First edition, of which there were no grand papier (deluxe) copies, an advance (service de presse) copy.
Spine slightly bowed, with a few tears and lacks to plastic film cover. Slight foxing in the margins of a few pages.
Handsome autograph inscription signed by Michel Foucault, at the time a young teacher, to Jean-Charles Varennes.
A very rare advance copy, which could be said to have taken the place of the grand papier (deluxe) copies.
First edition, one of 95 copies on pur fil, the only deluxe issue after 45 copies on Hollande.
A slight vertical crease on the front cover.
A handsome copy.
First edition, an advance (service de presse) copy.
Three small wormholes and a clear dampstain to margin of upper cover, one joint cracked at foot.
Retaining its prière d'insérer.
Very precious and moving autograph inscription signed and dated by Maurice Blanchot to his mother and sister: "Personne ne reçoit tant de Dieu que celui qui est entièrement mort. Saint Grégoire. Pour sa chère maman et sa vieille Marg, en toute affection. Maurice [No one receives God so fully as someone who is entirely dead. Saint Gregory. For his darling mother and old Marg, with all love. Maurice]."
First edition of the French translation prepared by Alexandre Vialatte, one of the complimentary copies.
A manuscript ex-dono erased in the upper right corner of the half-title page, resulting in a small loss of paper.
Signed autograph inscription by Alexandre Vialatte to Albert Thibaudet.
First edition, one of 110 numbered copies on deluxe paper, our copy unnumbered, the only large-paper issue.
With a photographic portrait of Léon Blum as frontispiece.
Some scattered foxing, notably to the edges and endpapers; minor marginal tears to the covers, without significance.
Rare first edition of this project, whose development was certainly collective (with contributions from several democrats, including Frédéric Charrassin, Charles Fauvety, Adolphe Louis Chouippe, and Alexandre Erdan), but which was authored by the neo-criticist philosopher Charles Renouvier (1815–1903).
Bound in contemporary half cherry-colored sheepskin, with a smooth spine adorned with gilt fillets; some rubbing to the spine and boards. Marbled paper over boards, handmade laid paper endpapers and pastedowns, modern bookplate affixed to the front pastedown, slightly bumped corners, minor tears to the joints, speckled edges. Original binding.
Minor, insignificant foxing.
The central idea of this work is that of direct government and direct legislation, inspired by the debate initiated by Rittinghausen.
At the time, this idea was considered utopian and dangerous—much like in contemporary debates—on the grounds that it would discredit the representative system and, contrary to the authors’ intentions, play into the hands of the emerging Caesarism (this was 1851...).
The book also presents other proposals for institutional reform, notably the adoption of the canton as the basic administrative and political unit of the nation, intended to form the true French commune.
Provenance: from the library of Georges and Geneviève Dubois, with their bookplate affixed to the front pastedown.
First edition of this Latin work devoted to the history of the ancient Mediterranean: Sardinia and the influences of Greece, North Africa, the Syrtes and Numidian tribes, the history of the tyrant of Syracuse, the Balearic Islands, Corsica, the island of Rhodes, and more (cf. Adams, L-704. See Durling, 2796, which records only later editions).
Restored full brown calf binding, spine with five raised bands decorated with gilt tools now largely softened, blind fillets and gilt corner ornaments framing the boards, central gilt medallion enclosing a device in Greek characters, manuscript inscription on the fore-edge, early binding.
Ink numbering at the head of the verso of the lower cover; inner hinge cracked.
Handsome volume from the Basel press of Johannes Froben, bearing his printer’s device on the title-page and at the end.
Nicknamed “the prince of printers,” Johann Froben was among the first to employ italic types, inspired by Aldus Manutius.
A professor of philosophy, Greek, and Latin at the University of Padua, the Venetian scholar Tomeo Nicolò Leonico (1456–1531) was admired by Erasmus.
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
Third edition, revised, corrected, and enlarged with several important Additions by the author published posthumously, and with Remarks by the Translator (our own translation), with the portrait of John Locke by Godfrey Kneller, engraved by François Morellon de La Cave.
Contemporary full brown calf, spine with five raised bands decorated with gilt compartments, brown morocco lettering-piece, triple fillet border to covers in blind, red edges, marbled pastedowns and endpapers.
Headcaps missing, surface losses to covers and one larger loss to upper left corner of back cover, corners bumped and worn, rubbing to edges with a small loss at foot of front cover, ink gift inscription to first blank leaf.
In this copy: light marginal dampstaining to early leaves and to pp. 53-58 and pp. 463-472, not affecting text.
This volume is enriched with ink annotations: "n°23 =" to verso of front free endpaper, another inscription to recto of second endpaper, and several ink corrections to margins and text at pp. 3, 125, 127, 148, and 269.
Rare first edition of this small opus, traditionally regarded as constituting the fourth part (of five) of the *Euphormionis Satyricon*, an allegorical satire of the tastes of King James I, and the author’s second most important work after his *Argenis* (cf. Brunet I, 652.)
Full brown calf, spine with five raised bands, compartments decorated with gilt floral tools, cherry-calf lettering piece, headcaps restored, trace of a shelving label at the foot of the spine, single blind fillet framing the boards, gilt fillets to board edges, lower corners rubbed, sprinkled edges, slightly later binding.
Loss restored to the title-page, which also bears two ink annotations; edges slightly trimmed.
The first part appeared under the London imprint in 1605, the second in 1607 under the Paris imprint, and the third in 1611 under the title “Apologia Euphormionis pro se”.
However, these last two texts are not works of fiction and are only loosely connected to the first two parts.
The present work, which may be rendered as Icon animorum, is in fact an essay offering, from life, a description and classification of the traits that mark both the differences and the affinities among Europeans.
Barclay examines their inner and outward signs, stemming sometimes from the conditions of human nature and education, sometimes from national character and from social or professional determinants.
Here the European man receives one of his earliest and most contrasted definitions, blending history and geography, culture and secularized religious ideals, in a treatise that eludes generic classification, abounds in stylistic gems, and compels today’s reader to reflect on his own preconceptions.
First edition, illustrated at the end of the volume with tables printed on two large folding plates included in the pagination (cf. Ferguson 2165a.)
Contemporary half bordeaux shagreen, the spine very lightly faded, with five raised bands framed by black fillets, marbled-paper boards, comb-marbled endpapers and pastedowns, original wrappers marginally soiled and showing small preserved restorations, edges untrimmed, modern binding signed Laurenchet.
Botany Bay, on the eastern coast of Australia, had been chosen in 1787 by the British government as a place of deportation. This study seeks to demonstrate the ineffectiveness of penal colonies at a time when the proposal to establish one in France still had many supporters.
A pleasing copy.
New edition, revised, corrected, and considerably enlarged.
Contemporary bindings in half mottled fawn calf over corners, smooth spines gilt with fillets, morocco title and volume labels, brown paper-covered boards, sprinkled edges.
Some minor rubbing to the spines, a few corners slightly bumped.
L'Esprit des lois occupies volumes I to IV; La Défense de l'Esprit des lois volume V (with a general index); Lettres persanes volume VI; volume VII gathers the Considérations and related pieces; volume VIII contains the posthumous works.
This collected edition of Montesquieu's works offers no particular bibliographical peculiarities in its contents but constitutes a very rare Zweibrücken printing bearing the false Saarbrücken imprint: Deux-Ponts was in fact an autonomous and conveniently located printing centre (by virtue of its proximity) for introducing into France titles that could not otherwise evade censorship.
First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.
Rare first edition (cf. Martin & Walter 25 395).
Contemporary half-sheepskin bindings, the spines smooth and gilt-ruled in double fillets, boards covered in rose-papered pasteboard, red sheepskin lettering-pieces and green volume labels, yellow edges; corners rubbed, bindings of the period.
Some rubbing and faint staining to the spines and boards with small losses to the rose paper, a tiny hole at the head of the spine of the first volume, scattered foxing and a few marks to the edges, not affecting the text.
Bound at the end of volume II is another work by the same author: "Appel au tribunal de l'opinion publique. Du rapport de M. Chabroud, et du décret rendu par l'Assemblée nationale le 2 octobre 1790. Examen du mémoire du Duc d'Orléans, et du plaidoyer du comte de Mirabeau, et nouveaux éclaircissemens sur les crimes du 5 et du 6 octobre 1789", printed in Geneva, s.n., 1790 (title, ij pp., pp. 3–352). First edition as well, and uncommon, of this refutation of the tendentious report delivered by Chabroud, president of the Constituent Assembly, concerning the riots of 5 and 6 August 1789.
New edition.
Half calf binding in tan, spine with five raised bands tooled in gilt with gilt compartments decorated with floral motifs, blond calf title label, green paper boards with scratches, some rubbing to edges, red edges, contemporary binding.
Spine restored and rubbed, tear without loss to the head of pages 33–34 and 35–36, ink marginal note on the title page, which has been trimmed by the binder.
The first edition of Recherches sur l'origine du despotisme oriental dates from 1761, and the text was extensively revised by Baron d’Holbach to reflect his atheistic views, as he was in fact the editor of all the works attributed to Boulanger, who died in 1759.
Originally conceived as a commentary on Montesquieu’s Esprit des Lois, the work condemns in equal measure what it calls “theocracy” (in reality, any transcendent source of power) and “despotism” (in effect, any form of unlimited monarchy, wrongly associated with non-Western societies), and is clearly aimed at criticizing the regimes then in force in Europe.
Second edition, illustrated with a macabre engraved frontispiece (cf. Quérard II, 516; Cioranescu, XVIII, 13544, for the original 1712 edition).
Contemporary handwritten annotations on the title leaf.
Full brown calf binding, spine with five raised bands richly gilt in compartments with decorative tools, red morocco title label largely missing, gilt fillet framing the covers, sprinkled edges, corners rubbed, contemporary binding.
Headcaps worn down, some rubbing to spine and boards.
Second edition of this highly engaging work of early “libertine” philosophy, in the original sense of the term.
The project of the Réflexions was inspired by a remark from Montaigne: “Si j'estoy faiseur de livres, je feroy un registre commenté des morts diverses. Qui apprendroit les hommes à mourir, leur apprendroit à vivre” (Essais, I, XX).
Yet this first work by the young Boureau-Deslandes, placed on the Index in 1758, is far from being a mere compilation of entertaining anecdotes. While it does recount the deaths of various notable men and women who met their end with distinction, its deeper purpose is to demonstrate the possibility of a philosophy capable of reconciling life and death without recourse to religion.
First edition, one of 24 numbered copies on alfa paper, the only deluxe issue.
With sections devoted in particular to Cesare Pavese and Alberto Moravia...
A rare and attractive copy of Dominique Fernandez’s first published work.
Extremely rare first edition, probably printed in Prussia, of this essay written directly in French by Baron de Bielfeld (1716–1770), inspector of Prussian universities and a friend of Frederick the Great since the time when he was still Crown Prince of Prussia.
GV 1700–1910, vol. 111, p. 374. Not in Conlon (who only cites the Amsterdam edition of the same year). No copy located in the U.S.A.
Full red morocco with gilt decoration, smooth spine elaborately tooled in the grotesque style, gilt rolls on the caps, triple gilt fillet border on the covers, gilt fillets on the edges, star-patterned gilt paper endpapers and doublures, gilt dentelle border on the inside covers, all edges gilt, contemporary binding.
Small black spots on the boards, a few insignificant scattered foxmarks.
The author clearly intended this work to flatter his sovereign by showing how the princes of the House of Brandenburg, and particularly “the monarch who now occupies the throne,” had “the glorious maxim of granting their subjects full freedom of thought and generous protection to all talents.”
A fine copy, bound in a Parisian binding from one of the capital’s finest workshops, preserved in near-perfect condition.
First edition, with no copies printed on deluxe paper.
Minor spots to the covers, not affecting the condition.
Inscribed and signed by Georges Didi-Huberman to a friend named Annick.
First edition, one of the review copies.
Bradel binding in full patterned paper with abstract motifs, smooth spine, date gilt at foot, rust-coloured morocco title label, wrappers preserved, binding signed by P. Goy & C. Vilaine.
Signed autograph inscription from André Malraux to J. Ernest-Charles.
The ‘Kehl edition’, the most renowned edition of Voltaire's works, illustrated and published on deluxe paper. It was printed on five different types of paper, and only the deluxe editions, such as ours on laid paper, feature engravings. These are naturally the most sought-after and rarest copies.
Binding in full painted sheep decorated with a “honeycomb” motif, smooth spine tooled with gilt fleurons, fillets and compartments, light beige calf lettering and volume pieces, gilt chain-roll border on covers, marbled endpapers, gilt roll on edges, all edges marbled, contemporary binding. Two volumes (nos. 50 and 70) with slight variations in gilt tools on the spines and with orange morocco lettering pieces, edges and covers treated somewhat differently. General condition of the 70 volumes: bindings with light rubbing to corners, gilt a little dulled, occasional foxing, a few wormholes and old restorations, not affecting the text. 28 volumes (vols. 4, 5, 8, 10, 11, 13, 16, 17, 19, 20, 24, 27, 28, 33, 34, 35, 36, 37, 43, 48, 61, 62, 63, 65, 66, 67, 68, 70) with cracked joints at the ends, and 20 volumes (vols. 8, 11, 12, 14, 16, 18, 33, 34, 37, 42, 46, 49, 53, 56, 57, 60, 65, 66, 68, 70) with damaged caps.
Two editions were published at the same time. Our copy belongs to the prestigious in-8 edition on large paper published in 70 volumes (the other edition being in-12 format in 92 volumes). It is richly illustrated with 125 etched plates:
- There are 17 portraits, including 3 of Voltaire: a frontispiece portrait by N. de Largillière engraved by P. Alex. Tardieu; one drawn from Houdon's bust by Moreau le Jeune and engraved by P. Alex. Tardieu; and one allegorical portrait by Louis Croutelle after Moreau le Jeune, belonging to the second series of illustrations of Voltaire's works executed by Moreau for the publisher Renouard. The 14 other portraits include an allegorical frontispiece of Frédéric-Guillaume, Prince of Prussia, depicted in profile in a medallion by Dambrun after Moreau le Jeune; a portrait of Henry IV by Pourbus engraved by Tardieu; one of Charles VII engraved after the original in the King's Cabinet by Mavieri; another of Agnès Sorel drawn by Moreau the Younger after the original in the King's Cabinet and engraved by Mavieri; one of Joan of Arc engraved by Beisson; followed by the Count of Dunois engraved after the original in the King's Cabinet by J. B. Fosseyeux; one of Louis XIV drawn by Moreau Le Jeune after C. Le Brun engraved by J. B. Fosseyeux; one of Charles XII engraved by P. Alex. Tardieu after the original in the King's Cabinet; one of Pierre I engraved by P. G. Langlois after a painting by L. Caravaque; one of Madame du Châtelet after Marie Anne Loir and engraved by P. G. Langlois; one of the Count of Argental after J. Defraine and engraved by J. B. Fosseyeux; one of Frédéric II of Prussia painted from life by Van Loo and engraved by P. G. Langlois; one of Catherine II of Russia engraved by J. B. Fosseyeux; and one of d'Alembert after De La Tour engraved by N. F. Maviez.
- 93 engravings by Moreau le Jeune, including 44 figures for le Théâtre (engraved by Lingée, Simonet, de Launay, Trière, Halbou, Duclos, Romanet, Dambrun, de Longueil, Delignon, Le Mire, Le Veau), 10 for la Henriade (engraved by Masquelier, Delignon, Dambrun, Patas, Gutemberg, Helman, Simonet, Duclos, Romanet), 21 for la Pucelle (engraved by Simonet, Dambrun, Halbou, Baquoy, Trière, Delignon, de Longueil, Croutelle and Duclos), 4 for the Contes (in verse, engraved by Langlois, Duclos, Delignon and Le Veau) and 14 for the Romans (engraved by Trière, Duclos, de Longueil, Dambrun, Baquoy, Delignon, Simonet, Langlois and Halbou).
- 14 scientific plates in volume 31, illustrating the experiments of Newton, Descartes and Leibniz.
- 1 battle plan in volume 24 about the Histoire de l'Empire de Russie sous Pierre le Grand.
According to Bengesco (IV, no. 2142), our copy is missing a portrait of Louis XV in volume 22, as well as a portrait of Voltaire by De La Tour (replaced here in the last volume by an allegorical portrait by Louis Croutelle after Moreau le Jeune). This copy includes all the additional portraits, with the exception of two illustrations that are almost always missing: a portrait of Vertot and an engraving of the Œuvres.
First edition, printed in a small number of copies, of this offprint from the Revue de Paris dated 15 February 1906.
Émile Boutmy was the founder of the École libre des sciences politiques, which would later become the Institut d'études politiques de Paris, now widely known as Sciences Po.
Wrappers slightly toned at the margins, inevitable minor edge tears and small losses consistent with the fragile nature of the pamphlet.
Inscribed and signed by Lucien Lévy-Bruhl: "A Emile Durkheim, affectueusement, L.L.B."
A collection of four extremely rare first editions:
- Thuileur des trente-trois degrés de l'écossisme (1813), “a rare and sought-after work and one of the best thuileurs in existence...” (Caillet, I, 2910). With a frontispiece and 14 plates (one folding) as well as a large folding table at end;
- Récapitulation de toute la maçonnerie ou Description et explication de l'hiéroglyphe universel du maître des maîtres (1812) with two plate;
- l'Explication de la croix philosophique (1806) with a folding plate showing the eponymous cross;
- l'Explication de la pierre cubique (1806) with a folding plate describing the stone.
This copy is further enriched with a small insert (8 x 10.5cm) entitled “Couplets d'obligations”, bound at page 30; these songs “to be sung at the end of every Masonic banquet.”
Contemporary half brown calf over green paper boards, spine with numerous gilt dentelles and fleurons, red russia title label.
A very good copy.
Crossed out pen and ink ex-libris to title.
First edition, no copies on deluxe paper issued.
3/4 brown half morocco binding, spine with color restoration, five raised bands framed in black, gilt date at foot, boards, endpapers and pastedowns in wood-grain style marbled paper, covers and spine preserved, gilt edges, an elegant binding signed Alix.
Manuscript ex-libris in black ink and a discreet restoration to the upper right corner of the first endpaper.
First edition, one of 55 numbered copies on pure wove paper, the only deluxe paper issue.
Bound in half brown morocco, spines with five raised bands, gilt dates at foot, boards covered with abstract patterned paper, endleaves and doublures of brown paper, original wrappers and backstrips preserved, gilt edges, bindings signed by Thomas Boichot.
A precious copy of this foundational text of modern feminism.
First edition following the unobtainable mimeographed version produced by the author.
Inevitable minor wear along the edges of the covers and spine, restoration to the upper left corner of the front cover, newspaper clipping laid in. Barnes & Noble price sticker affixed to the front cover.
Commentary by Paul Krassner.
This incendiary pamphlet, issued by the marginal and modest Olympia Press, newly re-established in New York, was printed in only a small number of copies.
Gender discrimination, hate speech and incitement to genocide, a violent and unrepentant attempted murder of one of the most celebrated artists of the twentieth century, the advocacy of anarchic violence in a grotesque burst of laughter, the elimination or humiliation of half of humankind...
In her misandrist pamphlet, Scum Manifesto (« Society for Cutting Up Men »), Valerie Solanas shows no empathy, grants no room for moderation or reconciliation, and makes no exception in her plan to eradicate men save for « the men who methodically work towards their own elimination [...] [such as] the transvestites who, by their splendid example, encourage other men to demasculinize themselves and thus render themselves relatively harmless ». The first manifesto of radical feminism is not addressed solely to women, but also embraces in its struggle the sexual identities cast aside by the phallocratic society Solanas sought to destroy with unprecedented rage for such a cause.
« Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex. »
In 1971, Emmanuèle de Lesseps, taking on a French version, translated this opening as:
« Vivre dans cette société, c'est au mieux y mourir d'ennui. Rien dans cette société ne concerne les femmes. Alors, à toutes celles qui ont un brin de civisme, le sens des responsabilités et celui de la rigolade, il ne reste qu'à renverser le gouvernement, en finir avec l'argent, instaurer l'automation à tous les niveaux et supprimer le sexe masculin. »
At once an insurrectionary political programme, a paranoid delirium and a poetic text, Solanas's manifesto unsettles by refusing to be confined to any single genre—serious, utopian, or satirical. The real question posed by such a work may not be one of morality, but of the author's right to claim excess. Published after her attempted murder of Andy Warhol, Solanas’s manifesto is the literary and literal assertion that men hold no monopoly on violence.
Though presented as an urgent cry of anger, SCUM was in fact the product of two years of thought and writing before Solanas, lacking a publisher, mimeographed it herself in 1967 and sold it on the street (1 for women and 2 for men), meeting no success.
Seeking recognition, Valerie Solanas moved in New York’s underground scene and became close to the pope of counterculture, Andy Warhol, frequenting the Factory. Unable to have her manifesto published—« the best piece of writing in all of history, which will be surpassed only by my next book »—Solanas turned to her first literary work: Up Your Ass, a play she hoped her mentor would produce. Unfortunately, Warhol rejected the piece and lost the only manuscript. In compensation, he offered her roles in two of his films. Dissatisfied with this minor artistic recognition, on 3 June 1968 she fired three shots at Warhol, gravely wounding the artist and achieving instant notoriety. She made no secret that her murderous act, more than a personal vendetta, was above all a political necessity and an artistic means to secure circulation of her work. Questioned on her motives, she offered this laconic reply to the courts and the press: « Read my manifesto, you’ll know who I am. »
Maurice Girodias, the notorious publisher of Olympia Press, repeatedly condemned, notably for issuing Lolita and Naked Lunch, had already noticed Solanas the previous year. Though he had rejected her manifesto, he offered her a contract for future works. After the attack, he decided finally to publish the feminist pamphlet of this atypical criminal who proclaimed women’s omnipotence and the toxicity of the male sex. In a final provocation, Girodias reproduced on the back cover the front page of the New York Post reporting Warhol’s tragic hospitalisation.
Is Solanas’s book the work of a sick woman—abused as a child, prostituted as a student, diagnosed as a paranoid schizophrenic, repeatedly confined in asylums, and who would die in poverty and solitude? Or is such an interpretation itself proof of the refusal to allow a woman the extremes of delirium and anarchist utopia that men have long claimed?
In 1968, in the midst of the interminable Vietnam War, violence was no longer the sole prerogative of oppressors, and the rising anger of minorities against endemic discrimination in the United States manifested itself in violent clashes and the rise of radical groups such as the Black Panthers. Yet women remained excluded from these struggles and their rights denied by both sides, as Angela Davis and Ella Baker also denounced.
Unlike them, however, Solanas adhered to no emancipatory struggle and rejected every utopia then in vogue, which, in her view, liberated only men, leaving women at best as rewards:
« Le hippie [...] est follement excité à l'idée d'avoir tout un tas de femmes à sa disposition. [...] L'activité la plus importante de la vie communautaire, celle sur laquelle elle se fonde, c'est le baisage à la chaîne. Ce qui allèche le plus le hippie, dans l'idée de vivre en communauté, c'est tout le con qu'il va y trouver. Du con en libre circulation : le bien collectif par excellence ; il suffit de demander ».
« Laisser tout tomber et vivre en marge n'est plus la solution. Baiser le système, oui. La plupart des femmes vivent déjà en marge, elles n'ont jamais été intégrées. Vivre en marge, c'est laisser le champ libre à ceux qui restent ; c'est exactement ce que veulent les dirigeants ; c'est faire le jeu de l'ennemi ; c'est renforcer le système au lieu de le saper car il mise sur l'inaction, la passivité, l'apathie et le retrait de la masse des femmes ».
A true detonation in activist circles, S.C.U.M. split the emerging feminist movements such as NOW and Women’s Lib and gave birth to radical feminism. Yet Solanas refused all affiliation and even rejected the support of activist lawyer Florynce Kennedy, pleading guilty at her trial even as Warhol refused to press charges against her: « Je ne peux pas porter plainte contre quelqu'un qui agit selon sa nature. C'est dans la nature de Valerie, alors comment pourrais-je lui en vouloir ». (A fascinating testimony to the psychological hold these two opposites exerted on one another).
In a fireworks display of obscenity and mocking extremism, Solanas’s work nonetheless dismantles the arguments of progressive intellectuals while exposing the inescapably patriarchal structure of a falsely modern society. « S.C.U.M. stands against the entire system, against the very idea of laws and government. What S.C.U.M. wants is to demolish the system, not to secure certain rights within it. »
Fifty years on, Solanas’s manifesto retains its biting acuity, and the delirious energy of her prose cannot justify the progressive erasure of her place in social history—mirrored by her own mother’s destruction of all her manuscripts after her death.
Outraged, convinced, or stunned by the cathartic violence of the text, no reader emerges unscathed from the S.C.U.M. experience. This is doubtless due to the literary force of Solanas’s prose—almost Céline-like in its vitriol—but also to the undeniable relevance of her revolt today:
« Celles qui, selon les critères de notre « culture », sont la lie de la terre, les S.C.U.M. ... sont des filles à l'aise, plutôt cérébrales et tout près d'être asexuées. Débarrassées des convenances, de la gentillesse, de la discrétion, de l'opinion publique, de la « morale », du « respect » des trous-du-cul, toujours surchauffées, pétant le feu, sales et abjectes, les S.C.U.M. déferlent... elles ont tout vu - tout le machin, baise et compagnie, suce-bite et suce-con - elles ont été à voile et à vapeur, elles ont fait tous les ports et se sont fait tous les porcs... Il faut avoir pas mal baisé pour devenir anti-baise, et les S.C.U.M. sont passées par tout ça, maintenant elles veulent du nouveau ; elles veulent sortir de la fange, bouger, décoller, sombrer dans les hauteurs. Mais l'heure de S.C.U.M. n'est pas encore arrivée. La société nous confine encore dans ses égouts. Mais si rien ne change et si la Bombe ne tombe pas sur tout ça, notre société crèvera d'elle-même. »
First edition, one of 30 numbered copies on Lafuma, the only copies on deluxe paper.
Very handsome copy despite a slight shadow on the half-title page.
First edition published in book form, expanded with the French translation established by G. Pauthier. (cf. Cordier, "Sinica", 1399-1340.)
A portion of the work had first appeared in 1832 in the "Revue Encyclopédique" of May–June, and was also issued separately in a 23-page printing.
The text is presented in French with a Latin version and the Chinese text facing.
The Chinese characters were produced using movable types engraved on steel punches and cast by Marcellin-Legrand, engraver to the Royal Printing Office.
A small angular loss at the foot of the lower cover required a minor restoration on the last page of the volume; slight, inconsequential tears at head and tail of spine.
Autograph letter signed and dated April 16, 1912, by Henri Bergson, addressed to M. Masson de Saint-Félix. Includes the original autograph envelope, bearing an inscription by the recipient: "Lettre de M. Bergson / Membre de l'Institut / mon professeur de philosophie au Lycée de Clermont Fd".
Touching letter of condolence from Henri Bergson to a former student from his philosophy class in Clermont-Ferrand, where he taught for five years — from 1883 to 1888 — at the Lycée Blaise-Pascal and the Faculty of Letters.
"Mon cher ami,
La nouvelle du grand deuil qui vous frappe me touche profondément. Laissez-moi vous envoyer l'expression de ma très vive sympathie. Depuis plus de 2 mois j'avais préparé une lettre pour vous, en réponse à celle que vous m'aviez adressée ; j'attendais pour vous l'envoyer d'avoir un de mes travaux que je désirais y joindre et dont l'édition est épuisée vous le recevrez bientôt. Je n'ai pas besoin de vous dire combien j'ai été heureux d'apprendre que vous ne perdez pas de vue la philosophie. Hélas quelle philosophie, si consolante soit-elle, vous consolera tout à fait des tristesses de la vie ? Cordialement à vous / H. Bergson"
["My dear friend,
The news of the great sorrow that has befallen you has deeply moved me. Allow me to extend to you the expression of my heartfelt sympathy. For over two months I had prepared a letter in response to the one you sent me; I was waiting to send it until I could enclose one of my works, which I wished to share with you, but whose edition is currently out of print — you will receive it soon. I need not tell you how glad I was to learn that you have not lost sight of philosophy. Alas, what philosophy, however comforting it may be, could truly console you for the sorrows of life? / Cordially yours / H. Bergson"]
First edition of this French translation prepared by Abbé J.B. Morvan de Bellegarde, who here renders six of the nine books of the celebrated Brevissima relación by Las Casas, first published in Seville in 1552 (cf. Sabin 11273. Medina BHA 1085n. Streit I:733. Palau 46966. JCB (4) 344-345. Leclerc 337. "European Americana" 697/33).
Contemporary full marbled calf binding, spine gilt in compartments with decorative tooling, red morocco label, gilt rolls to head and tail caps, marbled endpapers and pastedowns, gilt fillets to board edges, red edges.
Minor repairs to joints, discreet restoration in the inner margin of the frontispiece.
A handsome copy.
Las Casas wrote this text in 1549 to defend himself against accusations from Spanish colonizers following his advocacy on behalf of the Indigenous peoples. In this impassioned denunciation, he condemns the colonial system introduced in the Indies by the Spanish, a system founded entirely on violence and plunder. The publication caused considerable stir in Spain and led to the abolition of the encomiendas—a land allocation system which, under the guise of converting and assisting the natives, legalized one of the most brutal forms of slavery. From a historical perspective, this work stands at the origin of the concept of the "noble savage", which, through missionary apologetics, would inspire the primitivist movement that ultimately gave rise—within Rousseau's thought—to a return to nature and to the new moral, political, and aesthetic sensibilities of the 19th century. Cf. Dict. des œuvres.
Autograph card signed and dated 18 February 1909 by Henri Bergson, to Mr. Masson de Saint-Félix.
Two years after the publication of L'Evolution créatrice, Bergson expresses his gratitude to a former student from his philosophy class in Clermont-Ferrand, where he taught for five years — from 1883 to 1888 — at the Lycée Blaise-Pascal and the Faculty of Arts.
"Thank you, my dear friend, for your kind note. I hardly need to tell you how fondly I remember your time in my class at Clermont. I do not know whether I shall be able to visit Lozère any time soon, as you kindly encourage me to do; but if you happen to be in Paris, it would give me great pleasure to have a talk with you. / Very cordially / H. Bergson"
First edition, illustrated with a frontispiece engraved by De Launay after Marillier (cf. Conlon, 83:1107; Quérard, III, 174; Barbier, I, 276; Brunet, 5636. Not listed by Thiébaud).
Contemporary full speckled calf, smooth spine gilt in compartments with decorative tooling, green morocco title label, gilt rolls on the caps, gilt fillets along the edges, marbled endpapers and pastedowns, joints lightly restored, some repairs to the spine, yellow edges.
Joints tender, endpapers slightly soiled at the margins, a few spots to the edges, handwritten ownership note on the half-title.
The author, a traveller and naturalist born in Montargis in 1734 and who died near Château-Thierry in 1802, set sail for the East Indies around 1753.
From Smyrna, he travelled overland to Aleppo and reached Baghdad after a series of tumultuous adventures. From there, he descended the Tigris and the Shatt al-Arab, sailed across the Persian Gulf, and reached the eastern coast of India. "Cet ouvrage fut publié à la sollicitude de Buffon. L’auteur y traite de particularités inconnues jusque alors ; il nomme et décrit les animaux dont les divers peuples orientaux font leur nourriture. Il donne de curieux renseignements sur les crocodiles, les caméléons, les serpents, les sauterelles, etc. ; il raconte les nombreuses manières de chasser les animaux féroces ; explique les causes de la vénération des Indous pour certaines bêtes, etc." Cf. Hoefer.
Foucher d’Obsonville also authored a Supplément au voyage de Sonnerat (1785), a Lettre (...) sur la guerre des Turcs (1788), and a translation of a work from the Vedic corpus (1788).
First edition (cf. Barbier IV, cols. 211-212).
Contemporary full red morocco Jansenist binding, spine with five raised bands framed by black fillets, gilt roll tooling on the caps, blind-stamped fillet border on covers, marbled endpapers and pastedowns, gilt dentelle border on the pastedowns, gilt fillets on the edges somewhat faded, all edges gilt, bookplate mounted on pastedown.
Some minor internal defects (dampstains and a small loss at the foot of a few leaves).
Barbier devotes an extensive entry to the condemnation of this work on the mystical movement of Quietism, for which Fénelon long contended with Bossuet before both he and Madame Guyon were condemned by Pope Innocent XIII.
Provenance: fine copy from the library of François-César Le Tellier, Marquis de Courtanvaux, Count of Tonnerre, Duke of Doudeauville (1718–1781), with his stamp and engraved bookplate.
Initially captain-colonel of the King's Hundred Swiss Guards, he later turned his attention to chemistry, physics, and astronomy. A member of the Académie des sciences, he studied the development of instruments related to longitude. As an astronomer, he maintained a personal observatory at Colombes.
His library was considered one of the most distinguished of the period.
First edition, one of 25 numbered copies on Vélin du Marais, the only copies printed on deluxe paper.
A fine and rare copy.
First edition, one of 35 numbered copies on alfa paper, the only copies printed on deluxe paper.
A handsome copy, despite slight and marginal fading to the spine and covers.
First edition, one of 55 numbered copies on Rives vellum, the deluxe issue.
A fine copy with wide margins.
First edition of the French translation.
Illustrated with photographs by Erica Anderson, with text and captions by Eugène Exman.
Preface by Daniel Halévy.
Pleasing copy complete with its illustrated dust jacket, showing minor losses and angular tears to the spine, along with some marginal scuffing to the panels.
Bookplate affixed to the inside front cover.
Rare dated and signed presentation inscription by Albert Schweitzer on a blank flyleaf: "A monsieur Bernard Tessier en souvenir de son passage à Lambaréné le 1.9.1956, Albert Schweitzer."
Autograph postcard signed by Jacques Derrida, addressed to his friend Jos Joliet from Yale University in Connecticut, 18 lines in blue ink, with the original handwritten envelope enclosed.
The postcard shows a view of Yale University's Sterling Memorial Library.
In 1975, Jacques Derrida was appointed visiting professor at Yale University in New Haven, Connecticut.
Jacques Derrida laments not having had the chance to see his friend while expressing joy at soon returning to France: "Dans quelques jours, je serai rentré (heureux de retrouver les 'proches' mais un peu terrifié à l'idée de ce que je vais devoir affronter autrement..."
Joseph Joliet, a former student of Jacques Derrida, became one of the philosopher's closest friends.
Highly attentive to Joliet’s writing, Derrida would go on to write the preface to his novel "L'enfant au chien assis" and support him during difficult times (see Benoît Peeters’ *Derrida*).
First edition, one of the review copies.
Half shagreen binding with corners in burgundy, spine with four raised bands ruled in black, date gilt at foot, slight but harmless fading to the spine and margins of the boards, gilt-embossed paper-covered boards, marbled endpapers and pastedowns, original wrappers and spine (restored) preserved, top edge gilt.
Rare dated inscription by Georges Duhamel signed with his real surname: "A Paul Souday hommage dévoué. GDuhamel avril 1918."
Our copy is further enriched with an autograph letter dated 16 December 1918, mounted on a stub, addressed to Paul Souday—though not mentioned by name—in which Duhamel expresses the joy and honour he felt at having recently been awarded the Prix Goncourt (Civilisation 1914–1918 was awarded the prize on 11 December 1918) for this work: "... le prix Goncourt me fait plaisir, mais moins encore que les quelques cordiales poignées de mains que je reçois à cette occasion."
Georges Duhamel expresses his high regard for his correspondent: "Vous m'avez déjà et très énergiquement témoigné votre sympathie. Soyez sûr que cette sympathie m'est chère. Et comme, en outre, elle m'est un guide précieux, je ferai tout ce que je pourrai pour la conserver et la mériter."
First edition, one of 100 numbered copies on Johannot paper, the deluxe issue.
Fine copy.
First edition, one of 30 numbered copies on alfa paper, the only large paper copies along with a few hors commerce also printed on alfa.
A fine copy of this work dedicated to the memory of Simone Weil: "qui, si elle était morte assassinée, aurait consacré son dernier instant à prier pour ses bourreaux."
First edition, one of 60 numbered copies on alfa paper, the only deluxe copies after 28 on pur fil.
A handsome copy.
First edition, one of the numbered copies on pur fil, the only copies printed on deluxe paper.
A fine copy.
First edition, one of 230 numbered copies on Vélin du Marais, the deluxe issue.
A handsome copy.
Second edition, partially original (cf. Gay, 3227. Grandidier, I, 1776. Ryckebusch, 3188. Boucher de La Richarderie, IV, 269–271. Brunet, II, 1278).
Two volumes bound in one, illustrated with 15 engraved maps and plates: a map of the island of Madagascar, a plan of Fort Dauphin, maps of Sainte-Marie Island and Bourbon Island, depictions of inhabitants in traditional dress, genre scenes, flora and fauna.
The plates and maps have been mounted on thick paper; old repairs to pages 27 and 47.
Contemporary full calf binding, spine with five raised bands framed in gilt garlands, decorated with double gilt panels and floral ornaments, some rubbing to joints and boards; marbled endpapers and pastedowns, blind-ruled fillets to board edges.
Nephew of Jules de Loynes, Secretary General of the Navy and member of the Compagnie de l'Orient founded by Richelieu in 1642, Étienne de FLACOURT (1607–1660) was appointed Governor of Fort-Dauphin in Madagascar in 1648. He spent seven years on the island, seeking to exploit its resources and convert the local population to Christianity. He also explored nearby islands and took possession of the Mascarene Island, which he named Île Bourbon. Returning to France in 1655, he became the first traveller to provide a detailed description of Madagascar, with particularly notable ethnographic and botanical content: "Sa relation comprend deux parties. Dans la première, Flacourt fait une description générale de Madagascar, puis des descriptions particulières des provinces avec leurs rivières et les îles voisines : ces descriptions sont complètes et portent sur la religion, le langage, les usages et le gouvernement des habitants et aussi sur les plantes, les métaux et les animaux. La seconde partie est le récit des événements qui se sont passés depuis l'arrivée des Français dans l'île en 1642 : elle est complétée par la relation de quelques voyages qui ont été faits dans les îles voisines et dans les Mascareignes […] . Sans doute, il n'a pas tout vu et il ne peut pas tout rapporter : mais, après avoir bien étudié, il en arrive aux mêmes conclusions que son prédécesseur Cauche, dont il connaissait la relation, et, comme lui, il fait une peinture très enthousiaste des ressources végétales et minérales de Madagascar. Lorsque l'on a lu son livre, qui est le premier ouvrage sérieux sur la grande île, on comprend pourquoi la colonisation française n'a pas alors réussi malgré les grands avantages que l'on pouvait retirer de Madagascar. Dans l'édition de 1658 est une addition de 42 pages relative aux causes de l'insuccès que la Compagnie a eu : cette addition ne se trouve pas dans l'édition de 1661". Cf. Bourgeois & André, XI, 475.
This copy includes, bound at the end, a 17-page octavo pamphlet entitled "Cause pour laquelle les interessez de la Compagnie n'ont pas fait de grands profits à Madagascar". This text, extracted from the appendix of the original 1658 edition, has been inserted into the volume and is not part of the 1661 edition.
A handsome copy of this scarce work, complete with all its maps and plates.
First edition, one of 40 copies printed on Crèvecoeur du Marais paper, the only copies on deluxe paper.
A pleasant copy, despite a faint sunning at the foot of the spine.
First edition, no deluxe copies printed.
Handsome copy.
Important presentation copy inscribed by Claude Lévi-Strauss to Jean-François Revel.
First edition, with no copies printed on deluxe paper.
A pleasant copy.
On the half-title page, autograph inscription signed by Jean-Claude Carrière to the writer, essayist, and pianist Catherine David: "... qui m'ouvrît avec grâce la lourde porte du temps, je m'incline sur son passage avec amitié."
On the front endpaper, autograph inscription signed by Umberto Eco to the same recipient.
New edition.
Spine very slightly sunned, but an attractive and well-preserved copy.
Signed by Jean-Paul Sartre on the half-title.
First edition, with no deluxe copies printed on special paper.
A handsome copy.
Inscribed and signed by Pierre Bourdieu to a friend named Emmanuel.
First edition, one of the review copies.
Spine very slightly sunned, not affecting legibility.
Inscribed by Emmanuel Berl to a friend named Françoise.
