Second edition on ordinary paper.
Bradel binding in half orange cloth, smooth spine very slightly faded decorated with gilt floral motif, double gilt fillet at foot, chocolate shagreen title label, marbled paper boards, original wrappers preserved, contemporary binding.
Precious presentation copy, inscribed by Octave Mirbeau to Jean Ajalbert.
Provenance: Jean Ajalbert’s Japanesque bookplate, in the style of the Nabis, woodcut printed in a very small number of copies and signed with a monogram, probably that of Félicien Rops. “"His bookplate bears all the character of his literature: it is an idealised synthesis of his native Auvergne and of Mount...
The first edition, of which there were no deluxe copies.
Bradel binding in half sage-green cloth, spine decorated with gilt floral motif, double gilt fillet at foot, red shagreen title label, marbled paper boards, original wrappers preserved, contemporary binding.
Presentation copy inscribed by Emile Nolly to Jean Ajalbert.
Also contains a four-page signed and dated autograph letter from the author, mounted on a stub, and addressed to the dedicatee in which Emile Nolly warmly thanks Jean Ajalbert for supporting his candidacy for the Prix Goncourt as well as for his laudatory articles in the Indochinese press concerning "Hien le maboul". Finally...
First edition on ordinary paper.
Contemporary Bradel binding in half almond cloth, smooth spine very slightly faded decorated with a gilt typographical fleuron, double gilt fillet at foot, red shagreen title-label, marbled paper boards, original wrappers preserved, front cover with small harmless stains at head.
Presentation copy, signed and inscribed by Jules Renard to Jean Ajalbert.
Provenance: Jean Ajalbert’s Japanesque bookplate, in the style of the Nabis, woodcut printed in a very small number of copies and signed with a monogram, probably that of Félicien Rops. "His bookplate bears all the character of his literature: it is an idealised...
First edition, for which there is no mention of large paper copies.
Contemporary Bradel binding in half khaki cloth over marbled paper boards, the spine with gilt floral motif, a double gilt fillet at foot of spine, red shagreen title label (small marginal scratches), one lower corner rubbed.
A rare and precious autograph inscription from Alphonse Allais to his publisher Paul Ollendorff : "... le seul éditeur vraiment digne de ce nom, hommage d'un auteur qui n'est pas non plus dans une potiche [the only publisher really worthy of that name, homage from an author who is also not on a sinecure".
Provenance : library of Paul Ollendorff.
First edition, one of 126 numbered copies on alfa, complete with the original signed etching by Brassaï, , the tirage de tête.
Autograph inscription by Brassaï.
Additionally, this copy is further enriched with three leaves on which Brassaï has recorded some thoughts in holorhyme: "Epopée rimée des peaux périmées / Les chameaux volés tuent les chats mauves aux laitues / L'émule d'Epicure opère au quai Malaquais, les mules des piqûres aux perroquets mal laqués..."
Introduction by Henry Miller.
A very good copy with exceptional additions.
