George SAND

First edition, superbly illustrated with 200 full-page plates and 120 in-text vignettes by Grandville. Second-issue printing, with the errors corrected. It may be identified by the fact that, in the first issue, the opening third of the volume was printed on tinted wove paper, whereas this second issue was entirely printed on uniform white paper; the frontispiece no longer bears the title Badigeneographie but instead Des affiches seront, d'après ses ordres....
Publisher's original full green ribbed percaline binding, decorated with special blocking tools commissioned by Hetzel specifically for this edition. Smooth spine stamped with tortoise, butterfly and beetle...

Autograph letter signed by George Sand, addressed to her friend Stéphanie Bourjot, daughter of Étienne Geoffroy-Saint-Hilaire. Four pages written in blue ink on a folded bifolium bearing George Sand’s monogram. Fold marks as usual.
 
This letter was partially published in Correspondance, vol. XIV, no. 7846.
A beautiful and partly unpublished letter in which George Sand discusses Marie Pape-Carpantier’s book and the education of her young maid, Marie Caillaud : « It is an excellent book, which I use to teach my young maid to read. She is extraordinarily intelligent, and this book opens her mind to all sorts of...

First edition published in the author’s collected works.
Some occasional foxing.
Half black morocco shagreen binding, smooth spine decorated with triple blind fillets and gilt fleurons, marbled paper boards, marbled endpapers and pastedowns, contemporary binding.
Signed autograph inscription by George Sand : "to my friend Charles Fournier."
Handwritten note by George Sand beneath the title on the title page: "suite de Flamarande" published the same year and by the same publisher as "Les deux Frères".
 

New edition.
Contemporary binding in half green shagreen, spine in four compartments set with gilt stippling, gilt fillets and gilt fleurons in the corner pieces, multiple blind tooled frames on the boards, white iridescent paper endpapers, all edges gilt.
Some leaves shorter in the bottom margin.

Handwritten inscription signed by George Sand on the first endpaper: “à mon bon ami Edmond Plauchut. G. Sand".

Today the only outsider to the family buried in the cemetery of the Nohant house, is Lucien-Joseph-Edmond Plau
chut (1824-1909) who began an epistolary relationship with George Sand in the autumn of 1848 when he was a voluntary expatriate after...

Autograph letter from George Sand to Gustave Flaubert dated December 21, 1867, 8 pages on two lined leaves. Published in Sand's Correspondance, XX, pp. 642-645.
From one of the finest literary correspondences of the century, this letter written on Christmas Eve 1867 is a sublime testament to the frank friendship between George Sand, the “old troubadour”, and Gustave Flaubert, christened “cul de plomb” [leaden ass] after declining his invitation to Nohant to complete L'Éducation sentimentale.

Despite their seventeen year-age gap, opposing temperaments...

Rare and highly sought-after first edition.
Contemporary binding in black half shagreen, flat spines richly decorated with gilt ornamental rolls, discreet and skilful restoration to the foot of one joint, black paper-covered boards, marbled endpapers and pastedowns, sprinkled edges. Discreet restoration to the lower hinge of the first volume.
Exceptionally clean copy, virtually free of foxing (a rarity according to Clouzot, who notes that most copies are usually heavily spotted).
Provenance: from the libraries of Saint-Germain (with printed crowned bookplate beneath the titles on the half-titles); Count de Bonvouloir (with his printed bookplate, Château de Magny in Calvados...

Mon cher Buloz, voici la lettre à M. Lerminier...

First edition.
Publisher’s full brown grained sheepskin binding, orange top edge, smooth spine ruled in gilt.
Richly illustrated.
Copy complete with its dust jacket, acetate wrapper and soft slipcase.
Acetate wrapper slightly yellowed.

First in-12 edition, published one year after the exceedingly rare first edition.
Uniform half green shagreen bindings, spines slightly darkened with four raised bands, decorated with blind fillets, gilt titles at the foot of the spines, marbled paper boards, marbled endpapers and pastedowns, bookplate pasted to the rear pastedown of the first volume.
Minor rubbing to some boards, two small tears at the foot of the boards of the first volume.
An attractive set, virtually free of foxing and preserved in a uniform binding.

Illustrated edition with drawings by D. Rahoult and numerous wood engravings by E. Dardelet (Vicaire I, 812–813; Carteret III, 95–96).

Preface by George Sand. Grenoble, Rahoult et Dardelet, 1864–1874, issued in two parts bound in one volume, large quarto.

Half brown morocco over corners, spine with five raised bands decorated with gilt fleurons and blind tooling, minor rubbing to the spine, covers of marbled paper framed with double gilt fillets, surface wear to the boards, comb-marbled endpapers and pastedowns, gilt top edge.

The first part, issued in nine instalments between 1859 and 1864, consists of a poem in local patois on the flooding of Grenoble in 1733, first...

First edition of the theatrical adaptation.
 
Contemporary binding in red half morocco with corners, spine with five raised bands framed by gilt fillets, adorned with double gilt panels and decorative tooling, gilt fillets framing the marbled paper boards, combed paper endpapers and pastedowns, combed edges.
A few stains to the covers, a crisp and clean copy, free of foxing.
 
Signed autograph inscription by George Sand to the actor Fresne : « à monsieur Fresne, souvenirs affectueux. G. Sand. »
Fresne had performed in her play Molière at its premiere at the Théâtre de la Gaîté...

Extremely important edition, comprising a large number of works appearing here in their first edition. The complete set of these 27 volumes is rare (Clouzot). The titles present in first edition are: Mattea, Lettres d’un Voyageur, La Dernière Aldini, Les Maîtres mosaïstes, L’Uscoque, Spiridion, Les Sept Cordes de la lyre, Gabriel,

"Your little book is very original and you show qualities of talent that will develop, if you look ahead."

First edition, rare, published in the Complete Works of George Sand by Bonnaire. The half-title indicates volume XXIV.

Modern half black straight-grained morocco binding with small corners signed René Aussourd at the top of the endpaper. Jansenist spine with raised bands. Title, author and date gilt. Covers preserved. Upper right corner of the front cover lacking (0.5cm). Light rubbing to boards. Very handsome copy with perfectly fresh uncut paper.
Ex libris Paola Sanjust.
Dialogue novel featuring a young Italian noblewoman during the Renaissance, raised as a man for succession reasons. Gabriel will be confronted with the hypocrisy of society and rebels against...

First edition of the theatrical adaptation.
Bound in half red shagreen, spine in four compartments set with gilt stipples adorned with double gilt spine panels, marbled paper plates, marbled endpapers, contemporary binding.
Precious handwritten presentation signed by George Sand: “à monsieur Huart en lui demandant pardon de tout le mal que je lui donne.” “To Mr Huart asking for his forgiveness for all the harm I am causing him.”

Provenance: from the Grandsire library with its ex-libris.

First edition published as part of the complete works
Half light brown morocco by Petit successeur de Simier, spine in six compartments, marbled pastedowns and endpapers, top edge gilt
Handsome autograph inscription from George Sand to his friend Charles Sagnier, a frequent visitor of the house at Nohant during the final years of Sand's life.
Provenance: from the library of Charles Sagnier with his ex libris.

Very rare and sought-after first edition of one of the most important autobiographical works in the history of French literature, masterpiece and major work by George Sand.
Beige half sheepskin bindings, spine with four raised bands gilt tooled and framed in gilt and black, gilt tooling at top and bottom of spines, marbled paper boards, original wrappers preserved for each of the volumes, elegant imitation bindings.
Provenance: Pierre Boutellier, with his ex-libris on the front pastedown of the first volume.
Presentation copy signed by George Sand to his great friend the poet Maurice Rollinat, on the half-title of the first volume.
Pleasant and extremely rare...