Le plan de l'aiguille[The Plan of the Aiguille]
A small restoration at the head of the back.
Precious autograph signed by Blaise Cendrars: "To Ungaretti with the good memory of Blaise Cendrars."

When the dedicatee is prestigious, when the inscription itself is part of the writer's history or sheds new light on the work... an exceptional autograph bears witness to a major event: the work's encounter with History.
First edition on ordinary paper.
A transverse crease to the upper edge of the front wrapper.
Illustrated.
Rare dated and signed presentation inscription from Fernand Legros to the journalist Brigitte Kantor: "... avec ma gratitude pour un journaliste objectif et attentif..."
First edition, with no deluxe-paper copies issued, one of the review copies.
A pleasant copy.
Precious signed presentation copy inscribed by Claude Simonnet to Jean Giono.
First edition of the French translation, one of the review copies.
Complete with its illustrated dust jacket, which has a few small marginal tears and is partially faded on the rear panel.
Rare dated and signed presentation inscription, in French, from Iris Murdoch to the writer, publisher and literary critic Christian Giudicelli.
First edition, printed in a small number of copies, of these extracts from the Cahiers de la Pléiade.
A few stains to the boards, with small red ink stains on the first page of Michel Tapié's text.
Signed presentation inscription from Henri Michaux to his friend, the painter and draughtsman Bernard Saby: "Les hommes qui ne donnent pas leur adresse ne craignent pas les exorcismes. Mais tout de même où est-il ce Saby? H.M."
Inspired both by his investigations into serial music and by his use of mescaline and hashish, Bernard Saby's painting aroused keen interest among his contemporaries. In 1956, his friend Henri Michaux gave him space in...
First edition, extensively illustrated with reproductions of works by Speedy Graphito.
Text by Jean Seisser.
On the final free endpaper, a signed presentation inscription from Speedy Graphito to a man named François, surrounded by an original drawing.
First edition, one of 110 numbered copies on Rives laid paper.
Half red morocco binding, smooth spine, gilt date at foot, boards covered with abstract patterned paper, red paper endpapers and pastedowns, covers and spine preserved, top edge gilt, signed binding by P. Goy & C. Vilaine.
Autograph inscription signed by Jean Cocteau to a friend named Roger enhanced with a drawing in blue ink representing the face of a young man facing forward.
First edition, one of the press copies.
Full emerald-green morocco, flat spine with a gilt rule lengthwise, title and author gilt-stamped, frontdecorated with multiple gilt rules framing a central onlaid panel of blue shagreen, light green suede endpapers and pastedowns, original wrappers preserved, top edge gilt, binding signed Boichot.
Exceptional and highly desirable presentation copy inscribed and signed by Louis-Ferdinand Céline: "A mons. Pierre Jean Jouve cordial hommage Louis Celine."
Very rare first edition, one of 150 copies signed at the colophon by Conrad Rooks. OCLC records only two copies at the American College of Greece and at Princeton University Library.
Spine and boards marginally sunned, two stains to the right margin of the rear board.
Presentation copy, inscribed, dated and signed "to Sueeva Viegand with appreciation for kind thoughts and friendship. Sincerely Conrad Rooks 5/7/1963 / Paris 26 rue Saint Beniot [Benoît] ’
Extremely rare first edition of Conrad...
First edition of the author's third book, with no copies printed on deluxe paper, here a review copy.
Spine very lightly sunned, without seriousness, faint spotting to the board edges.
Rare and desirable presentation copy signed by Patrick Modiano to the woman of letters Christiane Baroche: "Pour Christiane ces boulevards de ceinture avec lesquels elle est bien indulgente. Avec l'amitié de Patrick."
First edition, with no copies issued on deluxe paper.
A handsome copy.
With Pierre Bourdieu’s signed presentation inscription to the anthropologist Emmanuel Terray.
Collective edition, partly original, issued without any deluxe copies.
A pleasing copy.
Author's signed presentation inscription from Elias Canetti to his cousin: "Meiner liebsten Kusine Matica, der einziger, die geblieben ist, was sie immer war, begabt, klug, offen in Liebe und Freundschaft. Elias Canetti. Paris, September 1962" ("A ma chère cousine, la seule qui est reste ce qu'elle a toujours été, douée, intelligente, ouverte, en amour et en amitié)."
Letter written by a secretary and signed by Louis XVI, addressed to Cardinal Ludovico Calini, in ink over eleven lines. The signature of Charles Gravier, Comte de Vergennes, appearing at the foot of the bifolium, accompanies that of the King for these New Year wishes. The recipient's name is inscribed on the verso: "Mon Cousin le Cardinal Calino".
A few waterstains, a small hole at "qu'il vous ait".
"My Cousin, I have seen with pleasure from your letter of October 1st the token of the sincerity of the wishes you express for me at the beginning of this year. Your good intentions are as well known to me as you must be certain of my desire to give you...
First edition on standard paper.
A handsome copy, complete with its publisher’s wraparound band.
Fine presentation inscription signed by Milan Kundera: "Paris 1998. Pour Michel Tournier avec l'amitié fidèle de Milan Kundera."
Photographic three-quarter bust portrait of Jean de Lattre de Tassigny in uniform.
Slight foxing.
Autograph inscription signed by Jean de Lattre de Tassigny in faded blue ink in the upper right corner: "To my friend Pauchant, President of Rancourt-Verdun, most cordially and faithfully... Verdun 1937 - Colmar 1947." (our own translation)
First edition on ordinary paper.
Pages 10–11 lightly sunned owing to the presence of a newspaper clipping.
Fine presentation inscription signed by André Pieyre de Mandiargues: "à Michel Tournier en très cordiale sympathie. André PM."
First edition, printed on vélin d’Angoulême, with the usual typographical errors, and containing the six banned poems; one of the few author’s copies “intended for friends who render no literary services”.
Full bordeaux red morocco binding, spine with five raised bands richly decorated with multiple gilt- and blind-tooled fillets; third-state covers; boards framed with multiple blind-tooled fillets; marbled endpapers; gilt turn-ins; all edges gilt; marbled paper slipcase with morocco border; signed binding by Semet & Plumelle.
"New edition, with parts in first edition, incorporating an unpublished preface; the first edition had appeared in 1927 in Tokyo at the close of Claudel’s ambassadorship in Japan (1921–1927) and was issued in three fan-shaped quarto volumes. Work illustrated with Japanese characters calligraphed by Ikuma Arishima. Composed between June 1926 and January 1927, this essay (blending traditional calligraphy, haiku, and short Western-style verse) bears witness, among Claudel’s other creations, to the influence of the Far East on his poetic practice.
Moving and exceptional presentation inscription, signed and dated by Paul Claudel to his eldest daughter, Marie Claudel, known as...
First edition on ordinary paper.
Half black long-grain morocco binding, smooth spine tooled in palladium with author, title, and date, anthracite-grey paper boards, original wrappers and spine preserved (the latter with two small stains at head and foot), endpapers and pastedowns of anthracite-grey paper, binding signed Thomas Boichot.
Precious and exceptional signed presentation inscription by Louis-Ferdinand Céline: "A Mac Orlan son admirateur et ami fidèle. LFerd"
First edition.
Copies recorded in the Catalogue collectif de France only at the BnF, Versailles, and Bar-le-Duc libraries.
Half bottle-green shagreen binding, spine with five raised bands decorated with gilt dotted rules and floral tools, blind-stamped frame on bottle-green grained cloth boards, gilt initials stamped at the centre of the upper board, white moiré silk endpapers and pastedowns, all edges gilt. Slight rubbing to the corners, a handsome contemporary binding.
The Courrier de Lyon case dates back to the period of the Directoire (April–October 1796). The execution of Joseph Lesurques was soon regarded as a major miscarriage of justice, and his family spent more...
Rare first edition illustrated with 31 figures in the text.
Contemporary half blond calf, the spine slightly sunned, with five raised bands decorated with gilt and black fillets, fawn morocco lettering-piece, marbled paper sides, comb-marbled endpapers and pastedowns, sprinkled comb-marbled edges.
Christophe-Edouard Mauss (1829–1914), architect to the Ministry of Foreign Affairs, undertook several archaeological missions in the Levant (Salonika, Smyrna, Alexandria) before being sent by the French government to Jerusalem (1862–1874) to restore the Church of Saint Anne.
He was also deeply interested in ancient metrology, on which he wrote several monographs (the final...
First edition of the thesis presented by Paul Bert to the Faculty of Sciences in Paris in fulfilment of the requirements for the degree of Doctor of Natural Sciences.
Illustrated with two lithographed plates at the end of the volume.
Some occasional foxing.
Contemporary half red morocco-grained shagreen binding, smooth spine decorated with gilt floral tools, marbled paper boards, marbled endpapers and pastedowns, original wrappers preserved (rear cover restored with an adhesive patch), modern binding.
Rare biological thesis by Paul Bert (1833–1886), who was a physician, physiologist, educator, and above all a committed republican politician.
Inscribed...
First edition, one of 500 copies on ordinary paper.
This copy has a chemise and slipcase.
A little light spotting, not serious, nice copy.
Retaining its advertising band and slip.
Handsome autograph inscription signed by René Char: “à Man Ray au voyant carnassier de tout cœur R. Char.” (“To Man Ray to the carnivorous fortune teller, with all my heart, R. Char.”)
First edition, with no deluxe-paper copies printed.
Illustrations.
A handsome copy despite the slightly faded spine.
Precious and fine signed presentation copy from Louis Aragon to Maurice Druon: "A Maurice Druon, pour qu'il sache que de temps je m'égarée dans Césarée. [sic] Louis".
First collective edition on ordinary paper.
Pleasing copy.
Valuable presentation copy signed by Louis Aragon: "A Maurice Druon, pour n'en pas perdre l'habitude. Louis."
First edition of this collection of political speeches.
Full red percaline binding, smooth spine without lettering showing slight rubbing, gilt inscription stamped to the upper cover: "République de Guinée R.D.A. à S.E. Jean Paul Sartre. N°30"; endpapers partly toned, a contemporary presentation binding offered to Jean-Paul Sartre.
Frontispiece photographic portrait bearing the autograph signature of President Ahmed Sékou Touré: Secretary General of the Parti Démocratique de Guinée, Supreme Leader of the Revolution.
Rare and sought-after first edition, first issue.
Includes the subscribers' list and the foreword, later removed when the remainder of this edition passed into the hands of another publisher, Dion-Lambert. It also features the pagination error in volume two: page 164 instead of 364.
Black half-morocco bindings, smooth spines with double gilt fillets and double blind-stamped compartments, black paper boards...
Autograph letter signed from Georges Bataille to Denise Rollin, 40 lines in black ink, two pages on one leaf.
George Bataille and Denise Rollin's relationship lasted from the autumn of 1939 to the autumn of 1943 and left behind it a short but passionate correspondence. This letter dates from the early days of their connection, but already reveals Bataille's agonies: “Perhaps I was too happy with you for some months, even though suffering did not wait long to interrupt, at least for a time, a happiness that was almost a challenge.”
A passionate lover, Bataille moved from exultation to the deepest doubt and even offered his lover a potential way out of...
First edition, one of 160 hors commerce copies on Lana vellum, ours being one of 60 hors commerce copies, the only deluxe issue.
Half long-grain black morocco binding, smooth spine lettered with the author’s name, title, date, and the palladium inscription “EX. JOSEPH KESSEL 1958”, wood-patterned paper boards, grey endpapers and pastedowns, wrappers and spine preserved, binding signed by Thomas Boichot.
Some foxing, mainly affecting the wrappers and the first and last leaves.
Exceptional and moving signed autograph presentation from Maurice Druon to Joseph Kessel: "A toi mon grand Jef, cet Alexandre le grand né lui aussi sous le signe du...
First edition.
Publisher’s binding, smooth olive-green cloth spine partially faded, upper headcap trimmed, cream boards speckled with pink, bumped corners, shadowed endpapers.
Signed autograph inscription by Thomas Nelson Page at the head of the title page.
First edition of the French translation, of which no deluxe copies were printed.
Crease to the upper left corner of the lower cover and the last leaves.
Illustrations.
Precious inscribed copy to Bernard Kouchner: "To my dear friend Bernard always true to his beliefs and a great partner. With deep admiration and affection. Madeleine 15/11/03."
First edition on ordinary paper.
A pleasant copy.
Precious signed autograph inscription from André Pieyre de Mandiargues: "A Henri Michaux le coeur de son vieil ami André Pieyre de Mandiargues" enriched with Yvonne Caroutch’s handwritten signature.
First edition, one of the review copies stamped "M.F." on the front cover and numbered in the colophon.
Small restored tears to the spine and upper part of the front cover, slight traces of creasing to the margins of the front cover.
Precious inscribed copy signed by Louis Pergaud to J.H. Rosny jeune, one of the historic members of the Goncourt Prize jury. Pergaud had won the 1910 Goncourt for his collection of short stories De Goupil à Margot.
First edition on ordinary paper.
Half red morocco binding, spine with five raised bands framed with gilt fillets and decorated with double gilt panels, gilt lettering at the foot of the spine reading "Ex. de Sainte-Beuve", double gilt fillets on the marbled paper boards, small black spots on the covers, comb-marbled endpapers and pastedowns, original wrappers preserved, gilt edges.
Scattered foxing.
Precious autograph inscription signed by Auguste Brizeux: "A Sainte-Beuve, au poète et à l'ami. A. Brizeux."
First edition.
Contemporary half red shagreen over marbled paper boards, (a few discreet repairs), spine in six compartments, date to foot, marbled paper-lined endpapers and pastedowns, covers preserved, top edge red.
A very handsome autograph inscription signed by Victor Hugo to Alphonse Daudet.
Mrs. Daudet's collection stamp to first endpaper.
Victor Hugo represented for Alphonse Daudet, as for the other writers of his generation, the incontestable master of the Pantheon of the arts. His benevolent attention runs through Daudet's work, often listed side by side with Rousseau, Byron, Sand and Delacroix.
If during Daudet's childhood and youth, Hugo, an...
First edition, of which there were no large paper copies.
Complete with dj (slightly sunned at edges of spine and covers), small tears to head of upper cover.
Handsome autograph inscription, signed and dated by Canetti to Raymond Queneau : " Für Raymond Queneau aus Freude über eine unerwartete Begegnung, Juni 1951 [for Raymond Queneau, the pleasure of an unexpected meeting, June 1951]".
Autograph postcard signed by Albert Einstein to Ludwig Hopf. 18 lines written verso and recto, address also in Einstein's handwriting. Postmarked June 21, 1910.
Published in The Collected Papers of Albert Einstein, Volume 5: The Swiss Years: Correspondence, 1902-1914, Princeton University Press, 1993, n°218, p. 242.
An exceptional and highly aesthetic card from Albert Einstein to "the friend of the greatest geniuses of his time" - according to Schrödinger - mathematician and physicist Ludwig Hopf, who introduced Einstein to another 20th-century genius: Carl Jung.
The master invites his pupil Hopf to a dinner...
First edition, one of the review copies.
Slight sunning at head and foot of spine, without seriousness.
Precious signed presentation from Francis Ponge: "Pour Marthe et Henri Calet leur ami. Francis Ponge."
First edition, printed in a small number of copies, of this offprint from the Revue de Paris dated 15 February 1906.
Émile Boutmy was the founder of the École libre des sciences politiques, which would later become the Institut d'études politiques de Paris, now widely known as Sciences Po.
Wrappers slightly toned at the margins, inevitable minor edge tears and small losses consistent with the fragile nature of the pamphlet.
Inscribed and signed by Lucien Lévy-Bruhl: "A Emile Durkheim, affectueusement, L.L.B."
First edition, an advance (service de presse) copy.
Covers and spine very skillfully repaired.
Handsome autograph inscription from Pierre Drieu La Rochelle to Henri Béraud.
First edition, one of the review copies.
Bradel binding in full wood-patterned boards, smooth spine, red morocco title-piece, covers and spine preserved, binding signed by Thomas Boichot.
A fine copy, handsomely bound.
Precious autograph presentation signed by Jacques Chardonne to Henri Béraud.
First edition.
Elegant half navy blue morocco over marbled paper boards by Pierre-Lucien Martin, spine in six compartments with gilt fillets to bands and geometric decoration of red morocco onlays, date gilt at foot of spine, gilt fillet to boards, marbled endpapers and pastedowns, gilt dentelle frame to pastedowns, covers and spine preserved, top edge gilt.
A very good copy in a handsome binding.
Exceptional autograph inscription from Claude Farrère : "A Pierre Louÿs son très petit disciple [To Pierre Louÿs, his very humble disciple]", along with Chinese ideograms.
First edition, one of 1,200 numbered copies on alfa paper, the only large paper copies after 50 on Marais.
Spine very slightly faded as usual.
Handsome autograph inscription signed by Henri Michaux to Raymond Queneau.
First edition, with an autograph letter signed by Louise Colet bound in, 3 pages on a bifolium mounted on a stub at the head of the volume. A few small foxing spots, a very pale marginal dampstain affecting the last leaves.
Half black morocco binding with corners, spine with five raised bands framed by blind double fillets, date at the foot, marbled paper sides, vat-made paper endpapers and pastedowns, original wrappers preserved and mounted on a stub (small corner losses restored), elegant binding signed Patrice Goy.
Rare presentation copy to the marquise de Boissy, Teresa Guiccioli who was the mistress of Louise Colet's husband (!) and...
First edition, an advance (service de presse) copy.
Half mustard-colored morocco over marbled paper boards by P. Goy & C. Vilaine, spine in six compartments, brown paper endpapers and pastedowns, covers and spine (sunned) preserved, top edge gilt.
Handsome autograph inscription signed by Robert Desnos to Colette Clément, whose name he plays on: "A Madame Colette Clément / Clément Marot non Jacques Clément (ces mots barrés) / non / hommage de l'auteur Robert Macaire."
Ex libris of recipient pasted in underneath justification.
First edition, one of the press copies.
Half brown shagreen binding, smooth spine with gilt floral panels, gilt initials C.T. at foot, marbled paper boards, marbled endpapers, covers preserved, gilt edges, one upper corner slightly rubbed, binding dating from some years later.
Inscribed by Charles Terrasse (son of Claude) in ink at the head of a flyleaf.
Discreet restorations to the joints.
Precious presentation copy signed and inscribed by Alfred Jarry: "A Claude Terrasse son admirateur et son ami. Alf. Jarry" [his admirer and friend]
First edition, a Service de Presse (advance) copy.
Some worming to margins of covers.
Precious autograph inscription signed by Marcel Aymé: "A monsieur Valery Larbaud en sincère hommage. Marcel Aymé." ["To Mr. Valery Larbaud with sincere homage. Marcel Aymé."]
First edition on ordinary paper.
A moving and appealing copy.
Fine signed autograph presentation inscription from Dominique de Roux to his brother: "Pour mon cher Xavier père et maître des circonvolutions de ce récit. Et sans qui la vie n'aurait aucun sens. Affection fraternelle. Dominique."
First edition, for which there was not printed any grand papier (deluxe) copies.
Publisher's binding in full grey cloth.
Illustrations.
Copy complete of its dust jacket illustrated by Jimmy Ernst, the dust jacket being in a poor state with several tears and corners missing.
Very precious handwritten dedication signed by Harriet Janis to Boris Vian: “To Boris Vian with Paris greetings for Rudi Blesh & myself, Harriet Janis. May 1953.”
First edition, a numbered copy on alfa du Marais paper, this one not included in the justification.
Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: “Très sympathique hommage de ces bucoliques de sang et de soleil... [a very affectionate homage of these bucolics of blood and sunshine...]”
Covers and spine slightly sunned at edges (but not seriously).
First edition, with no mention of deluxe paper copies.
Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard.
Blue pencil mark by Jules Renard on the front cover.
Our copy is further enriched with Jules Renard's celebrated ex-libris, designed and engraved by Henri de Toulouse-Lautrec.
Second edition, first for some parts, one of 100 copies on vergé blanc paper.
Contemporary Bradel half dark-green cloth over marbled paper boards, the spine with gilt fleuron, date and double gilt fillets at foot, upper corners rubbed, covers preserved.
An attractive copy in a pleasant binding.
Handsome autograph inscription from Paul Verlaine to Alice Densmore.
Rare first edition.
Small tears and corner losses to the spine and boards.
Signed autograph inscription from Joseph Louis Trouessart to Sainte-Beuve on the half-title.
First edition of the French translation, for which no deluxe copies were issued.
Precious autograph presentation inscription signed by Italo Calvino to his friend, the Argentine photographer José María “Pepe” Fernández.
Our copy is further enriched with an original photograph by Pepe Fernández depicting Italo Calvino leaning on a stack of books.
Signed by the photographer at the foot of the image, with handwritten notes and Pepe Fernández’s stamp on the verso.
Double autograph signature of Pepe Fernández on the front endpaper and the title page as presentation inscriptions, spine faded.
First edition on ordinary paper, with no mention of large paper copies.
Occasional light spotting, a small angular lack to half-title.
Elegant pastiche marbled paper Bradel binding by Thomas Boichot, brown morocco title label, covers preserved.
Handsome autograph inscription signed by the author: "A Guy de Maupassant, son ami [For Guy de Maupassant, his friend]."
First edition on ordinary paper.
A small nick on the spine, slightly split at the foot.
Precious signed autograph inscription from Jean Giraudoux to André Gide: "... avec gratitude..."
First edition printed on alfa paper.
A small tear at the foot of one joint discreetly restored, a pleasant copy.
Precious autograph inscription signed by Philippe Soupault to René Crevel in pencil.