Rare works on the 1918-1939 period: economic crisis, rise of fascism and Roaring Twenties society

Autograph letter signed by Pierre Mac Orlan, on letterhead from his home in Saint-Cyr-sur-Morin (Seine-et-Marne), 14 lines in blue ink, addressed to his friend Francis Carco.

"Vieux Francis, tu vas avoir ton texte bientôt. Je suis littéralement dans le plâtre ! Dans quinze jours tout sera fini. Quand iras-tu à Paris. Je voudrais que tu m'avertisses, je serai là au rendez-vous. As-tu des nouvelles de Gallimard pour la Vénus ? Dis-moi quand tu seras à Paris. A vous deux de nous deux. Pierre Mac Orlan. Je compte aller à Paris vers le 19.".

First edition of Michael Arlen's satirical short story A Young Man Comes to London, published at the initiative of the Dorchester Hotel to celebrate its opening on 18 April 1931. The story is followed by three texts on the genesis, architecture and interior design of the hotel, by Sir Francis Towle, one of the promoters of the project, by Professor C. H. Reilly, architect, and by Sir Malcolm McAlpine, building contractor. Illustrated with six in-text drawings by Cecil Beaton and and four folding colour plates depicting the hotel's interiors.

Publisher's full cloth Bradel binding, very slightly soiled; title label pasted onto the front board, lightly rubbed and lifting at one corner; some...

First edition, one of 62 numbered copies on Holland paper, the deluxe issue after 16 copies on Japan paper.

Spine and covers sunned, copy with full margins.

Below the limitation statement, autograph inscription signed by Gaston Riou to his friends the Linossiers.

Edition published the same year as the first edition.

Full burgundy limp boards, smooth spine, marbled endpapers and pastedowns, front wrapper preserved (some foxing); a modest binding.

Signed autograph inscription from André Malraux to Monsieur Pinty.

First edition, one of 75 numbered copies on Holland paper, part of the deluxe issue (tirage de tête), preceded only by 12 copies on Japan paper.
Red half shagreen with corners, spine with five raised bands framed by black fillets, moiré-effect paper boards, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt, others untrimmed, small black spots on the spine, binding signed by Caffin, Parisian binder of the rue Saint-Lazare.

Complete first edition, in eleven bound volumes (ten text volumes and one atlas) of Auguste Pavie’s monumental work on former French Indochina, enriched with an autograph inscription signed by the author and accompanied by the large map of the Mission.

Published in Paris by Ernest Leroux, with the assistance of Augustin Challamel for the Atlas, between 1898 and 1919, the work appeared under the auspices of the Ministries of Foreign Affairs, the Colonies, Public Instruction, and Fine Arts.

The set comprises the section Géographie et voyages, volumes I to VII, published between 1901 and 1919, illustrated with 52 maps and portraits hors texte, including 40 in colour; the section Études...

New edition and the first printing of Jacques Tardi’s illustrations.
Publisher’s white boards, smooth spine.
A handsome copy.
Presentation inscription, dated and signed by Jacques Tardi to Joëlle Passani, with an original black-felt drawing depicting a sorrowful-faced Bardamu in a small vignette.
 

First edition (cf. O'Reilly, 2192.)

Modern Bradel binding in brown half-cloth, forest-green morocco lettering-piece, marbled paper boards, beige endpapers and pastedowns, original wrappers retained albeit lightly soiled; binding signed by Boichot.

Illustrated with 49 photographic plates hors texte.

"Minutieuse histoire analytico-chronologique des trente premières années de la Calédonie européenne. Il annonçait une suite qui n'a jamais vu le jour" (O'Reilly).

Rare first edition of the catalogue for Picasso’s final exhibition at the Galerie Paul Rosenberg in Paris, held from 17 January to 18 February 1939 at 21 rue La Boétie. The front wrapper is illustrated with a black-and-white photograph of the exhibition’s centrepiece: La sculpture nègre devant la fenêtre, now known as Buste de Minotaure devant une fenêtre (Private Collection; see Zervos, vol. VIII, p. 360). Painted on 19 April 1937, the work is widely regarded as a precursor to the bull of Guernica, executed only a few weeks later.

An excellent, well-preserved copy.

The plaquette lists the 33 works exhibited, arranged by year of execution- 1936, 1937, and 1938. The verso carries the notice...

First edition of the French translation, one of the scarce lettered copies printed on pur fil for private circulation, ours bearing the letter A, the only deluxe-paper copies together with 25 numbered copies on pur fil.
Wide-margined copy, boards and spine lightly and marginally sunned, a few scattered foxmarks affecting some leaves and deckle edges.

Rare and luxurious invitation card for the exhibition organized by art critic André Warnod on "art nègre," a term he coined in 1910 in the journal Comœdia to originally designate African and Oceanic statuary. From January 20 to February 20, 1926, four painters were invited to exhibit at the art gallery of the Grande Maison de Blanc, Place de l'Opéra in Paris. These were most likely the French artists Marguerite Guy-Lemm (née Lemaire) and Luc-Albert Moreau, the Uruguayan Pedro Figari, and the Dutchman Kees van Dongen.

Fine condition, light gray debossed lettering on soft dark gray paper, crease marks at upper right corner.

First edition, one of 50 numbered copies on alfa, only deluxe copies. Some light foxing, mainly on the endpapers.

Rare signed presentation copy in French: “To my friend René Jasinski, in token of gratitude and friendship, these few scenes of Jewish life in New York. T. Twersky”, with a sentence in Hebrew translated by the author in French on a laid-in leaf: “Translation of the Hebrew inscription: sixth day of the week ‘Pekoudè’, year 5692 since the creation of the world, in the holy community of Paris”, (Friday, 4 March 1932 according to our calculation).

First edition, one of the review copies.

Bradel binding in full patterned paper with abstract motifs, smooth spine, date gilt at foot, rust-coloured morocco title label, wrappers preserved, binding signed by P. Goy & C. Vilaine.

Signed autograph inscription from André Malraux to J. Ernest-Charles.
 

First edition, one of 265 numbered copies on alfa paper.

A handsome copy, notwithstanding a small marginal tear to the lower cover.

First edition.

Illustrated with 16 drawings by Georges Adam.

A superb copy of this rare booklet by Louis Aragon, a true "anti-clerical, anti-capitalist, anti-colonialist, anti-patriotic" (Pierre Juquin) catechism for the children of the exploited working masses.

"On June 25, 1932, the Imprimerie centrale completed printing for the Bureau des éditions et de diffusion, 132, Faubourg Saint-Denis, Paris, a beautiful pamphlet, now a bibliophilic rarity [...] On the cover, a large red star - an important and recurrent image in Aragon's work - appears imprinted on children's brains. Sixteen quatrains, droll and didactic, punctuated for ease of reading, alternate with drawings by Georges Adam...

First edition, an advance (service de presse) copy.
Covers and spine very skillfully repaired.
Handsome autograph inscription from Pierre Drieu La Rochelle to Henri Béraud.

Subscription prospectus issued in the format of the work, with 2 black-and-white reproductions in the text and 2 colour plates hors texte.

A fine copy.

First edition, one of 160 numbered copies on pur fil, the only deluxe paper issue.

Half red shagreen binding with corners, spine with four raised bands framed by black fillets, gilt date at foot, boards covered in moiré-effect paper, marbled endpapers and pastedowns, original wrappers and spine preserved, top edge gilt.

A handsome copy in an attractive binding.

First edition, illustrated with 11 double-page folio plates, including 2 plans printed on tracing paper. (Not listed in Hage Chahine.)

The text fascicle is in wrappers and the suite of plates is loose, both housed in the publisher’s original black cloth-backed portfolio with corners, flat spine without lettering, title label centered on the upper board, sand-colored boards showing some stains and scuff marks, with flaps and ties.

On the inside flap of the publisher’s portfolio, autograph inscription signed by Henri Chevrier to Pierre Glénat: "... dans l'espoir de faire un jour sa connaissance sous le soleil der Thèbes..."

First complete edition, constituting vol. 15 of the Archives d'études orientales published by J.-A. Lundell (9 copies recorded in the CCFr, including 1 in Lyon and 8 in Paris).

The work was originally a doctoral thesis defended in 1915, later expanded with supplements issued up until 1926.

Publisher’s binding in half blue cloth, smooth spine with minor rubbing, silver lettering on the spine, brown paper-covered boards, Chinese red ink stamps on the title and half-title leaves, corners bumped.

Some small angular paper losses on pp. 241, 243, and 707, without loss of text.

First edition, no copies printed on deluxe paper.
Illustrated, a pleasant copy

Precious and very fine autograph inscription, dated and signed by Samuel Mbajum: "Paris, 30 June 2014, au ministre Bernard Kouchner, avec ma sympathie pour votre combat humanitaire, en espérant que vous m'aiderez à plaider le plus largement possible la cause de ces oubliés de l'histoire franco-africaine, et aussi des débats sur la commémoration de la Grande Guerre."

First edition of the second orientalist bibliography compiled by Henri Cordier (1849–1925), following his Sinica (1878–1895).

The first four volumes are bound in full red cloth, smooth spines (spine of the first volume slightly faded), marbled endpapers and pastedowns, modern bindings.

The fifth and final volume, published in 1932, is in original wrappers.

Copy from the library of the Indologist Émile Sénart (1847–1928), with his printed ownership stamps on the title pages of volumes three and four.

Rare complete set in five volumes.

First edition of each volume.

No copy of this series listed in the CCF.

Contemporary bindings in quarter bottle-green or black sheep, flat spines decorated with double gilt fillets, marbled paper boards, endpapers and pastedowns of combed or tub-marbled paper; the first volume bound at the time of publication.

Some rubbing to the headcaps of the first two volumes.

 I. Minutes of the twenty-sixth [- thirty-ninth] meeting, 18 January 1932 [26 October 1932]: 6 pp., 7 pp., 9 pp., 11 pp., 5 pp., 3 pp., 3 pp., 4 pp., 2 pp., 6 pp., 9 pp., 4 pp., 3 pp., 4 pp. II. Minutes of the fortieth [forty-eighth] meeting, 7 February 1933 [21 December 1933]: 8 pp., 4 pp., 4 pp., 6 pp., 11 pp., 4 pp., 3 pp., 4...

Attractive promotional album, complete with its 600 sepia-toned photographs (small prints, each approximately 7 x 5 cm), produced by the La Corona cigar brand. Each vignette was originally included inside the brand's cigar boxes and was meant to be collected and mounted in the album, following a well-established marketing model that remains in use to this day.

Publisher’s original flexible boards with black cloth tape along the margins; some scuffing to covers, corners rubbed.

First edition of this work written in collaboration with Christian Funck-Brentano and Marcel Bousser.

"L'Institut des hautes études marocaines a cru opportun de faire réunir en volume les tirages à part de la Bibliographie marocaine, publiée régulièrement dans la revue Hespéris."

The archivist Pierre Hellouin de Cénival (1888–1937) had served as curator of the Archives and Library of the French Protectorate in Morocco, based in Rabat, from 1918 to 1927.

Spine slightly faded with minor tears skillfully repaired at head and foot; clean and attractive interior.

First edition with all first printing  features, one of the press copies.

Exceptional presentation copy inscribed by the author to the famous singer Yvette Guilbert, to whom Céline himself sang and offered one of his scandalous compositions, “Katika la putain,” [Katika the Whore] later renamed “À Nœud coulant” [With a Slipknot"] "A madame Yvette Guilbert en témoignage de ma profonde admiration. LFCéline.” 

Beneath Céline's inscription, the actor Fabrice Luchini added: “A Yvette Guilbert in memoriam. FLuchini” ; and on the half-title, actor Jean-François Balmer wrote in turn: “Merci en bon voyage. JFBalmer.”

With pasted-in entry tickets to their respective performances of Voyage au bout de la...

First edition, one of 34 copies printed on Japan paper, this copy being one of 5 not-for-sale copies printed for presentation, a deluxe issue following the unique copy on Japan Imperial.

Illustrated with 9 original wood engravings by Maurice Savin.

Minor loss at foot of spine, occasional light spotting on some deckle edges, a handsome copy with full margins.

As stated in the colophon, our copy includes the additional suite of wood engravings printed on antique Japan paper.

Inscribed and signed by André Spire to Claude Aveline, for whom this copy was printed

First edition and rare gathering of the first twelve issues of La Revue de Madagascar, from no. 1 of January 1933 to no. 12 of October 1935, extensively illustrated with reproduced photographs.

The three volumes were bound in 1935 in full incised and tinted mahogany calf, in bindings signed Ramanakanja. Spines with four raised bands, slightly faded, decorated with incised motifs, dates and volume numbers blind-stamped, the final volume left unlettered; large incised and tinted compositions to the boards, different on each of the three volumes and inspired by Malagasy landscapes, with incised titles. Original wrappers preserved. Some rubbing to the spines; the decoration on the third volume...

Facsimile edition limited to 1,000 numbered copies of the exceedingly rare 1931 first edition published by Jeanne Walter.

Introduction by Fernand Léger.

Splendid volume illustrated with 80 photographs by Moï Ver.

A rare and desirable copy, complete with its original grey full cloth chemise and slipcase.

Rare first edition illustrated with a folding plan of the city of Saigon and a separate map showing the various cultivated products.

Minor stains and insignificant marginal tears on the covers.

A pleasing copy.

First edition, illustrated with 6 photographic plates and 2 folding maps.

This is the text of a lecture given at the Norwegian Geographical Society on 22 September 1937.

A very good copy.

Very rare first edition printed by the Bureaux de l'armée nationale (only two copies recorded in the CCF: ASOM and Nanterre).

A pleasant copy.

The pamphlet brings together the texts of two lectures: the first delivered on 19 June 1924 in Hanoi, the second on 10 December 1924 in Paris; both advocate for a systematic effort to provide indigenous populations with access to education.

A former captain in the colonial artillery, Paul Monet (1884–1941) was then head of the Annamite Students' Residence in Hanoi. He would soon gain attention for echoing Roland Dorgelès' stance on the exploitation of indigenous labour by French companies (Les Jauniers, 1930).

First edition, one of 40 copies printed on pur fil paper, this one numbered 1, the only copies on deluxe paper.

Complete with the folding map at the end of the volume.

A handsome and rare copy, untrimmed, of this work dedicated "To the glory of those who fell and those who prevailed, workers, soldiers, and commanders."

Preface by Marshal Franchet d'Esperey.

First edition, one of 30 numbered copies on alfa paper, the only deluxe copies.

Spine very slightly faded, a pleasing copy.

First edition published in the Bulletin de la Société des études indochinoises de Saïgon, no. 69.

Other contributions in this issue include poems, an analysis of Le Comte’s book, Lettres sur les moeurs des Chinois, and above all an insightful analytical index of the subjects addressed in the Bulletin of the Société des études indochinoises from its founding (1883) up to 1914.

Small losses and tears to the spine.

Rare first edition of the French translation, with no copies printed on deluxe paper.

Spine slightly sunned, a vertical shadow on the lower cover, internally clean and attractive.

First edition, one of 100 numbered copies on pur fil, the only copies printed on deluxe paper.

A handsome copy, uncut.

First edition on ordinary paper, with the printed dedication to Marshal Pétain.

Discreet restorations to the spine.

Our copy is housed in a chemise and slipcase of navy blue half morocco, smooth spine lettered with author, title, and date in palladium, decorated paper boards, grey paper pastedowns, slipcase trimmed with matching navy morocco and decorated paper sides; binding signed by Boichot.

An exceptional copy inscribed by General de Gaulle to Colonel Émile Mayer, his “great friend [...] without whom this book could not have been conceived,” as stated in the author’s own inscription, which continues: “Receive, my Colonel, my deepest gratitude and my profound respect.”

A visionary...

First edition of the French translation, one of 44 numbered copies on pur fil, the only copies printed on deluxe paper.

Spine very slightly sunned without consequence, bookplate affixed to the verso of the front cover, a handsome copy.

Autograph letter signed, addressed to his friend Thierry Maulnier, 14 lines in blue ink on Revue universelle letterhead, concerning an article soon to be published and requesting another one in response to Pierre Drieu la Rochelle.

Henri Massis, editor-in-chief of the journal, summarizes the situation for his friend: "Votre \"Réveil de l'héroïsme ? \" passe dans le n° du 1er février. Je crois qu'il serait intéressant de répondre à l'article que Drieu la Rochelle a publié, ce matin, dans les Nouvelles littéraires. Qu'en pensez-vous ? Donnez-moi cela pour le n+ du 15... L'heure du déjeuner (vers une heure) est la plus propice pour notre rendez-vous."

The Revue universelle, a monarchist-leaning...

Autograph letter signed, addressed to his friend Thierry Maulnier, 26 lines in blue ink on letterhead of the Revue universelle, in which he urges him to contribute an article on André Gide's political stance.

Henri Massis, editor-in-chief of the journal, presses his friend: "Il me faudrait très rapidement votre prochaine chronique. Il me semble qu'il y aurait quelque chose à tirer de l'article de Ramon Fernandez sur l'évolution d'André Gide dans la N.R.F. du 1er juillet". Il faudrait saisir ce qui concerne proprement Gide pour s'attacher à certaines réflexions sur le socialisme., le marxisme ou à une phrase comme celle-ci qui mériterait quelques commentaire : "Les jeunes gens d'aujourd'hui...

First text: first edition, with no copies issued on deluxe paper; second text: first edition in part.

Publisher's full grey cloth binding, flat spine, complete with the original dust jacket.

Illustrated with photographs by Tony Armstrong-Jones.

A small stain to the lower part of the front endpaper, otherwise a pleasing copy.

Inscribed and signed by Paul Morand: "A maître Chérier, ce tunnel sous la manche, très fidèlement Morand."

First edition on ordinary paper.

Spine creased as often, otherwise a pleasant copy.

Illustrated.

Inscribed and signed by Jean Marais to Madame Romanini.

First edition, one of 15 copies on Japan paper, the deluxe issue.

Minor foxing to the edges of the covers, otherwise a desirable and uncommon copy with all edges uncut.

First edition on ordinary paper.
Small tears repaired at head and foot of spine.
Half black morocco binding, smooth spine, gilt date at foot, decorative abstract patterned paper boards, blue paper endpapers and pastedowns, original wrappers and spine preserved, binding signed Thomas Boichot.
Rare and precious autograph inscription signed by Charles De Gaulle on this text which he dedicated to Marshal Pétain: "A mon ami Louis Borel en souvenir de ses précieux conseils et de sa fidélité. Avec mon bien cordial témoignage. 7 octobre 1938. Charles." (To my friend Louis Borel in remembrance of his precious advice and his loyalty. With my most cordial testimony. October 7, 1938. Charles.)

First edition, one of 25 numbered copies on pure laid paper, the only large paper copies.

Autograph presentation inscription dated and signed by Charles de Gaulle: "Pour J. Emery, bien cordialement ! C. de Gaulle. 25.2.61."

A fine and rare large paper copy with autograph presentation inscription signed by Charles de Gaulle.

Lettre autographe signée de Pierre Drieu la Rochelle. Une page à l'encre noire sur un feuillet. Traces de plis transversaux inhérentes à l'envoi.
L'écrivain offre une très belle analyse de ses vers inspirés du front, rassemblés sous le titre provocateur de Fond de cantine, paru en 1920. Il demande l'avis de la poétesse Renée de Brimont, petite nièce de Lamartine, qui publia également à la Nrf : "Merci Madame de la décision très fine de ces vers me coupent comme un regret. Que chacun se retire dans soi-même. Que puis-je espérer que vous pensez de ces rythmes...

Autograph letter signed by François Mauriac, on the letterhead of the Grand Hôtel du Parc in Royat (Puy-de-Dôme), 14 lines in black ink, probably addressed to the historian Georges Goyau, a specialist in religious history.

François Mauriac looks forward to meeting his friend Goyau that evening and poetically conjures up Abbé Perreyve, a prominent figure of nineteenth-century liberal Catholicism:  "j'ai rêvé cette nuit que l'abbé Perreyve jouait sous ma fenêtre de quinze instruments à la fois, comme un homme orchestre, ce n'était que le vent".

First edition of Verfall und Wiederaufbau der Kultur, the first part of Albert Schweitzer's Kulturphilosophie.

Publisher's Bradel binding in cream half cloth, author and title lettered lengthwise on spine, blue-green paper boards, author and title printed on upper cover. Binding sunned and lightly soiled, a few leaves with creased corners. One passage marked out and accompanied by pencil drawings.

Signed and dated autograph inscription from Albert Schweitzer to Isidor Philipp on the front free endpaper: "A I. Philipp avec mes bonnes pensées Albert Schweitzer Sept 1923".

First edition, one of 45 numbered copies on Holland paper, the second issue of the deluxe printing after 7 copies on Japan paper.

Small marginal tears to the wrappers, a pale stain in the centre of the front wrapper.

First edition, one of the numbered copies printed on alfa paper.
A very good copy.

First edition, one of 62 numbered copies on Madagascar paper, the deluxe issue in this format.
Contemporary English binding by Sangorski & Sutcliffe, one of the most celebrated and distinguished London bookbinding firms of the early twentieth century, in olive-green half morocco, uniformly faded smooth spine decorated with gilt dotted lines, rules and floral ornaments, together with black rules, olive-green cloth-effect boards, original green wrappers and spine preserved, top edge gilt, retaining the original deckle edges.

First edition, one of 262 numbered copies printed on pur fil paper in a larger format.
A very good copy.

First edition, one of 20 numbered copies on Hollande paper, the deluxe issue after 10 copies on Japan paper.

A rare and handsome copy.

First edition, one of 1,050 numbered copies on vélin labeur paper.
Publisher's boards after the original design by Mario Prassinos.
Spine very slightly faded, as usual; a pleasing copy.

First illustrated edition, with original lithographs by Renée André-Piot, one of 600 numbered copies on Vidalon royal wove paper.

Some foxing.

Autograph presentation inscription signed by Joseph Kessel to Jacques Lengrand.

Accompanied by an original Roger-Viollet photograph, with the agency's stamp on the verso, showing Joseph Kessel seated at a table in the La Cloche d'Or restaurant in Paris in 1952, cigarette in hand, beside a young woman.

Creasing to the right-hand margin of the photograph.

Manuscript annotations by Roger-Viollet and two stamps on the verso of the photograph.

First edition, one of 39 numbered copies on Lafuma Navarre pure rag laid paper, specially printed in quarto tellière format, the deluxe issue after a single copy on Chinese paper.
Contemporary burgundy morocco-backed corners, spine with four raised bands bordered by black fillets, boards covered in geometrically patterned decorative paper, marbled endpapers, original wrappers and spine preserved, top edge gilt.

A rare and handsome copy, attractively bound, of this novel awarded the 1933 Prix Goncourt.

First edition of the French translation, one of 10 numbered copies on Japanese paper, the deluxe issue.

Rare and fine copy, with full margins.

First edition of the French translation, one of 41 numbered copies on pur fil paper, the sole large-paper issue.

Spine and boards slightly and marginally faded, as often; two small spots of foxing in the left margin of the front board.

First edition, with no deluxe copies issued; one of the review copies.

Spine and covers lightly and marginally sunned, a crease mark to the lower right corner of the rear cover, complete with the publisher's review slip.

Signed presentation copy from Jehan Laurent Gheerbrandt to the writer Jean Henri Guillaumet.

First edition, one of 70 numbered copies on Japan paper, comprising the deluxe issue.

A few spots of foxing to the boards, spines and some deckle edges.

Rare untrimmed copy, preserving the full margins, of the Tiger's philosophical testament.

First edition, illustrated with several reproductions, including a photograph of Genss's library as frontispiece. One of two hundred numbered copies, signed by Julius Genss on the limitation leaf. Only three copies on WorldCat (UCL, Staats- und Universitätsbibliothek Bremen and Humboldt-Universität zu Berlin).

Grey laid paper wrappers, title label mounted to the front cover. Weak stitching, minor soiling to the covers, light corner creasing to the covers and leaves.

A rare copy printed in small numbers of the autobiography of an esteemed Estonian book collector. The provenance of his vast collection, first pillaged by the Nazis, is being actively erased in real time in Belarus.

First edition, one of 20 numbered copies on Japan paper, the deluxe issue.

Spine slightly sunned, otherwise a very good copy.

Preface by Léon Bocquet.

First edition, false statement of ninth edition, no deluxe issue printed.

Small marginal tears without significance to the soiled boards.

Presentation copy signed by feminist activist Yvonne Netter of her important essay on the emancipation of women and their right to vote.

First edition.

Wrappers illustrated by Louis Icart.

Exceptional signed autograph inscription by Louis Icart: "à mon ami, au peintre Edouard Chimot \"Gouverneur de... Javea\" - ces scènes rapportées d'Espagne ! En hommage cordial. Louis Icart."

First edition, one of 55 numbered copies on mould-made Arches wove paper, the only deluxe issue.

Rear cover slightly and marginally sunned, very faint offsetting to the head and foot of the endpapers.

First edition of the French translation, one of the ordinary issue copies, as no deluxe paper copies were produced.

A very good copy.

Signed autograph inscription from Richard Wright to Pierre Descaves.

First Gallimard edition, one of 1050 numbered copies on alfama du marais paper.

Publisher's boards executed after the original design by Paul Bonet.

Spine slightly faded, as often encountered, two neatly repaired splits at the head and foot of one joint,