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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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CLAES JANSZ VISSCHER
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  2. CLAES JANSZ VISSCHER

CLAES JANSZ VISSCHER

Born1550
Died1612
LanguageDutch
NationalityNetherlands
Graveur et éditeur d'estampes à Amsterdam
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VISSCHER, CLAES JANSZ
  1. In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècleIn Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    In Macedum terris, ad maenia nota Philippi, Cum docet aeterni Paulus miisteria Christi. Sub stimulo Pythonis, ait, bachata puella, Doctorem verique Dei Paulum esse ministrum. (Acto. 16.14.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed with burin by Claes Jansz Visscher, called the Piscator, after a 16th century painting by Johannes Stradanus.
    Proof on watermarked laid paper, early 17th century work.This illustrates a passage from Acts of the Apostles, 16.12-14: "From there we traveled to Philippi, a Roman colony and the leading city of that district of Macedonia. And we stayed there several days. On the Sabbath we went outside the city gate to the river, where we expected to find a place of prayer. We sat down and began to speak to the women who had gathered there. One of those listening was a woman from the city of Thyatira named Lydia, a dealer in purple cloth. She was a worshiper of...
    €200
  2. Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècleContremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Contremuit subito detentis carcere tellus Et Paulo et Sila, subitoque fragore refracti Carceris attonitus custos parat ense corusco Accelerare sibi fatum, sed fonte Iduatur. (Acto. 16.27.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    , on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists, including Michelangelo, Johannes Stradanus contributed to the development of grand Italian history painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578, he devoted a large part of his activity to engraving.
    €200
  3. Ipsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècleIpsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Ipsa graves tollunt Pauli sudaria morbos Febrilesque leuant Pauli semicincta calores. Exorcistarum conflantur in igne libelli Et Sathan in magicos saeuit crudeliter omnes. (Acto. 19.14.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Original engraving executed in burin by Claes Jansz Visscher, called le Piscator after a 16th-century painting by Johannes Stradanus.
    Impression on watermarked laid paper, work from the early 17th century.
    This is an illustration of a passage from Acts of the Apostles, 19.13-16: "Then certain of the vagabond Jews, exorcists, took upon them to call over them which had evil spirits the name of the Lord Jesus, saying, We adjure you by Jesus whom Paul preacheth. And there were seven sons of one Sceva, a Jew, and chief of the priests, which did so. And the evil spirit answered and said, Jesus I know, and Paul I know; but who are ye? And the man in whom the evil spirit was leaped on...
    €150
  4. Pessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe sièclePessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe siècle
    Johannes STRADANUS, [Claes Jansz VISSCHER attributed]

    Pessime quid bipedum tentas, quid pectore volvis? Vach scelus horrendum Dominum sic prodis Iesum! Vix ausit Pluto quod tu moliris Iuda, Terribili dignus qui tandem morte perires. (Matthei.26.14.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    , on the occasion of her marriage to Francesco I de' Medici. Greatly influenced by the Mannerists, including Michelangelo, Johannes Stradanus contributed to the development of grand Italian historical painting. He painted several altarpieces for Florentine churches. He also stayed in Rome from 1550 to 1553 and in Naples in 1576. After a stay in Antwerp in 1578, he devoted a large part of his activity to engraving.
    €150
  5. Homo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècleHomo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Homo quidam erat diues, et induebatur purpura et bisso: et epulabatur quotidie splendidè. Et erat quidam mendicus nomine Lazarus, qui iacebat ad ianuam eius, ulceribus plenus: cupiens saturati de micis, quae cadebant de mensa diuitis, sed et canes veniebant, et lingebant ulcera eius. (Luc 16.19.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Original engraving executed in burin by Claes Jansz Visscher, known as Piscator.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Luke 16.19-21, "There was a rich man, who was clothed in purple and fine linen, and who feasted sumptuously every day. And at his gate lay a poor man named Lazarus, covered with sores, who desired to be fed with what fell from the rich man's table; moreover the dogs came and licked his sores." Latin caption in the lower portion of the engraving.
    Another Latin inscription in the upper right portion of the plate: "Iesus apostolos docens de divite epulone parabolam dicit." Artist's...
    €180
  6. Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècleFactum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Factum est autem ut moreretur mendicus, et protaretur ab angelis in sinum Abrahae. (Luc 16.22.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Unsigned original engraving, probably executed in burin by Claes Jansz Visscher, known as Piscator.
    Proof on watermarked laid paper, work from the early 17th century.
    This is an illustration of the Gospel according to Luke 16.22, "The poor man died, and he was carried by the angels into Abraham's bosom."
    Latin caption in the lower portion of the engraving.
    Numbered notation "2" in the lower right corner within the engraving, and manuscript notation "81" in margin in the upper right corner. An old manuscript annotation in Greek characters below the right corner of the plate mark. Crown watermark visible by transparency. Rare and minimal marginal foxing, small corner stains...
    €150
  7. Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).
    Claes Jansz VISSCHER

    Gravure originale du XVIIe siècle "Angelus in somnis alia discedere terra Iussit, ad herodis nec remeare domum." (Math. 2.12).Original 17th century burin engraving [Then, being divinely warned in a dream not to return to Herod, they departed to their own country by another way.]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|30 x 27.50 cm|une feuille

    Original unsigned burin engraving probably by Claes Jansz Visscher, known as Piscator.
    Printed on watermarked laid paper, in the early 17th century.
    This is an illustration of the Gospel according to Matthew 2-12,

    "Then, being divinely warned in a dream not to return to Herod, they departed to their own country by another way."


    Latin caption in the lower part of the engraving. Numbered mention "12" in the lower right corner within the engraving, and manuscript mention "17" in margin in the upper right corner. An old manuscript annotation in Greek characters under the right corner of the plate mark. Crown watermark. Minor foxing and...

    €100
  8. Dira ferens Christus sub iudice flagra Pilato Supplicii accepit calicem, mortemque subiuit: Utque feri dueret virus mortale Draconis, Omne suo patiens peccatum sanguine delet. (Luce 23.33.) Gravure originale du XVIIe siècleDira ferens Christus sub iudice flagra Pilato Supplicii accepit calicem, mortemque subiuit: Utque feri dueret virus mortale Draconis, Omne suo patiens peccatum sanguine delet. (Luce 23.33.) Gravure originale du XVIIe siècle
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Dira ferens Christus sub iudice flagra Pilato Supplicii accepit calicem, mortemque subiuit: Utque feri dueret virus mortale Draconis, Omne suo patiens peccatum sanguine delet. (Luce 23.33.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  9. Petrus Apostolici caetus Antistes, et urbis Romane summus Praesul, dum nunciat orbem Seruatum effuso soteris sanguine Christi, Martiirium subiit dirum, cruce fixus amara. (Gravure originale du XVIIe siècle)Petrus Apostolici caetus Antistes, et urbis Romane summus Praesul, dum nunciat orbem Seruatum effuso soteris sanguine Christi, Martiirium subiit dirum, cruce fixus amara. (Gravure originale du XVIIe siècle)
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Petrus Apostolici caetus Antistes, et urbis Romane summus Praesul, dum nunciat orbem Seruatum effuso soteris sanguine Christi, Martiirium subiit dirum, cruce fixus amara. (Gravure originale du XVIIe siècle)

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  10. Ipse redemptoris pandens oracula Christi, Quam late sese tellus extendit Iudae, Tandem colla dedit gladio serienda Jacobus, Ultio quod facinus saevum divina secuta est. (Gravure originale du XVIIe siècle)Ipse redemptoris pandens oracula Christi, Quam late sese tellus extendit Iudae, Tandem colla dedit gladio serienda Jacobus, Ultio quod facinus saevum divina secuta est. (Gravure originale du XVIIe siècle)
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Ipse redemptoris pandens oracula Christi, Quam late sese tellus extendit Iudae, Tandem colla dedit gladio serienda Jacobus, Ultio quod facinus saevum divina secuta est. (Gravure originale du XVIIe siècle)

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  11. Prae cunctis reliquis carus tibi Christe Joannes, Quem nec flamma olim nocuit, nec plena veneno Pocula, cum fidei iecit fundamina sancte, In summo tandem senio migrauit ad astra. (Gravure originale du XVIIe siècle)Prae cunctis reliquis carus tibi Christe Joannes, Quem nec flamma olim nocuit, nec plena veneno Pocula, cum fidei iecit fundamina sancte, In summo tandem senio migrauit ad astra. (Gravure originale du XVIIe siècle)
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Prae cunctis reliquis carus tibi Christe Joannes, Quem nec flamma olim nocuit, nec plena veneno Pocula, cum fidei iecit fundamina sancte, In summo tandem senio migrauit ad astra. (Gravure originale du XVIIe siècle)

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  12. Strenuus hic Christi viuens Athleta Philippus Mittitur extremas Sciithiae glacialis ad oras, Nunciat atque orbis dum gaudia sacra redempti, Supplicium tandem senio confectus adiuit. (Gravure originale du XVIIe siècle)Strenuus hic Christi viuens Athleta Philippus Mittitur extremas Sciithiae glacialis ad oras, Nunciat atque orbis dum gaudia sacra redempti, Supplicium tandem senio confectus adiuit. (Gravure originale du XVIIe siècle)
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Strenuus hic Christi viuens Athleta Philippus Mittitur extremas Sciithiae glacialis ad oras, Nunciat atque orbis dum gaudia sacra redempti, Supplicium tandem senio confectus adiuit. (Gravure originale du XVIIe siècle)

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  13. Bartholomaeus amans Christi pia dogmata stemma Contempsit patrium, et verae Pietatis amore Oppugnans Idola, feri tormenta Tyranni Sensit, in ablata toto de corpore pelle. (Gravure originale du XVIIe siècle)Bartholomaeus amans Christi pia dogmata stemma Contempsit patrium, et verae Pietatis amore Oppugnans Idola, feri tormenta Tyranni Sensit, in ablata toto de corpore pelle. (Gravure originale du XVIIe siècle)
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Bartholomaeus amans Christi pia dogmata stemma Contempsit patrium, et verae Pietatis amore Oppugnans Idola, feri tormenta Tyranni Sensit, in ablata toto de corpore pelle. (Gravure originale du XVIIe siècle)

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
    Sold
  14. (La Résurrection de Jésus). Gravure originale du XVIIe siècle(La Résurrection de Jésus). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (La Résurrection de Jésus). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
    Sold
  15. Christus post suam resurrectionem statim se obfert Mariae Magdalenae eamque consolatur. (Joha.20.14.) Gravure originale du XVIIe siècleChristus post suam resurrectionem statim se obfert Mariae Magdalenae eamque consolatur. (Joha.20.14.) Gravure originale du XVIIe siècle
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Christus post suam resurrectionem statim se obfert Mariae Magdalenae eamque consolatur. (Joha.20.14.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
    Sold
  16. Christus discipulis Emaunta petentibus addit se medium, et de se mystica scripta docet. Dicentem excipiunt laeti hospitioque decorant, qui peregrinus erat discitur esse Deus. (Luce.24.13.) Gravure originale du XVIIe siècleChristus discipulis Emaunta petentibus addit se medium, et de se mystica scripta docet. Dicentem excipiunt laeti hospitioque decorant, qui peregrinus erat discitur esse Deus. (Luce.24.13.) Gravure originale du XVIIe siècle
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Christus discipulis Emaunta petentibus addit se medium, et de se mystica scripta docet. Dicentem excipiunt laeti hospitioque decorant, qui peregrinus erat discitur esse Deus. (Luce.24.13.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
    Sold
  17. Vulnera monstrantem Didymus contingit Jesum Et dominum credens praedicat esse deum. (Ioann.20.26.) Gravure originale du XVIIe siècleVulnera monstrantem Didymus contingit Jesum Et dominum credens praedicat esse deum. (Ioann.20.26.) Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Vulnera monstrantem Didymus contingit Jesum Et dominum credens praedicat esse deum. (Ioann.20.26.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
    Sold
  18. Quis dubitet vivum, qui tot in rete coegit Omnigenos pisces, deque asso pisce comedit. (Joann.21.1.) Gravure originale du XVIIe siècleQuis dubitet vivum, qui tot in rete coegit Omnigenos pisces, deque asso pisce comedit. (Joann.21.1.) Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Quis dubitet vivum, qui tot in rete coegit Omnigenos pisces, deque asso pisce comedit. (Joann.21.1.) Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|34 x 27.50 cm|une feuille
    Sold
  19. Hic primum post iussa Dei Baptismatis usus Exoritur data iura probans, In nomine Patris Spiritus, et Nati, dum sacro fonte cucurrit Gratia, et immense Domini bonitatis origo. (Ac. Cap.2.41.) Gravure originale du XVIIe siècleHic primum post iussa Dei Baptismatis usus Exoritur data iura probans, In nomine Patris Spiritus, et Nati, dum sacro fonte cucurrit Gratia, et immense Domini bonitatis origo. (Ac. Cap.2.41.) Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK, [Claes Jansz VISSCHER attributed]

    Hic primum post iussa Dei Baptismatis usus Exoritur data iura probans, In nomine Patris Spiritus, et Nati, dum sacro fonte cucurrit Gratia, et immense Domini bonitatis origo. (Ac. Cap.2.41.) Gravure originale du XVIIe siècle[Here, for the first time after the commandments of God, the practice of Baptism arises, proving the rights given, In the name of the Father, the Spirit, and the Son, while Grace flowed from the sacred fountain, and the source of the Lord's immense goodness]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
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  20. Detentos morbis egros per compita passim In lectis portant, sua qua vestigia Petrus Parte locat, sanos reddebat corporis umbra Fusa Petri cunctos vitiis noxisque resoluit. (Ac. Cap.5.15.) Gravure originale du XVIIe siècleDetentos morbis egros per compita passim In lectis portant, sua qua vestigia Petrus Parte locat, sanos reddebat corporis umbra Fusa Petri cunctos vitiis noxisque resoluit. (Ac. Cap.5.15.) Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK, [Claes Jansz VISSCHER attributed]

    Detentos morbis egros per compita passim In lectis portant, sua qua vestigia Petrus Parte locat, sanos reddebat corporis umbra Fusa Petri cunctos vitiis noxisque resoluit. (Ac. Cap.5.15.) Gravure originale du XVIIe siècle[They carry the sick, confined by diseases, through the gates everywhere on beds, where Peter places his footprints on the side, and the shadow of Peter's body, cast upon them, made them healthy, freeing them all from vices and harms]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
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  21. Peruigil et Petrus Liiddae pergrauerat arua Respicit Aeneam luxatis vuiere membris Surge ait in Christi Paraliitice nomine moxque Surgit et officium firmatus robore praestat.  (Ac. Cap.9.33.) Gravure originale du XVIIe sièclePeruigil et Petrus Liiddae pergrauerat arua Respicit Aeneam luxatis vuiere membris Surge ait in Christi Paraliitice nomine moxque Surgit et officium firmatus robore praestat.  (Ac. Cap.9.33.) Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK, [Claes Jansz VISSCHER attributed]

    Peruigil et Petrus Liiddae pergrauerat arua Respicit Aeneam luxatis vuiere membris Surge ait in Christi Paraliitice nomine moxque Surgit et officium firmatus robore praestat. (Ac. Cap.9.33.) Gravure originale du XVIIe siècle[Perugil and Peter, the burden of Lydia, were heavy. He looked at Aeneas, who had dislocated his limbs, and said, "Arise, in the name of Christ, the paralyzed man." Soon he rose and, strengthened by strength, performed his duty]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33.50 x 27.50 cm|une feuille
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  22. Audiit ut tristem zebedaei filus unus: Ille refert lacriimis pectus ad usae fluens. Quis te nostra salus, quis te rogo prodet Iesu: Dicito discipilus, hoc bone Christe tuis. (Luce.22.14.). Gravure originale du XVIIe siècleAudiit ut tristem zebedaei filus unus: Ille refert lacriimis pectus ad usae fluens. Quis te nostra salus, quis te rogo prodet Iesu: Dicito discipilus, hoc bone Christe tuis. (Luce.22.14.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Audiit ut tristem zebedaei filus unus: Ille refert lacriimis pectus ad usae fluens. Quis te nostra salus, quis te rogo prodet Iesu: Dicito discipilus, hoc bone Christe tuis. (Luce.22.14.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  23. (L'arrestation de Jésus). Gravure originale du XVIIe siècle(L'arrestation de Jésus). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (L'arrestation de Jésus). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  24. (L'arrestation de Jésus). Gravure originale du XVIIe siècle(L'arrestation de Jésus). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (L'arrestation de Jésus). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  25. (L'arrestation de Jésus). Gravure originale du XVIIe siècle(L'arrestation de Jésus). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (L'arrestation de Jésus). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  26. (L'arrestation de Jésus). Gravure originale du XVIIe siècle(L'arrestation de Jésus). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (L'arrestation de Jésus). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  27. (La Passion du Christ). Gravure originale du XVIIe siècle(La Passion du Christ). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    (La Passion du Christ). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  28. Qui non intrat per ostium in ovile ovium, sed ascendit aliunde, ille sur est et latro. Qui autem intrat per ostium, pastor est ovium. Huic ostiarius aperit: et oves vocem eius audiunt et proprias oves vocat nominatim, et educit eas. (Ioann. 10.1.). Gravure originale du XVIIe siècleQui non intrat per ostium in ovile ovium, sed ascendit aliunde, ille sur est et latro. Qui autem intrat per ostium, pastor est ovium. Huic ostiarius aperit: et oves vocem eius audiunt et proprias oves vocat nominatim, et educit eas. (Ioann. 10.1.). Gravure originale du XVIIe siècle
    Maarten DE VOS, GOLTZIUS (sculpsit)

    Qui non intrat per ostium in ovile ovium, sed ascendit aliunde, ille sur est et latro. Qui autem intrat per ostium, pastor est ovium. Huic ostiarius aperit: et oves vocem eius audiunt et proprias oves vocat nominatim, et educit eas. (Ioann. 10.1.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|34 x 27.50 cm|une feuille
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  29. Cum venerit filius hominis tunc congregabuntur ante eum omnes gentes terrae et separabit iustos amb iniustis sicut separat pastor oves ab hoedis (Matt. 25.31.). Gravure originale du XVIIe siècleCum venerit filius hominis tunc congregabuntur ante eum omnes gentes terrae et separabit iustos amb iniustis sicut separat pastor oves ab hoedis (Matt. 25.31.). Gravure originale du XVIIe siècle
    Maarten DE VOS, [Claes Jansz VISSCHER attributed]

    Cum venerit filius hominis tunc congregabuntur ante eum omnes gentes terrae et separabit iustos amb iniustis sicut separat pastor oves ab hoedis (Matt. 25.31.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|33 x 27.50 cm|une feuille
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  30. Elevans autem oculos suos cum esset in tormentis vidit Abraham a longe, et Lazarum in sinu eius, et ipse clamans dixit, Pater Abraham, miserere mei, et mitte Lazarum ut intingat extremum digiti sui in aquam, ut refrigeret linguam meam, quia crucior in hac flamma. (Lucae 16.24.). Gravure originale du XVIIe siècleElevans autem oculos suos cum esset in tormentis vidit Abraham a longe, et Lazarum in sinu eius, et ipse clamans dixit, Pater Abraham, miserere mei, et mitte Lazarum ut intingat extremum digiti sui in aquam, ut refrigeret linguam meam, quia crucior in hac flamma. (Lucae 16.24.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Elevans autem oculos suos cum esset in tormentis vidit Abraham a longe, et Lazarum in sinu eius, et ipse clamans dixit, Pater Abraham, miserere mei, et mitte Lazarum ut intingat extremum digiti sui in aquam, ut refrigeret linguam meam, quia crucior in hac flamma. (Lucae 16.24.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
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  31. Pater noster qui es in coelis sanctificetur nomen tuum.  (Matt. 6.9.). Gravure originale du XVIIe sièclePater noster qui es in coelis sanctificetur nomen tuum.  (Matt. 6.9.). Gravure originale du XVIIe siècle
    Maarten van HEEMSKERCK, Claes Jansz VISSCHER

    Pater noster qui es in coelis sanctificetur nomen tuum. (Matt. 6.9.). Gravure originale du XVIIe siècle[Our Father, who art in heaven, hallowed be thy name]

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32.50 x 27.50 cm|une feuille
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  32. Mortuus est autem et diues: et sepultus est in inferno. (Lucae 16.23.). Gravure originale du XVIIe siècleMortuus est autem et diues: et sepultus est in inferno. (Lucae 16.23.). Gravure originale du XVIIe siècle
    Claes Jansz VISSCHER

    Mortuus est autem et diues: et sepultus est in inferno. (Lucae 16.23.). Gravure originale du XVIIe siècle

    S. n.|s. l. • [Hollande] [Holland] (Circa 1600)|32 x 27.50 cm|une feuille
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  33. In carcere eram et venistis ad me. In carcere eram et venistis ad me.
    Claes Jansz VISSCHER

    In carcere eram et venistis ad me.

    s. l. • [Hollande] [Holland] (Circa 1630)|24 x 18.50 cm|une feuille
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