Humanism & Renaissance

New edition embellished with a medallion portrait of Montaigne on the title-page, engraved by Noël Pruneau. Reprint of the edition issued by Bastien in 1783, which was limited to 500 copies and quickly sold out.
Contemporary full glazed and speckled brown calf binding. Smooth spine decorated with four floral tools and various roll-tooled ornaments. Black wax lettering and volume labels. Triple fillet border on the boards. A few scattered foxing spots.
Fine copy in a high-quality contemporary binding. Small fragment lacking at the head of the upper joint of volume I. Headcap of volume II restored, with the beginnings of a split to the upper joint. Some rubbing, particularly along the...

Reunion of three highly sought-after first editions, most notably the last, printed in a very small number of copies, on the expulsion of the Moriscos from Spain between 1609 and 1614, written by Marcos de Guadalajara y Javier and Juan Ripol. 

Volume bearing the royal and Jesuit arms, and woodcut initials with foliate and figural designs, after the macabre engravings of Hans Lützelburger. Woodcut-engraved border on the first and third title pages, elegant double black-ruled frame around the text. 

A superb copy bringing...

Third edition, the second issued by Simon de Colines (cf. Renouard, Bibliogr. de Finé, 357-358. Brun, 189. Mortimer, French, 228 (not this ed.). Schreiber, 188. Not in Fairfax Murray.)

This edition constitutes a revised and improved reissue of the 1535 edition, with a newly cut woodcut architectural border to the title ("Quadrivium II").

Full vellum binding, smooth spine, manuscript title at the head of the spine, modern binding in the style of early vellum bindings,

A small tear to the title-page restored, a date inscribed in ink beside the printed date of publication.

A pleasing copy of one of Simon de Colines’ typographical masterpieces.

Rare first edition under this title, complete with the engraved title-page. The first edition of 1607, Remonstrance faicte au Roy Très Chrétien pour la réunion des religions à la foy catholique, was printed in Tournon in only 96 pages. This second edition, of which there were probably two issues from the same bookseller, was substantially revised and enlarged by the author.

Contemporary limp vellum with turn-ins, smooth spine, faded ink manuscript title to spine, original ties present...

First edition, exceedingly scarce, of this light-hearted and engaging introduction to the principal ancient myths, prepared for a Polish aristocrat. Annopol (today Anopal) is a locality now situated in Belarus.

No copies recorded in the CCF. A single copy located in WorldCat (National Library of Poland, Biblioteka Narodowa, Warsaw).

Contemporary-style half sheep binding in brown, the smooth spine ruled with alternating thick and thin gilt fillets, marbled paper boards, comb-marbled endpapers and pastedowns; modern binding.

Losses to the title-page expertly filled and restored; the final two leaves also restored.

Rare first edition of this small opus, traditionally regarded as constituting the fourth part (of five) of the *Euphormionis Satyricon*, an allegorical satire of the tastes of King James I, and the author’s second most important work after his *Argenis* (cf. Brunet I, 652.)

Full brown calf, spine with five raised bands, compartments decorated with gilt floral tools, cherry-calf lettering piece, headcaps restored, trace of a shelving label at the foot of the spine, single blind fillet framing the boards, gilt fillets to board edges, lower corners rubbed, sprinkled edges, slightly later binding.

Loss restored to the title-page, which also bears two ink annotations; edges...

A rare first edition, of which no subsequent reprint exists, complete with all his Neo-Latin poems, chiefly composed in Rome. The volume also contains two Greek poems at ff. 60 and 62, together with a poem which inspired the celebrated sonnet Happy he who like Ulysses.

Modern binding in full limp vellum, smooth spine, red edges, white pastedowns and endleaves.

Some defects within: discreet restoration to inner margin of title verso; small tear without loss at foot of ff. 2-3; dampstaining to lower margin of ff. 25-28 and 45-48; minimal marginal defect to f. 44, not affecting...

New edition, after the first published in 1583. 4 title pages, the main one in red and black with a Renaissance portico (the second identical but not in red and black), the others within foliate borders. Titles of the 3 title pages present in volume II: Codicis Iustiniani D.N. Sacratissimi principis pp. Aug. repetitae praelectionis Libri XII. Authenticae sev novellae constitutiones D.N. Justiniani sacratis. Feudorum consuetiudines partim ex editione vulgata, partim ex cuiaciana vulgatae apposita.

Printed in two columns with commentary distributed around. One notes with curiosity that the title refers to 4 parts, and that all copies held in libraries contain only these 4 parts...

Third edition, first octavo published in Basel after two folios published in Paris in 1550 and 1554 for the first text. The two following texts are in first edition. Text in single column, 33 lines per column. Not in Brunet.

Full speckled brown calf binding, 18th century. Spine with five raised bands decorated with red morocco title label, gilt compartments and fleurons. All edges red. Upper board joint cracked along its entire length. Minor wormholes on first board and at foot of lower board headcap. Three corners bumped. Pale dampstains. Minimal wormhole damage on first endpaper.

A counterfeit edition of Rousseau's celebrated essay, bearing the date of the true first edition.

Illustrated with a title vignette, one initial, and two head-pieces.
Contemporary full brown roan, spine with five raised bands, beige calf lettering-piece, small pomegranate gilt tools and fillets, gilt rolls to the board edges partly rubbed, all edges red. Corners bumped and rubbed, a tear with loss of leather to the front board, surface rubbing and white staining to the back board, loss of leather to the lower edge of the back board.

A pleasing copy of this masterpiece, a superb portrait of humankind that gave Voltaire "the longing to go on all fours" (letter to...

Revised and enhanced edition, illustrated with a frontispiece, an allegorical composition on the title page, and four full-page engravings by Bernard Picart. An allegorical figure within the text, several headpieces and tailpieces.

Contemporary mottled brown sheepskin binding, spine with five raised bands decorated with gilt motifs, red morocco title label, gilt roulette to the board edges, marbled paper pastedowns, red edges. Corners and headcap rubbed, some scuffing and losses at the joints, trifling soiling to a few leaves. Manuscript ex-libris "Messieurs Falconet et Lancelot" and ink date "8bre [October] 1785" on the title page. Manuscript note in ink on a front...

Elzevirian edition of the text of Julius Caesar, following the review established by the philologist and humanist historian Joseph Justus Scaliger (1540-1609), associated with the University of Leiden; this posthumous edition appeared twenty-six years after Scaliger’s death.

A desirable copy exhibiting all the distinguishing features of the first issue: 

• The buffalo head decorating the headpiece vignette of the dedication and of page 1
• Page 149 is misnumbered 153
• Page 335 is misnumbered 345
• Page 475 is misnumbered 375
• The index printed in italic type

Engraved title-page, two ornamental headpiece vignettes, a portrait of...

New Elzevirian edition of these two works brought together in a single volume.

Two title-pages printed in red and black with the printer’s mark, five headpieces, five initials and three ornamental tailpieces.

Contemporary full vellum binding with small flaps, flat spine with manuscript author, titles and year of publication, traces of ties.

Binding slightly warped and soiled, the second title on the spine rubbed away, occasional very light spotting to the leaves.

Third edition, revised and augmented by the author, published during his lifetime. The copy is complete with the title-frontispiece depicting a "portico of Tuscan architectural order" according to the description of the 1805 edition, whose terrace shows a man ploughing the fields, indicating the content of the book. It is likewise complete with the folding plate and the eight elaborate vignettes. The first edition of this major text was issued from the press only five years earlier, in 1600.

First edition.

Binding inspired by Seventeenth century Cambridge panelled boards, spine with five raised bands framed by double fillets in blind, boards framed by double fillets in blind, outer corners of central frame decorated with small fleurons tools in blind, decorated roll inside central frame, decorated roll in blind on edges, all edges gilt, a corner and edge and lower spine-end slightly rubbed, some chafing on boards, a small hole p. 8 affecting part of a letter.

Very scarce first editions of

First edition by a forgotten Ferrarese polygraph and historian, which nevertheless enjoyed considerable success upon publication and was followed by two subsequent editions in 1577 and 1599. According to Marc Adam Kolakowski, Alessandro Sardi, together with Johannes Boemus, pioneered the use of "antiquarian and ethnographic perspectives" in the study of ancient religions.

Fine historiated initials depicting various Greco-Roman deities.

New illustrated edition with 22 plates by Célestin Nanteuil, and some headpieces. Text adapted for young readers. Translation by Le Prince Le brun. First edition of this version for young readers.
Publisher's polychrome mosaic cartonnage binding. Smooth spine with ornaments on red, green and cream ground. Upper cover decorated with 4 shields, 2 red and 2 blue, and a portrait of Tasso on cream ground, all set against Renaissance interlacing patterns. Blind-ruled frame on covers. Edges gilt. On the lower cover, a very elaborate shield on green ground. Tinted paper throughout. Dark traces on the lemon endpapers. Some very occasional and light foxing.

A very handsome...

New edition, after the original published in 1627 under the title: De proxeneta seu De prudentia civili. One frontispiece title.
Copy with the cipher and arms of the Duke and Duchess of Montausier.
Contemporary full brown sheep binding. Spine decorated with the crowned cipher of the Duke and Duchess of Montausier (repeated 3 times in each compartment). Brown sheep title label. Boards stamped with arms and ciphers in the corners and triple fillet frame. Red edges. Paper browned. Skilful and fine restorations to headcaps, joints and corners. Gilding faded in places. Good copy.
Major figure of the 17th century, Charles de Sainte-Maure was made Duke of Montausier and...

Recto-verso fragment of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This compartmentalized division of the ornaments is representative of the production of Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto-verso leaf: border divided into bands and flowers decorated with floral motifs and leafy designs, gilt initials painted in alternating red and blue and rubrics.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious practice and a social...

Recto verso fragments of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This division into compartments of the ornaments is representative of the production of Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto verso leaf: border divided into bands and fleur-de-lis decorated with floral motifs and scrollwork, gilt initials painted in alternating red and blue and rubrications.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious practice and a...

Recto verso fragments of a manuscript Book of Hours on parchment with sumptuously illuminated full-page borders. This compartmentalized division of ornaments is representative of the production of Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto verso leaf: the border is divided into bands decorated with floral motifs and leafy designs, gilt initials painted in alternating red and blue and rubriques.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of Hours were at the time jewels of piety, both an instrument of religious practice and a social claim...

Recto verso fragments of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This compartmentalized division of ornaments is representative of the production of Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto verso leaf: border divided into bands decorated with floral motifs and foliate scrolls, gilt initials painted in alternating red and blue and rubrics.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious practice and a social statement...

Recto verso fragments of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This compartmentalized division of ornaments is representative of the production from Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto verso leaf: border divided into bands and lozenges decorated with floral motifs and leafy designs, gilt initials painted in alternating red and blue and rubrics.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious practice and a social...

Recto verso fragments of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This compartmentalized division of ornaments is representative of the production from Rouen and Parisian workshops at the turn of the 16th century.

Two illuminated pages on a recto verso leaf: border divided into bands and lozenges decorated with floral motifs, fruits and leafy designs, gilt initials painted in alternating red and blue, line fillers and rubrics.
The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious...

First edition of the Marcello Virgilio translation in Latin, dedicated to Leo X. The princeps edition was based on an old translation by Petrus de Abano (ca. 1250-1316), and published in 1478 in Colle di Val d'Elsa. The original text was written in Greek around 60 AD.
Title page in red and black. 45 lines per page. Colophon : "Florentiæ per hæredes Philippi Iuntæ Florentini. Anno ab incarnatione Domini.1518. Idibus Octobris. Leone decimo Christiana[m] Rempub. gerente." Superb Filippo Giunta printer's mark on verso of last leaf. Bibliographical note in French opposite the title page.
Full modern limp vellum binding, all edges faintly bluish.
A lack of a small piece of paper...

Rare edition of this bawdy tale, complete in two parts published separately. It is illustrated with four wood-engraved vignettes, borrowed from Decameron of Boccace (Venice, 1531) and ingeniously twisted to suit their context. This edition is the first text of the author and is unique in that it has not been corrected. The book will be translated in French only in 1792.
Modern binding in full red morocco, the spine in five compartments, gilt date and title, golden fillets surround the cover, the endpaper and pastedown of vellum.
Provenance: Library of Gianni de Marco with its book plate and itsseal.
No copies in an American Library, one in the British...

Rare Collection of Three Theological Commentaries: 

-In libros Paralipomenon, sive Chronicorum Commentarius. Ludwig Lavater. Printed by Christophorus Froschoverus, Zurich, 1573. First edition, with the printer’s mark on the title-page. Preface by Ludwig Lavater dated February 1573. Numerous genealogical tables.

- Praelectiones Ioannis Calvini in librum prophetiarum Danielis. Jean Calvin. Edited by Jean Budée and Charles de Jonvilliers. Apud Bartholomaeum Vincentium, 1571. Place not indicated, but almost certainly Geneva, based on typographical evidence and the preface dated 14 September 1571. Hebrew text in bold, with translation to the...

New edition. Printer's device on title page. Colophon: Excudebat Robertus STephanus Parisiis, Ann. M. D. XXXIII. octavo cal. sept.
Full brown marbled sheep binding ca 1920, pastiche of a Renaissance binding, signed L. P. Thébaut. Spine with raised bands decorated with 5 small fleurons. Central roundel on covers, and thick gilt frame. Tear with loss at foot. Black stain at head and foot. Corners rubbed. Some foxing. Joints slightly cracked. Good copy.
Collection of three texts by Roman writers: The illustrated lives by Pliny the Younger, which are short biographies of famous men (Pompey, Hannibal, Scipio...); Suetonius's book on grammarians and rhetoricians is the last part of...

New edition. Printed in italics. Title page within a Renaissance engraved border.
Full red morocco binding, 18th century. Spine with raised bands richly decorated with small tools. Dotted fillet border on covers with corner tools and small tools. Decorative gilt board-edges. Edges gilt. Rubbing to joints and corners. Handsome contemporary binding. Fine copy.
The Pharsalia or Civil Wars (between Pompey and Caesar) is the only preserved work by Lucan, an unfinished epic poem in ten cantos.

New edition for Polydore Vergil's book of inventions and first edition for Cicero's sentences. Fine italic impressions. Printer's devices on the title page. The Cicero edition is absent from English catalogues.

De rerum inventoribus was placed on the Index and republished in 1575 in an expurgated form, and the edition we present is therefore not expurgated. The first French translation appears to have been published in 1527 according to a copy at the University of Glasgow, although contradictory information gives 1528 as the date of the first French edition in Latin by Robert Estienne. Brunet gives 1499 for the date of the first edition.

Half...