Half brown shagreen binding with corners, spine with five raised bands, marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, top edge gilt.
Light traces of rubbing on spine, otherwise handsome copy.
First edition, one of 60 numbered copies on vergé d'Arches paper, deluxe copies ("tirage de tê").
Bound in brown half morocco, covers and spine preserved, top edge gilt, binding signed by Thomas Boichot.
Nice copy.
First edition, one of 63 numbered copies on vellum Arches paper, only deluxe copies ("tirage de tête").
Nice copy.
First edition, of which only 500 copies were issued. With an etched frontispiece portrait of Théophile Gautier by Emile Thérond.
With a substantial prefatory letter by Victor Hugo.
Red morocco binding, gilt date at the foot of spine, marbled endpapers, Baudelairian ex-libris from Renée Cortot's collection glued on the first endpaper, wrappers preserved, top edge gilt.
Pale foxing affecting the first and last leaves, beautiful copy perfectly set.
Rare handwritten inscription signed by Charles Baudelaire: “ à mon ami Paul Meurice. Ch. Baudelaire. ” (“To my friend Paul Meurice. Ch. Baudelaire.”)
An autograph ex-dono slip by Victor Hugo, addressed to Paul Meurice, has been added to this copy by ourselves and mounted on a guard. This slip, which was doubtless never used, had nevertheless been prepared, along with several others, by Victor Hugo in order to present his friend with a copy of his works published in Paris during his exile. If History did not allow Hugo to send this volume to Meurice, this presentation note, hitherto unused, could not, in our view, be more fittingly associated.
Provenance: Paul Meurice, then Alfred and Renée Cortot.
First edition, one of 50 numbered copies on Japan, deluxe copies ("tirage de tête").
Two small tears in the head and foot of the spine, nice copy wide-margined.