First Editions

New and improved enlarged edition (partly original), illustrated with a frontispiece, 12 unsigned figures, and 6 title vignettes (the title pages are entirely engraved). A fine printing. The original 1770 edition comprised only 3 volumes in-12.
Contemporary full mottled calf bindings. Smooth spines decorated with floral tools and multiple gilt rolls. Triple gilt fillet framing on covers. Blue sprinkled edges. Slight surface wear to the covers. A few wormholes to the joints, and some worming in the margin of volume I. Despite these minor flaws, a handsome, well-bound and fresh copy.

Sixth edition with some parts in first edition. It contains 54 new remarks compared to previous editions.

Contemporary full brown sheep binding. Decorated spine with raised bands. Red morocco title label. Rubbing. The last endpaper has been pasted down over the privilege. 3 wormholes on the spine.

First edition.

Contemporary full blonde calf binding with marbled decoration. Decorated spine with raised bands. Red morocco title label. Head worn. 2 corners slightly bumped. Headcaps rubbed. A reasonably good copy.
This police treatise is undoubtedly the best testimony one can find on the customs and daily life of the French in the 18th century. It shows what was done regarding wolves or masterless dogs, plague, games in fairs and markets, latrines... Compared to the famous police treatise by Delamare, which the author mentions in his preface, this present treatise has a more practical aim, which is why it has been put in dictionary form. It contains not only all the edicts relating to a question but also precious commentaries by the author. Colbert defined police in these terms in an ordinance of 1669: 'Police consists in ensuring public peace and that of individuals, in procuring abundance and in making each person live according to their condition'.

Label: Librairie Raymond Clavreuil.

NB: This work is available at the bookshop on request within 48 hours.

First edition. Rare. Engraved title page with printer’s vignette (a beehive and bees). A fine edition, handsomely printed on quality laid paper. The copy is authenticated by the author’s original signature.
The copy bears a preliminary page preceding the half-title for a prize, repeating the same motto found on the binding. The book appears to have been presented by the University or School of Harlem to Bernardo Van Laar in 1799 as a first prize in letters, and seems signed by several professors.
Contemporary full mottled calf binding. Emblematic binding (Athena – or Virtue? – with her attributes reading a book beneath a tree, on her shield: a sword surmounted by the Maltese cross, flanked by four stars) with the motto Vicit Vim Virtus gilt-stamped on the boards. Spine with raised bands, richly decorated with intertwined foliage and floral tools. Broad gilt frame on the covers. Red morocco label. Traces of ties. Rubbing to the spine, otherwise a handsome copy.
With a bookseller’s label (A. Durand, Paris), a stamp from the diocesan library of Valence, and a stamp of E. T. Hannion, chaplain at the Imperial Lycée of Bar-Le-Duc.

First edition. P. Michel (works in Italian preserved in libraries in France) VIII, 120. Work illustrated with 95 plates on wood.

Contemporary binding in full vellum, handwritten title in ink. Spine browned and stains on the boards. A clear waterstain on the lower margin throughout the work, not affecting the text.

Giuseppe Viola Zanini (1575-1631), who was born in Vicenza and died in Padua, was a painter and an architect who worked in the Venice area. He was more of a decorative painter, renowned for such, than an active architect; architecture interested him as a means of expression of painted decoration. The work is divided into two parts, the first part focuses on the origins of architecture and its composing elements, as well as the way in which we must build; the second book is entirely devoted to the five orders. This book was largely studied outside of Italy, and in particular by Blondel in France.

Rare. We have found nothing concerning this work, absent from libraries.
Half calf Romantic binding with corners in red, smooth spine with 4 tools and fillets. Foxing. One corner of the title page border reinforced.
In the form of a tale and dialogue between a father and son, the author examines the nobility of character of a good merchant, how he should be a good father to his son and a good father to his country. Numerous passages on the importance of agriculture. « Ce travail lui donna des vues très étendues sur les rapports du commerce, avec le bonheur particulier & général des hommes? » (This work gave him very extensive views on the relationship of commerce with the particular & general happiness of mankind?).

First edition, the only one published.
Bound in red half long-grain morocco in the Romantic style, flat spine with two vertical Romantic tools. Two small wormholes along the upper joint. Minor rubbing as usual, but a handsome copy, notably well-preserved.


NB: This item is available at the bookshop on request within 48 hours.

First edition.

In original wrappers, covered with brown paper from the XX^th century.

A scientific mind of the Society of Jesus, Sarrabat obtained the gold medal from the academy of sciences in 1728 for his work on the origin of the salinity of the sea, which he attributed primarily to waters flowing into the sea.

First edition.
Contemporary full vellum binding. Raised bands to spine. Hebrew title handwritten in ink. Two small wormholes at foot. Two defects with loss to the band of the third compartment and to the upper joint of the fourth compartment.
Hebrew-Latin dictionary compiled by Zanolini, professor of Oriental languages at the seminary of Padua.

First edition.
Full green cloth Bradel binding 19th century. Smooth spine with fillets. Some foxing at beginning of work. A dampstain in lower margin in middle section over 75p.
History of French fashions and "everything concerning the head": the study focuses on hair, wigs, and hair. Work richly documented and containing multiple anecdotes. Some copies, rarer, contain a supplement on artificial hair.