First edition on ordinary paper, only 10 copies were printed on Holland paper in deluxe format. Bradel binding in red half-cloth, smooth spine, double gilt fillet at foot, marbled paper boards, original wrappers preserved. Cover and drawings by Bernard Naudin including one double-page spread.
First edition, one of 145 numbered copies on pur fil paper, ours one of 75 reserved for the Club de l'édition originale, the only deluxe copies. Printed bibliophile stamp as bookplate facing the half-title page. Handsome copy.
Pour F.M. et ses amis|Paris 1951|12.50 x 16.50 cm|broché
First edition, one of 142 numbered copies on pure vellum wire, only 1 draw after Japan, 7 Shanghai. Precious autograph signed by Francis Carco Andre Dignimont: "A gentleman Dig for" Corner of "Sincerely." bibliophile print buffer next to the half-title page in by way of bookplates. Pleasant copy despite the back and slightly and marginally minor insolated boards.
First edition, one of 75 numbered copies on Holland paper. Half red morocco binding, smooth spine very slightly sunned, marbled paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt. Fine copy handsomely bound.
first edition for which there is no mention of leading copies. Precious autograph signed Cami Albert Dubout "A Dubout unique In friendly remembrance." Enriched with a self-portrait in the smoking cigarette. printed bibliophile buffer next to the half-title page by way in bookplate.
First edition, one of 298 numbered copies on Rives vellum. Signed autograph Francis Carco to Frédéric Lefèvre. printed bibliophile buffer next to the half-title page by way in bookplate. Nice copy.
First edition, one of 15 numbered copies on Arches paper, deluxe copies after 6 Japan. Half brown shagreen binding with corners, spine with five raised bands slightly faded, marbled paper boards, endpapers and pastedowns, covers and spine preserved, top edge gilt. Endpapers entirely shaded. Beautiful cover illustrated by Lobel-Riche. Handsome copy nicely bound of this sequel to Jésus-la-Caille.
Edition of wich no leading copies exists. Signed autograph of Louis Althusser to the art editor Alex Grall: "... the answer is - like any answer- a result of" issues "impertinent (in both senses of the word) with my deepest sympathy. "
Henry Babou|Paris 1933|20.50 x 26.50 cm|en feuilles
First edition, one of 750 numbered copies on white laid paper, the only deluxe copies after 50 Japan and 50 hors commerce. Work decorated with a self-portrait of the artist as well as illustrations hors-texte, letter-preface by Claude Aveline. Endpapers lightly shadowed.
Editions de l'Essai|Paris • & Bruxelles [Brussels] • & Liège 1962|24 x 32 cm|broché
First edition, one of 470 numbered copies on coated paper, the only deluxe copies after 30 Coronado "Lys de Gand". Work illustrated with 21 drawings by Ferro. Light and minor foxing without significance on the title page.
Editions du Chêne|Paris 1975|16.50 x 24.50 cm|reliure de l'éditeur
First edition in French. Publisher's full blue cloth binding, smooth spine, with the illustrated dust jacket. Work decorated with 20 color plates and 133 black illustrations. Handsome copy.
First edition printed in 767 numbered copies on pur fil du Marais paper. Illustrated with 24 hors-texte plates reproducing Magnelli's works exhibited at Galerie Drouin. Spine and boards slightly sunned, tears at head and foot of joints, handsome interior condition.
Editions Internationales|Bruxelles [Brussels] 1975|22.50 x 27.50 cm|reliure de l'éditeur sous étui souple
First edition. Publisher's binding in full boards, smooth spine, illustrated first cover. Work illustrated with reproductions of works by René Magritte. Pleasant copy.
Galerie Louis Carré|Paris 1942|19.50 x 26.50 cm|broché
First edition printed in 500 numbered copies on Arches wove paper. Work illustrated with 28 plates hors-texte reproducing the works of Aristide Maillol. Text by Maurice Denis. Handsome copy
First edition, one of 500 numbered copies on vellum, one draw and 20 after 5 Japan Holland paper. Handwritten signature of Jean Paulhan Length of the first guard. Illustrated book with a sticker of André Derain on the cover. spine and boards evenly insolated as often, two tears in the bottom and top of the back, small lacks the foot of the title page that has been poorly cut.
Galerie Alphonse Chave|Vence 1988|17.50 x 23 cm|broché
first edition printed in 1000 numbered copies, ours unjustified, this exhibition pamphlet being held in the Gallery Alphonse Chave in Vence from 18 June to 19 August 1988. Text by Alain Jouffroy. Signed autograph Fred Two to Pierre Samuel: "... this crossing that all we have to do and I'm happy to have finally crossed, my friendship with him and that the small print ...." insolated slightly flat feet, otherwise nice copy.
Editions de la Nouvelle revue critique|Paris 1947|12 x 19 cm|broché
First edition, one of 250 numbered copies on Alfa paper and reserved to the author. Signed autograph of Charles Chassé Guy Lavaud. Book decorated with 10 illustrations and 2 unpublished drawings. spine and boards evenly insolated, nice interior state.
Edition of wich no leading copies exists. autograph dedication of the author autograph signed and dated Alfred Sauvy Monique Landon. Pleasant copy despite back slightly past.
First edition, one of 100 numbered copies on vélin d'Arche paper, this copy one of 25 hors commerce for each volume, the only grand papier (deluxe) copies with 30 Japon. Spine and covers slightly and marginally faded as usual, otherwise nice set with edges preserved.
First edition, on current paper, the French translation by Albert Savine. Signed autograph Albert Savine Charles Foley. spine wrinkled, insolated and having petitts gaps, light angular gaps on the second flat.
First edition, on ordinary paper, of the French translation established by Louis Fabulet and Arthur Austin-Jackson, with statement of sixth edition. Bradel binding in half olive green cloth, smooth spine decorated with central gilt fleuron, double gilt fillet at foot, hazelnut shagreen title-label, marbled paper boards, contemporary binding. Top edge blackened, occasional light foxing.
Galerie A. Maeght|Paris Décembre 1970|28 x 38.50 cm|en feuilles
First edition. Issue illustrated with 4 original color lithographs at double or full page as well as 20 reproductions of works by Alain Le Yaouanc. Handsome copy.
First edition, one of 100 numbered copies on pur fil du Marais paper, ours unnumbered, the only deluxe copies. Preface by André Breton. Spine lightly sunned without severity, newspaper clipping attached which has left a shadow on the first endpaper, otherwise handsome copy.
First edition, one of 300 copies, the only printing after 25 numbered copies. Spine faded and unlettered, otherwise a handsome copy complete with its supplement leaf.
Temps mêlés|Verviers s. d. [1963]|11.50 x 16.50 cm|agrafé
First edition printed in 250 copies, all equal in homage to Gracchus Babeuf. Contributions by Marcel Lecomte, Jacques Paulus, François Jacqmin, J.J. Skira, Bernard Massenat, Antoine Lemoine. Offsetting and staple marks on covers.
Editions de La revue blanche|Paris s. d. [1902]|11.50 x 18.50 cm|relié
First edition printed on ordinary paper. Full blue shagreen binding, spine with five raised bands very slightly faded, small scratches on the joints, gilt fillets on the headcaps, marbled endpapers and pastedowns, gilt decorative border on the pastedowns, illustrated cover with watercolor by Pierre Bonnard preserved, gilt fillet on the leading edges, top edge gilt. A repaired tear at the foot of the cover illustrated by Pierre Bonnard.
First edition, one of 30 numbered copies on Madagascar, the only major paper. Signed autograph of John Toussaint Samat at Monsarrat captain and his wife. Book decorated with illustrations of Renée Jean-Toussaint Samat. Tiny gaps minor on the back wrinkled and insolated, small manquesmarginaux on the boards, all copy margins.
Edition of wich no leading copies exists. Signed autograph of Jacques Derrida Pierre BONCENNE collaborator Bernard Pivot for the program "Apostrophes". Nice full copy of his prayer to insert.
first edition on the current paper. autograph dedication of the author autograph signed and dated Alain Guerin to a friend enriched with a tricolor drawing of a stork perched on the back of a turtle.
Edition of wich no leading copies exists. Funny autograph signed Jerome Peignot to a friend: "For Claire who has read this book sailing between the French faults and the faults of Jerome K." Peignasse "tenderly". Spine slightly lightened by sun light head and foot.
Chez Nourse|à Londres [London] 1751 - 1762|10 x 17.20 cm|7 volumes reliés
First edition of the French translation by Abbé Prévost together with the rare supplement published in 1762 which contains Diderot's Éloge de Richardson in first edition. The illustration comprises 21 fine figures, the first 13 by Eisen and the last 8 by Pasquier. Each volume contains two parts with separate title pages, except for the supplement volume which contains, in addition to Diderot's essay, the parts of the work that had been cut by Prévost. The first complete English edition dates from 1748. Contemporary full marbled brown calf bindings. Smooth spines elegantly decorated. Red morocco title labels and tan morocco volume labels (only volume VII of the supplement published in...
[Madness and Civilization: A History of Insanity in the Age of Reason] Plon, Paris 1961, 5 1/2 x 8 1/16 ”, original wrappers. First edition, of which there were no grand papier (deluxe)copies, an advance (service de presse) copy. A second, revised, edition appeared in 1972. Spine slightly bowed, retaining dj, dj with a few tears and lacks to plastic film cover. Handsome autograph inscription signed by Michel Foucault, at the time a young teacher, on his first important work, taken from his doctorate. A very rare advance copy, which could be said to have taken the place of the grand papier (deluxe) copies.
Editions Lapina|Paris 1927|14 x 19.50 cm|broché sous étui
First edition, one of 1000 numbered copies on Rives laid paper. The work features a frontispiece portrait of Valéry Larbaud by Lucien Madrassi as well as black and color illustrations by Joseph Hémard. Light traces of rubbing without consequence to the slipcase, spine slightly sunned, otherwise a handsome copy.
First edition, one of 30 numbered copies on corvol the proud, only large paper with some trade off with the author. Signed autograph of Lise Deharme Paul Aveline. Nice copy.
First edition published under the supervision of Florence Gould and printed in 100 numbered copies on Arches laid paper. Work illustrated with a drawing by Léopold Survage on the cover. Boards shaded at head and foot. Rare.
First edition. Bradel binding in full watered-effect paper, smooth spine, hazelnut morocco title-label, gilt date at foot, marbled endpapers and pastedowns, slightly soiled covers and spine preserved, lower corners slightly bumped. Occasional foxing. Provenance: from the library of Juan Hernandez with his bookplate engraved on China paper and bearing library shelf numbering.
First edition on ordinary paper. Bradel binding in full moiré-effect paper, smooth spine, hazelnut morocco title-label, gilt date at foot, marbled endpapers and pastedowns, covers and spine preserved, corners bumped, contemporary binding signed by Yseux. Provenance: from the library of Juan Hernandez with his bookplate engraved on a leaf of Japan paper and bearing a library shelf numbering system.
First edition, one of 25 numbered copies on handmade paper, ours unnumbered, the only deluxe copies. Spine lightly sunned, the first gathering was badly cut, causing small angular lacks of no great consequence to the affected leaves.
First edition of the French translation which appears to have been published before the German edition, one of 50 numbered copies on Holland paper initialed by the publisher, the only deluxe copies. Endpapers lightly and entirely shaded, otherwise a handsome copy.
First edition, one of 25 numbered copies on Holland paper initialed by the publisher, the only deluxe copies. Spine sunned, endpapers lightly and entirely shaded, a shadow on the page facing the justification page.
First edition, one of 1650 copies on chestnut paper, the only issue after 5 hors commerce copies on Holland paper. Spine lightly sunned, otherwise a handsome copy.
First edition, one of 55 numbered copies on light blue vellum, the only deluxe copies. Spine and boards lightly and marginally sunned, otherwise a handsome copy.
Editions Commune Mesure|Paris 1974|17.50 x 13.50 cm|en feuilles
first edition printed 100 numbered copies on Holland paper. Our copy is complete, frontispiece, engraving by Jean Coulon it signed and justified. Rare copy and pleasant.
Filipacchi|Paris 1972|24.50 x 31.50 cm|reliure de l'éditeur
First edition. Publisher's full blue cloth binding, smooth spine, complete with illustrated dust jacket with marginal sunning. Iconography. Handsome copy.
First edition, one of 28 numbered copies on pur fil, the only deluxe copies. Spine slightly sunned at foot and with a small tear in the middle, otherwise a handsome copy.
First edition of the French translation, one of 60 copies numbered and justified by the publisher, frontispiece, the lithography Max Ernst shot in bistre on China and signed by the artist, only leading copies. One of the 20 copies in which there is an additional state of the lithograph drawn in blue on China and also signed by Max Ernst. Stamp of the Alex Grall collection. Rare and beautiful copy. The
Les éditions premières|Paris 1950|13 x 17 cm|broché
First edition in French, one of 750 numbered copies on alfama paper, the only deluxe copies after 25 on Marais paper and a few hors commerce copies. Work illustrated with a cover by Max Ernst. Spine and boards slightly and marginally discolored as is often the case, otherwise a handsome copy.
First edition, one of 60 numbered copies on pure linen Marais paper. Two small tears at head and foot of spine which also shows light dampstains, two light stains on first cover, one fore-edge sunned. A full-margined copy.
first edition on paper current, fourth edition of mention. Signed autograph of Alain Bosquet Yves Bayer. Illustrated book of drawings by Gus Bofa. A small tear in foot glued back.
Les publications de France|Paris 1951|12 x 19 cm|broché
first edition for which there is no mention of leading copies. autograph dedication of the author autograph signed and dated Olivier Quéant George and Raymond Dreyfus. A head fold of the first flat.