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Librairie Le Feu Follet•31 rue Henri Barbusse, 75005 Paris•+33 1 56 08 08 85•Monday - Friday, 11am to 7pm
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  1. Literature
  2. First Editions
  • Maurice BLANCHOT

D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.

S. n. • [ Journal des débats]|s. l. • [Paris] s. d. [1944]|13.50 x 21.50 cm|2 1/2 pages in-8

€1,000
⬨ 44958
Autograph manuscript by the author of 2 and a half octavo pages published in the January 20, 1944 issue of Journal des Débats. Complete manuscript in very dense handwriting, with numerous deletions, corrections and additions. Literary chronicle on the literary current events of the moment. The complete typescript is included.

"The subject is not limited to the plot: it depends equally on incidents of language, details of composition and, even more, on those images that reveal the meaning of creation; the subject of a novel is above all the world it brings to birth."

This principle of the novelistic art could just as well apply to the chronicle it initiates. The subject of "D'un roman à l'autre" is not so much the literary current events it surveys as the Blanchotian thought it brings to birth.

Between April 1941 and August 1944, Maurice Blanchot published in the "Chronicle of intellectual life" of Journal des Débats 173 articles on recently published books. In half a newspaper page (approximately seven octavo pages), the young author of "Thomas l'obscur" takes his first steps in the field of literary criticism and thus inaugurates a theoretical work that he will later develop in his numerous essays, from "La Part du feu" to "L'Entretien infini" and "L'Écriture du désastre". From the first articles, Blanchot demonstrates an analytical acuity far exceeding the literary current events that motivate their writing. Oscillating between classics and moderns, first-rate writers and minor novelists, he establishes, in his chronicles, the foundations of critical thinking that will mark the second half of the 20th century. Transformed by writing and by war, Blanchot breaks, through thinking exercised "in the name of the other", with the violent Maurrassian certainties of his youth. Not without paradox, he then transforms literary criticism into a philosophical act of intellectual resistance to barbarity at the very heart of an "openly Pétainist" journal: "To burn a book, to write one, are the two acts between which culture inscribes its contrary oscillations" (Le Livre, In Journal des Débats, January 20, 1943). In 2007, the Cahiers de la NRF brought together under the direction of Christophe Bident all the literary chronicles not yet published in volumes with this pertinent analysis of Blanchot's critical work: "novels, poems, essays give rise to singular reflection, ever more confident in its own rhetoric, delivered more to the echo of the impossible or to the sirens of disappearance. (...) Not without contradictions or sidesteps, and in the feverish certainty of a work beginning (...) these articles reveal the genealogy of a critic who transformed the occasion of the chronicle into the necessity of thought." (C. Bident). Autograph manuscripts by Maurice Blanchot are extremely rare.

Bibliographical description of this copy

  • author:
    BLANCHOT Maurice
  • Publishers:
    s. n.Journal des débats
  • Places of publication:
    s. l.[Paris]
  • Year:
    s. d. [1944]
  • Dimensions:
    13.50 x 21.50 cm
Réf : 44958|€1,000
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
Maurice BLANCHOT • D'un roman à l'autre. Manuscrit autographe et tapuscrit complets.  • Autograph • 1944
€1,000
⬨ 44958

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"Je ne croyais pas que la beauté des vers y fût capable d'une actrice aussi vivante. Que la vie et le style peuvent être à ce point associés, que l'harmonie engendrât l'horreur, et la beauté le déchirement...""Je ne croyais pas que la beauté des vers y fût capable d'une actrice aussi vivante. Que la vie et le style peuvent être à ce point associés, que l'harmonie engendrât l'horreur, et la beauté le déchirement..."
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" être au plus près de chacun, dans la pensée "communiste", là où tout souffre, tout se reconnait, se découvre"" être au plus près de chacun, dans la pensée "communiste", là où tout souffre, tout se reconnait, se découvre"
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