A small insignificant tear at foot of the slightly wrinkled spine.
Autograph inscription signed by Emmanuel Lévinas to his close friend the philosopher Charles Galpérine and his wife Rachel.
First edition, with no copies printed on deluxe paper.
A very good copy.
Precious signed autograph inscription from Jean-François Lyotard to Pierre Vidal-Naquet.
First and complete edition in 7 issues of this review founded and directed by Emmanuel Berl and Pierre Drieu la Rochelle, one of the rare copies on Madagascar paper of which no mention is made.
Bound in half red morocco-grained shagreen with corners, spine with five raised bands set with black fillets, some very light traces of rubbing on spine, date and place gilt at foot, marbled paper boards, endpapers and pastedowns of moiré-effect and gilt paper, top edge gilt, contemporary binding signed by Lagadec, elected best craftsman of France in 1927.
Manuscript signature of Emmanuel Berl at foot of the last page of the fifth issue.
First edition on ordinary paper despite a mention of twelfth edition.
Paper yellowed and slightly brittle at the edges, a small insignificant lack at the head of the leaves of the first gathering which was poorly cut.
Beautiful autograph inscription signed by André Malraux on the half-title page: "A André Germain - cet ancien portrait de moi-même où je ne me reconnais guère que par endroits - avec le fidèle souvenir et la sympathie d'André Malraux." (To André Germain - this old portrait of myself in which I hardly recognize myself except in places - with faithful memory and the sympathy of André Malraux.)
First edition in French, a Service de Presse (advance) copy.
Spine sunned with dampstains, pale dampstain to right margin of front board.
Autograph inscription signed by the translator Maurice Edgar Coindreau to Pierre Ripault.
Ronéotype réalisé par Boris Vian de son manuscrit original, avec ajout autographe du titre : "Le penseur" et deux corrections autogrpahes, nouvelle initialement parue dans la revue Dans le train n°15, 1949, puis publiée dans le recueil posthume Le Loup-Garou en 1970.
Sans doute réalisé pour conserver une copie de sa nouvelle, avant l'envoi à la revue Dans le train, ce ronéotype du manuscrit originale signé a été conservé dans les archives de l'écrivain jusqu'à sa mort. les deux corrections autogrpahes et le titre au crayon semble indiquer que Boris Vian avait prévu une nouvelle publication.
Cette biogaphie express de la courte vie d'un philosophe de génie : Urodonal Carrier, était destinée à être lue le temps d'un trajet en transport en commun. Elle fait partie douze textes que Boris Vian publia entre 1948 et 1950 dans la revue humoristique Dans le train.
Provenance : Fondation Boris Vian.
First edition, one of 55 numbered copies on pur fil paper, most limited deluxe issue.
Endleaves and half-title slightly and partially shaded.
Exceedingly rare and handsome copy of this seminal text of modern feminism.
Our copy is housed in a custom gray clamshell box, square spine titled in red, author's name and subtitles in black, first panel hollowed revealing a black and white photograph of Simone de Beauvoir as a young woman under a plexiglass, title in red, author's name, first volume number and subtitle in black, second panel hollowed revealing a color photograph of the author in her prime under plexiglass, titled in red, author's name, second volume number and subtitle in black, box lined with burgundy paper, superb work by artist Julie Nadot.
First edition for both texts.
Contemporary quarter brown polished calf binding, spine with five raised bands ruled and decorated in gilt and blind, marbled paper boards, stylized acanthus leaves endpapers and pastedowns, marbled edges.
Exceptional reunion of these two great Nietzschean texts, the very last ones written before the philosopher succumbed to madness.
To make the strength of marriage consist in that of love is to go so far as to misunderstand the spirit of this institution.