the spine and covers being slightly and marginally toned, as often.

First edition, one of 100 copies numbered on Arches wove paper, the only deluxe issue.

This exhibition catalogue devoted to the painter’s work at the Pierre Matisse Gallery in New York, marking his sixtieth birthday, is illustrated with three original lithographs (two double-page and one single-page) together with numerous black-and-white and colour reproductions.

Offsetting from the lithographs visible on the facing text leaves.

Autograph signature by Joan Miró, dated at the colophon number.

As stated in the limitation, this copy indeed includes its original lithograph, dated and signed by Joan Miró.