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The religions of the BookThe religions of the Book
The religions of the Book

Much like the papal procession that ends at Saint-Michel, named for the archangel shared by the three religions of the Book, we offer you a heavenly Abrahamic selection. It would take the very devil to keep you from finding your numinous bliss here...

Heavyweight Summer Beach ReadsHeavyweight Summer Beach Reads
Heavyweight Summer Beach Reads

Ravenous readers, set aside short tales and order à la carte from our selection of literary heavyweights: epics, sagas, odysseys, sweeping frescoes, monumental novels, cycles, tetralogies…

Masterpieces to be savoured without restraint—right down to the very marrow of their substance!

Short Stories & TalesShort Stories & Tales
Short Stories & Tales

Instead of searching for lost time, try finding it again with a short story: they are often the finest fare, and at the tale end, these brief accounts prove joys beyond compare. So let the simple heart of Bartleby transform the balls of tallow into the Venus of Ille…

The Ancient AuthorsThe Ancient Authors
The Ancient Authors

From Attic classics to apothecary's Latin. come feast at the banquet of the ancients. On the menu at Aesop's tables: Roman let us scroll, Gaelic reads,  Ovid's spoil, Chinese feud.

Foreign LiteratureForeign Literature
Foreign Literature

Pardon my non-french! You are all forgiven, you strange strangers who delight us with your torrents of tongue, your lexicons of legend, your diamonds of idiom. Let us relish the ripeness of your rhetoric, the wild, unheard-of wonders you weave, told in the tongue of Shakespeare, Goethe, Li Po, Dante, Cervantes, Khayyam, Sappho - or in the translations of Gide, Nerval, Judith Gauthier, Rivarol, Oudin, Toussaint, or Renée Vivien!

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Variopinto
  1. Le paysage dans l'oeuvre de LégerLe paysage dans l'oeuvre de Léger
    Fernand LÉGER, Blaise CENDRARS

    Le paysage dans l'oeuvre de Léger[The Landscape in Léger's Work]

    Galerie Louis Carré|Paris 1956|17 x 26.50 cm|broché

    First edition of this catalogue, printed in 750 numbered copies on Arches wove paper for the exhibition of Léger's works held at the Galerie Louis Carré from 19 November to 31 December 1954, though the catalogue itself was not published until two years after the retrospective.
    Illustrated with original lithographs by Fernand Léger: 6 colour plates, including two double-page spreads, 5 black-and-white plates, and 10 lithographs in the text.
    A fine copy.

    €2,500
  2. Collage original réalisé sur une photographie originale de Robert DoisneauCollage original réalisé sur une photographie originale de Robert Doisneau
    Jacques PRÉVERT, Robert DOISNEAU

    Collage original réalisé sur une photographie originale de Robert DoisneauOriginal collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prevert

    s. l. • (Paris) s. d. [1955]|18.70 x 27 cm|une photographie
    Original collage produced on an original photograph portrait of Robert Doisneau enriched with a handwritten presentation signed by Jacques Prévert
    [Paris 1955] | 18.7 x 27 cm | one photograph
    Original photograph in contemporary silver print showing Jacques Prévert, in front of the pediment of a church, on which the poet glued an old engraving depicting a bird and which he enriched with a signed handwritten presentation to his friend Jean Mattei. Prévert also, using paint, reddened the end of his cigarette.
    Stamp of the Doisneau studio in Montrouge on the back of the picture. One central fold.

    On this rare photograph, reproduced in the book...
    €4,500
  3. PlasticienPlasticien
    Victor VASARELY

    Plasticien

    Robert Laffont|Paris 1979|13.50 x 21.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy.
    Cover illustrated in the style of Victor Vasarely.
    Autograph inscription signed by Victor Vasarely to André Lafargue.
    €250
  4. La Muse aux violettesLa Muse aux violettes
    Renée VIVIEN, Camille LEMERCIER D'ERM

    La Muse aux violettes

    Sansot|Paris 1910|13 x 19 cm|broché
    First edition, one of 10 numbered copies on Japan paper, deluxe copy.
    A poem by Renée Vivien at the beginning of the work.
    Fine and very rare copy.
    In memoriam...
    €1,200
  5. La rose au poingLa rose au poing
    François MITTERRAND

    La rose au poing

    Flammarion|Paris 1973|11.50 x 18.50 cm|broché
    The first edition, of which there were no deluxe copies.
    Handsome copy, blind-stamped bookplate at foot of half-title page.
    Signed autograph inscription by François Mitterrand to René Doré on the half-title page.

    €680
  6. Sur mon antenne - Souvenirs d'une radio libreSur mon antenne - Souvenirs d'une radio libre
    Marcel BLEUSTEIN-BLANCHET

    Sur mon antenne - Souvenirs d'une radio libre

    Gallimard|Paris 1947|12 x 18.50 cm|relié

    First edition, one of 350 numbered copies on deckle-edged paper, ours specially printed for General Koenig.
    Bradel binding in full white cardboard simulating vellum, spine with four compartments decorated with panels outlined in red, red fillet frame on boards, front cover preserved, top edge red.
    Precious autograph inscription from Marcel Bleustein, who took the pseudonym Blanchet during the Resistance, to General Koenig, the great victor of the battle of Bir Hakeim: "Pour monsieur le général Koenig, en témoignage de ma grande admiration et de mon respectueux attachement. Son ancien officier de presse Marcel Bleustein-Blanchet le 24 Nov. 1948" [For General Koenig, as a...

    €750
  7. Les yeux jaunesLes yeux jaunes
    Jacques CHESSEX

    Les yeux jaunes

    Grasset|Paris 1979|12.50 x 20.50 cm|broché
    First edition on ordinary paper.
    Minor light stains of no consequence to margin of front cover, handsome copy.
    Signed autograph inscription from Jacques Chessex to Christian Giudicelli: "... cette histoire errante..." ["this wandering story..."]
    €120
  8. Le surréalisme et la peintureLe surréalisme et la peinture
    André BRETON

    Le surréalisme et la peinture

    Gallimard|Paris 1965|21.50 x 28 cm|reliure de l'éditeur
    Third edition with some parts in first edition.
    Publisher's full black cloth binding, smooth spine, complete with its illustrated dust jacket which shows no defects.
    Rich iconography.
    €120
  9. Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe
    Carlo RIM

    Dessin original rehaussé aux feutres de différentes couleurs qui inspira la couverture de son livre de souvenirs "Le grenier d'Arlequin" enrichi au verso d'un portrait au feutre noir de Georges Simenon mâchonnant sa pipe

    s. l. s. d. [circa 1980]|19.50 x 21 cm|une feuille
    Original drawing heightened with black, green, red and blue felt-tip pens, captioned in blue felt-tip pen "Le grenier d'Arlequin" and in red "Maquette couverture du livre" representing a harlequin seated on a stool and working at his writing table, a black and red owl at his feet.
    This cover design project for the book was not retained but strongly inspired the cover finally illustrated with a harlequin posing standing slightly leaning backwards.
    The verso of the drawing contains annotations in blue felt-tip pen and an original portrait of Georges Simenon with pipe in mouth.

    Carlo Rim was a Provençal writer, author notably of "Ma belle...
    €180
  10. Lettres des îles BaladarLettres des îles Baladar
    Jacques PRÉVERT

    Lettres des îles Baladar

    Gallimard|Paris 1952|26 x 18 cm|reliure de l'éditeur
    The first edition, of which there were no deluxe copies of this children's book presented as a tourist postcard from the Baladar Islands to send to friends.
    Publisher's binding in full boards, illustrated covers.
    Work illustrated with drawings by André François.
    Inevitable traces of rubbing to the spine due to the fact that Jacques Prévert sent by postal mail the autograph inscriptions made on this work: the addresses and names written by Jacques Prévert at the bottom of the first cover and in the middle of the second cover.
    Autograph inscription signed by Jacques Prévert to Catherine Drimet: "A Catherine avec plaisir Jacques Prévert Paris Février...
    €2,000
  11. Au-delà du TachismeAu-delà du Tachisme
    Georges MATHIEU

    Au-delà du Tachisme

    Julliard|Paris 1963|14.50 x 21 cm|broché
    First edition, one of 20 numbered copies on pur fil du Marais paper, the only deluxe copies with a few hors commerce copies on the same paper.
    Rare and handsome copy.

    €1,500
  12. L'âne rougeL'âne rouge
    Georges SIMENON

    L'âne rouge

    Arthème Fayard & Cie|Paris 1933|12 x 19 cm|broché
    First edition, one of 50 numbered copies on pure thread paper, the only deluxe copies.
    Endpapers lightly and partially shaded without severity, spine imperceptibly lightened, handsome copy.
    Fine autograph inscription signed by the great seducer Georges Simenon to the wife of the Provençal writer, caricaturist and filmmaker Carlo Rim: "A ma femme N°2 de rechange Alice en dépit du ménage de rechange Carlo-Tigy en toute affection. Georges Simenon. Comme ça il y aura toujours du bonheur possible !" ["To my replacement wife No. 2 Alice despite the replacement household Carlo-Tigy with all affection. Georges Simenon. That way there will always be possible happiness!"]
    €1,800
  13. Le Hussard bleuLe Hussard bleu
    Roger NIMIER

    Le Hussard bleu

    Gallimard|Paris 1950|12 x 19 cm|broché
    First edition, a Service de Presse (advance) copy.
    Rare signed autograph inscription from Roger Nimier to Madame Lusini: "...l'auteur responsable" ["...the responsible author"].
    Fine and rare copy of this founding text of the literary movement of the Hussards gathering around Roger Nimier and Antoine Blondin Jacques Laurent, Kléber Haedens, Stephen Hecquet, Michel Déon...
    €2,300
  14. Des Enfants aux Cheveux grisDes Enfants aux Cheveux gris
    Gilbert CESBRON

    Des Enfants aux Cheveux gris

    Robert Laffont|Paris 1968|12.50 x 20 cm|broché
    First edition, one of 20 numbered copies on pure Lana rag paper, the only deluxe copies along with a few hors commerce copies also on pure Lana rag paper.
    Handsome copy despite the slightly faded spine.
    €150
  15. L'Arc-en-Ciel. Journal 1981-1984L'Arc-en-Ciel. Journal 1981-1984
    Julien GREEN

    L'Arc-en-Ciel. Journal 1981-1984

    Seuil|Paris 1988|15 x 21.50 cm|broché
    First edition, one of 80 numbered copies on Ingres de Lana laid paper, the only deluxe copies.
    Very handsome copy.

    €450
  16. Les Contrastes de la CouleurLes Contrastes de la Couleur
    Ellen MARX

    Les Contrastes de la Couleur

    Dessain et Tolra|s. l. 1973|20.50 x 19.50 cm|en spirales
    First edition.
    Name of a former owner inscribed in pen at the head of the half-title page.
    Handsome copy.
    €150
  17. On chantait rougeOn chantait rouge
    Charles TILLON

    On chantait rouge

    Robert Laffont|Paris 1977|15.50 x 24 cm|broché
    First edition.
    Handsome copy, iconography.
    Signed autograph inscription from Charles Tillon, leader of the Francs-Tireurs et Partisans during the Resistance and later minister, to Jean-Luc Robin.
    €150
  18. "J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir.""J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir."
    Renée VIVIEN

    "J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir."Signed autograph card addressed to Natalie Clifford Barney

    s. l. • [Paris] s. d. [ca 1900]|12.50 x 8.40 cm|une carte rédigée des deux côtés
    Autograph letter signed "Paul" and addressed to Natalie Clifford Barney, written in black ink on both sides. Silver monogram of the poetess in the upper left corner of the recto.
    "Je ne vais pas à la campagne après tout, mon Tout-Petit. Ils sont partis de si bonne heure que j'ai pu trouver un prétexte pour ne pas les accompagner dans ma fatigue et l'heure trop matinale. Quand veux-tu que je vienne te chercher ? et où irons-nous ? Je serai prête à l'heure où tu voudras. J'aime tes jolies fleurs, elles sont charmantes, - j'ai porté une de tes roses hier au soir. A tout à l'heure, mignon Tout-Petit - Paul" ["I'm not going to the countryside after all, my...
    €1,300
  19. Rapport sur le Paquet de GrisRapport sur le Paquet de Gris
    Jacques PERRET

    Rapport sur le Paquet de Gris

    Editions Aspects de la France|Paris 1964|18.50 x 23.50 cm|broché
    First edition, one of the copies on alfa flower paper, the only issue with 100 pure rag vellum.
    Work illustrated with two vignettes by André Collot.
    Handsome copy.
    €100
  20. Un Corbeau de toutes CouleursUn Corbeau de toutes Couleurs
    Claude SEIGNOLLE

    Un Corbeau de toutes Couleurs

    Denoël|Paris 1962|13.50 x 20 cm|broché
    The first edition, of which there were no deluxe copies, a Service de Presse (advance) copy.
    Worming mainly affecting the endpapers and edges.
    Preface by Lawrence Durrell.
    Signed autograph inscription by Claude Seignolle to Dominique Aury.
    €80
  21. Very handsome copy with five original drawings by Georges Leroux, finely bound in full morocco.
    Very handsome copy with five original drawings by Georges Leroux, finely bound in full morocco.
    Helvgor du Fleuve bleuHelvgor du Fleuve bleu
    J.H ROSNY AINE, Georges LEROUX

    Helvgor du Fleuve bleu[Helvgor of the Blue River]

    Cent centraux bibliophiles|Paris 1930|22 x 28 cm|relié

    First edition printed in 130 copies, all nominative and numbered, on Rives vellum.
    Full chocolate-brown morocco binding, spine with four double raised bands framed by black fillets extending onto the covers, gilt date at foot, gilt rolls on the caps, endpapers and pastedowns of hand-made paper, quintuple gilt fillet borders on the pastedowns, double gilt fillets on the board edges, original wrappers and spine preserved, top edge gilt.
    Illustrated with a frontispiece, 15 plates and 6 vignettes by Georges Leroux engraved on copper by Raoul Serres.
    This copy is supplemented, at the end of the volume, with a suite of the 22 illustrations together with the printed menu for the dinner...

    €1,200
  22. Djinn. Un Trou rouge entre les Pavés disjointsDjinn. Un Trou rouge entre les Pavés disjoints
    Alain ROBBE-GRILLET

    Djinn. Un Trou rouge entre les Pavés disjoints

    Les Editions de Minuit|Paris 1981|14 x 19.50 cm|broché
    First edition, one of 99 numbered copies on alfa mousse paper, the only deluxe copies.
    Handsome copy.
    Signed autograph inscription from Alain Robbe-Grillet to Claude Couffon.
    €350
  23. AquarellesAquarelles
    Yves BRAYER, Pierre MAZARS

    Aquarelles

    Ides et Calendes|Neuchâtel 1978|30.50 x 29.50 cm|reliure de l'éditeur sous étui toilé + 1 aquarelle de 54x40cm sous marie-louise et cadre
    First edition, one of 20 numbered copies on deluxe paper, the only deluxe copies.
    Handsome copy complete with its cloth slipcase, publisher's full cream cloth binding, smooth spine, complete with its illustrated dust jacket.
    Work illustrated with reproductions of works by Yves Brayer, text by Pierre Mazars.
    Manuscript signature of Yves Brayer below the justification page at the end of the volume.
    Our copy, like the 20 deluxe copies, is complete with its large original watercolor by Yves Brayer, framed and signed by him, ours, reproduced in this work is entitled: "L'Arrivée à l'Ile de Rhodes, 1975".

    €1,500
  24. Lanterne magique - Red riding hood (Le petit chaperon rouge) 12 Lantern slidesLanterne magique - Red riding hood (Le petit chaperon rouge) 12 Lantern slides
    (Charles PERRAULT)

    Lanterne magique - Red riding hood (Le petit chaperon rouge) 12 Lantern slides

    Millikin & Lawley|London 1880 (S.d)|9 x 14.50 cm|Une boîte

    Complete series of illustrations the tale of Red Riding Hood hand-painted on 12 glass plates intended for a magic lantern, the ancestor of the projector and the cinema.
    Publisher's cardboard box, with the titles on the top board: “12 Superior English Made lantern slides”. Handwritten: “Red Riding Hood”. Signs of rubbing on the box. A stop in the split lid at 2cm. On plate 9, paper is missing which circles the plate in a border. On plate 12, the black part has a small scratch, this part encircling the medallion which is projected by the lantern. Otherwise collection in excellent condition.
    Millikin & Lawley carried out their trade in magic lanterns and plates between 1860...

    €1,500
  25. La Rose et le ChèvrefeuilleLa Rose et le Chèvrefeuille
    Paul CLAUDEL, Othon COUBINE

    La Rose et le Chèvrefeuille

    Les bibliophiles Alésiens|Alès 1942|20 x 28.50 cm|broché
    First edition illustrated with an original etching by Othon Coubine, one of 100 numbered copies on pure Lafuma paper, the only printing after 20 Auvergne copies.
    A shadow on the half-title page left by a bookseller's description label, a slight tear of no consequence at head of spine.
    Handsome copy.
    €250
  26. Les trois roses de Marie-AnneLes trois roses de Marie-Anne
    Léon LEBEGUE, Pierre LOUŸS

    Les trois roses de Marie-Anne

    A. Ferroud - F. Ferroud, Successeur|Paris 1909|16 x 23.50 cm|broché
    Illustrated edition with original etchings by Léon Lebègue, one of 30 numbered copies on grand Japan paper, deluxe issue.
    Our copy, as stipulated in the justification page, is complete with the triple state of the engravings.
    Handsome copy.
    €450
  27. Le spectre de la roseLe spectre de la rose
    Jean DUTOURD

    Le spectre de la rose

    Flammarion|Paris 1986|13.50 x 19 cm|broché
    First edition on ordinary paper.
    Autograph inscription signed by Jean Dutourd to Jacques Ourévitch.

    €60
  28. Guide pratique de teinture moderne suivi de l'Art du teinturier-graisseur contenant l'étude des fibres textiles et des matières premières utilisées en teinture et les procédés les plus récents pour la fixation des couleurs sur laine, soie, coton, etc...Guide pratique de teinture moderne suivi de l'Art du teinturier-graisseur contenant l'étude des fibres textiles et des matières premières utilisées en teinture et les procédés les plus récents pour la fixation des couleurs sur laine, soie, coton, etc...
    Victor THOMAS

    Guide pratique de teinture moderne suivi de l'Art du teinturier-graisseur contenant l'étude des fibres textiles et des matières premières utilisées en teinture et les procédés les plus récents pour la fixation des couleurs sur laine, soie, coton, etc...

    L. Mulo|Paris 1900|16 x 24.50 cm|relié
    First edition.
    Handsome copy.
    Work illustrated with 119 figures in the text.
    Half brown shagreen binding, spine faded and lightened with five raised bands set with gilt garlands and decorated with gilt floral motifs, red cardboard boards decorated with blind fillets, marbled paper endpapers and pastedowns.
    €120
  29. "Fillette à l'orange" - Lithographie originale sur Chine - L'Estampe Moderne"Fillette à l'orange" - Lithographie originale sur Chine - L'Estampe Moderne
    Louise BRESLAU (Victor HUGO)

    "Fillette à l'orange" - Lithographie originale sur Chine - L'Estampe Moderne

    Imprimerie Champenois • pour CH. Masson • H. Piazza|Paris (Octobre 1898)|24 x 33 cm|une feuille
    Rare original lithograph, executed by Louise Breslau for L'Estampe Moderne, series number 18 published in October 1898.
    One of 50 deluxe proofs printed on China paper with wide margins, artist's signature in the plate, publisher's dry stamp representing a child's profile in lower margin, mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on verso, pale marginal foxing.
    Lithograph inspired by three stanzas of a poem by Victor Hugo.
    Magnificent French monthly publication edited between May 1897 and April 1899, L'Estampe moderne consists of original chromolithographs which, unlike other reviews such as Les Maîtres de l'Affiche and as...
    €400
  30. Montmartre vécu par UtrilloMontmartre vécu par Utrillo
    Maurice UTRILLO, Francis CARCO

    Montmartre vécu par Utrillo[Maurice Utrillo’s Montmartre]

    Editions Pétridès|Paris 1947|28 x 38 cm|relié
    First edition, one of 240 numbered copies on vélin d'Arches, with 22 color lithographs after gouaches, including 12 full-page plates by Maurice Utrillo, printed in the ateliers of Fernand Mourlot and Lucien Détruit.
    White aniline calf with gilt titanium joints, ink-painted boards in green and grey, decoration continuing edge-to-edge on the liners, loose endpapers on papier japon dyed with Kakishibu by the binder, title lengthwise on the spine, decorated chemise titled on the spine and matching custom slipcase. Original wrappers and spine preserved.

    Binding signed by Julie Auzillon, gilt title by Geneviève Quarré de Boiry and gilt top edge by...
    €15,000
  31. Le rommant de la rose (Le roman de la rose)Le rommant de la rose (Le roman de la rose)
    GUILLAUME DE LORRIS, JEAN DE MEUNG

    Le rommant de la rose (Le roman de la rose)

    Delarue|Paris 1878|22.50 x 28.50 cm|relié
    Edition consisting of a facsimile reproduction of the Jehan Dupré edition printed in the 15th century (1493), one of 250 numbered copies on laid paper, the only print run with 80 other deluxe copies (20 on extra-strong laid paper, 10 on Rose paper and 50 on China paper).
    Publisher's full cardboard binding in imitation vellum in the manner of medieval bindings, smooth spine, first cover illustrated with a reproduction of a woodcut, one lower corner slightly bumped.
    Work illustrated with reproductions of woodcuts and engraved initials.
    Three margin restorations to three leaves using adhesive pieces, stains and two blue ballpoint pen reading marks in margins of one leaf.
    €450
  32. La couleurLa couleur
    COLLECTIF

    La couleur

    Time-Life international|Paris 1972|20.50 x 29.50 cm|reliure de l'éditeur
    First edition in French.
    Handsome copy.
    Publisher's grey paper boards, black cloth spine slightly faded, illustrated front cover.
    Rich iconography.
    €60
  33. Les Bas bleusLes Bas bleus
    Jules BARBEY D'AUREVILLY

    Les Bas bleus

    Victor Palmé • G. Lebrocquy|Paris • & Bruxelles [Brussels] 1878|12 x 18.50 cm|relié
    First edition.
    Half mustard yellow shagreen binding with corners, spine with five raised bands decorated with blind-tooled compartments, black morocco title and volume labels, gilt date at foot, gilt fillets on marbled paper boards, combed paper endpapers and pastedowns, top edge gilt on deckled edges. Some very slight rubbing to headcaps, corners and on title and volume labels.
    Reading marks in blue pencil in margins of the last three pages.
    Autograph inscription signed by Jules Barbey d'Aurevilly "à Monsieur Charles Buet / écriture déguisée pour cette plume moderne, mais sentiment vrai toujours".
    Provenance: from the library of P. Tissot with his stamp...
    €1,500
  34. Lithographie originale en couleurs : "Illustrated Pall Mall Budget" - Les Maîtres de l'Affiche - planche 24Lithographie originale en couleurs : "Illustrated Pall Mall Budget" - Les Maîtres de l'Affiche - planche 24
    Maurice GREIFFENHAGEN

    Lithographie originale en couleurs : "Illustrated Pall Mall Budget" - Les Maîtres de l'Affiche - planche 24

    Les Maîtres de l'Affiche - imprimerie Chaix|Paris 1896|29 x 39.90 cm|une affiche lithographiée sur vélin fin

    Original color lithograph printed on fine laid paper. Dry stamp of the printer at bottom right of the plate.
    A few tiny pinholes at the four corners and in the upper margin of the poster, without consequence.
    Superb French monthly publication, Maîtres de l'Affiche, appeared between 1895 and 1900 on the initiative of Jules Chéret.
    Each issue of the review includes four posters reproduced in bell format and in chromolithography, each presenting a dry stamp of authentication.
    Very handsome copy of this poster by the English painter Maurice Greiffenhagen for the review Illustrated Pall Mall Budget.

    €200
  35. Lithographie originale en couleurs : "Advertising - The Sun gives best results" - Les Maîtres de l'Affiche - planche 8Lithographie originale en couleurs : "Advertising - The Sun gives best results" - Les Maîtres de l'Affiche - planche 8
    Louis John RHEAD

    Lithographie originale en couleurs : "Advertising - The Sun gives best results" - Les Maîtres de l'Affiche - planche 8Original color lithograph: "Advertising - The Sun gives best results" - Les Maitres de l'Affiche - plate 38

    Les Maîtres de l'Affiche - imprimerie Chaix|Paris 1896|29 x 39.90 cm|une affiche lithographiée sur vélin fin
    Original color lithograph: "Advertising - The Sun gives best results" - Les Maîtres de l'Affiche - plate 38

    Les Maîtres de l'Affiche – imprimerie Chaix | Paris 1896 | plate: 29 x 39.9 cm | frame: 38 x 43.5 cm | framed lithograph poster on vélin fin paper

    Original color lithograph on vélin fin paper. Printer's embossed stamp to lower right of plate.
    A superb French monthly publication, the Maîtres de l'Affiche [Masters of the Poster Form] appeared from 1895 to 1900 under the aegis of Jules Chéret.
    Each number of the review included four reproductions of posters in cloche format (30 x 40 cm), chromolithographed with an embossed stamp for authentification.
    A...
    €300
  36. Fragments recto verso des psaumes pénitentielsFragments recto verso des psaumes pénitentiels

    Fragments recto verso des psaumes pénitentiels

    fin XVe- début XVIe s.|12.20 x 16.70 cm|feuillet sur parchemin

    Recto verso fragments of a manuscript book of hours on parchment with sumptuously illuminated full-page borders. This division into compartments of the ornaments is representative of the production of Rouen and Parisian workshops at the turn of the 16th century.



    Two illuminated pages on a recto verso leaf: border divided into bands and fleur-de-lis decorated with floral motifs and scrollwork, gilt initials painted in alternating red and blue and rubrications.
    The richness of the illumination characterizes these liturgical books intended for laypeople. Books of hours were at the time jewels of piety, both an instrument of religious practice and a...

    €800
  37. Les sept femmes de Barbe Bleue et autres contes merveilleuxLes sept femmes de Barbe Bleue et autres contes merveilleux
    Sylvain SAUVAGE, Anatole FRANCE

    Les sept femmes de Barbe Bleue et autres contes merveilleux

    A. & G. Mornay|Paris 1925|15 x 20.50 cm|relié
    Illustrated edition with original woodcuts in black and colors by Sylvain Sauvage, one of 878 numbered copies on Rives paper.
    Half navy blue morocco binding with corners, spine with four raised bands, gilt date at foot, marbled paper boards, moiré paper endpapers and pastedowns, covers and spine preserved, top edge gilt, contemporary binding signed Saulnier.
    Handsome copy beautifully bound.






    €400
  38. La belle au bois dormant.  - La barbe bleue. - CendrillonLa belle au bois dormant.  - La barbe bleue. - Cendrillon
    Henry LEMARIE, Charles PERRAULT

    La belle au bois dormant. - La barbe bleue. - Cendrillon

    Jean Porson|Paris 1948-1950|16 x 24.50 cm|3 volumes en feuilles
    First printing of the 109 color miniatures by Henry Lemarié, one of the numbered copies on Rives laid paper for each volume.
    Small traces of soiling on the inner flaps of the slipcases which also have small paper lacks to the corners.
    Handsome and rare set, lacking three of its slipcases, which was originally intended to comprise six tales but of which only three were published.


    €250
  39. Algèbre des valeurs moralesAlgèbre des valeurs morales
    (to Pablo PICASSO) Marcel JOUHANDEAU

    Algèbre des valeurs morales

    Gallimard|Paris 1935|12 x 19 cm|broché
    First edition, an advance copy.
    Spine and covers lightly soiled without significance.
    Very precious autograph inscription signed by Marcel Jouhandeau: "Pour Pablo Picasso avec mon souvenir ému. Marcel Jouhandeau." ["For Pablo Picasso with my fond remembrance. Marcel Jouhandeau."]
    €1,800
  40. La forêt bleueLa forêt bleue
    Jean LORRAIN

    La forêt bleue

    Alphonse Lemerre|Paris 1882|12 x 18.50 cm|relié
    First edition printed on laid paper.
    Half navy blue morocco-grained shagreen binding, spine with five raised bands, date at foot, top edge gilt, binding signed Goy & Vilaine.
    Precious and handsome autograph inscription signed by Jean Lorrain: " A Charles Maurras aëde de la mer thyrenienne (sic), un bohémien de forêt bleue"
    €1,700
  41. Le cahier rose de madame ChrysanthèmeLe cahier rose de madame Chrysanthème
    Félix REGAMEY

    Le cahier rose de madame Chrysanthème

    Bibliothèque artistique & littéraire|Paris 1894|17.50 x 22.50 cm|broché
    First edition, one of 10 numbered copies on Holland paper, head print after 10 China and 12 Japan.
    Book decorated with original illustrations by the author.
    Our copy, as stipulated in the justification of the print, is very complete with the double state of the frontispiece.
    Rare and pleasant copy at all margins.
    €500
  42. JournalJournal
    Paul KLEE

    Journal

    Grasset|Paris 1959|13.50 x 20.50 cm|broché
    First edition of the French translation established by Pierre Klossowski, one of 26 numbered copies on alfa paper, the only deluxe copies.
    Handsome copy despite slight loss of blue on the first cover.

    €500
  43. Entretiens avec Georges CharbonnierEntretiens avec Georges Charbonnier
    André MASSON

    Entretiens avec Georges Charbonnier

    Julliard|Paris 1958|12 x 18.50 cm|broché
    First edition, one of 30 numbered copies on pur fil du Marais paper, the only deluxe copies with a few hors commerce copies on the same paper.
    Preface by Georges Limbour, work illustrated with 8 hors-texte drawings by André Masson.
    Handsome copy.

    €180
  44. Works on paper & sculptureWorks on paper & sculpture
    COLLECTIF, Antoni TÀPIES

    Works on paper & sculpture

    Waddington galleries|London 2005|18.50 x 23.50 cm|broché
    First edition of this catalog of the exhibition held at the "Waddington galleries" from March 16 to April 16, 2005.
    Beautiful illustrated copy of 33 reproductions of works by Antoni Tapies.
    Signed autograph dedication of Antoni Tapies, in French, to his friend Georges (Raillard), who was director of the French Institute of Barcelona and great specialist of the work of Antoni Tapies, and his wife Alice.
    €400
  45. Goupi mains rougesGoupi mains rouges
    Pierre VÉRY

    Goupi mains rouges

    Gallimard|Paris 1946|12 x 19 cm|broché
    First edition for which it was not drawn from great papers, one of the review copies service.
    Small gaps in the head and foot of the back, an angular lack at the foot of the second flat, name written in the pen at the head of the first guard.
    Signed autograph of Pierre Véry to a friend named Joëlle: "... this attempt at romantic detective novel" on a piece of the bibliography page of Pierre Véry from another book and which was pasted on the first guard.
    €150
  46. Dessin original signé au fusain et rehauts de gouache : danseuse de cabaret et petit clown Dessin original signé au fusain et rehauts de gouache : danseuse de cabaret et petit clown
    Georges TOURNON

    Dessin original signé au fusain et rehauts de gouache : danseuse de cabaret et petit clown

    Paris 1932|15 x 9.50 cm|une feuille
    Original drawing of the painter and draftsman Georges Tournon, in charcoal enhanced with gouache, signed "G. Tournon Feast of the Throne Paris 1932".
    "Georges Tournon was to be a Parisian artist who had acquired a certain dexterity in the art of chewing the street people, he had a real predilection to identify and draw from the nature of characters misery among the two wars: tramps curled up by the cold and hunger, couples of old people sitting on a bench, stray wanderers ... he associated with those excluded "at the end of the roll", sellers of "almost nothing", which, against a few cents, yielded to the passers-by flowers, mimosa, feather duster ... or played the...
    €380
  47. Nuage rougeNuage rouge
    Christian GAILLY

    Nuage rouge

    Les Editions de Minuit|Paris 2000|14 x 19 cm|broché
    First edition, one of 47 numbered copies on Vizille laid paper, the only deluxe copies.
    Handsome copy.
    €80
  48. Ceci est la couleur de mes rêves. Entretiens avec Georges RaillardCeci est la couleur de mes rêves. Entretiens avec Georges Raillard
    Joan MIRÓ

    Ceci est la couleur de mes rêves. Entretiens avec Georges Raillard

    Seuil|Paris 1977|18.50 x 26 cm|broché
    First edition, one of 65 numbered copies on Arches laid paper, the only deluxe copies.
    Small tears without loss to margins of some leaves in the very first signatures, otherwise a handsome copy with full margins.
    Our copy lacks the original etching by Joan Miro that should be present in all copies on Arches laid paper.
    €200
  49. Ceci est la couleur de mes rêves - Entretiens avec Georges RaillardCeci est la couleur de mes rêves - Entretiens avec Georges Raillard
    Joan MIRÓ, Georges RAILLARD

    Ceci est la couleur de mes rêves - Entretiens avec Georges Raillard[This Is the Colour of My Dreams – Conversations with Georges Raillard]

    Seuil|Paris 1977|15.50 x 24 cm|broché
    First edition on ordinary paper.
    Illustrations, nice copy.
    Handsome autograph inscription signed by Joan Miro to his friend and "compagnon de travail" Georges Raillard.
    €1,500
  50. Les raisins vertsLes raisins verts
    Pierre-Henri SIMON

    Les raisins verts

    Seuil|Paris 1956|13.50 x 19.50 cm|broché
    First Edition, one of 355 numbered copies on Alfa paper, head print after 30 white vellum.
    Nice copy despite a small tear in the back.
    Signed autograph of Pierre-Henri Simon to Jean Bardet, co-founder with Paul Flamand editions of Seuil.
    €120
  51. Or dans la nuitOr dans la nuit
    Jean GIRAUDOUX

    Or dans la nuit

    Grasset|Paris 1969|12.50 x 20 cm|broché
    First edition in volume of these chronicles and literary prefaces published between 1910 and 1943, one of 39 numbered copies on Madagascar paper, ours one of 14 hors commerce copies, deluxe issue.
    Handsome copy.
    €150
  52. L'année des trois 000L'année des trois 000
    Roberto Antonio Sébastian MATTA

    L'année des trois 000

    Sistan Edition Limited|Lugano 2000|27 x 34 cm|reliure de l'éditeur
    First edition.
    Publisher's binding, covers illustrated.
    Illustrated with with reporductions of Sebastian Matta's works.
    A nice copy.
    Autograph inscription dated and signed by Sebastian Matta with an original drawing.
    €1,500
  53. Vue d'optique - Décoration du feu d'artifice tiré à Londres en réjouissance de la paix en 1763Vue d'optique - Décoration du feu d'artifice tiré à Londres en réjouissance de la paix en 1763

    Vue d'optique - Décoration du feu d'artifice tiré à Londres en réjouissance de la paix en 1763

    Chez Mondhare (1734-1799)|Paris circa 1765|32 x 46 cm|une feuille
    Original engraving. Optical view enhanced in watercolor, depicting a view of the fireworks display at Green Park, London in celebration of peace in 1763
    Optical views, also called views, perspectives or "mondo nuovo", are engravings very much in vogue between the end of the 18th and early 19th centuries. They were intended to be observed through a set of several mirrors or by means of a Zygrascope, an instrument consisting of a mirror and a lens. Optical views can be considered as the precursors of three-dimensional images and stereoscopes which enjoyed great success from the 19th century onwards. Optical views seem to appear in the 1740s and were salon entertainments. The process was...
    €230
  54. La terre cette couleurLa terre cette couleur
    Jean-Gabriel COSCULLUELA, Anne SLACIK

    La terre cette couleur

    Atelier du hanneton|Paris 2002|13 x 21.50 cm|broché
    First edition, one of 250 numbered copies, the only printing.
    Illustrated work with an original engraving by Anne Slacik as frontispiece.
    Rare and handsome copy retaining its original crystal.
    €60
  55. Le vert paradis - Exemplaire de Paul ValéryLe vert paradis - Exemplaire de Paul Valéry
    Victoria OCAMPO (inscribed to Paul VALÉRY)

    Le vert paradis - Exemplaire de Paul Valéry[The Green Paradise – Copy from Paul Valéry’s Library]

    Lettres françaises|Buenos Aires 1945|11.50 x 18 cm|broché
    first edition, on current paper, of the French translation.
    A precious autographed and signed copy of Victoria Ocampo: "To Paul Valéry, this little book - a testimony of my love for France - has nothing to say to her from the literary point of view, with admiration, friendship and so much desire To see him again Victoria Ocampo Mar del Plata February 1945. "
    A small tear and slight marginal bites on the second board.
    €1,200
  56. La mouche bleueLa mouche bleue
    Marcel AYMÉ

    La mouche bleue

    Gallimard|Paris 1957|12 x 19 cm|broché
    first edition, one of the review copies service.
    Autograph signed by Marcel Aymé to Jean Blanzat.
    Restored cover.
    €200
  57. Vue d'Italie : Marine animée à la tour carrée Vue d'Italie : Marine animée à la tour carrée
    Jean-Baptiste TIERCE (Donatien Alphonse François de SADE)

    Vue d'Italie : Marine animée à la tour carrée Italian scene: animated seaside with square tower

    S. n.|s. l. (Circa 1776)|40 x 50 cm|une feuille encadrée
    Italian scene: animated seaside with square tower

    Original pencil drawing showing an animated seaside scene.

    Modern black wooden frame.

    A drawing done during the journey the artist undertook with Sade in 1776.

    Jean-Baptiste Tierce (1737-1794), who studied at the School of Fine Arts in Rouen and subsequently at the Academy of Painting and Sculpture in Paris, quickly built a reputation as a landscapist for his views of the South of France and Italy. His paintings are in the Uffizi in Florence and several French museums. When, in December 1775, Sade left Rome for Naples, he was welcomed by the son-in-law of his...
    €2,300
  58. Le deuil des rosesLe deuil des roses
    André PIEYRE DE MANDIARGUES

    Le deuil des roses

    Gallimard|Paris 1983|14.50 x 21.50 cm|broché
    First edition for most of the text, one of 43 numbered copies on Holland paper, deluxe copy.
    Bookplates pasted on an endpaper.
    Handsome copy.
    .
    €350
  59. L'ami des peintresL'ami des peintres
    Francis CARCO

    L'ami des peintres

    Editions du milieu du monde|Genève [Geneva] 1944|12.50 x 19.50 cm|broché
    First edition, one of 15 numbered copies on Montval laid paper, deluxe copy.
    A handsome copy.
    €300
  60. La robe mauve de ValentineLa robe mauve de Valentine
    Françoise SAGAN

    La robe mauve de Valentine

    Julliard|Paris 1963|12.50 x 19.50 cm|broché
    First edition, one of 50 numbered copies on Arches paper, deluxe copies.
    Nice copy.
    €480
  61. Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)
    Georges ROBERT

    Costumes parisiens. Robe de satin violet à ceinture pourpre et ornée d'un grand ruban broché de fleurs de velours (pl.106, Journal des Dames et des Modes, 1913 n°47)

    S. n.|Paris 1913|14 x 22.50 cm|une feuille
    original print finely enhanced color to gold, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn in 1279 copies...
    €70
  62. Costumes parisiens. Robe de mousseline de soie brodée et soutachée ouverte bordée de Skungs. Costume d'enfant en Ottoman corail rose bordé de cygne  (pl.41, Journal des Dames et des Modes, 1912 n°21)Costumes parisiens. Robe de mousseline de soie brodée et soutachée ouverte bordée de Skungs. Costume d'enfant en Ottoman corail rose bordé de cygne  (pl.41, Journal des Dames et des Modes, 1912 n°21)
    Armand VALLEE

    Costumes parisiens. Robe de mousseline de soie brodée et soutachée ouverte bordée de Skungs. Costume d'enfant en Ottoman corail rose bordé de cygne (pl.41, Journal des Dames et des Modes, 1912 n°21)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    €80
  63. Costumes parisiens. Robe de petite fille en crêpe de chine bleu fleuri (pl.137, Journal des Dames et des Modes, 1914 n°61)Costumes parisiens. Robe de petite fille en crêpe de chine bleu fleuri (pl.137, Journal des Dames et des Modes, 1914 n°61)
    Marie-Madeleine FRANC-NOHAIN

    Costumes parisiens. Robe de petite fille en crêpe de chine bleu fleuri (pl.137, Journal des Dames et des Modes, 1914 n°61)

    S. n.|Paris 1914|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    A small spot in the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to...
    €50
  64. Costumes parisiens. Robe de thé en velours aubergine ocellé d'oeils de Paon. Fourreau gris d'acier. Turban aigretté d'un lophophore (pl.24, Journal des Dames et des Modes, 1912 n°14)Costumes parisiens. Robe de thé en velours aubergine ocellé d'oeils de Paon. Fourreau gris d'acier. Turban aigretté d'un lophophore (pl.24, Journal des Dames et des Modes, 1912 n°14)
    Roger BRODERS

    Costumes parisiens. Robe de thé en velours aubergine ocellé d'oeils de Paon. Fourreau gris d'acier. Turban aigretté d'un lophophore (pl.24, Journal des Dames et des Modes, 1912 n°14)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    €70
  65. Costumes parisiens. Robe et toque de velours de soie vert de mer bordées d'hermine (pl.29, Journal des Dames et des Modes, 1912 n°17)Costumes parisiens. Robe et toque de velours de soie vert de mer bordées d'hermine (pl.29, Journal des Dames et des Modes, 1912 n°17)
    Roger BRODERS

    Costumes parisiens. Robe et toque de velours de soie vert de mer bordées d'hermine (pl.29, Journal des Dames et des Modes, 1912 n°17)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, printed on laid paper, signed lower left of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies making it, for the...
    €70
  66. Costumes parisiens. Manteau de fillette en velours bleu garni de Skungs. Guêtres de Suède blanc (pl.34, Journal des Dames et des Modes, 1912 n°19)Costumes parisiens. Manteau de fillette en velours bleu garni de Skungs. Guêtres de Suède blanc (pl.34, Journal des Dames et des Modes, 1912 n°19)
    Suzanne SESBOÜE

    Costumes parisiens. Manteau de fillette en velours bleu garni de Skungs. Guêtres de Suède blanc (pl.34, Journal des Dames et des Modes, 1912 n°19)

    S. n.|Paris 1912|14 x 22.50 cm|une feuille
    original print in color, enhanced palladium, printed on laid paper, signed lower right of the board.
    One of the first French fashion magazines, published a few days before the famous Gazette fashionable and bringing together the greatest French artists of the Art Deco movement.
    The Journal ladies and modes is a trimensuelle illustrated French fashion magazine created in 1797. Its publication was stopped in 1839 before being taken in June 1912 under the leadership of Tommaso Antongini, secretary, friend and biographer of Gabriele 'Annunzio. It will disappear in August 1914 on the eve of the First World War.
    The review was drawn to 1279 copies...
    €60
  67. Aux couleurs de RomeAux couleurs de Rome
    Valery LARBAUD

    Aux couleurs de Rome[In the Colours of Rome]

    Nrf|Paris 1938|12 x 19 cm|broché
    First edition, one of 35 numbered copies on "pur-fil" paper, head print.
    Pleasant copy despite two very slight insolations without gravity in the head and foot of the back.
    €1,000
  68. CouleursCouleurs
    Jean LAUEFFER, Remy de GOURMONT

    Couleurs

    Editions de La Chimère|Bruxelles [Brussels] 1923|14.50 x 19.50 cm|broché
    Edition with 32 original woodcuts by Jean Laueffer, one of 800 numbered copies on vélin du marais paper.
    A good copy.
    €40
  69. Le marronnierLe marronnier
    André PIEYRE DE MANDIARGUES

    Le marronnier

    Mercure de France|Paris 1968|12 x 21.50 cm|broché
    First edition, one of 100 numbered copies on vélin Madagascar paper, the tirage de tête.
    A good copy.
    €150
  70. La Jeune Fille aux joues roses. Chapeau, de Camille Roger (pl.35, La Gazette du Bon ton, 1921 n°5)La Jeune Fille aux joues roses. Chapeau, de Camille Roger (pl.35, La Gazette du Bon ton, 1921 n°5)
    EBEL (Camille ROGER)

    La Jeune Fille aux joues roses. Chapeau, de Camille Roger (pl.35, La Gazette du Bon ton, 1921 n°5)

    Lucien Vogel éditeur|Paris 1921|18 x 24 cm|une feuille
    Original color print, printed on vergé paper, signed in the plate.

    An original print used to illustrate the Gazette du bon ton, one of the most attractive and influential 20th century fashion magazines, featuring the talents of French artists and other contributors from the burgeoning Art Deco movement.

    A celebrated fashion magazine established in 1912 by Lucien Vogel, La Gazette du bon ton appeared until 1925, with a hiatus from 1915 to 1920 due to the war (the editor-in-chief having been called up for service). It consisted of 69 issues printed in only 2,000 copies each and notably illustrated with 573 color plates and 148 sketches of the models of the great...
    €70
  71. La nuit du rose-hôtelLa nuit du rose-hôtel
    Maurice FOURRÉ

    La nuit du rose-hôtel

    Gallimard|Paris 1950|12 x 19 cm|broché
    First edition on ordinary paper.
    Autograph inscription from Maurice Fourré to the Professeur Georges Blin.
    Spine slightly faded as usual.
    €250
  72. Le livre rose, récits et causeries de jeunes femmesLe livre rose, récits et causeries de jeunes femmes
    George SAND, COLLECTIF

    Le livre rose, récits et causeries de jeunes femmes

    Urbain Canel • Adolphe Guyot|Paris 1834|13 x 19.50 cm|4 volumes reliés
    The rare first edition.
    Bound in contemporary half mottled sheep with small corners, smooth spines decorated with gilt fillets, raciné paper boards, contemporary bindings.
    One joint partially cracked, a discreet dampstain to inner margin of volume 2, occasional light foxing. A narrow-margined copy.
    Provenance: from the library of Tegernsee castle, property of Prince Charles-Theodore of Bavaria (1795-1875). Charles-Theodore of Bavaria, son of the first King of Bavaria Maximilian I, was "Generalfeldmarschall" and privy councillor to the King of Bavaria (Stamp "S.K.H.D Prinzen Carl V. Bayern Güter Administration Tegernsee").
    A rare copy, of princely provenance, in strictly...
    €600
  73. Rose des ventsRose des vents
    Marc CHAGALL, Philippe SOUPAULT

    Rose des vents

    Au sans pareil|Paris 1929|13 x 19.50 cm|broché
    First edition, one of 1000 numbered copies on alfa paper, the only printing with 9 on Japan paper and 31 on Hollande paper.
    Surprising autograph inscription dated and signed by Philippe soupault " A Laurent Tailhade en témoignage de mon admiration."
    With 4 drawings by Marc Chagall.
    Two tears glued to head and foot of a joint, spine and covers slightly and marginally sunned as usual.
    €750
  74. La rose publiqueLa rose publique
    Paul ÉLUARD

    La rose publique

    Gallimard|Paris 1934|12 x 19 cm|broché
    First edition, one of 1,450 numbered copies on vélin d'Arches paper, the only large paper copies after 50 on pur fil.
    Handsome autograph inscription signed by Paul Eluard to his friend Léo Malet.
    Spine slightly and insignificantly sunned.
    €1,500
  75. Traité des feux d'artifice pour le spectacleTraité des feux d'artifice pour le spectacle
    Amédée François FREZIER

    Traité des feux d'artifice pour le spectacle

    Chez Charles Antoine Jombert|à Paris 1747|12 x 20 cm|relié

    The finest edition of this work, augmented and enriched by the author, whose original appeared in 1706. The author explains the interest of this new revised edition in a foreword. One frontispiece, 3 fine title vignettes by Cochin and 13 folding plates (the 1741 edition contained only 8). Explanations of the plates and vignettes after the table of contents.


    Full marbled and glazed blonde calf binding. Decorated spine with raised bands. Red morocco title label. Head worn, tail torn and largely missing from the last compartment. Paper of fine freshness, free from foxing. Despite the binding defects, fairly good copy.

    €950
  76. Bleu comme la nuitBleu comme la nuit
    François NOURISSIER

    Bleu comme la nuit

    Grasset|Paris 1958|12 x 19 cm|broché
    First edition, one of 32 numbered copies on pur fil paper, the only large paper copies.
    Spine very slightly faded, not serious, a trace of fold to foot of upper cover.
    €200
  77. Le mariage des couleursLe mariage des couleurs
    Maurice BEDEL

    Le mariage des couleurs

    Gallimard|Paris 1951|12 x 19 cm|broché
    First edition, one of 130 numbered copies on pur fil paper, the only large paper copies.
    A very good copy.
    €50
  78. L'argentL'argent
    Charles PÉGUY

    L'argent

    Cahiers de la Quinzaine|Paris 1913|12.50 x 19 cm|relié
    First edition on ordinary paper
    Contemporary half mint-green cloth Bradel binding over marbled paper boards, spine with gilt floral motif, dark brown morocco titlepiece (lightly rubbed), double gilt fillet to foot, covers (with slight angular lacks) preserved
    Rare autograph inscription by Charles Péguy to Monsieur Saffrey : "Mardi 4 Mars 1913, je suis votre fidèle dévoué Péguy [Tuesday 4 March 1913, I am your faithfully devoted Péguy]." Paper yellowed as usual.
    €3,000
  79. Couleur de pluieCouleur de pluie
    Jean SASSE, Xavier COLLET

    Couleur de pluie

    Lib. de l'Harmonie|Anvers [Antwerp] 1939|24.50 x 32 cm|broché
    First edition, one of 25 numbered copies on Ingres paper, the deluxe copies after 3 Japan and 25 other Ingres.
    Our copy, as stipulated in the justification page, is complete with its offprint which consists of an illustration.
    Illustrations hors-texte by Xavier Collet.
    Signatures of the author and illustrator on the justification page.
    Handsome copy.
    €150
  80. L'arc-en-cielL'arc-en-ciel
    David Herbert LAWRENCE

    L'arc-en-ciel

    Gallimard|Paris 1939|14 x 20.50 cm|broché
    First edition of the French translation, one of 75 numbered copies on alfa, the only large paper copies.
    A very good copy.
    €150
  81. Art de la verrerie, de Neri, Merret et Kunckel auquel on a ajouté le Sol Sine Veste d'Orschall ; l'Helioscopium videndi sine veste solem chymicum ; le Sol non sine veste ; le chapitre XI du Flora saturnizans de Henckel sur la vitrification des végétaux ; un mémoire sur la manière de faire le saffre ; le secret des vraies porcelaines de Chine et de Saxe. Ouvrages où l'on trouvera la manière de faire le verre et le crystal, d'y porter des couleurs, d'imiter les pierres précieuses, de préparer et colorer les émaux, de faire la potasse, de peindre sur le verre, de préparer des vernis, de composer des couvertes pour les fayances et poteries, d'extraire la couleur pourpre de l'or, de contrefaire les rubis, de faire le saffre, de faire et peindre les porcelaines, etc. Art de la verrerie, de Neri, Merret et Kunckel auquel on a ajouté le Sol Sine Veste d'Orschall ; l'Helioscopium videndi sine veste solem chymicum ; le Sol non sine veste ; le chapitre XI du Flora saturnizans de Henckel sur la vitrification des végétaux ; un mémoire sur la manière de faire le saffre ; le secret des vraies porcelaines de Chine et de Saxe. Ouvrages où l'on trouvera la manière de faire le verre et le crystal, d'y porter des couleurs, d'imiter les pierres précieuses, de préparer et colorer les émaux, de faire la potasse, de peindre sur le verre, de préparer des vernis, de composer des couvertes pour les fayances et poteries, d'extraire la couleur pourpre de l'or, de contrefaire les rubis, de faire le saffre, de faire et peindre les porcelaines, etc.
    Antonio NERI, Christopher MERRETT

    Art de la verrerie, de Neri, Merret et Kunckel auquel on a ajouté le Sol Sine Veste d'Orschall ; l'Helioscopium videndi sine veste solem chymicum ; le Sol non sine veste ; le chapitre XI du Flora saturnizans de Henckel sur la vitrification des végétaux ; un mémoire sur la manière de faire le saffre ; le secret des vraies porcelaines de Chine et de Saxe. Ouvrages où l'on trouvera la manière de faire le verre et le crystal, d'y porter des couleurs, d'imiter les pierres précieuses, de préparer et colorer les émaux, de faire la potasse, de peindre sur le verre, de préparer des vernis, de composer des couvertes pour les fayances et poteries, d'extraire la couleur pourpre de l'or, de contrefaire les rubis, de faire le saffre, de faire et peindre les porcelaines, etc.

    Chez Durand, Pissot|à Paris 1752|19.50 x 26 cm|relié

    First edition, translated from German by Baron d'Holbach, illustrated with a frontispiece and 15 folding copperplate engravings.



    Contemporary full calf binding. Decorated spine with raised bands. Red morocco title label. Headcaps worn with visible endbands. Joint of lower board cracked at head over first two compartments. Surface wear with losses to upper board. Two corners slightly bumped. Title label renewed.



    Compilation of several works on glassmaking assembled and translated by Baron d'Holbach (his preface presents the different authors), notably the important treatise by Neri (1612) who first published the method of making colored glass, crystal...

    €1,500
  82. La porte verte et De Noël à PâquesLa porte verte et De Noël à Pâques
    Jules COUGNARD

    La porte verte et De Noël à Pâques

    A. Jullien|Genève [Geneva] 1929|14.50 x 19 cm|relié
    First edition, one of 5 numbered copies on Japan paper, deluxe copy.
    Half mint green morocco with corners, spine with five raised bands set with gilt fillets and decorated with triple gilt compartments, date at foot, gilt fillet frames on marbled paper boards, marbled endpapers and pastedowns, covers and spine preserved, bookplate pasted on endpaper, top edge gilt, elegant binding signed by Semet & Plumelle.
    Rare and very handsome copy in perfect condition.
    Provenance: from Albert Natural's collection of French Swiss poets which he assembled from the nineteen twenties.
    €350
  83. DESCRIPTION DE L'EGYPTE.  Désert arabique. Carte d'une partie des déserts situés entre Syout et la Mer rouge, Vue de Gebel Ghâreb. (ETAT MODERNE, volume II, planche 100)DESCRIPTION DE L'EGYPTE.  Désert arabique. Carte d'une partie des déserts situés entre Syout et la Mer rouge, Vue de Gebel Ghâreb. (ETAT MODERNE, volume II, planche 100)
    RAFFENEAU DELILE, SEMEN (sculpsit)

    DESCRIPTION DE L'EGYPTE. Désert arabique. Carte d'une partie des déserts situés entre Syout et la Mer rouge, Vue de Gebel Ghâreb. (ETAT MODERNE, volume II, planche 100)

    Imprimerie Impériale|Paris 1809-1829|71 x 53.50 cm|une feuille
    Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.

    Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

    €100
  84. DESCRIPTION DE L'EGYPTE.  Thèbes. Bybân el Molouk. Statues et fragments de granit noir et de granit rouge trouvés dans les tombeaux des rois à l'ouest, Couvercles de vases trouvés dans les hypogées. (ANTIQUITES, volume II, planche 81)DESCRIPTION DE L'EGYPTE.  Thèbes. Bybân el Molouk. Statues et fragments de granit noir et de granit rouge trouvés dans les tombeaux des rois à l'ouest, Couvercles de vases trouvés dans les hypogées. (ANTIQUITES, volume II, planche 81)
    Jean-Baptiste Prosper JOLLOIS, Edouard DEVILLIERS (delineavit)

    DESCRIPTION DE L'EGYPTE. Thèbes. Bybân el Molouk. Statues et fragments de granit noir et de granit rouge trouvés dans les tombeaux des rois à l'ouest, Couvercles de vases trouvés dans les hypogées. (ANTIQUITES, volume II, planche 81)

    Imprimerie Impériale|Paris 1809-1829|71 x 53.50 cm|une feuille
    Original, unshaved, full-page etching from the “Imperial edition” of the Description de l'Égypte, or ‘Recueil des observations et recherches faites en Égypte pendant l'expédition française, publié par les ordres de Sa Majesté l'Empereur Napoléon le Grand [A Collection of the observations and research carried out in Egypt during the French expedition, published on the orders of his Majesty the Emperor Napoleon the Great]'.

    Produced between February 1802 and 1830 on the orders of Naopleon Bonaparte and published between 1809 and 1828, 1,000 copies were printed and distributed to institutions, on vergé paper with an 'Égypte ancienne et moderne' watermark, visible when held up to the light.

    €150
  85. La chambre bleue, nouvelle dédiée à madame de la RhuneLa chambre bleue, nouvelle dédiée à madame de la Rhune
    Prosper MÉRIMÉE

    La chambre bleue, nouvelle dédiée à madame de la Rhune

    Lib. de la Place de la Monnaie|Bruxelles [Brussels] 1872|14.50 x 23.50 cm|relié
    Second edition, the first having been printed in only 3 copies, this one of 100 copies on vergé paper, the only printing with 9 on China and 20 on Hollande.
    Contemporary Bradel binding in half indigo paper over marbled paper boards, spine with double gilt fillets, head of spine slightly rubbed.
    Small wormholes to endpapers, otherwise internally good.
    Rare.
    €1,200
  86. Lettres des îles BaladarLettres des îles Baladar
    Jacques PRÉVERT

    Lettres des îles Baladar[Letters from the Baladar Islands]

    Gallimard|Paris 1952|26 x 18 cm|reliure de l'éditeur

    First edition, with no deluxe copies issued, of this children’s book designed in the form of a tourist postcard from the Baladar Islands to be sent to friends.

    Publisher’s pictorial boards.
    Illustrated with drawings by André François.

    Inevitable rubbing to the spine, owing to Jacques Prévert’s practice of sending inscribed copies of this work through the post; a small dampstain to the right-hand margin of a few leaves.

    Signed and dated presentation inscription in felt-tip pen by Jacques Prévert: "Vive l'amitié Jacques Prévert Paris de printemps 1958" enhanced with an original drawing in green, yellow and red coloured pencil depicting a flower accompanied by...

    Sold
  87. Lettre à la dame aux gants bleusLettre à la dame aux gants bleus
    André BRETON

    Lettre à la dame aux gants bleus

    Détours|Paris 1993|13.50 x 21.50 cm|en feuilles
    Sold
  88. Suites N°3Suites N°3
    Wifredo LAM

    Suites N°3

    Galerie Krugier|Genève [Geneva] 1963|24.50 x 32.50 cm|en feuilles
    Sold
  89. Les vertes collines de l'AfriqueLes vertes collines de l'Afrique
    Ernest HEMINGWAY

    Les vertes collines de l'AfriqueGreen Hills of Africa

    Gallimard|Paris 1937|12 x 19 cm|broché
    First edition of the French translation, one of 55 numbered copies on afla paper, this copy one of 15 hors commerce, only deluxe copies (grands papiers).
    Rare and handsome copy.
    Sold
  90. Rouge, hebdomadaire d'action communiste N°251 "Pas de chèque en blanc à Mitterrand ! "Rouge, hebdomadaire d'action communiste N°251 "Pas de chèque en blanc à Mitterrand ! "
    Alain KRIVINE, COLLECTIF

    Rouge, hebdomadaire d'action communiste N°251 "Pas de chèque en blanc à Mitterrand ! "

    Rouge|Paris 19 Avril 1974|29 x 43.50 cm|une feuille
    Sold
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