Claudio Monteverdi
Preface by Roland Manuel.
Light scuffs of no consequence to one joint and the boards, otherwise a handsome copy.

Second edition, illustrated with two musical plates (examples of tunes that can be taught to canaries) and one depicting cages.
Contemporary binding in full speckled brown sheep. Ornate spine with raised bands. Red morocco title label. Joints cracked at head and foot. Corners bumped and rubbed. Scuffing. Scattered foxing. Yellow dampstain on the first six leaves.
Treatise and manual on breeding Canary birds in captivity: feeding, nesting, care, prices, varieties... These aviary birds were particularly appreciated for their beauty, colors and song.
Second edition and first published by Cazin, with two volumes added; a first edition in 4 volumes was published in Geneva in 1782. Musical scores at the end of volumes. Only volumes 5 and 6 contain no musical score, the songs being sung to airs already noted in the other volumes, which are identified by the air numbers. 48pp. of musical scores in volume 1; 48pp. in volume 2; 38 in volume 3; 40 in volume 4.
Later brown half-sheep binding (1800). Smooth spine decorated with three fleurons and fillets. Red morocco title-label with roulettes. Red morocco volume label in a roundel. Marbled paper boards. Rubbing to headcaps and joints. Corners slightly bumped.
First edition. One frontispiece.
Contemporary full blonde sheep binding. Smooth spine decorated, red morocco title-label. Headcap worn. One hole at foot. 2 corners slightly bumped. Rubbing.
The program is illustrated by V. Barthe (wrapper) and includes hors-texts by Chatzman, Manet (a reproduction of his Olympia), Picasso, Vassilieff, Fotinsky and Ganovsky (a spatial composition).
Appearing at this event were: Olga Koklova and the Ballets Suédois of Juger Friis and Jean Borlin, the “dance of the lobster, crab and crocodile” with costumes by Marie Vassilieff and Fernand Léger, the Petrograd Puppet Theatre with costumes and puppets by Goncharova and music by Bohslav Martinou and Vernon Duke, three-dimensional poems by Iliazd and Katabadze as well as futurist poems from Vazry, a dance by Thamara Svirskya to Satie's Gymnopédies, “Japanese...