New York

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

First edition in French by Francis Wilder.
Two small tears to head and foot of spine.

Original color lithograph, one of 15 proofs on Japon impérial paper reserved for the artist and his collaborators, the only printing with 20 more on Japon and 250 on Arches paper. Unsigned proof, as all proofs in this series, other than the frontispiece.
A superb proof on Japon paper specially made for The Story of Exodus, published in 1966, for which Chagall made 24 hors-text lithographs printed by Mourlot.
An exceedingly rare original proof on Japon paper, the most attractive and best for color lithographs.

Fernand Mourlot was undoubtedly the finest lithographic printer of the 20th century and was thus the friend and printer to the leading artists of his day...

First edition, one of 1000 numbered copies on Midwood offset paper, this copy not justified, the only large paper copies.
A good copy.

First edition, one of 450 numbered copies on Corsican.
Spine and covers slightly and marginally sunned as usual.
A good copy.

First edition on ordinary paper.
Spine insignificantly rubbed, internally good.

SAINT-EXUPéRY Antoine de
Le Petit Prince [The Little Prince] Reynal & Hitchcock, New-York 1943, 185 x 230 mm (7 1/4 x 9 1/16 ”), publisher's cloth, dust jacket, custom slipcase
Third printing, produced a few weeks after the first and the same as the first edition (“marque au corbeau”, price, publisher's address), but in a blue-grey binding and with the notice “third printing” on the front free endpaper.
One of the two referenced copies of the Petit Prince in French to date, signed by Saint-Exupéry.
Publisher's blue-grey cloth with illustrated dust jacket (two small repairs to foot of...

First Papers of Surrealism First edition of this leaflet for an exhibition held in New York from 14 October to 7 November 1942. A famous cover with five bullet holes, designed by Marcel Duchamp.
Illustrated. Ex-libris inkstamp to head of one blank endpaper.
Small insignificant scratch to head of spine, a good and rare copy.

American Edition.
Binding of the editor in full sand canvas, smooth back slightly insolated, illustrated boards a drawing of Joan Miro, guards and contreplats of white paper with small foxing and dirt.
Signed autograph of Joan Miro in pencil Danièle Wood enriched with a star surrounded by tiny dots of color.
Iconography.
Small foxing on the cover boards and margins of some leaves.

MIRÓ Joan
Joan Miró, Dibujos y Litografias. Coleccion Juan de Juanes I. Papeles de son Armadans
Seix Barral & New York graphic society, New York 1959, 25 x 35,5 cm, loose leaves with custom slipcase
First edition, one of 700 numbered copies, complete with the original lithograph at end.
With 19 watercolors and 3 lithographs.
Spine of case slightly sunned, repaired tear to foot.
A very good copy.
$ 2 250

A memoir of the construction, cost, and capacity of the Croton Acqueduct, compiled from official documents: together with an account of the civic celebration of the Fourteenth October, 1842, on occasion of the completion of the great work


By Charles King | New York 1843 | 23 x 28.2 cm | publisher's binding
The first edition, rare, view of the aqueduct as frontispiece.
Publisher's luxury binding in black morocco-effect shagreen, spine richly decorated with garlands and interlacing mirrored lines. Title and date gilt. Boards heavily decorated with a complex mirrored scheme. Frieze to inside of pastedowns. Spine with some discoloration. Head- and tail-pieces...

US Edition of wich no leading copies exists.
Binding of the editor in full blue fabric, smooth lightened spine, caps slightly rubbed.
autograph dedication of the author autograph signed Marcel Pagnol to André Chevrillon.

First edition in English, translated by John Dos Passos, printed in 300 copies on Utopian laid paper.
Autograph signatures of B. Cendrars and J. Dos Passos to justification page.
With original illustrations by John Dos Passos.
A very good copy.

First edition for which there were no large paper copies.
Endpapers slightly and partly faded, otherwise a good copy.

First edition, one of 120 numbered copies on Corsican, the only large paper copies.
Slight marginal tears, not serious, on the cover, printed ex-libris to head of first endpaper.

A first impression copy printed in 'cent mille copies'.
A good and rare copy.

New edition.
Autograph inscription from Anais Nin, in English, to the writer Daniel Odier.

First edition.
Small marginal lacks to foot of upper cover, foxing.

Second edition, of which there were no deluxe copies.
An angular lack to the head of the front cover.

First edition.
Contributions by Meyer Schapiro "On a painting of Van Gogh", Sidney Janis "Morris Hirshfield dies", Kurt Seligmann "Magic and the arts, Charles Henri Ford "Chanson pour Billie", Paul Bowles "By the water"...
Cover illustrated by Isamu Noguchi, illustrations by Yves Tanguy, Vincent Van Gogh, Esteban Frances...

First edition.
Contemporary half indigo cloth Bradel binding, smooth spine decorated with gilt fleuron, double gilt fillet at tail, marbled paper boards, original wrappers preserved.
Autograph inscription signed by T.L. Casey.
Handsome and rare copy.

First edition.
Publisher's full blue cloth binding, complete with dust jacket in perfect condition.
Author's autograph signature.
Additionally, our copy is enhanced with a typed letter from the author, in English, bearing his manuscript signature and a visiting card on which O. Samuelson has added a few words.
Rare ensemble.

First edition, of which there were no deluxe copies.
Publisher's full brown cloth Bradel binding, smooth spine. Handsome copy lacking dust jacket.

First edition printed in 520 numbered copies justified by the publisher on Corsican.
Work illustrated with a photographic frontispiece.
Spine slightly creased, small marginal folding traces without gravity on the first cover, otherwise handsome copy.

Second edition.
Publisher's red paper boards, spine decorated with gilt romantic ornamental motifs, covers with blind-stamped frieze borders, central gilt motif on front cover repeated blind on rear cover.
Rare work illustrated by the finest artists of the period.
Some minor foxing.

First edition, of which there were no deluxe copies.
Publisher's Bradel binding in full blue-grey boards, smooth spine slightly faded, title label at head with a small lack, minor marginal stains without significance at foot of front board, handsome interior condition.
Gift inscription from a previous owner facing the first endpaper.

Third edition published at the instigation of American friends of Czechoslovakia. A pale marginal dampstain to the front cover affecting the interior more lightly.

First edition of this exhibition catalogue held in November 1929.
Iconography.
A previous owner of the work attempted, in pencil, to reproduce certain illustrations contained in this volume.
Unlettered black cloth spine with two lacks at foot and head, boards stained.
Working copy.

First edition.
Minor insignificant lacks and marginal spotting to dust jacket flaps, otherwise handsome copy.

First edition.
Publisher's Bradel binding in full green cloth, dust jacket preserved with very slight corner losses.
Illustrations by Robert King.

Second edition with some parts in first edition.
Publisher's full blue paper boards, smooth spine faded and decorated with blind fillets, frames of floral motifs in blind on boards which show small stains, one tear without loss to second board.
Work illustrated with engravings, copy almost entirely free from foxing.

First edition.
Illustrated cover.

Reprint, one of 500 numbered copies on alfa paper, the only printing with 50 copies on pur fil paper.
This is a description of 524 printed works published in French before 1610 dealing with non-European countries and peoples found in the principal libraries of France and Western Europe. Work illustrated with 300 photographic reproductions. Handsome copy.

New edition and freely translated from the English.
Occasional small foxing, otherwise a rare and very good copy.

First edition.
Autograph inscription from John Phillips to Dosia & Terence (Young).
Introduction by C. Ryan, iconography.
One tear without loss reglued at the foot of one joint, handsome copy.

First edition.
A lack at head and another more significant one at foot of spine, a stain on first cover, slight marginal lacks on second cover, handsome interior condition.
Rare.

Second edition.
Cover illustrated with a drawing by P. Picasso. About P. Picasso, R. Dufy, C. Monet, M. Utrillo, A. Derain, F. Léger, O. Friesz, M. de Vlaminck, A. Renoir, A. Ozenfant, H. Rousseau, F. Picabia...
Iconography of the work of these prestigious artists. Spine sunned with a tear at foot, otherwise a handsome copy.