Icon animorum

Rare first edition of this small opus, traditionally regarded as constituting the fourth part (of five) of the *Euphormionis Satyricon*, an allegorical satire of the tastes of King James I, and the author’s second most important work after his *Argenis* (cf. Brunet I, 652.)

Full brown calf, spine with five raised bands, compartments decorated with gilt floral tools, cherry-calf lettering piece, headcaps restored, trace of a shelving label at the foot of the spine, single blind fillet framing the boards, gilt fillets to board edges, lower corners rubbed, sprinkled edges, slightly later binding.

Loss restored to the title-page, which also bears two ink annotations; edges slightly trimmed.

The first part appeared under the London imprint in 1605, the second in 1607 under the Paris imprint, and the third in 1611 under the title “Apologia Euphormionis pro se”.

However, these last two texts are not works of fiction and are only loosely connected to the first two parts.

The present work, which may be rendered as Icon animorum, is in fact an essay offering, from life, a description and classification of the traits that mark both the differences and the affinities among Europeans.

Barclay examines their inner and outward signs, stemming sometimes from the conditions of human nature and education, sometimes from national character and from social or professional determinants.

Here the European man receives one of his earliest and most contrasted definitions, blending history and geography, culture and secularized religious ideals, in a treatise that eludes generic classification, abounds in stylistic gems, and compels today’s reader to reflect on his own preconceptions.