Rare books on antique civilizations: Antique Egypt, Greek and Roman history, antique texts and birth of archaeology

New edition. Printer's device on title page. Colophon: Excudebat Robertus STephanus Parisiis, Ann. M. D. XXXIII. octavo cal. sept.
Full brown marbled sheep binding ca 1920, pastiche of a Renaissance binding, signed L. P. Thébaut. Spine with raised bands decorated with 5 small fleurons. Central roundel on covers, and thick gilt frame. Tear with loss at foot. Black stain at head and foot. Corners rubbed. Some foxing. Joints slightly cracked. Good copy.
Collection of three texts by Roman writers: The illustrated lives by Pliny the Younger, which are short biographies of famous men (Pompey, Hannibal, Scipio...); Suetonius's book on grammarians and rhetoricians is the last part of L

First edition on ordinary paper.

Half-forest green shagreen contemporary binding, spine with five raised bands, marbled paper board and endpapers, bookplate pasted on one guard.
Some slight, minor foxing.

Rare signed and inscribed copy by Gustave Flaubert to (Louis) de Carné, journalist and historian, several of whose works were listed in the inventory of Flaubert's personal library.

Flaubert's interest in de Carné's work was not always benevolent, however. Critical notes on his articles can be found in the Bouvard and Pécuchet files.
Moreover, the publication of Salammbô coincided with the controversial election of Louis de

First edition, one of 110 numbered copies on China paper, the only printing along with 12 copies on Japon nacré paper and 1 on Chine, variously enriched.
Illustrated with 11 original color lithographs by Jean Fautrier.
Autograph inscription from Robert Ganzo to a couple of his acquaintance.
Manuscript signatures of the author and illustrator on the justification page.
This copy retains its original glassine wrapper showing spiders wandering in the webs they've woven
Occasional very light spotting, a good copy.

First edition. Rare. Engraved title page with printer’s vignette (a beehive and bees). A fine edition, handsomely printed on quality laid paper. The copy is authenticated by the author’s original signature.
The copy bears a preliminary page preceding the half-title for a prize, repeating the same motto found on the binding. The book appears to have been presented by the University or School of Harlem to Bernardo Van Laar in 1799 as a first prize in letters, and seems signed by several professors.
Contemporary full mottled calf binding. Emblematic binding (Athena – or Virtue? – with her attributes reading a book beneath a tree, on her shield: a sword surmounted by the Maltese cross,

New edition. Although we have found no trace of this Basel edition, the first edition was published in Venice by Aldus in 1527 (with a different collation). Not held by the Bibliothèque nationale de France and absent from French catalogues. Oxford holds an edition with the same date. English catalogues mention several copies at different dates. Printed in italic type.
Fine contemporary German binding on pigskin with clasps in perfect working order. Spine with 3 raised bands, unlettered, with handwritten paper lettering piece, boards stamped in blind with decorative rolls in frames (leafy designs with medallions representing Erasmus of Rotterdam and Philip of Milan, Martin of Paris, Joh

Rare first edition illustrated with 38 woodcuts in the text and 4 half-page copper engravings (one repeated). A very fine frontispiece by Hoos.) Brunet, 29030.
Half calf binding with smooth spine decorated with small corners. Green title-label, fleurons and wave-pattern fillets. Late 18th-century binding. Two-thirds of the work has browned text, often heavily. The second part lacks a title page.
Jean Scheffer (1621-1679) was born in Strasbourg, he was welcomed to Sweden by Queen Christina and appointed librarian of the academy and obtained through the Queen's protection the chair of eloquence and public law at the University of Uppsala. He also wrote a history of Lapland. The De re

First edition of the famous translation by Abraham Loesher, the best and most faithful edition according to Clavier. The editio princeps of this text dates from 1516, printed by the Aldine Press in Venice, but according to Brunet (IV, 454), although rare, it was made from a poor manuscript and was executed carelessly, which gives full importance to the edition we present. Publication date in colophon. Printer's device on verso of final leaf, with the inscription Arion. Historiated initials.
Contemporary full calf binding. Spine with raised bands restored at the end of the 19th century, with fleurons and roulettes on the bands, red morocco title label. Corners restored. On the upper boa