First edition, one of 30 numbered copies on Lafuma laid paper, the sole deluxe issue.
A fine copy.
First edition, one of 30 numbered copies on Lafuma laid paper, the sole deluxe issue.
A fine copy.
New quarto edition, revised and corrected by the author, with numerous decorated headpieces, initials and tailpieces.
Full polished brown calf, spine in six compartments with five raised bands richly gilt-tooled, red morocco lettering-piece, triple blind fillet border to boards, double gilt fillet to board edges, red edges, marbled pastedowns and endpapers.
Light scratches and scuffing to boards, corners slightly bumped, otherwise a very fine copy.
Paper flaw causing marginal tears on pp. 49, 571 and 595, light scattered foxing affecting a few gatherings towards the end of the volume, minor wormhole to lower corner of pp. 253 onwards, ending in a charming emoji.
First edition describing the 388 items offered in the sale.
A few pencilled hammer prices in the margins, a loss to the upper right corner of the front wrapper and title-page, and small corner losses to the wrappers.
The introduction is by Fröhner, though the expert in charge of the sale was Hoffmann.
Of Baden origin, the numismatist Ludwig Wilhelm Fröhner (1834–1925) settled in Paris in 1859; he became a close friend of Napoleon III and assisted him in the preparation of his Histoire de Jules César (1865–1866), which helped him obtain both French naturalisation (1866) and an important post at the Louvre.
He later devoted himself to the cataloguing of collections, producing works that became major references for Antiquity and early medieval archaeology.
Very scarce first edition of the Armenian translation, illustrated with a lithographed frontispiece and title-frontispiece printed on tinted heavy stock by Weger (Leipzig), together with several in-text figures reproducing seals.
The CCFr records only copies of the French edition (indeed, the same year 1871 saw the publication of a first French translation; a second French edition was issued in Paris in 1888, at which time a German version was also printed at the Leipzig address).
Bradel binding in half brown percaline, smooth spine gilt-ruled and tooled with a gilt frieze, marbled paper boards, endpapers soiled, corners rubbed, edges sprinkled in blue.
Some minor foxing, chiefly at the beginning.
Apart from the frontispiece and title-frontispiece, the entire text is printed in Armenian. Fumagalli, Biblioteca Etiopica, 304.
Father Dimotheos Vartabet Sapritchian, an Armenian priest from Constantinople, travelled to Ethiopia in 1867 with one of his compatriots, Archbishop Isaac.
The travellers, who carried to King Theodore of Abyssinia a message from the Armenian patriarch, entered the country via Wahni in the west and crossed the regions of Bagemder and Tegré before embarking at Massawa.
The first part contains the narrative proper; the second offers observations on the country’s history, manners, and customs.
It also includes reflections on the Ethiopian Church, the clergy, baptism, confession, penance, marriage, funerary rites, festivals, and more.
A rare Jerusalem imprint: printing in the city is thought to date back to 1823.
First edition of this Latin work devoted to the history of the ancient Mediterranean: Sardinia and the influences of Greece, North Africa, the Syrtes and Numidian tribes, the history of the tyrant of Syracuse, the Balearic Islands, Corsica, the island of Rhodes, and more (cf. Adams, L-704. See Durling, 2796, which records only later editions).
Restored full brown calf binding, spine with five raised bands decorated with gilt tools now largely softened, blind fillets and gilt corner ornaments framing the boards, central gilt medallion enclosing a device in Greek characters, manuscript inscription on the fore-edge, early binding.
Ink numbering at the head of the verso of the lower cover; inner hinge cracked.
Handsome volume from the Basel press of Johannes Froben, bearing his printer’s device on the title-page and at the end.
Nicknamed “the prince of printers,” Johann Froben was among the first to employ italic types, inspired by Aldus Manutius.
A professor of philosophy, Greek, and Latin at the University of Padua, the Venetian scholar Tomeo Nicolò Leonico (1456–1531) was admired by Erasmus.
First edition, printed in a small run, of this offprint from the Journal des savants.
Work illustrated with a finely engraved plate printed outside the text.
Some scattered foxing internally and to the wrappers.
Appointed in 1820 to the chair of archaeology at the Sorbonne, succeeding Quatremère de Quincy, Désiré Raoul-Rochette (1789–1854) was chiefly known for his expertise in Greek antiquity. He also served as curator of the Cabinet des médailles.
On the upper cover, authorial presentation inscription from Désiré Raoul-Rochette to the physician and botanist Henri Dutrochet (1776–1847), the discoverer of the phenomena of exosmosis and endosmosis.
Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".
A few waterstains, a small hole at "qu'il vous ait".
"My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you proof of my esteem and affection. Whereupon I pray God that He may have you, My Cousin, in His holy and worthy keeping. Written at Versailles the 31st of January 1776." (our own translation).
Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.
Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.
Headcaps missing, surface losses to covers and one larger loss to upper left corner of back cover, corners bumped and worn, rubbing to edges with a small loss at foot of front cover, ink gift inscription to first blank leaf.
In this copy: light marginal dampstaining to early leaves and to pp. 53-58 and pp. 463-472, not affecting text.
This volume is enriched with ink annotations: "n°23 =" to verso of front free endpaper, another inscription to recto of second endpaper, and several ink corrections to margins and text at pp. 3, 125, 127, 148, and 269.
First edition, illustrated with a frontispiece and four plates after drawings from life by Voutier, engraved on copper by Normand fils (cf. Loukia Droulia, 429; Blackmer, 1750; not in Atabey).
Half black shagreen binding, spine restored, with four raised bands ruled in triple gilt fillets, aubergine paper boards, boards faded, gilt armorial device stamped to the upper cover, modern bookplate pasted at the head of a pastedown, contemporary binding.
Scattered foxing.
"Voutier went to Greece in 1821 and acted as ADC to Mavrocordatos on the Peta campaign" (Leonora Navari).
Distinguished provenance: copy bearing the arms of King Ernest Augustus I of Hanover (1771–1851), with his library’s red stamp on the verso of the title-page.
Rare first edition illustrated with 10 folding plates, including 5 grammatical tables and 5 plates of calligraphy.
Not recorded in Blackmer, Atabey or Hage Chahine.
Half olive-green calf, spine with four raised bands framed with gilt garlands and decorated with small blind-stamped floral tools, black morocco title and author labels, marbled paper boards, comb-marbled endpapers and pastedowns, modern binding.
Spine slightly darkened, small paper losses to the upper right corners of the first leaves not affecting the text, some foxing mainly at the end of the volume. Much better known for his role in the mission sent by Napoleon to the Shah of Persia to negotiate a counter-alliance against Turkey, Amédée Jaubert (1779–1847) was a distinguished orientalist, professor of Persian at the Collège de France, and of Turkish at the École des langues orientales, of which he became president in 1838.
First edition (cf. Martin & Walter, 16 491; Monglond III, 630; not in Schefer, Blackmer or Atabey).
Bradel binding in full marbled paper boards, smooth spine with a vertically lettered fawn sheepskin label, red edges; a modern binding.
Some foxing; marginal staining to the upper edges of the final leaves.
Excellent abridgement of General Hénin de Cuvillers’ diplomatic mission to Constantinople (1793–1795).
Upon his return from Turkey, Hénin (born 1755) took part in the Italian campaign of 1796 and was wounded at Caldiero and Arcole.
Appointed in 1802 as assistant to the general staff in Saint-Domingue, he was entrusted by Rochambeau with the colony’s military archives, which he brought back to Paris in 1804.
His military career under the Empire ended in 1813, when he was required to justify himself before the Grenoble court martial following the evacuation of the Simplon, deemed too hasty.
Granted retirement in 1815, he lived until 1841.
The 164 dispatches summarised in this volume provide valuable insights into diplomatic life in Constantinople, relations with the Revolutionary government, news from the Asian trading posts, the situation in the Levant, and maritime and military affairs.
Exceptional album comprising 54 original caricatures, some captioned, executed in India ink, pencil, and watercolour (including three small pencil sketches on loose leaves), together with several blank leaves.
This entertaining and highly personal album, evidently compiled by an amateur artist, appears to chronicle the various adventures and misadventures of a small cast of recurring characters, all seemingly connected in one way or another with the French Embassy to the Ottoman Porte, as suggested by a piece of official letterhead inserted between two leaves.
Contemporary full ivory vellum with yapped edges, smooth spine ruled in red, a restored split at the head of the spine, red fillets framing the boards, some marking to the covers, comb-marbled endpapers, red edges.
The album also includes one autograph letter signed in black ink, embellished with marginal caricatures, addressed to Mr H. Fournier and opening with "Cher Washington n°2".
The recipient of this satirical, illustrated letter appears to be the diplomat Hugues Marie Henri Fournier (1821–1898), appointed ambassador to Constantinople in 1877.
The adventures of the small group, identified by captions in black pencil, seem to begin in Florence in September 1872 and continue on to Rome.
The album includes, among other scenes, a watercolour depicting the Temple of Vesta.
In December 1872, according to an ink caption, the group—comprising the Vicomtes Bresson, de Mareuil, d'Hauterive, and d'Hérisson—is caricatured in Rome: at the theatre, on the Capitoline Hill, on horseback, and so forth.
A panoramic watercolour likewise satirises the Franco-Prussian War of 1870 and its protagonists.
Also portrayed in pencil alongside Fournier are General de Castelbajac and the Baron de Talleyrand.
The album further contains a fine pencil portrait of Khalil Bey.
The renowned Ottoman diplomat and collector, born in Cairo in 1831 and deceased in Istanbul in 1879, had indeed returned to Constantinople in 1872, after his ambassadorship in Vienna (1868), to marry the Egyptian princess Nazli Fazl. In addition to his role in the Crimean War, he is remembered for his celebrated art collection which, sold at auction in 1868, included works by Courbet (among them L'Origine du monde), Ingres, Delacroix, and others.
The Comte d'Osmond and Alfred de Courtois are likewise caricatured.
The album also features a view titled Pointe imaginaire du sérail and a watercolour depicting a game of lawn tennis.
A unique ensemble.
First issue of the fifty large hors-texte lithographs drawn from life by Henry John Terry (cf. Vicaire, VII, 1164).
Publisher’s binding in full red cloth, smooth spine decorated with blind-ruled compartments and fillets, light rubbing to the head- and tailcaps, gilt-lettered title on the front board, yellow endpapers, trace of a removed bookplate on one pastedown, one lower corner softened, slight discoloration to the lower left corner of the rear board, occasional marginal foxing, a small loss to the foot of page 119, and minor wormholes at the foot of the last three leaves, not affecting the text.
The fifty striking black lithographs depict the most picturesque views of Haute-Savoie.
Henry John Terry, originally from England, studied in Geneva under Alexandre Calame, the foremost Swiss landscape painter of the nineteenth century, and later settled in the country.
A well-preserved copy in the publisher’s original cloth.
New illustrated edition featuring two lithographed plates out of text and enriched with notes by Francisco de S. Luiz (cf. Brunet I, p. 263; Graesse I, p. 118).
Modern binding in half Havana calf, smooth spine decorated with gilt and black fillets and black floral motifs, black shagreen title piece, marbled paper boards, red edges.
A few light foxing spots, mainly at the beginning of the volume.
This biography, rightly celebrated, met with great success upon publication.
First edition of each volume.
The first work lacks its map, while the second retains it.
Full marbled blond calf binding, smooth spines decorated with gilt floral and scroll motifs, red calf title labels, gilt fillet borders on the covers, gilt roll tooling along the edges, cat’s-eye endpapers and pastedowns, green edges, contemporary binding.
Restorations to the spines, joints fragile, repairs to the title leaves, handwritten notes at the head of the first page of text in each volume.
Second illustrated edition, comprising 15 engraved plates outside the text. (cf. Kayser, Bücher-Lexicon VI, 265.)
Thirteen plates have been delicately hand-coloured at the time, several set against scenic alpine backgrounds; one of the two uncoloured plates depicts traditional alpine cheesemaking tools.
The French text is printed on the verso of the German text.
Very rare suite presented with its original upper wrapper, housed in a modern black box with flat spine, red morocco title-piece, and a large matching morocco label on the upper cover; light and inconsequential surface wear to the boards.
Some text leaves are toned and trimmed short in the margins; one marginal tear to the uncoloured plate; minor foxing in places.
Despite what the title might suggest (as the author explains in his preface), the work is dedicated to Swiss cattle breeds.
A rare and strikingly complete suite.
First edition of the French translation (cf. Atabey, 557 (text) and 569 (atlas). Blackmer, 788 (atlas). Hage Chahine, 2105.)
Contemporary half brown shagreen, spines uniformly sunned and faded, raised bands framed with black fillets, marbled paper boards, comb-marbled endpapers, gilt edges; a few lightly rubbed corners, one small defect to the foot of the edges of the fifteenth volume.
Some light foxing in the text volumes.
The atlas volume, folio, is issued in parts under ten beige paper wrappers with printed blue labels; the wrapper of part 6 is lacking; the general map of the Ottoman Empire has been restored in the final part; light foxing to the covers.
The original German edition was published in Budapest in ten volumes between 1827 and 1835. The illustrations comprise thirty-nine maps and plans—principally battle plans—prepared by the translator J. J. Hellert. The text includes eight folding genealogical tables of Ottoman princes and high dignitaries.
Joseph von Hammer, a renowned Austrian orientalist and diplomat, was born in Graz (Styria) in 1774. He entered the Royal Academy of Oriental Languages in Vienna, where he studied Turkish, Persian and Arabic. In 1799 he undertook his first journey to Constantinople; the following year he joined the British admiral Sidney Smith in the campaign against the French in Egypt as interpreter and translator. He attended the grand vizier’s council at Jaffa and the surrender of Alexandria. In 1802 he became secretary to the Austrian legation in Constantinople, from which he travelled into Asia Minor and Greece. Posted in 1806 to the consulate-general at Jassy in Moldavia, he was appointed interpreter at the Viennese chancellery in 1807. In 1817 he rose to the rank of court councillor. After inheriting the estates of the Counts of Purgstall, he added their name to his own and was created baron in 1835. He translated numerous oriental works into German and played a major role in the founding of the Austrian Academy of Sciences, serving as its first president from 1848 to 1849. He died in Vienna in 1856. "Aucun orientaliste avant lui n'a connu plus intimement les peuples musulmans et n'a autant contribué à nous faire connaître leurs mœurs, leur histoire et leur littérature […]. Il passa trente ans à réunir les documents [de son Histoire de l'Empire ottoman], qu'il a tirée de manuscrits orientaux et des archives de Saint-Marc à Venise, de celles de Vienne, et de tous les ouvrages publiés en Europe sur l'Empire ottoman" (Hoefer, XXIII, 259-267). Provenance: S. H. Weiss bookshop in Constantinople, located on the Grande Rue de Pera opposite the Russian consulate (label in each text volume).
Rare work.
Autograph letter signed by François-René de Chateaubriand to Ferdinand Denois, written in Rome and dated 11 August 1829, 2 pages and two lines in black ink on a bifolium. A tear caused by the opening of the letter on the blank portion of the final leaf, not affecting text.
"I must also, Sir, thank you once again: my poor friend La Ferronays [the Minister of Foreign Affairs Auguste Ferron de La Ferronnays was to resign two weeks later due to poor health] has written to me that all his ailments have returned, that he feels unwell two or three times a day, and that he cannot consider returning to public affairs, etc. I believe that the interim will nevertheless be prolonged and that this will allow matters to carry through to the end of the session. I requested leave through MM. Boissy and Givré [his embassy secretaries Hilaire-Étienne-Octave Rouillé de Boissy, and Bernard Desmousseaux de Givré], without being entirely resolved to make use of it: this will depend on events. A telegraphic dispatch of 4 April, arriving via Toulon, informed me that the king étoit fort content de la nomination du pape. Our cardinals rallied to me and conducted themselves very well. Cardinal [Anne-Antoine-Jules de] Clermont-Tonnerre, who suffered a fall, is lodged at the embassy, where I am caring for him as best I can - what will the Gazette say of this? [La Gazette de France, journal of the radical royalists known as Ultras, was highly hostile to Chateaubriand.]... "
First edition of this rare album illustrated with 18 lithographed plates, including the title-frontispiece (see Inventaire du Fonds Français, VII, 243, no. 21).
This unbound suite is housed in a grey cloth chemise and matching modern slipcase, spine unlettered with two tears at head and tail, plain boards, light soiling to the lower board.
Some scattered foxing.
A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.
Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.
Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting text.
Published in March 1558, this precious copy contains four books of Latin poems - Elegiæ, Varia Epigr[ammata], Amores [Faustinae], Tumuli - written by Du Bellay in Rome and Paris between 1553 and 1557. The collection, also referred to as Poemata or Œuvres latines, appeared in the same year as three other works from his Roman period: Les Regrets, Divers Jeux Rustiques, and Les Antiquitez de Rome.
Very rare first edition of the new laws enacted in 1775 by Catherine II, Empress of Russia, here translated into Turkish for the recently annexed Turkic-speaking provinces taken from the Ottoman Empire.
The work is divided into two parts: the first, dated 12 November 1775, comprises the first 28 chapters (pp. 1–190); the second contains chapters 29 to 31 (pp. 191–248).
Contemporary-style half mottled sheep with small corners, unlettered spine with five raised bands decorated with double gilt fillets and gilt thistle tools, marbled paper boards, red edges, modern binding.
Pale marginal dampstaining to the upper right corner of the initial leaves.
First edition of this splendid lithographed album by A. Bayot, Eugène Cicéri, and Morel Fatio, comprising a lithographed title on a tinted background, a line-engraved map by Avril, and 15 color lithographs on tinted grounds.
Contemporary black half shagreen binding with corners, spine with five raised bands and blind-stamped double fillets, cherry-red shagreen title label (with minor losses) mounted on the upper cover, black paper-covered boards, white moiré silk endpapers and pastedowns, endpapers slightly foxed and creased, all edges gilt, the binding recently restored.
Scattered foxing, a few faint marginal dampstains, one stain at the head of the final plate.
New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
Rare edition printed on laid paper, very likely produced in a small run for Picard bibliophiles (cf. Hage Chahine, 4071).
Listed in the CCF only at Arras, Amiens, and Compiègne.
A few minor spots.
Half cherry morocco binding, spine lightly faded and raised on five bands, a few rubs to the spine, marbled paper sides, comb-marbled endpapers and pastedowns, gilt top edge, a period binding signed by Petit, successor to Simier.
Robert de Clari (c. 1170 – after 1216) was a Picard knight, vassal to the castellan Pierre d’Amiens.
He took part in the Fourth Crusade alongside his lord Pierre d’Amiens. After the deaths in 1205 of his direct suzerains Pierre d’Amiens and Hugues IV de Campdavaine, Count of Saint-Pol, he returned swiftly to Picardy.
From the sack of Constantinople he brought back, among other things, relics which he donated to the abbey of Corbie. He then composed, in French and in Picard, La Conquête de Constantinople, a narrative in one hundred and twenty chapters recounting the Fourth Crusade and its immediate aftermath up to 1216.
He therefore died sometime after this date, though nothing further is known about him.
A pleasant copy in a binding signed by Petit, successor to Simier.
First edition of this rare work, offering the very first description in French of this small canton, still nominally under Ottoman rule—though in fact largely autonomous—and which appeared as exotic to early 19th-century Westerners as the most remote corners of China.
Illustrated with 13 hand-coloured plates, including a large folding map, two botanical plates, two depicting celebrations, three views of churches, and five costume plates. (cf. Atabey 1286. Lipperheide 1443. Not in Blackmer or Colas.)
Contemporary half calf binding, smooth spines decorated with gilt fillets, garlands, and floral tools, red morocco lettering-piece, black morocco numbering-piece, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.
Joints fragile, hinges rubbed and split, scattered foxing.
Jacques-Louis-Claude Vialla, known as de Sommières after his birthplace in the Gard (1764–1849), served as governor of Cattaro (in the then French Illyrian provinces) from April 1811 to April 1812. In this capacity, he was officially commissioned in October to approach Vladika (Prince-Bishop) Petar I of Montenegro (reigned 1781–1830), ancestor of the Petrović-Njegoš dynasty, in an attempt to win him over to the cause of the Empire.
This was the first time an official Western embassy had reached these remote, largely self-sufficient regions. Written at a time when the author, placed on half-pay after the Restoration, needed to earn a living, his account abounds in fascinating detail.
"New edition, with parts in first edition, incorporating an unpublished preface; the first edition had appeared in 1927 in Tokyo at the close of Claudel’s ambassadorship in Japan (1921–1927) and was issued in three fan-shaped quarto volumes. Work illustrated with Japanese characters calligraphed by Ikuma Arishima. Composed between June 1926 and January 1927, this essay (blending traditional calligraphy, haiku, and short Western-style verse) bears witness, among Claudel’s other creations, to the influence of the Far East on his poetic practice.
Moving and exceptional presentation inscription, signed and dated by Paul Claudel to his eldest daughter, Marie Claudel, known as "Chouchette" (1907–1981), and to his son-in-law Roger Méquillet, written at the head of the front endpaper and in pencil on the flyleaf: "A mes chers enfants Roger et Chouchette de tout mon coeur. claudel. Paris 30 juin 1942 Paul."
First edition illustrated with a lithographed portrait of the author by Langlumé as a frontispiece (cf. Atabey 45. See Blackmer 60 and Weber 105 for the enlarged second edition, published the same year with a different frontispiece).
Half cherry calf binding, spine with four raised bands framed with gilt garlands, decorated with blind and gilt tooling, gilt rolls at head and tail, black morocco title-piece, marbled paper boards, endpapers and pastedowns, marbled edges, contemporary binding.
Some light foxing, blind-stamped ex-libris of Giannalisa Feltrinelli at foot of first endpaper. Repair to the outer margin of the last two leaves, not affecting the text.
Stay on the island of Elba, return to France, Waterloo, the Villefranche affair, the trial, stay in Switzerland, Constance, Munich, Dresden, Warsaw, Krakow, Galicia, Jassy, separation of the two brothers, Constantinople, Smyrna, Naxos, Athens, Janina, Ali Pasha, flight from Janina, passage through St. Maur Island, Corfu, Cattaro, Ragusa, Trieste, landing at Ancona, visit to Rome, stay in Livorno, Lucca, Genoa, Turin, and return to France.
"First Édition edited by two of his friends from Bacheville's notes (…) The two brothers were accused of conspiracy and fled France after the Restoration. Barthelemy joined Ali Pacha; Antoine travelled to Egypt, Persia and Arabia, to die in Muscat. The engraved frontispiece is a portrait of Antoine. The frontispieces in the two Éditions are not the same; that in the second Édition depicts the brother's separation" [Leonora Navari]. A handsome copy in a contemporary Romantic binding.
Very rare first edition (cf. Monglond VII 661).
Contemporary half brown sheep with corners, smooth spine gilt with floral tools and fillets, rubbing to spine and joints, marbled paper boards, grey endpapers and pastedowns, corners softened, yellow edges.
Pleasant, clean interior.
A shadowy figure who was by turns (and at times simultaneously) a secret agent, Tallien’s associate, a Revolutionary pamphleteer, and a double agent under the Directory and the Empire, Méhée de La Touche (1762–1827) left in 1784 on a covert diplomatic mission to Poland and Russia, from which he was expelled at the end of 1791. The correspondence he publishes here (running from 1788 to July 1791) abounds in valuable information on the social and political situation of these countries at the close of the eighteenth century.
First edition of the French translation, expanded with notes by the translator (cf. Loukia Droulia 1180; Quérard II 238 and VII 6, under: \"Pecchio\"; Blackmer 549 and Atabey 396, under: \"Emerson\").
The first volume opens with a frontispiece portrait of Andrea Miaoulis.
Contemporary half bronze calf, smooth spine decorated with gilt rolls and tools now slightly softened, minor rubbing to the spine, marbled paper boards, marbled edges.
Spine restored and lightly rubbed, some scattered foxing.
The original edition appeared in London in the same year. It also included Humphrey’s \"Journal of a visit to Greece\", omitted from the French edition. \"Important philhellenic collection (…) Emerson reached Greece at the end of 1823 and left soon after Byron's death in 1824. In 1825 he returned as a volunteer and was correspondent for the Times, fighting alongside Miaoulis and Makriyannis. The portrait of Miaoulis is after a drawing from life by Emerson. The Italian revolutionary Pecchio had been living in exile in England when he decided to go to Greece for a few weeks because he was 'desirous of paying a visit to the members of the Government'. He rapidly became disillusioned but was honest in his account, which is very interesting\" [Leonora Navari].
A handsome copy, in a contemporary Romantic binding, of this important work on the history of philhellenism.
First edition of the French translation by Jean Mourier.
Only one copy listed in the CCF (BULAC).
Full burgundy cloth binding, smooth spine with gilt lettering running lengthwise, pink paper pastedowns and endpapers, a modest modern binding.
Some light, insignificant foxing.
Very rare work tracing the origins of the Kingdom of Georgia up to the introduction of Christianity.
First edition of the French translation, based on the sixth English edition.
Copies listed in the CCF only at the BnF, Dijon, and Rouen libraries.
Our copy is preserved in its original state, in contemporary marbled paper wrappers.
The only edition of this curious political pamphlet, seemingly without any real connection to an English original, which proposes to reorganize Europe through joint—particularly military—control by the four principal continental powers (Austria, France, Spain, and Prussia) over all the others, in order to ensure peace and balance across the continent.
These prophetic, if still utopian, reflections are preceded by an analysis of Europe’s situation since the Seven Years’ War.
Edition published one year after the original, illustrated with four fine copper-engraved plates by Charles Eisen depicting Nordic types (Icelandic women, a bear hunt, Samoyeds, a Laplander in a sleigh) engraved by Le Mire, one folding map by Bellin, thirteen maps, plans, or views (eight of them folding) engraved by Croissey, as well as a charming engraved title vignette and a headpiece by Le Gouaz.
See Sabin, 37616; Chadenat, 1633; Boucher de la Richarderie, I, 380.
Full mottled calf binding, smooth spine richly gilt in compartments decorated with gilt fleurons and geometric motifs, sometimes slightly rubbed, red morocco label, restorations to spine and joints, gilt roll tooling on the caps, red-speckled citron edges, gilt fillets on the board edges; late eighteenth-century binding.
A tall, wide-margined copy.
Provenance: copy from the Château de Menneval, with an engraved bookplate mounted on the pastedown.
First edition of the French translation prepared by A. J. B. Defauconpret (see Brunet III, 555; Quérard IV, 230; not in Field).
The work is illustrated with 20 charming aquatint plates, 6 of them hand-coloured, and a folding plan. The English first edition contained only 13 aquatints.
Contemporary Bradel bindings in full sand-coloured paper boards, red morocco spine labels for title and volume numbers (partly faded), flat spines gilt with a central floral tool, light rubbing to spines, upper caps slightly worn, two corners bumped, entirely uncut. Period bindings.
Pleasant, clean internal condition.
Johnson was a British officer in India who chose to return to England by land. His narrative offers numerous observations on the social life, customs, religion, and dress of the peoples he encountered along the way.
Second edition; the first having been destroyed by the author himself. Cf. Louandre et Bourquelot, III, p. 149: "Il y a eu de cet ouvrage une première édition anéantie par l'auteur avant toute émission, et dont il n'est peut-être pas échappé un exemplaire." "(L'auteur) s'est efforcé de rendre avec fidélité les impressions qu'il a éprouvées, et les renseignemens qu'il a obtenus ont été puisés aux sources les plus respectables."
Half calf bindings in light brown, smooth spines decorated with double gilt fillets, black morocco title and volume labels, a small hole at the foot of the spine of the first volume, marbled paper boards, upper corners slightly rubbed, sprinkled edges, contemporary bindings; the atlas volume is in original wrappers.
Some minor losses and small tears to the corners of the atlas, which also shows light restorations.
The latter is complete with its large folding map with coloured boundaries and its ten lithographed plates: eight views and two hand-coloured costume plates.
The eight picturesque views depict scenes near Jönköping, Stockholm, Rosendal, Drottningholm, Ornös (Arendt Pehrson’s house), Falun (the opening of the mine), Wexiö, and Solfvitsborg; the two remaining plates show Dalarna costumes at Leksand and Småland costumes at Wörend.
Some scattered foxing.
First edition of the French translation prepared by Joseph Lavallée.
The atlas volume is illustrated with 16 plates (portrait, views, birds, insects), 12 engraved music plates (printed on 6 leaves), and a large folding map on thick paper (cf. Quérard, I, 6; British Museum (Natural History), I, 8 for the atlas only; Pritzel, 6 for the original English edition).
Bound in contemporary half calf, smooth spines gilt-tooled with floral ornaments, rolls and motifs, sometimes slightly faded, orange calf title and volume labels, marbled paper boards, a few rubs and minor defects along the joints, sprinkled red edges; the atlas volume in contemporary half brown calf, smooth gilt-tooled spine with a few small losses at foot, some rubbing to joints and boards, marbled endpapers and pastedowns.
Our copy is complete with the Finnish bath plate, often lacking.
Rare first edition (cf. Sabin 28075).
The CCFr records only 2 copies: Paris (BnF) and Saint-Geniez-d'Olt (Aveyron).
Spine discreetly restored, small corner losses to soiled boards, author's name crossed out in ink on the title page, some foxing.
This study, intended to reconcile the interests of France, the Black population, and the planters in the question of the emancipation of slaves, comprises the following sections: I. Usefulness of the colonies. – II. Opposing influences on the colonies. – III. Systems [of emancipation]. – IV. Compensation. – V. Religious means. – VI. Present moral state of the colonies. – VII. Free labor. – VIII. The mulattoes. – IX. Comparison between various forms of slavery.
Opposed to the immediate abolition of slavery, the author emphasizes the role of religion in achieving the emancipation of Black people. A journalist and polemicist writer, Gougenot des Mousseaux (Coulommiers, 1805 – ibid. 1876) is known for his works on magic, esotericism, and secret societies.
An ultramontane Catholic, antisemitic and legitimist, he opposed political and dynastic Orléanism.
First edition, large octavo, illustrated with 78 engravings together with 12 chromotypographic plates by George Roux and 2 coloured maps.
Publisher’s binding by Hetzel in full red cloth signed A. Lenègre, with the "portrait collé" design: the upper cover signed Souze, polychrome, depicting various means of transport (balloon, locomotive, ships), with a sepia-toned portrait of the author mounted at the centre, and various navigational instruments highlighted in gilt in the foreground; lower cover of type "e" as recorded by Jauzac; spine decorated with several gilt and coloured illustrations; original blue endpapers; one upper corner slightly crimped; all edges gilt. HF catalogue at the end.
Some light scattered foxing.
A maritime adventure recounting a treasure hunt, leading the hero from Tunisia to the Gulf of Guinea, then to Scotland, the island of Spitzbergen, and finally to Sicily.
First edition, illustrated throughout the text.
Some foxing, light rubbing without consequence to the spines, small losses of green paper on the endpapers.
Contemporary manuscript ex-donos on the endpapers as a gift.
Publisher’s full blue cloth, smooth spines decorated with black Greek key motifs, black Greek key borders on the boards, upper boards adorned with a marine illustration, publisher’s black monograms stamped on the lower boards, green paper endpapers and pastedowns, wrappers preserved.
First edition of this uncommon work, originally written in French.
Illustrated with two engraved frontispieces and two folding maps bound at the end of the first volume.
Bradel binding in bottle-green half cloth, flat spine gilt with a central floral tool and double gilt fillet at foot, marbled paper-covered boards, black morocco title label; modern binding signed Boichot.
Three of the four original wrappers preserved, occasional scattered foxing.
Prince Emmanuel Mikhailovich Galitzine or Golitsyn (1804–1853) was a member of the Imperial Russian Geographical Society.
Partly original edition, expanded with a preface and entirely unpublished fragments.
Bound in contemporary half black shagreen, spines with five raised bands decorated with gilt garlands, gilt dates at the foot, marbled paper boards, comb-marbled endpapers, gilt edges.
Some foxing, mainly at the beginning and end of the volumes.
Complete with the folding table bound at the beginning of the second volume.
Partly original edition, entirely revised.
Some foxing.
Rare copy preserved in its original wrappers.
Extremely rare first edition of the French translation prepared by Désiré Mouren.
There appears to have been no Portuguese edition of this pioneering work in the field of oceanography.
Losses to the spine, upper cover starting to detach, small marginal losses to the boards.
Francisco Calheiros da Graça (1849-1906), a Brazilian naval lieutenant, took part in the operations against Paraguay and conducted several scientific studies and hydrographic surveys.
Extremely rare.
Manuscript ex-libris on the upper cover.
First edition of the exhibition catalogue presenting 37 works by Claude Monet at the Galerie Durand-Ruel from 9 May to 4 June 1904.
During the exhibition, most of the paintings were immediately purchased by American collectors.
Binding in vellum-effect paper boards, names of the catalogue preface writer and the painter inscribed in ink, water-effect paper endpapers, covers and spine preserved, curious ex-libris drawn by H. P. Gassier glued to a pastedown endpaper, binding signed Gonon.
Preface by Octave Mirbeau.
A rare and pleasant copy.
First and only Castilian edition of these navigation tables, which were nonetheless translated into English as early as 1801.
No copy recorded in the CCF.
Contemporary half vellum with corners, smooth spine tooled in blind with Greek key rolls, rubbed cherry shagreen label with losses, marbled paper boards with scratches and losses, sprinkled edges, period binding.
José de Mendoza y Ríos (1761-1816) was a mathematician and astronomer; he specialised in the field of nautical astronomy.
First edition, on ordinary paper, of the French translation.
A small tear restored at the foot of the spine, a pleasing copy.
Letter-preface by Jean Cocteau, preface by Somerset Maugham.
Illustrated cover with a portrait of the Aga Khan by Kees Van Dongen, with iconography.
Rare and precious signed autograph presentation from the Aga Khan to Madame Avrillier.
Rare first edition of Hector Berlioz's first book.
Some restorations to the top spine-end, volume label on the spine of the second volume not fully visible, boards strengthened or lined (first board of the first volume), some stains on the first boards of both volumes.
Fine condition inside almost without any foxing.
Our copy is housed in green half shagreen chemises and slipcases, marbled paper boards, slipcases lined with the same shagreen, gilt titles and dates on the spine.
Rare.
First edition, printed in 500 numbered copies, of this splendid archaeological album featuring 78 in-text illustrations and 13 full-page plates with tissue guards (including 7 double-page or folding plates).
Text by Henri Lechat.
Publisher’s Bradel binding in full forest green cloth, smooth spine, headcaps slightly crushed, one joint split at head, spine and boards ruled in ochre, corners slightly rubbed, bookplate affixed to the front pastedown.
Copy from the library of industrialist Anatole Descamps (1833–1907), with engraved ex-libris by Devambez mounted on the pastedown.
A handsome copy.
First edition illustrated with 5 plates outside the text, including 4 folding lithographs printed in Marseille by Charavel: Plan of the camp at the foot of Mount Elbrus, View of Mount Elbrus, Inscription in Russian, Huno-Scythian alphabet, Inscription on two white marbles found at Magyar (cf. Blackmer 131, Atabey 105).
Spine split with small losses, some corner defects to the boards.
"The author was interested in tracing the origins of the Magyars to the Caucasian peoples. In 1829-1830 he travelled through the Caucasus and then into Armenia. He also produced a Turkish grammar,"
Abrégé de la Grammaire Turque, Pest, 1829 [Leonora Navari].
On the verso of the half-title appear the author’s and the publisher’s stamps and autograph signatures.
Printed ex-libris of J. de Sainte-Foy.
First edition of the translation by F. de Bretonne, assistant curator at the Sainte-Geneviève Library, based on a comparison of all earlier versions. The work is enriched with a suite of 10 vignettes by Charlet, retaining its original pink paper wrapper with vignette dated 1831; the volume also includes a portrait of Cervantes.
Half long-grain claret morocco binding with corners, signed at the head of the front endpaper S. David, late 19th century. Spine with four raised bands, decorated with complex and stippled tools within compartments. Gilt fillets on the bands. Double gilt ruling along boards and corners. Minor rubbing to some bands, joints, and corners. One corner slightly turned in. Occasional spotting in an otherwise fresh copy.
Original wrappers and spines preserved. Binding executed on untrimmed paper gatherings.
A very handsome copy.
First edition illustrated with 81 engraved plates, drawn by Antoine-Marie Chenavard and engraved on steel by various artists, comprising: a route map, a plan of Athens, and 79 plates numbered I to LXXV, including plates XXVIIIbis, XLVIIIbis (these two not listed in the table), LVIbis, and LVIIbis.
Cf. Blackmer 334. Atabey 230. Brunet II, 1831.
Each plate is accompanied by a leaf of explanatory text.
Plates LIX and LX are transposed in this copy.
Bound in modern half green sheep with corners, spine with four raised bands decorated with black fillets, black sheep lettering-piece and author’s name, sides covered in almond-green felted paper, a scratch to the lower cover.
The leaves are mounted on cloth guards, the preliminary leaves with some marginal soiling, a few light dampstains in the margins of certain pages, all leaves with marginal sunning.
Black and white portrait photograph showing Tito facing the camera.
A well-preserved example. Included are an envelope bearing the letterhead of the Yugoslav Embassy, a printed card from the same embassy, and a typewritten letter from the Yugoslav Consulate thanking Claude Armand for his request for a photograph of Tito.
Bold blue ink autograph by Tito in the right-hand margin of the photograph.
Provenance: from the collection of noted autograph collector Claude Armand.
First edition, printed in a very small number of copies of this offprint from the Journal de l'agriculture et des pays chauds, 1865-1866; cf. Berger & Rey, p. 232. Not cited by Pritzel.
Bradel binding in full green boards, smooth spine, black shagreen lettering piece, modern binding.
Dr. Victor Pérez was a physician in Laguna (Tenerife) and Dr. Sagot (1821-1888) was a former surgeon in the Imperial Navy.
Pleasant and rare copy.
First edition illustrated with 62 figures in the text or full-page, included in the pagination.
Half green oasis morocco, spine with five raised bands, marbled paper sides, endpapers and pastedowns of marbled paper, original wrappers and spine preserved, top edge gilt, modern binding signed Laurenchet.
A few small spots of foxing, manuscript ex-dono at the head of the front wrapper.
A pleasing copy.
Very rare first edition.
Some light foxing.
Contemporary 19th-century modest half-grained cloth binding, spine faded, marbled paper boards with surface abrasions, yellow endpapers and pastedowns, marbled edges.
Sole edition, uncommon, of this vindication by Jacob Spon (1647-1685) concerning his major travel account of the Levant (Voyage d'Italie, de Dalmatie, de Grèce et du Levant, fait aux années 1675 & 1676), published in 1678.
First edition.
Half blue shagreen, spine with four raised bands decorated with gilt floral tools within blind-ruled compartments, blind fillet borders on indigo percaline boards, boards with marginal soiling at foot, brown paper endleaves and pastedowns, modern bookplate affixed to a pastedown, contemporary binding.
Some scattered foxing, a black ink stain on the edge not affecting the text.
First edition of the most significant 19th-century scientific expedition to Iceland and Greenland.
A few light spots of foxing, otherwise a very good copy.
The 8 volumes of text include:
- History of the voyage, by Joseph-Paul Gaimard and Eugène Robert: 2 volumes with a portrait.
- History of Iceland, by Xavier Marmier: 1 volume.
- Icelandic Literature, by Xavier Marmier: 1 volume.
- Travel journal, by E. Mecquet: 1 volume.
- Zoology and medicine, by Eugène Robert: 1 volume, with folding table.
- Physics, by V. Lottin: 1 volume.
The 4 atlas volumes comprise:
- Mineralogy and geology, by Eugène Robert: 1 volume. Atlas:
- Mineralogy and geology: 1 volume with 36 black plates, some printed on China paper and mounted.
- Historical: 2 volumes with 150 lithographed plates and views in black, printed on China paper and mounted.
- Zoological, medical, and geographical: 1 volume with 51 plates, 35 of which are finely hand-colored (one plate present in both states: black and colored).
Bound in modern half blond calf, flat spines richly gilt with garlands and gilt and blind-stamped fillets, gilt decorative bands at foot of spines, red and dark green morocco spine labels, marbled paper boards, bindings signed by Laurenchet.
A very rare and attractive uniformly bound complete set.
First edition of this fine collection comprising 72 numbered copper-engraved plates. (cf. Katalog der Ornamentstichsammlung Berlin, 2744. Brunet, V, 199 lists the author's name as Scheult).
Contemporary half calf binding with vellum-tipped corners, recently rebacked with a smooth spine decorated with gilt ornamental rolls and fleurons, olive green morocco label. Some rubbing to the spine, marbled paper-covered boards.
Scattered foxing, light dampstain to the upper outer corner of most leaves.
First and only edition of this beautiful album, illustrated with a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints offering spectacular views of the island.
The half-title page bears the following title: Voyage pittoresque aux îles Hébrides.
Some occasional spotting, otherwise a pleasing copy of this album.
Contemporary full purple shagreen binding, spine with four raised bands, compartments decorated with blind-ruled panels, minor rubbing to spine, covers framed with double blind fillets and scrollwork, marbled endpapers and pastedowns, gilt dentelle border on pastedowns, gilt dots along the edges, all edges gilt. Half-title: Voyage pittoresque aux îles Hébrides, title, 32 pp., a double-page map and 12 mounted plates after drawings by the author, including 11 aquatints depicting striking island views.
Publisher Charles-Louis-Fleury Panckoucke (1780–1844), son of the renowned Charles-Joseph, recounts a journey to the islands of Skye, Iona, and Staffa from Glasgow, with particular emphasis on the latter. Staffa is famed for its basalt cave, known as "Fingal's Cave" in homage to Ossian and his pseudo-Gaelic creations, which in the 19th century drew numerous writers and artists enchanted by the wild majesty of its interior.
Second edition of the French translation (Sabin 98442).
Bound in modern pastiche half beige calf, smooth spines ruled in gilt with double fillets, red morocco title labels and brown morocco volume labels, marbled paper boards.
The final two leaves of volume two have been restored, with loss of text: a few letters are missing from page 381, and there is a loss of text on pages 383–384, which comprise the table of contents; occasional light spotting, blind stamps to the lower right corner of title-pages.
Complete set including the atlas, sixth and final volume, illustrated with 17 plates and 9 maps.
A handsome copy of this celebrated voyage of exploration through the Pacific and along the west coast of America.
First edition of this correspondence recounting the journey of Joseph-François Michaud and Jean-Joseph-François Poujoulat through Greece, the Archipelago, Constantinople, Jerusalem and Egypt (cf. Atabey 807. Blackmer 1122. Contominas 465).
Minor losses to corners on some boards and spines, a pleasant set overall.
Our copy retains, at the end of volume II, the extremely rare map that is missing from most other copies.
First edition of this beautifully lithographed album after various artists, alternating picturesque views with architectural details. (Not listed in the Ornamentstischsammlung catalogue, Berlin.)
This splendid album contains 51 lithographed plates outside the text, our copy with two additional duplicate plates bound in.
Contemporary binding in half black morocco, smooth spine decorated with gilt typographic motifs, original black moiré paper boards with gilt title on upper cover preserved, original delivery wrappers bound in, corners rubbed, some marginal tears and wear to board edges, modern binding.
Some occasional foxing.
First edition and first issue of the illustrations, without the table of plates which was later printed at the bottom of page XLIII and the beginning of page XLIV of the text volume (cf. Louandre et Bourquelot, I, p. 46. Blackmer, 33, mentions a large folding map bound in the atlas which, in fact, does not belong to the work).
The atlas volume contains the complete set of 10 plates, including 4 lithographs engraved by Faure after drawings by Préaux and lithographed by Langlumé.
Text volume bound in contemporary full tree calf, flat spine gilt with double fillets and naval anchors, red morocco label, gilt roll tooling to head- and tailpieces, gilt rolls framing the boards, marbled endpapers and pastedowns, red edges, gilt fillets on board edges.
Atlas volume bound in contemporary half marbled calf, flat spine with gilt double fillets, red morocco label, marbled paper-covered boards.
Some minor foxing to the atlas, small restoration to the title-page of the text volume.
A rare and appealing set.
First edition of this significant publication issued by the Commission of Inquiry tasked with collecting all available data and documentation on the cultivation, production, and sale of tobacco.
Illustrated with numerous folding tables and a folding map of France, printed in lithography by A. Cabassol and bound out of text.
Apparently not recorded in the Bibliothèque nationale de France.
Contemporary half calf binding, flat spine rebacked and decorated with gilt fillets, morocco labels in light brown, some rubbing to the spine, marbled paper boards with minor marginal flaws, marbled endpapers, sprinkled edges.
Some spotting to top edge; an embossed ownership stamp appears on the first leaf, with the initials CA in a medallion (possibly Caroline Augusta of the Two Sicilies, Duchess of Aumale?).
Comprehensive alphabetical index at the end of the volume.
First edition of this rare album illustrated with 15 line-engraved plates, each protected by a tissue guard and accompanied by a caption leaf, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818.
Publisher's original full grey boards, flat spine without lettering, some rubbing, blind-ruled borders on covers, a scratch to the foot of the upper cover, central title, corners rubbed.
Some foxing.
Inscribed by Antoine-Marie Chenavard to his friend Antonin L., with the author's signed presentation note.
First edition of this uncommon work (cf. Atabey 138. Blackmer 178.)
Return journey via the Black Sea, Rumelia, Bulgaria, Russian Bessarabia, the Danubian Principalities, Hungary, Austria and Prussia, in May, June, July and August 1853. Paris, Treuttel et Würtz, Dumoulin, Derache, Victor Didron, 1855, 2 vols. 12mo,
Contemporary half cherry calf bindings, flat spines decorated with gilt fillets, dotted lines, and garlands, gilt rolls at foot, black marks and discoloration to spines and boards, red paper-covered boards, marbled endpapers and pastedowns, sprinkled edges.
Occasional light spotting, a fresh and well-preserved copy.
First edition, cf. Blackmer 133. Not in Atabey.
Contemporary romantic binding in navy-blue half sheep, spine gilt with decorative romantic tools, gilt rolls (partly faded) at head and foot, gilt fillet framing the boards decorated in blind with romantic arabesques, gilt-stamped plaque of the "Lycée impérial du Mans" to upper board, some wear along board edges, endpapers and pastedowns of marbled paper, marbled edges, gilt tooling at head and foot of the boards’ edges mostly rubbed. A handsome romantic binding of the period.
A near-spotless copy, attractively preserved in a period romantic binding.
New edition illustrated with 47 engraved and hand-colored costume plates (cf. Colas 2784).
This is a reissue, under the Metz imprint, of a portion (volume IV) of the Tableau Historique des costumes, des moeurs et des usages des principaux peuples de l'antiquité et du moyen âge, originally published in Paris and Metz between 1804 and 1809.
Rare and attractive copy preserved in its original publisher’s wrappers, with the original plain waiting cover and a printed title label affixed at the head of the spine.
First edition of this rare album illustrated with 15 outline-engraved plates, each protected by a tissue guard and accompanied by a leaf of descriptive text, including a reproduction of the author's portrait drawn by Ingres in Rome in 1818 (cf. Castiglione, p. 226. Only three copies listed in the CCF: BnF, INHA, Lyon).
Contemporary green half sheepskin binding with corners, spine with four raised bands framed by dotted rolls, gilt double fillets and floral tools, triple gilt fillet border on green paper-covered boards, gilt title to upper board, marbled endpapers, contemporary binding.
Some rubbing to spine, corners restored.
A handsome copy.
Author's copy with inkstamp to the title-page.
First edition of the French translation, illustrated with a folding map in the first volume (see Cordier, Sinica, 2094; Quérard I, 260; not in Schwab or Atabey. Blackmer (111) owned only the English edition: Travels from St. Petersburg in Russia, to diverse parts of Asia, Glasgow, 1763).
Contemporary full marbled calf bindings, spines with five raised bands richly gilt in double panels, brown or green morocco title-pieces (in the second volume), red morocco volume labels, gilt rolls on the caps, marbled endpapers and pastedowns, gilt fillets to edges, marbled edges, some corners a bit rubbed.
Minor wormholes on the upper board of the first volume, light scuffing to boards.
First edition of the French translation of the compilation entitled Historia de la dominacion de los Arabes en España sacada de varios manuscritos y memorias arabigas (Madrid, 1820–21), cf. Playfair 528. Palau 59020.
Contemporary bindings in black half sheepskin, flat spines decorated with gilt garlands and blind-tooled floral ornaments, gilt library shelfmark numbers at foot, vellum-tipped corners, headcaps rubbed on two volumes, covers in mottled paper, bookplates pasted on the endpapers, a few small chips to the upper edges and corners of the third volume, sprinkled edges.
Scattered foxing, minor rubbing to the bindings.
Copy from the library of Vittorio Rochstol, with his bookplates mounted on the front endpapers.
First edition, of great rarity (cf. Sabin 4182).
Bradel-style binding in full orange paper-covered boards, with a brown shagreen spine label; modern binding.
A very good copy.
A vindication of France’s conduct during the uprising of the British colonies in America.
First edition, one of 35 copies printed on Japan paper, the deluxe issue, complete with the four states of the etchings (pure etching with remarque, with remarque, before letters, final state), see Vicaire, VII, 534.
(Vicaire mentions a blank leaf and a dedication leaf which appear to be missing here, although the copy is otherwise perfectly complete.)
Contemporary binding in half Empire green morocco, spine with five raised bands framed by black fillets, minor rubbing to the spine, spine and boards slightly faded, black fillet border on marbled paper boards, comb-marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt on witnesses, binding signed by Pétrus Ruban.
Excellent internal condition.
First edition illustrated with four plates of medals and one folding map with hand-colored outlines.
Contemporary half chocolate-brown sheep bindings, smooth spines slightly faded and decorated with triple gilt fillets, gilt letter "N" at foot of spines, marbled paper boards, marbled endpapers, speckled edges.
Minor rubbing to spines, occasional foxing.
A senior tax official, Baron de Nervo (1810–1897) authored several works on financial history, but was also an eclectic traveler: his account of a journey to Sicily undertaken in 1833 is decidedly uncommon.
First edition of the French translation, illustrated with a frontispiece engraved by Lechard after Gibert [Constantine], and a folding map bound at the end (cf. Tailliart 58. Palau 328 502).
A few minor spots of foxing.
Publisher’s binding in full red cloth, spine with black and gilt oriental-inspired decorations, blind-stamped frames on covers, red endpapers slightly faded at the margins, all edges gilt.
Only French edition, highly regarded, of this epistolary account of a journey undertaken in 1878 by the Russian geologist and naturalist Tchihatcheff (1808–1890), whose main interest lay in the natural sciences but who also addressed economic matters, a field dear to his correspondent.
The work is also of particular importance for the traveller’s thoughtful and well-informed observations on the details of French colonial administration in the region.
First edition of the French translation, one of 31 numbered copies on pur fil, the only copies printed on deluxe paper.
Spine and covers slightly and marginally faded, a pleasant copy.
First edition, illustrated with a portrait of the author after Sir Thomas Lawrence in the text volume, and, in the atlas volume, with 1 engraved map (numbered 1) and 74 lithographed plates (numbered 2 to 75; plate 27 misnumbered 17), including 8 hand-coloured plates: plates 28 (Fresco of Dieudonné de Gozon), 41 (Tomb of Fabrice Caretti), and 61 to 66 (Frescoes from the crypts of Our Lady of Philerme).
See Atabey 1056. Blackmer 1450. Loukia Droulia 1474. Weber, I, 163.
Text volume bound in contemporary green half shagreen, spine with four raised bands adorned with gilt garlands and floral tools, marbled paper boards, marbled endpapers, rubbed corners; atlas volume in contemporary red half calf with corners, flat spine with gilt fillets, rubbed, marbled paper boards with scratches, some wear to edges and corners.
Some foxing, stains at foot of plate no. 10 in the atlas, and minor foxing on some other engravings.
Brunet, IV, 1415: "Ouvrage curieux et dont les planches sont fort belles".
The lithographs, after drawings by Witdoeck, depict the coastlines of the island of Rhodes, the harbour, fortifications, and principal buildings and monuments, some in ruins: the gates of Saint Catherine, Saint Paul and Saint John, the site and reconstruction of the Colossus, the interior of the palace, Fort Saint Nicholas, Garden of Auvergne, Street of the Knights, tomb of Robert de Julliac, castellany, convent, Lodge of Saint John, priories of France, Spain, Portugal, Italy and England, Church of Saint Mark, bishop's palace, façade and interior of Saint Stephen, Admiralty, watchtower of the Knights, Church of Our Lady of Philerme with its frescoes, etc. After studying at the University of Louvain, Bernard Eugène Antoine Rottiers (Antwerp, 1771 – Brussels, 1858) joined the Dutch army in 1789. He fought at the Battle of Jemappes and sailed to England in 1795 with Stadtholder William V. He then served in the British army before leaving for Russia, where he joined the Georgian army. Promoted to colonel, he later returned to the Netherlands. A man of letters and archaeologist, he was entrusted in 1825 with a scientific mission to the Levant: "In January 1826, I departed with one of my sons and my painter, Mr. P.-J. Witdoeck. After stopping in Santorini, we landed in Rhodes, and barely arrived, we began our work. It was as dangerous as it was laborious. The Turks had never permitted anyone, until us, to draw the monuments of the island, especially the interiors of churches and other buildings... These dangers recurred everywhere. We had to brave them again for the drawings of the fortifications, the harbour, the tombs. But the goal was well worth the risk to attain it..." (pp. 15–16).
Rare work.
First edition.
Bound in full cherry red morocco, smooth spine richly gilt with romantic typographic ornaments, gilt roll tooling on the caps, boards framed with double gilt fillets and interlaced motifs with gilt corner fleurons, gilt AO monogram stamped at the center of the boards, gilt garland border on the pastedowns, moiré sky-blue silk endpapers and pastedowns, trace of a removed bookplate on one pastedown, gilt fillets on the edges, all edges gilt, contemporary binding.
The sections relating to the colonies are as follows: Martinique, pp. 199–203; Guadeloupe and dependencies, pp. 204–209; French Guiana, pp. 210–212; Bourbon, pp. 216–220; French settlements in Oceania, pp. 223–224.
Copy from the library of Antoine-Marie-Philippe d'Orléans, Duke of Montpensier (1824–1890), youngest son of Louis-Philippe, with his gilt AO monogram stamped at the center of the boards. OHR 2590 (tool not listed).
A very handsome copy, finely bound in a period romantic binding with the Duke of Montpensier's monogram.
Extremely rare reissue of this journal. None of the institutions consulted hold this edition (see Palau, 71807).
Contemporary full ivory vellum binding with overlapping edges, flat spine with calligraphic title running lengthwise, boards slightly soiled.
The book was most likely reinserted into its original binding; a few small stains.
The first Spanish edition was issued the same year in Seville by Sebastián de Armendáriz - bookseller, publisher, and forerunner of Spanish journalism - at the press of Thomas Lopez de Haro.
It appears that the document used as the basis for Armendáriz’s account was a report by an eyewitness to the events, Count Paolo Amerighi.
This journal recounts the siege and recapture of Budapest in 1686, held by the Turks since 1541 and ultimately expelled by Charles V of Lorraine (1643-1690).
A few spots on the title page, otherwise a very attractive copy in contemporary binding.
First edition with all first printing features, one of the press copies.
Exceptional presentation copy inscribed by the author to the famous singer Yvette Guilbert, to whom Céline himself sang and offered one of his scandalous compositions, “Katika la putain,” [Katika the Whore] later renamed “À Nœud coulant” [With a Slipknot"] "A madame Yvette Guilbert en témoignage de ma profonde admiration. LFCéline.”
Beneath Céline's inscription, the actor Fabrice Luchini added: “A Yvette Guilbert in memoriam. FLuchini” ; and on the half-title, actor Jean-François Balmer wrote in turn: “Merci en bon voyage. JFBalmer.”
With pasted-in entry tickets to their respective performances of Voyage au bout de la nuit at the Comédie des Champs-Élysées for Luchini, and at the Théâtre de l’Œuvre for Balmer.
Rare first edition (cf. Polak 2250).
Copy preserved in its original wrappers and in a plain grey waiting cover.
Some marginal staining affecting a few leaves; at the end of the volume, marginal repairs to three leaves, not affecting the printed text.
This double shipwreck occurred off the Algerian coast.
First edition of this work, primarily focused on Dieppe sailors and trade, which includes particularly compelling passages on the discovery of the Canary Islands, the exploration of the West African coasts, and expeditions to Sumatra (see Frère I, 436).
Contemporary-style binding in half tan shagreen, smooth spine gilt-tooled with double fillets, decorative rolls and black fillets, pebble-grain paper-covered boards, marbled endpapers and pastedowns, modern binding.
Some foxing, mostly at the beginning and end of the volume.
Born in Eu, Louis Estancelin (1777–1858) served as deputy for the Somme from 1830 to 1846.
Very rare first edition of this work, never reprinted.
Only one copy listed in the CCF (Versailles).
Contemporary bottle green half shagreen binding, spine with four raised bands ruled in gilt and adorned with double gilt compartments and gilt floral motifs, gilt title at foot, marbled paper boards, marbled endpapers and pastedowns, sprinkled edges.
Some foxing; Mexican peddler's stamp on title page.
Only edition of this collection presented from a Mexican perspective, with an introduction by José Maria Lafragua Ibarra (1813–1875).
Name R. Criado stamped in gilt at foot of spine.
Highly interesting collection attributed either to the geographer Georges-Louis Le Rouge (according to Polak), or to the civil engineer La Serre (based on a manuscript version held at the Municipal Library of Le Havre).
Contemporary half Havana calf binding, smooth spine richly decorated with five gilt fillets and blind-stamped naval anchors, some minor restorations to joints, small green vellum corners, marbled paper boards, endpapers and pastedowns marbled à la cuve. Binding dating from the mid-19th century.
The work comprises 35 engraved plates depicting the plans of 42 ports.
From north to south, and west to east: 1. Antwerp. – 2. Flushing. – 3. Ostend. – 4. Dunkirk. – 5. Gravelines. – 6. Calais. – 7. Boulogne. – 8. Dieppe. – 9. Valléry-en-Caux and Fécamp. – 10. Le Havre. – 11. Le Tréport and Honfleur. – 12. Rouen. – 13. Caen. – 14. Cherbourg. – 15. Granville. – 16. Port-Malo and Saint-Servan. – 17. Brest. – 18. Lorient. – 19. Port-Louis. – 20. Nantes. – 21. Les Sables-d'Olonne. – 22. Saint-Martin-de-Ré. – 23. La Rochelle. – 24. Rochefort. – 25. Concarneau, Mont-Saint-Michel and Oléron. – 26. Bordeaux. – 27. Bayonne. – 28. Saint-Jean-de-Luz. – 29. Port-Vendres and Collioure. – 30. Cette [Sète]. – 31. Marseille. – 32. Villefranche and La Ciotat. – 33. Toulon. – 34. Antibes and Saint-Tropez. – 35. Gibraltar.
Some minor and insignificant foxing.
New edition of the French translation.
Bound at the end of this volume are the following two texts:
Handsome Greek printing of the Psalter according to the Septuagint, followed by traditional Biblical hymnology and a weekly recitation guide.
Illustrated with a charming woodcut depicting David.
Contemporary black cloth-backed marbled boards, spine unlettered and slightly faded, blue endpapers and pastedowns.
Occasional foxing, otherwise clean and well-preserved throughout.