Logo Édition Originale
  • About us
  • Contact
  • Flag en
    • Icone favoris
    • Connexion
    • Icone panier

Literature
LiteratureFirst EditionsSigned Books, Presentation CopiesIllustrated BooksForeign LiteratureNovels, Short Stories and TalesPoetryTheaterMemoirs, Biographies and EssaysErotica
Antique Books (1455-1820)
Antique Books (1455-1820)First EditionsLiteraturePhilosophyArtHistoryScienceReligionTravelIllustrated Books
Fine Arts
Fine ArtsFirst EditionsSigned Books, Presentation CopiesPainting & DrawingSculpturePhotographyCinemaTheaterMusic & DanceArchitecture & UrbanismDesign & FurnitureFashion
History
HistoryFirst EditionsSigned Books, Presentation CopiesPrehistory & AntiquityMiddle AgesRenaissance & Modern TimesFrench Revolution & EmpireFrom the Restoration to the CommuneFin de Siècle & Belle EpoqueWorld War IThe Interwar PeriodWorld War IIContemporary EraThroughout the Ages
Travel & Exploration
Travel & ExplorationFirst EditionsSigned Books, Presentation CopiesEuropeAmericasMiddle East and Arab WorldSub-Saharan AfricaAsiaOceaniaAcross the World
Science, Medicine & Technical Innovations
Science, Medicine & Technical InnovationsFirst EditionsSigned Books, Presentation CopiesMedicinePhysical Sciences & ChemistryNatural SciencesGeography & AstronomyLogic and MathematicsTechniques & Crafts
Social Science
Social ScienceFirst EditionsSigned Books, Presentation CopiesSociology & AnthropologyPhilosophyPsychoanalysis & Psychology Law & JurisprudenceEconomics & PoliticsLinguistics
Religion & Occult
Religion & OccultFirst EditionsSigned Books, Presentation CopiesJudaicaChristianityIslamSpiritualityMythology & PaganismWitchcraft & DemonologyOccult & Spiritism
Social History
Social HistoryFirst EditionsSigned Books, Presentation CopiesAnarchism & UtopiaSocialism & CommunismSyndicalism & Social AdvocacyParis CommuneTotalitarianism
Literary and Artistic Periodicals
Literary and Artistic PeriodicalsLiterary and Art PeriodicalsPre-first EditionsSymbolism & Decadent Dadaism & SurrealismAvant-gardeArt & PoetrySatirical MagazinesAntiquarian Newspaper IssuesIllustrated periodicals
French Regional Literature
French Regional LiteratureNord, Picardy, NormandyAlsace & LorraineParis & Île de FranceBrittany & Loire Centre, Auvergne, LimousinLyonnais, Dauphiné, AlpsBurgundy, Franche-Comté, ChampagneSud-Ouest & LanguedocCharentes & AquitaineProvence, Côte d'Azur, CorsicaAcross France
Lifestyles
LifestylesFirst EditionsSigned Books, Presentation CopiesWine & GastronomyHunting, Fishing & NatureCircus, Magic & IllusionSports & GamesCaricatureNobility & Heraldry & GenealogyBibliography & Book History
Signed Books, Presentation Copies
Signed Books, Presentation Copies
LiteratureFine ArtsHistoryTravel & ExplorationScience, Medicine & Technical InnovationsSocial ScienceReligion & OccultSocial HistoryLifestyles
Autograph Letters & Manuscripts
Autograph Letters & ManuscriptsLiterary ManuscriptsArtist's ManuscriptsHistorical ManuscriptsScientific manuscriptsSigned photographs
Artworks
Artworks16th-18th Century Prints19th Century Prints & Lithographs 20th Century Prints Vintage PostersPaintings & SculpturesDrawings, Inks & WatercolorsPhotographsDescription of Egypt (1809)Antique Maps
Illustrated Books
Illustrated Books16th-17th Century Illustrated Books 18th Century Illustrated BooksRomantic Illustrated Books (1800-1860)Fin-de-Siècle Illustrated Books (1860-1900)Modern Illustrated BooksModern and Contemporary Illustrated BooksArtist’s Books
Fine Arts
Fine ArtsFirst EditionsSigned Books, Presentation CopiesPainting & DrawingSculpturePhotographyCinemaTheaterMusic & DanceArchitecture & UrbanismDesign & FurnitureFashion
Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

Our Great ModernsOur Great Moderns
Our Great Moderns

A traversal through the works of those who have been writing, imagining, and creating since the late twentieth century. This selection brings together pieces that mirror the shifts of an era — literary gestures, singular voices, new perspectives. Each book and object has been chosen to capture, through its material presence, the living imprint of our contemporaries.

Browse our Selections
You wish to be assisted by our bookseller to find a gift?
Our team will send you a personalized selection within approximately 24 hours.
I prefer to be contacted by
Explore
Advanced search
  • Home
  • Browse collection
  • Latest acquisitions
Browse
All CollectionsCatalogues
Resources
  • Authors
  • Publishers
  • Bookbinders
Services
Sell to usTailored GuidanceSet an alert
  • Media
  • About Us
  • Where To Find Us
  • Contact
Change Language
Flag en
Logo Édition Originale
Flag en
Connexion
Icone panier
Rare Books
Autographs
Art
Gifts
Sell to usNews

Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
Edition-Originale.com
  1. Literature
  2. Signed Books, Presentation Copies
  • Guy de MAUPASSANT

Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. »

Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them."

Au monomotapa [Fictional Place] • (Paris) 10 août 1886|10.10 x 15.30 cm|4 pages sur un feuillet double

Sold
⬨ 60702

Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: “J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus.” “I had an eyeful; but I would have been sick and tired if I had understood them.”

Aylesbury, England 10 August 1886, 10.1 x 15.3 cm, 4 pages on a double sheet

Amusing handwritten letter signed by Guy de Maupassant to the Countess Potocka, 76 lines in black ink on a double sheet with the Waddesdon, Aylesbury letterhead. Envelope attached.

Published in Marlo Johnston, “Lettres inédites de Maupassant à la comtesse Potocka”, Histoires littéraires, n°40, October-November-December 2009.

Maupaussant travelled a lot throughout his life: Algeria, Tunisia, Italy, England... At the time of this letter, he was in Aylesbury in England, a guest at Baron de Rothschild's Waddesdon manor. On 7 August he organised an exceptional party which brought together three hundred distinguished guests. Contradictory when one knows the force with which Maupassant denied being sociable. In describing his activities to the Countess, he paints an acid portrait of English society.

He apologises to the Countess for this prolonged absence: “Oui, Madame, je suis resté en Angleterre un peu plus que je n'avais pensé le faire. Je n'ai pu d'abord résister aux instances du baron de Rothschild qui prétendait me retenir un mois ; et puis cette vie nouvelle m'a parue curieuse à beaucoup d'égards, bien que triste.” “ Yes, Ma'am, I stayed in England for a little longer than I thought I would. At first, I could not resist the demands of the Baron de Rothschild who claimed to keep me for a month; and then this new life seemed curious to me in many respects, although sad.” The country was only moderately to his liking but he found a way to adapt to it: “C'est triste ici, mais reposant et je goûte un plaisir bizarre, un vrai plaisir solitaire à me trouver au milieu de gens qui ne m'entendent pas et que je ne comprends point.” “It is sad here, but relaxing and I taste a strange pleasure, a real solitary pleasure in finding myself in the midst of people who cannot hear me and whom I do not understand.” He took the opportunity to deduce a travel rule with which Des Esseintes would have agreed if he had actually set foot on English soil: “Si j'avais un conseil à donner aux jeunes hommes, ce serait celui-ci : “N'apprenez jamais les langues étrangères et voyagez souvent à l'étranger.” Il n'y a rien de plus agréable que de regarder les gens causer, rire, mimer ce qu'ils disent sans avoir la fatigue inutile de suivre, de comprendre ce qu'ils pensent, et celle, plus grande, de leur répondre. $” “If I had one piece of advice to give to young men, it would be this: “Never learn foreign languages and travel abroad often.” There is nothing more pleasant than to watch people chat, laugh, mime what they are saying without having the unnecessary fatigue of following, of understanding what they are thinking, and the greater fatigue of answering them.”
Maupassant talks of the English at their expense: “Je me sens en sûreté au milieu de ces êtres-là, tranquille comme s'ils étaient en cage, et quand ils essayent, par politesse (car ils sont très polis) de baragouiner quelques mots de français je leur fais répéter vingt fois chaque phrase, en feignant de ne point comprendre, pour leur ôter tout désir de recommencer.” “I feel safe in the midst of these beings, calm as if they were in a cage, and when they try, out of politeness (because they are very polite) to speak badly a few words of French I make them repeat each phrase twenty times, pretending not to understand, to rid them of any desire to start again.” Even the highest social classes are not spared of his dark humour: “J'ai passé deux jours avec l'archevêque de Canterbury à qui on m'a présenté comme un égyptologue pour ne point alarmer sa conscience sacerdotale.” “I spent two days with the Archbishop of Canterbury, who was introduced to me as an Egyptologist so as not to alarm his priestly conscience.” Neither royalty or the people are found to be graceful in Mauspassant's eyes: “Je viens de passer trois jours (suprême honneur) sous le même toit que l'héritier du trône (au 2nd degré) qui me fait l'effet d'un superbe échantillon d'un crétinisme auquel aboutissent les races royales. J'ai vu des lords, des généraux, des ambassadeurs, des ministres, toute la ménagerie humaine de ce pays.” “I have just spent three days (supreme honour) under the same roof as the heir to the throne (2nd in line) which makes me the effect of a superb sample of stupidity to which the royal breeds succeed. I saw Lords, Generals, ambassadors, ministers, all the human menagerie of this country.” Even women are not spared, and Maupassant uses their description as an opportunity to complement the Countess: “Point de jolies femmes. Elles sont assez fraîches mais sans grâce, sans élégance, sans piment. Sans vouloir vous faire un compliment vous êtes infiniment plus belle que les plus belles personnes montrées ici. Et pourtant j'aime assez les blondes - qui tiennent ce que promettent les brunes - à ce qu'on dit - et c'est vrai.” “No pretty women. They are quite fresh but without grace, without elegance, without life. Without wishing to compliment you, you are infinitely more beautiful than the most beautiful women shown here. And yet I quite like blondes - who hold what brunettes promise - by all accounts - and it is true.” It is interesting to note that the Countess was of Mediterranean origin (born Emmanuella Pignatelli di Cerchiara) and therefore had brown hair.

While he spent time with the best society, visited the town of Oxford and despite the charm of the English countryside, Maupassant definitely found no grace in this country. He leaves without regret, leaving only a terse telegram to one of his fellow travellers: “J'ai trop froid, cette ville est trop froide. Je la quitte pour Paris ; au revoir, mille remerciements.” “I am too cold; this town is too cold. I am leaving for Paris; goodbye, a thousand thanks.” To summarise the experience of his stay for the Countess, he concludes his missive with an irrevocable sentence for the English nation: “J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus.” “I had an eyeful; but I would have been sick and tired if I had understood them.”

Provenance: Jean Bonna's collection.

Bibliographical description of this copy

  • author:
    MAUPASSANT Guy de
  • Places of publication:
    Au monomotapa [Fictional Place](Paris)
  • Year:
    10 août 1886
  • Dimensions:
    10.10 x 15.30 cm
Réf : 60702|Sold
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Guy de MAUPASSANT • Handwritten, signed letter in an envelope addressed to the Countess Potocka. Maupassant on England: "J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus." "I had an eyeful; but I would have been sick and tired if I had understood them." • Lettre autographe signée et enveloppe adressée à la Comtesse Potocka. Maupassant sur l'Angleterre: « J'en ai eu plein les yeux ; mais j'en aurais plein le dos si je les avais entendus. » • Autograph • 1886
Sold
⬨ 60702

MORE BY THIS AUTHOR

Mademoiselle FifiMademoiselle Fifi
Guy de MAUPASSANT, Henri de TOULOUSE-LAUTREC
Mademoiselle Fifi
Henry Kistemaeckers|1882
€2,600
YvetteYvette
Guy de MAUPASSANT (inscribed to Amaury Marie RENOUL)
Yvette
Victor Havard|1885
€2,500
[Photographie] Portrait photographique de Maupassant[Photographie] Portrait photographique de Maupassant
(Guy de MAUPASSANT) [NADAR] Félix Tournachon dit NADAR
[Photographie] Portrait photographique de Maupassant
Paul Nadar|s. d. [1888 - 1900]
€3,000
La main gaucheLa main gauche
Guy de MAUPASSANT
La main gauche
Paul Ollendorff|1889
€2,300
Contes de la bécasseContes de la bécasse
Guy de MAUPASSANT (inscribed to Baron de VAUX)
Contes de la bécasse
ED. Rouveyre et G. Blond|1883
€5,800
ALL WORKS BY THIS AUTHOR

Selections related to this item

Exceptional Autographs
Exceptional Autographs
Published correspondences
Published correspondences
Signed books and autograph letters of Guy de Maupassant
Signed books and autograph letters of Guy de Maupassant
Browse our Selections

Collections related to this item

Literature
Literature
Signed Books, Presentation Copies
Autograph Letters & Manuscripts
Autograph Letters & Manuscripts
Literary Manuscripts
Discover our Collections

Related items

Poil de carottePoil de carotte
Jules RENARD (inscribed to Henri MAZEL)
Poil de carotte
s. d. [1892]
€3,500
Essai sur StendhalEssai sur Stendhal
Paul VALÉRY (STENDHAL)
Essai sur Stendhal
Editions de la Pléiade|1927
€580
Une conquête méthodiqueUne conquête méthodique
Paul VALÉRY
Une conquête méthodique
Les Amis d'Edouard|1924
€450
La Nation contre la raceLa Nation contre la race
André SUARÈS (to Ventura GARCÍA CALDERÓN)
La Nation contre la race
Emile-Paul frères|1916-1917
€380
La dominationLa domination
Comtesse Mathieu de NOAILLES [married name of Anna de NOAILLES]
La domination
Calmann-Lévy|1905
€800
Discover more related items
Services
Expert Guidance
We buy
Valuation
Gift Ideas
Concierge
Create an alert
Orders
Order
Payment
Delivery
Pick Up at Bookshop
Manage your Orders
Return & Refund
Unconditional Guarantee
Certificate of Authenticity
About
Le Feu Follet
History
Our Team
Engagements
Labels
Press
Contact
Resources
Authors
Publishers
Bookbinders
Places of publication
Lexicon
Legal
Terms of Sale
General Terms and Conditions
Privacy Policy & Cookies
Dessin façade librairie Barbusse trait
+33 1 56 08 08 85
[email protected]
Contact us
Logo
Logo
Logo
Dessin façade librairie Barbusse trait
Librairie Le Feu Follet
31 rue Henri Barbusse
75005 Paris (FRANCE)
Monday - Friday from 11 am to 7 pm
Dessin façade librairie Barbusse trait
Galerie Le 121
121 bd Saint-Michel
75005 Paris (FRANCE)
By appointment during exhibitions & events
Langue
Français version
Flag en
SIRET 412 079 873 · © Librairie Le Feu Follet – Edition-Originale.com · All rights reserved