L'homme nu[The Naked Man]
Spine and covers slightly and marginally yellowed, handsome interior condition.
Signed autograph inscription from Claude Lévi-Strauss to Claude Roy.

Original drawing dated and signed by Louis Pons, to his friend art critic Georges Raillard, specialist in the works of Joan Miro and Antoni Tapies, which he dedicated to him on the invitation card for the opening of the exhibition of his works at the Château de Vascoeuil on Saturday, March 29, 2008.
Louis Pons drew, in black ink, on the recto and verso, a curious bird: a magpie huddled in on itself and apparently convalescent surmounted by this manuscript dedication: "Paris ? ? Mars 2008, j'espère que ta santé est meilleure. Amitiés de Nelly et Louis Pons." ["Paris ? ? March 2008, I hope your health is better. Friendship from Nelly and Louis...
Remarkable autograph letter signed by Antoine Blondin, addressed to Roger Nimier at his Paris office at the N.R.F., in which he recounts—perhaps not entirely sober—his misadventures in “marital” cohabitation with a seminarian named Prébende Alexis.
29 lines on a folded sheet.
Envelope included.
Published in À mes prochains: lettres, 1943-1984, ed. Alain Cresciucci, 2009, p. 110.
In a highly humorous and irreverent tone, Antoine Blondin writes to his “dear friend” a list of edifying events from his Mayenne existence, enumerated, as “I believe the time has come to enlighten you about certain things that have happened to...
Edition of the same year as the first, statement of 17th thousand.
Spine slightly sunned.
Signed and inscribed by Alphonse Narcisse to André Morice.
First edition, rare copy with no statement of print.
Full blue morocco binding, spine with raised bands in the Jansenist style, endpapers and pastedowns of combed marbled paper, gilt dentelle framing the pastedowns, double gilt fillets and gilt tooling to headcaps and board edges, top edge gilt with untrimmed margins preserved, original front wrapper bound in, binding signed by Marius Michel. Monogrammed bookplate mounted on the verso of the first endpaper.
This copy is enriched with four hors-texte plates by Louis Boulanger and Alfred Johannot.
Signed autograph inscription by Victor Hugo on the half-title: « À Monsieur Ch[arles] Mévil son bien...