La bataille de la Marne
Half chocolate brown morocco binding, spine very slightly sunned with five raised bands, marbled paper boards, marbled endpapers and pastedowns, all edges gilt, contemporary binding.
First edition, one of 70 numbered copies on pur fil paper, the only deluxe paper issue.
Bound in blue-grey half morocco, spine in five raised bands, date gilt at foot, marbled paper boards, blue-grey endpapers and pastedowns, original wrappers and sun-faded spine preserved, top edge gilt, an elegant binding signed Boichot.
Valuable autograph inscription signed by Joseph Kessel, in violet pencil, on the front free endpaper: "A Charles Maurras cet exemplaire plus digne de lui" enhanced with the manuscript signature of Georges Suarez.
A fine copy, attractively bound
First edition, one of 50 numbered copies reimposed on Japan Imperial paper, ours being one of the few hors commerce copies, deluxe edition after 1 unique copy on Japan Imperial and 19 old Japan.
Illustrated work, as frontispiece, with a portrait of Charles Maurras consisting of an original drypoint by Edouard Chimot and original lithographs by Wassily Schoukhaeff.
Half chocolate brown morocco binding with corners, spine with five raised bands, gilt date at foot, black roulettes on headcaps, black fillet frame on wood-effect paper boards, wood-effect paper endpapers and pastedowns, covers and spine preserved, top edge gilt, perfect unsigned binding.
Very handsome copy perfectly executed and complete, as stipulated in the justification page, with the double state of Edouard Chimot's drypoint with remarques, 1 proof of the cancelled plate and 1 suite of the lithographs on Japan.
New edition, with some parts in first edition as expanded with a preface, one of 30 numbered copies on Holland paper, deluxe copies after 6 on Japan paper.
Full chocolate brown morocco binding, spine with five raised bands, gilt roulettes on headcaps, quadruple black fillets framing the boards, black fleurons at corners, marbled endpapers and pastedowns, triple gilt fillets framing the pastedowns, covers and spine preserved, double gilt fillets on leading edges, top edge gilt on deckled edges, contemporary binding signed by Stroobants.
Bookplate pasted at head of one pastedown.
Very fine copy perfectly executed by Stroobants.
First edition on ordinary paper.
Half red morocco over marbled paper boards, spine lightly sunned in six compartments, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
One top corner very slightly rubbed.
Handsome autograph inscription by Charles Maurras : "A madame Colette Willy, en souvenir de la cocarde."
First edition on ordinary paper.
Bradel binding, boards and spine covered in blue decorative paper, flat spine, title label in navy blue morocco bordered with a palladium fillet, title and authors stamped in palladium, original covers preserved with a skillful restoration to the outer margin of the front cover, elegant binding signed by Boichot.
Precious presentation copy signed by Joseph Kessel on the front free endpaper: "A Charles Maurras qui nous reçut avec tant de touchante bienveillance, hommage de reconnaissante admiration" [To Charles Maurras, who welcomed us with such touching kindness, homage of grateful admiration] also signed and inscribed by Georges Suarez : "au maître qui jeta le trouble dans ma cervelle républicaine" [to the master who stirred up my republican brain].
Very rare first edition, printed in only 50 copies, issued as an offprint from the *Revue Indépendante*.
Bradel binding in full decorated paper with abstract motifs, smooth spine, restored corners on the original wrappers, binding signed by Thomas Boichot.
Inscribed and signed presentation copy from Charles Maurras to Eugène Manuel: "To Joseph Gayda, in memory of a report that was too laudatory but very encouraging, this slightly modified 'Aubanel'. Charles Maurras. Paris, 24 September 1889."
One handwritten correction by Charles Maurras in the margin of page 43.
First edition, one of 1035 numbered copies on laid Arches paper.
Precious signed autograph of Charles Maurras: "To my dear master Anatole France that dark reminiscence of the great odyssey."
Our copy has acquired two handwritten corrections by Charles Maurras in the text on pages 15 and 22.
Book illustrated frontispiece a portrait of Charles Maurras by Luc-Albert Moreau.
Some small minor foxing.